Music Commons^™

Making ​Activist Songbook​ Virtual, Byron Au Yong

Journal of Interdisciplinary Perspectives and Scholarship

In Making Activist Songbook Virtual, composer and professor Byron Au Yong, discusses the challenges and complexities of moving 53 new activist raps and songs to a virtual format. As the songbook was participatory in nature, the creative team also had to examine methods of fostering online civic engagement.

Concerto-Aria Competition Finals, January 27, 2021, Sey Ahn, Timothy Semanik

School of Music Programs

Center for the Performing Arts
January 27, 2021
Wednesday Evening
7:00 p.m.

Jury Recognition Recital, January 25, 2021, Illinois State University School Of Music

School of Music Programs

Center for the Performing Arts
January 25, 2021
Monday Evening
7:00 p.m.

Amour Symphony Thesis, Vanessa C. Williams

LSU Master's Theses

The word Amour means love. Amour Symphony represents God's love to me. Each movement represents growing up as a Christian under the Love of God. Amour Symphony is a four movement symphony for full orchestra. Each movement follows the traditional movements of a symphony. Movement I is Sonata Form. Movement II is Theme and Variation Form. Movement III is Minuet and Trio Form. Movement IV is Sonata Form.

Celticism And American Musical Nationalism, 1889-1904, Daniel Weaver

Arts & Sciences Graduate Student Theses and Dissertations

In the final decades of the nineteenth century, American composers turned with increasing frequency to Irish and Scottish sources of inspiration, a trend that manifested not only in songs but also in large-scale instrumental works such as sonatas and symphonies. Though many of these works have been discussed individually, this Celtic turn has yet to be investigated as a response to questions about national musical identity, an issue that had come to dominate musical discourse in America by the end of the century—particularly in the wake of Czech composer Antonin Dvořák’s challenge to American composers in 1893 to forge a …

Charles W. Bolen Faculty Recital Series Program Notes, January 12, 2021, Illinois State University School Of Music

School of Music Programs

Program Notes

Charles W. Bolen Faculty Recital Series: Ben Stiers, Percussion; January 12, 2021, Ben Stiers

School of Music Programs

Kemp Recital Hall
January 12, 2021
Tuesday Evening
8:00 p.m.

Censorship Of Rock And Roll, Meaghan Curtin

Emerging Writers

This short essay explores the history of censorship of rock and roll music.

Eggs, Hair, Seeds, Milk, Patrick West

Landscapes: the Journal of the International Centre for Landscape and Language

Short story

Looking For Marianne North, John Charles Ryan

Landscapes: the Journal of the International Centre for Landscape and Language

This poem reflects on the life of peripatetic botanical illustrator Marianne North (1830-1890) who travelled to Southwest Australia in 1880.

Critically Imagining A Decolonised Vision In Australian Poetry, Cassandra Julie O'Loughlin

Landscapes: the Journal of the International Centre for Landscape and Language

Postmodern ecocriticism, given its broad range of perspectives, offers an agreeable platform for articulating a new, advanced and inclusive framework for a decolonising theorisation of literature and the environment. This article seeks to identify Australian Western decolonising poetry that sits in harmony with Indigenous aural and literary versions of communicative engagement with Country. The concept of human embeddedness in ecological relationships and biological processes as part of a complex matrix of interdependent things is embraced. In particular this article focuses on inclusivity and interconnectedness of all life forms to illustrate aesthetic and conceptual interfaces between Aboriginal Australia and Western poetics. …

The Dancing Between Two Worlds Project: Background, Methodology And Learning To Approach Community In Place, Anindita Banerjee, Shaun Mcleod, Gretel Taylor, Patrick L. West

Landscapes: the Journal of the International Centre for Landscape and Language

This article recounts the history to date of the Dancing Between Two Worlds (DBTW) project, which was initiated by a team of artist-scholars at Deakin University in 2018. DBTW’s brief was to engage the Indian community living in the western fringes of Melbourne in a project on civic belonging, cross-cultural artistic identity, and the performance of outer-suburban Indian diaspora. Working with the creative and community energies that are activated at the intersection of the creative arts and demographically inflected place, the Deakin researchers collaborated with local artists with an Indian background on a major performance in late 2019: …

Issue Introduction Volume 10, David Gray

Landscapes: the Journal of the International Centre for Landscape and Language

Issue Introduction and Editorial for Volume 10, Issue 1.

Complete Issue 1, Volume 10, David Gray

Landscapes: the Journal of the International Centre for Landscape and Language

Complete Issue 1, Volume 10

The Alphorn In North America: “Blown Yodeling” Within A Transnational Community, Maureen E. Kelly

Theses and Dissertations

Musicians in North America have adopted the alphorn as a tool that builds community, enhances musical training, and interprets the Swiss tradition for a new generation. Meaningful combinations of experiences and identities combine to create a robust relationship and kinship among alphorn players in an intentionally international community.

Us, Abundantly: From Africa To The Americas, Karisma Jay

Theses and Dissertations

"Us, AbunDantly," a Live theatrical dance performance and film, delves into the African Diaspora and its influences. An artistic and academic project built upon the amplification of Black excellence and Black pride, this paper contextualizes a work within the oral histories and contemporary dance studies of a powerfully ancestral community.

Generating Evidence Of Critical Care Nurses' Perceptions, Knowledge, Beliefs, And Use Of Music Therapy, Aromatherapy, And Guided Imagery, Annie Heiderscheit, Shawna Vernisie, Wendy L. Magee, Helen Shoemark

Faculty Authored Articles

No abstract provided.

Death Of The Composer: How Mahler’S Preoccupation With Death Reveals Itself In His Orchestral Works, Reid Cox

Musicology and Ethnomusicology: Student Scholarship

Gustav Mahler is a man of juxtapositions, and it shows in his compositions. Between the deaths of his siblings, his parents, eldest daughter, and a fatal heart condition, Mahler was surrounded by ideas and the possibility of death. This likely motivated many of his works, with pieces such as Das Lied von der Erde ending with Mahler confronting his own mortality. Throughout these works, death is treated differently, for example, in the Fourth Symphony, Death is personified and is presented as a solo fiddle. However, many of these pieces end with a hopeful note, such as in the Second Symphony …

Cultural Protest Music From The Early Twentieth Century And Beyond, Sarah Kadtke

Undergraduate Honors College Theses 2016-

My undergraduate thesis inspects the intersection that occurs when social advocacy and music combine to create protest music. It looks in depth towards three distinct cultures - that of the Aboriginal Australian, native Irish, and Japanese - to see how the nuanced issues present in those societies shapes the protest music that comes out of them. My thesis also examines the consequences brought about by this music, and how it goes on to shape the resolutions to these issues.

Mogu And The Unicorn: Frederick May's Music For The Gate Theatre, Mark Fitzgerald

Books/Book Chapters

This chapter addresses the contributions that Frederick May (1911-85) made to the Gate's productions of Padraic Colum's Mogu of the Desert (1931) and Denis Johnston's A Bride for the Unicorn (1933). As a young gay Irishman, May had to navigate a cultural infrastructure in which opportunities for composers were scarce, but at the Gate he was given the chance to develop his talents in a new field, as well as to experiment with musical forms in a high-profile setting.

College Of The Arts 21/22 Season, Department Of Theatre And Dance, John J. Cali School Of Music

2021-2022

No abstract provided.

George Van Eps’S Harmonic Mechanisms For Guitar: Concepts And Influence On Jazz Guitar Education And Performance Practice, Jimmy Brennan

Research Theses

The purpose of this dissertation is to examine the content and influence of George Van Eps’s Harmonic Mechanisms for Guitar, with particular emphasis on the fields of education and performance practice. Key principles from the volumes are demonstrated through notation, analysis and audio reproduction. Chapter one is a literature review of the available secondary sources that cover aspects of GVE’s teaching and related methodology. Chapter two examines GVE’s early influences to understand the contextual basis for his Harmonic Mechanisms series. Chapter three presents the ten core concepts contained within GVE’s Harmonic Mechanisms series and addresses certain editorial shortcomings which have …

Metamorphosis, Microtones And Modes: Composition Portfolio With Commentary, Daragh Black Hynes

Research Theses

This research project consists of a portfolio of eight works accompanied by a thesis, which offers analytical commentaries on all of the works and the composition processes therein. The title of the thesis, ‘Metamorphosis, Microtones and Modes’, alludes to the primary factors involved in the composition processes, from a research perspective, across the course of the project. The concept of metamorphosis was approached in the context of attempting to musically interpret the visual ideas of M.C. Escher, and was subsequently explored extensively throughout the portfolio works in the parameters of pitch material, rhythm, form and structure, texture, timbre, and also …

Re-Assessing Rachmaninoff's Legacy: The Piano Concertos And Evolution Of His Musical Style, Varazdat Khachatryan

Dissertations

This thesis explores the evolution of Sergey Rachmaninoff’s five major piano/orchestral works and their revisions, which span most of his career. Composing at the turn of the twentieth century, which was marked by several revolutions, two world wars and changes in musical tastes from romanticism to modernism, Rachmaninoff was often referred to as a ‘conservative’ composer. However, contrary to this categorisation, throughout his musical life he developed a style that has become unique and revolutionary in its own right. This thesis aims to unravel the key arguments at the heart of the conservative-progressive debate and shed new light on Rachmaninoff’s …

Trail Trax 2.020: Tracking The Electoral Soundscape, Dana Gorzelany-Mostak

College of Arts and Sciences

Trax on the Trail is a Georgia College-sponsored website devoted to the study of American presidential campaign music. The interdisciplinary team that I assembled for this project includes students as well as academic experts from the fields of political science, musicology, sociology, history, media studies, and ethnomusicology, across the U.S. and Canada. Committed to the ethos of public history, the Trax on the Trailteam develops accessible scholarship on the subject of music and elections.

I have supervised the publication of over forty essays and podcasts, collaborated with the Rock & Roll Hall of Fame and the Clinton Presidential Library …

Team/Co Teaching In The Instrumental Classroom: A Differentiated And Holistic Approach To Instruction, Robert Groves

Graduate Research Showcase

Team/Co-Teaching in the Instrumental Classroom:

A Differentiated and Holistic Approach to Instruction

Robert W. Groves

Department of Music Education, Georgia College and State University

MUED 6800: Research in Music Education

Dr. Tina Holmes-Davis

November 15, 2020

Abstract

The literature used in this review serves as a source for the identification and defining of music program quality/success, impacting factors that positively and negatively affect music programs, and the use of effective advocacy through connections made between music and other subject areas, as well as how the implementation of a Team/Co-Teaching instructional model positively affects the overall quality of instruction and student …

The Prevalence Of Musculoskeletal Injuries Within The Center For Wellness In The Arts At Marshall University, Colin John Wakeman

Theses, Dissertations and Capstones

Background: The demands on successful performing artists are two-fold. First, they have to perform at a high skill level for their specific art, such as theater, marching band, dance, and color guard. Second, they need to achieve the aesthetic demands of their discipline. Musculoskeletal (MSK) injuries can impact either or both of these elements and affect their overall performance. If MSK injuries are not addressed early in a performer’s career, they can develop into chronic problems that take performers out of rehearsals, practices, and performances.

Purpose: This epidemiological study aimed to investigate the prevalence of MSK injuries within …

A Study Of Rehearsal Space And Student Numbers At Forsyth Central High School, Patrick Denney

Graduate Research Showcase

The object of this study is to determine whether the band room that I currently use is appropriate for the current number of students in my program and whether it will continue to have the proper amount of space for the foreseeable future. The study will use numbers for appropriate size from the National Association of Schools of Music and the Wenger Corporation, an accepted expert in the field of designing music rooms, suites, and buildings. I will compare different designs from other schools in the district and some designs from neighboring districts. The current number of students is an …

01 Traditional Songs Introduction, William Donner

Sikaiana Traditional Songs

This is an introduction to Sikaiana songs. It includes a discussion of the social cultural context of song composition and singing. There is a discussion of the different features of song production and a list of different song genres. Most of the discussion is concerned with traditional song expression that are part of derived form changes associated with colonialism and modernization.

2020-2021 New Music Festival "A Global Harvest", Lisa Leonard, Lynn University Conservatory Of Music

New Music Festival

Introduction from Professor Lisa Leonard, the festival director

Welcome to the 15th Annual New Music Festival at the Lynn University Conservatory of Music! For 14 seasons, we have been welcoming renowned composers to take residency at the Conservatory to directly work with our students preparing three main events: a concert of emerging composers featuring student composers and performers, a master class/lecture focused on the creative and practical issues of contemporary music, and a full program solely featuring the works of the guest composer, including the premiere of the annual commissioned work.

We were thrilled when John Harbison agreed to serve …