Imitation And Text Relationships In Tomás Luis De Victoria's Missa O Magnum Mysterium, Natasha Ann Monroe

Master's Theses

Unusual musical relationships surrounding the compositions of Tomás Luis de Victoria have intrigued scholars for decades, but their purpose remains hidden. Robert Stevenson has suggested that textual connections can be found alongside these musically similar passages. I revisit this suggestion by analyzing an imitation mass by Victoria: Missa O magnum mysterium based on his motet O magnum mysterium. When trying to understand any intentional textual connections, it is necessary to consider the composer's broad perspective. In the case of Missa O magnum mysterium, the logical starting points are Victoria's life-long involvement with the Catholic Church and the feast …

The Sound Of Young America/The Soul Of Young America: A Sonic Rhetoric Inquiry Into 1965 And The Music Defining A Generation In Crisis, Jessica Dyche

All Dissertations

The Sound of Young America/The Soul of Young America: A Sonic Rhetoric Inquiry into 1965 and the Music Defining a Generation In Crisis builds a case for sonic rhetoric theory that sees sonic rhetoric move outside of pedagogy, becoming a valuable tool for rhetorical analysis outside the classroom. To this end, The Sound of Young America/The Soul of Young America employs sonic rhetoric concepts and methodology grounded in cultural rhetorics, social history, and sociomusicology to inquire into the cultural and social relevancy of rock music, specifically to this project, in 1965. Sonic rhetoric sees sound and music as underexplored, but …

Songs Through Statues: The Mask Of Sorrow For Baritone, Accordion, Guitar, Piano & Wind Duo, Alexander T. Schmidt

Graduate Thesis Collection

The Mask of Sorrow is a twelve-minute song written by me, Alexander Schmidt, that utilizes a variety of techniques that I have learned over the course of my study in graduate school. The piece utilizes leitmotives in a unique and interesting way via the usage of set theory to represent the text in musical form, produce a constant development of material, and encourage a musical narrative to supplement the text. This analysis moves through the whole of the form and documents its usage of timbre, motive, harmonic set, and much more, to showcase the means of which all the techniques …

Social Connections: The Role Of Community In Johannes Brahms's Viola Writing, Alex Beauchamp

Graduate Thesis Collection

Despite a negative opinion of the viola held by musicians and audiences alike in the nineteenth century, Johannes Brahms (1833–1897) wrote orchestral, chamber, and solo pieces that highlight the viola. We can trace an affinity for this black sheep of the string instrument family beginning with his Serenade No. 2 in 1859—which uses the viola as the primary melodic voice—and extending through his Clarinet Sonatas in 1894, which Brahms also authorized for viola performance.

Throughout his life, Brahms was close with several violists, three of whom inspired Brahms to write substantial music for the viola. Joseph Joachim (1831–1907), a famous …

A Love Letter To Puerto Rico: Reggaetón As A Platform For Anti-Colonial Protest And Bad Bunny's Advocacy For Indigenous Sovereignty, Skye L. Gonzalez

Honors College Theses

This study explores the intersections of colonial history, cultural identity, and musical resistance through a rhetorical analysis of Bad Bunny’s 2025 album, Debí Tirar Más Fotos. Grounded in the context of Puerto Rico’s colonial relationship with the United States, I examine how reggaetón — a genre historically rooted in resistance — continues to serve as a platform for political expression and cultural reclamation. As reggaetón moves into the global mainstream, questions arise around the tension between commercial success and cultural authenticity. Focusing on Bad Bunny as both a cultural icon and political figure, this thesis considers how Debí Tirar …

"River", John Renshaw

LSU New Orleans Theses and Dissertations

No abstract provided.

Cavedivers: A Multi-Media Visual And Musical Release, Emily J. Langford

Theses/Capstones/Creative Projects

For my graduating UNO Honors Program capstone project, I have chosen to undertake a creative project that involves recording and releasing an album with my band, Cavedivers, while also designing the visual media and advertising graphics to accompany the release. The songs we have recorded were all written and developed before the start of this project. Therefore, this project is less of a songwriting endeavor, since most of that process is already complete, and more of an experimentation and workshop in communicating music through recording and identifying effective trends within graphic design.

As an art major and musician, this has …

Tuning Out The Dark: Music As A Defense And Folk Solution, Melanie Kimball

All Graduate Reports and Creative Projects, Fall 2023 to Present

Music across cultures and throughout history is a tool for engaging with the supernatural. It shares similarities with apotropaic magic. Through research and ethnographic fieldwork, I argued that even in modern times, individuals use music as an apotropaic remedy for fear and negative emotions. These remedies reflect strategies identified by Jeannie Thomas, including companionship, magical substance, neutralization, and displacement. Modern apotropaic music regulates emotions, re-establishes personal relationships, creates safe environments, and provides a means of control.

Contributors used music to combat various negative feelings, selecting genres that matched their emotional needs. In the absence of family and friends, music reaffirmed …

Mathematical Melodies: The Exploration Of Music Using Fourier Signal Analysis, Courtney Francois

Honors Theses

Upon initial inspection, mathematics and music appear to be distinct disciplines lacking any connections to one another. However, many complex intersections lie beneath the surface. This paper seeks to explore these connections through the analysis of the Fourier series and the Fourier transformation of musical sound signals. Orthogonal functions of various frequencies are used to approximate and recover sound signals. Following the examination of the basis of Fourier signal analysis, MATLAB is utilized to visualize the connectedness of mathematics and music through sound signals from varied musical instruments and by performing Fourier signal analysis to the sound signals. Then, the …

It’S Not A Phase, It’S A…Musical?: The Innate Theatricality Of The Emo Movement Of The 2000s, Kylie Alyssa Price

Honors Theses

This project is an exploration of the rock subgenres emo and pop-punk and how they interact with musical theatre conventions. Emo, short for emotional hardcore, is a descendant of hardcore punk music that is characterized by its focus on the emotional core of lyrics as well as softer, more pop-influenced sounds musically. In this project, the history of emo is delineated alongside the history of rock musical theatre. Subculture is also defined as it relates to this thesis. The natural theatricality of emo is then characterized as being through emo/pop-punk’s performance culture, through the existence of the concept album, and …

Filipino Music In The Sphere Of Multicultural Music Education: A Survey Of Preservice Teachers, Lauren Johnson

Honors Theses

The purpose of this study was to explore how preservice music teachers (i.e., students who are preparing to become music teachers) viewed diversifying music curricula, specifically regarding music from the Philippines, an archipelagic nation in Southeast Asia. Additionally, this research explored preservice music teachers’ cultural identities and how those identities influenced their beliefs and opinions about teaching. “Culture” was defined by Merriam-Webster (n.d.) as “the customary beliefs, social forms, and material traits of a racial, religious, or social group.” Although there is a diverse population of students throughout schools in the United States, limited research has been conducted about incorporating …

Edouard Reményi And Johannes Brahms: A Lifelong Influence Reconsidered, Katherine Marie Martin

Master's Theses

Edouard Reményi was one of the first important influences in Johannes Brahms’s life and compositional career. Yet, beyond a single biography, much of what is commonly believed about Reményi is based on information provided by the Brahms literature.

By reexamining the accounts of Reményi in the Brahms literature, and comparing them with Mary Kelley and George Upton’s biography of Reményi and Robert Eshbach’s excellent research, the timeline of Reményi’s life and work can be clarified. Analysis of a set of three pieces for violin and piano demonstrates Reményi’s work as a composer and illustrates the style of Hungarian music that …

Sound Canvas: A Tool To Create Personalized And Immersive Soundscapes, Faizan Kazani

Creativity and Change Leadership Graduate Student Master's Projects

Sound Canvas is a digital application developed to provide sound as a creative outlet, engaging, immersing, and making you feel good about the creative process. A few of the main objectives of this project include maximizing the potential of using sensory stimuli, particularly the sense of hearing, to witness growth in creative thinking and our overall subjective well-being. The tool aims to provide users with an interactive experience that uses sound as a trigger and focal point to increase involvement in the creative process. The outcome of this creative engagement will be a personalized soundscape that a user can resonate …

Black Box Series (May 1-4, 2025), Lindenwood University

Student Music Performance Programs

Event program for the Black Box Series (May 1-4, 2025), Lindenwood University.

Mocking Birds: Investigation And Performance Of Selected Works Featuring Birdsong By Messiaen And Westerlinck, Sarah Hinchey

Honors Theses

This thesis is a creative project that includes a study of the lives and compositional techniques of Olivier Messiaen and Wilfried Westerlinck. Investigation of the composers’ techniques explains aural similarities between the two pieces. The research informed a live performance of Messiaen’s Le merle noir and a recording project of Westerlinck’s Meeting a Mockingbird in Texas.

Lauryn C. Salazar: A Life History Of Mariachi Leadership, Berta Alicia Guerra

Theses and Dissertations

The purpose of this qualitative study was to analyze Lauryn C. Salazar’s mariachi/educational leadership style by focusing on her contributions to the community of Texas Tech University and Tarleton State University. Leadership styles, as defined by Northouse, 2021, refer to the distinct approaches leaders use to guide, motivate, and influence their teams. After examining Salazar’s background to place her motivations and actions in the proper context, this study analyzed what Salazar did, how she perceived her actions, and how others perceived her actions. The life history written by the researcher was primarily based on data collected through eight interviews; however, …

Making Of A Musical Meme: Wendy Carlos & Hector Berlioz, Alexander Ludwig

Faculty Works

No abstract provided.

The Ballad Of The Wheel, John Kosch

Dissertations and Doctoral Documents, University of Nebraska-Lincoln, 2023–

The Ballad of the Wheel is a piece for voice, percussion, and electronics that examines the cyclical nature of humanity. It draws texts from existential literature that spans almost all of recorded history, from antiquity to present day. In this work, a single narrator poses the same concerns about the nature of existence in different texts, revealing that questions about the meaning of life transcend boundaries of time and space. The prevalence of the theme of reincarnation also suggests that each movement of the piece presents a different manifestation of a single being. The Ballad of the Wheel implies a …

Heartbeat Of The Heartland: Sonic Engagement With Hip-Hop In The American Midwest, Lauren R. Millhorn

Department of English: Dissertations, Theses, and Student Research

This project analyzes Hip-Hop artists from the American Midwest through the context of the Midwest’s construction as a nostalgic, peaceful area where conflict seems nonexistent. This study applies Adam Ochonicky’s concept of nostalgic spatiality, or “instances in which nostalgia is projected onto a physical environment, thereby altering the perception, understanding, and/or experience of that space and its accompanying cultural sphere” (Ochonicky 29) to close readings on Midwest Hip-Hop texts. In the case of the Midwest, projected nostalgia is rooted in whiteness and propels the narrative that the Midwest is predominantly occupied by white people who maintain its peace and serenity …

Creed And Variations: Tracing The Divergence Of Christian Traditions In Select Piano Works Of Arvo Pärt, Olivier Messiaen, And J. S. Bach, Rebekah E. Stiles

Dissertations and Doctoral Documents, University of Nebraska-Lincoln, 2023–

Within the classical music universe, the works of J. S. Bach, Olivier Messiaen, and Arvo Pärt stand apart as particularly evocative of the divine. Much has been written on these three men’s integration of faith with musical practice, exploring how their music is not only spiritual in nature but distinctly Christian. But in comparing the three, one encounters deeply rooted distinctions between their religious worldviews, a distinction not only found in their personal testimonies but actually heard in their music. Their compositional languages reflect three traditions: Protestantism (specifically Lutheranism), represented by Bach; Roman Catholicism, represented by Messiaen; and Eastern Orthodoxy, …

A Study Of Rachel Galinne’S Dybbuk For Solo Clarinet: A Classical Work With Klezmer Influences, Rachel S. Levison

Dissertations and Doctoral Documents, University of Nebraska-Lincoln, 2023–

Composer Rachel Galinne self-identifies first and foremost as an Israeli with Swedish roots. She was born and raised in Sweden to Holocaust survivors and always felt a deep connection to Jewish traditions and culture, leading her to immigrate to Israel. Her compositions are derived from her formal education in musicology and composition in contemporary music, as well as from her Jewish community. Her Jewish heritage is represented in her compositions through text, motivic ideas, and specific topics. Dybbuk for solo clarinet is an excellent example.

This solo follows the perspective of Leah, one of the main characters in Solomon Ansky’s …

Mass Of Perpetual Indulgence, Michael Joseph Willette

Dissertations and Doctoral Documents, University of Nebraska-Lincoln, 2023–

Mass of Perpetual Indulgence for chamber orchestra, electronics, soprano solo, and drag performer was written to bridge the gap between queerness and spirituality, to sanctify queer people and celebrate queer lives and communities. Amalgamating musical styles ranging from disco to opera, art song to EDM, this appropriation of the traditional Mass blurs the lines between the sacred and the profane. This work features original text by librettist Caroliena Cabada that responds to the narrative of the Mass Ordinary from a distinctly queer perspective. Ultimately, this work celebrates the queer body as a holy body, queer community as a sacred communion, …

Befitting Bach: Prelude And Fugue Transcribed For Horn Quartet, Caitlin Murphy

Honors Program: Senior Projects (Public)

This thesis, titled “Befitting Bach: Prelude and Fugue Transcribed for Horn Quartet,” consists of horn quartet transcriptions of Prelude 1 and Fugue 1 from Johann Sebastian Bach’s The Well-Tempered Clavier, Book I. The prelude and fugue pair were originally written for harpsichord during the Baroque period, and the pieces remain commonly performed on keyboard instruments. The transcription translates the pieces into four-part horn music while preserving the original musical ideas and accounting for the different technical capabilities between the instruments. The accompanying written component provides a brief history of the original compositions. Further, the report delves into the transcription …

Two Case Studies Of American Classical Music Patronage In The 1980s And 1990s, Skyler E. Dykes

Arts & Sciences Graduate Student Theses and Dissertations

This thesis examines how changes in the composition of classical music institutions’ funding bases in the 1980s and 1990s shaped their programming priorities and institutional behavior. Through two case studies—one focused on the Saint Louis Symphony Orchestra’s “In Unison” program and the other focused on Sybil Harrington’s philanthropic support of the Metropolitan Opera—it explores how individual and institutional funders used legal, financial, and symbolic mechanisms to exert influence over the music presented on symphonic and operatic stages. The first chapter argues that the Saint Louis Symphony’s community engagement efforts in the 1990s were shaped by the priorities of its public …

Zac Moore, Percussion, Presents A Student Recital, Amor Fati, "To Love One's Fate", With Uni New Music Ensemble, May 1, 2025 [Program], University Of Northern Iowa. School Of Music.

Music Recital Programs

Program of a music recitals given by faculty, students, or guest artists from the School of Music at the University of Northern Iowa.

"All The Songs I Stole": Ballad Collection And The Conditions Of Collective-Making In Johnny Cash's Prison Concert-Albums, Camryn J. Bruce

All Theses

In the mid-to-late twentieth century, singer-songwriter Johnny Cash recorded and released three live prison concert-albums composed of many ballads and songs drawing upon a ballad tradition. I question the degree to which these albums, as performed and commercialized ballad collections, create realities of unity between Cash and his audiences. Reviewing three ballads for their aspects of balladry and performance, this thesis finds that Cash’s albums echo and make echoes of isolating conditions and possible collectivities, demonstrating a fragility of “folk” in the shifting scenes of music and prison.

Gastropoda A Song Cycle In 7 Movements For 10 Musicians., Jonathan Krueger

Electronic Theses and Dissertations

Inspired by Gnostic myth, biosemiotic forms and Basilides of Alexandria's Seven Sermons to The Dead, Gastropoda tells a creation myth of the opposite yet complementary processes of birth and consumption. The subject of the myth, an unnamed Gastropod, is thrust from the formless ocean to a land more differentiated; full of boundaries and obstacles which obscure the source from wence it came. Through communion with the darkest and lightest aspects of this world, a worm-like entity known as Abraxas, the Gastropod follows two separate yet simultaneous sequences of events that lead to the same essential outcome. One is the path …

How Mental And Emotional Stress Impacts Vocal Phonation In Adolescent Singers, Samantha M. Thielen Pak

Graduate Thesis Collection

This study examines the relationship between mental/emotional stress and vocal phonation abilities in high school choir students. 17 pairs of General Health Questionnaires and Vocal Screenings were completed by four student participants. These questionnaires and screenings were completed on a weekly basis. Within the General Health Questionnaire, there were several negative correlations with “Concentration” from the General Health Questionnaire results, those being “Loss of Sleep” (r = -0.547, p = 0.023) and “Losing Confidence in Self” (r = 0.575, p = 0.016), as detailed in Table 3. The largest correlations to “Concentration” are “Under Strain” (r = -0.742, p = <.001) and “Feeling Unhappy” (r = -0.746, p = <.001). From the documented screenings, there was very little impact noted on the phonological abilities of the participants. Presence of “Non-Musical Sounds” had a strong correlation with “Tone Quality” (r = 0.683, p = 0.001), showing that there was an increase of non-musical sounds when tone quality had decreased in score.

“Death Leaves A Heartache No One Can Heal:” Musical Subversion In The Irish Caoineadh Tradition, Charissa Joy Garrigus

Graduate Thesis Collection

My thesis details the subversive, inherently feminine nature of Irish caoineadh (keening). This research focuses on how a practice with pagan, druidic roots survived in a culture that was experiencing intense religious and structural upheaval including the arrival of Protestant English settlers, tensions with the Catholic church, and longstanding pagan traditions. I contend that early modern Irish lament (caoineadh/keening) was inherently subversive due to its feminine liminality, its origins from druidic ritual, and its musical, poetic, and lyrical content that was often condemnatory of patriarchal Christian and English power structures. This thesis investigates three main topics occurring from ancient times …

Concerto For Flute, Wind Ensemble, And String Quintet, Catherine A. Hoelscher

Graduate Thesis Collection

Concerto for Flute, Wind Ensemble, and String Quintet is a 15 minute work created to demonstrate the virtuosic abilities of the flute. This thesis contains a 47-page score separated into three movements, along with a list of its instrumentation and statements of gratitude. Alongside the score there is a brief overview of the piece with excerpts from the score and descriptions of its musical themes. The overview compares and contrasts the themes and the three movements.