Music Commons^™

George Thomson To Robert Burns: A Newly-Identified Manuscript Letter-Fragment, Gerard Lee Mckeever

Studies in Scottish Literature

Describes and illustrates a newly-identified fragment (final page) of a letter to Robert Burns in April 1793 from George Thomson, editor of the Select Collection of Original Scotish Songs, in the Newberry Library, Chicago, discusses the date of the letter and of the Burns song "The Soger's Return" on the letter verso, and reviews the implication of the manuscript for the sequence of letters in the Thomson-Burns correspondence.

2019-2020 Performance Forum - November 21, 2019, Sol Ochoa Castro, Luis Angel Guiterrez Rapalda, Jannina Eliana Pena, Jonathon Winter, Moises Molina, Hyemin Lee, Georgiy Khokhlov, Nicole Marie P. Cortero, Gabriel Galley, Sheng Yuan Kuan, Daniel Guevara, Vishnu Ramankutty, Clarissa Vieira, Sharon Villegas

Performance Forum

No abstract provided.

Wind Symphony, November 21, 2019, Anthony C. Marinello Iii, Elizabeth Thompson

School of Music Programs

Center for the Performing Arts
November 21, 2019
Thursday Evening
8:00 p.m.

Voting Booths And Interactive Art Installations: The Diebold Accuvote Ts In Context, Mike Richison

Journal of Network Music and Arts

In 2016, I created an interactive installation called Video Voto Matic. This project was a mashup between the Votomatic voting system and a Roland TR-808 drum machine. To coincide with the 2020 election season, I am currently working on an update of the project that will include a touch screen voting interface and multiple networked stations that also produce audio and video output. The interface will be housed in the same voting booths that once housed the Diebold Accuvote TS. The Diebold Accuvote TS is a screen-based voting machine that does not utilize paper as a backup. Researchers have examined …

Being Together—Or, Being Less Un-Together—With Networked Music, Rebekah Wilson, Andrew Mcmillan

Journal of Network Music and Arts

When musicians cannot travel to another location where other musicians are, they generally assume that this means they cannot perform music together—even while the technology exists to allow them to do so. The perception that Internet technology is not suited for music performance is due to a lack of exposure on navigating the limitations specific to networked music, along with the cultural belief that latency is incompatible with music performance. Many groups, however, have successfully created networked music performance systems. Such systems are particularly interesting in affording new musical and social opportunities in cases when musicians cannot travel due to …

Considering Telematic Tools For Conferences, Scott Deal, Rodney Smith, Chuiyuan Meng, Matt Vice

Journal of Network Music and Arts

Participation in conferences is an elemental component of professional life throughout the world. Two problems offset the social synergy gained from attending a far-away gathering of like-minded people. The first is the highly pronounced carbon footprint from air travel, and the second is the expense involved to participate in a conference which may be on another continent. These factors prevent many from participating who could otherwise benefit as well as contribute. As videoconferencing becomes more common and more sophisticated, it will serve as an alternative that not only benefits constituencies, but will expand the reach of a conference to more …

Understanding The Telematic Apparatus, Patrick Muller, Benjamin Burger, Joel De Giovanni, Matthias Ziegler

Journal of Network Music and Arts

Under the conditions of its geographic distribution, the “telematic performance” can be regarded as a remediation of traditional concert, theater or dance formats. Conversely, and as this paper argues, the telematic performance can also be understood as an artistic format of its own right, one which then can serve as a trope for social interaction under the conditions of critical posthumanism. To gain a wider perspective, this paper analyzes Alan Turing’s “Imitation Game” from his seminal article Computing Machinery and Intelligence, 1950, proposing it as an early conceptualization of a telematic performance. This against-the-grain reading of Turing’s text reveals certain …

Sensing Place And Presence In An Intimal Long-Distance Improvisation, Ximena Alarcon Diaz, Paul Boddie, Cagri Erdem, Eigil Aandahl, Elias Sukken Andersen, Eirik Dahl, Mari Lesteberg, Alexander Refsum Jensenius

Journal of Network Music and Arts

INTIMAL is an interactive system for relational listening, which integrates physical-virtual interfaces for people to sonically improvise between distant locations. The aim is to embrace two key aspects in the context of human migration: the sense of place and the sense of presence. This paper reflects on the use of INTIMAL in a long-distance improvisation between the cities of Oslo, Barcelona and London in May 2019. This improvisation was performed by nine Colombian migrant women, who had been involved in a research process using the Deep Listening® practice developed by Pauline Oliveros. Here we describe the performance setting and the …

Telematic Music Vs. Networked Music: Distinguishing Between Cybernetic Aspirations And Technological Music-Making, Eric C. Lemmon

Journal of Network Music and Arts

No abstract provided.

Editorial, Sarah Weaver

Journal of Network Music and Arts

Welcome to the Journal of Network Music and Arts (JONMA). JONMA is a peer-reviewed open access digital research journal published by Stony Brook University. Network Music and Arts utilize the Internet and related technologies as an artistic medium for works created for this platform. JONMA will publish research by artists, technologists, educators, and related scholars. The journal content will include articles, audio and video documentation, and reviews for books and recordings.

Jazz Small Groups, (Combos 2 & 3), November 20, 2019, Lawrence University

Conservatory of Music Concert Programs

Harper Hall

A Call For Transparency

St. Norbert Times

• News
  • A Call for Transparency
  • Alan Nadel on “The Piano Lesson”
  • Does God Exist?
• Opinion
  • America First
  • Speak Up
  • Intercultural Views on the Family
  • Afghanistan: Fight for Peace
  • Are You an Active Citizen?
  • What’s the Most Wonderful Time of The Year?
• Features
  • College Traditions Revealed
  • Finals 101 for First Years
  • Native American Heritage Month
• Entertainment
  • Student Spotlight
  • Word Search
  • Did You Know???
  • A Review (and Eulogy) of “Lodge 49”
  • Book Review: “Ninth House” by Leigh Bardugo
  • Lionsgate Adapting Tamora Pierce’s “Tortall” Series
  • Junk Drawer: Worst Thanksgiving Food
  • “The Curse of Oak Island”: Top 5 Finds
• Sports
  • Alysa Liu: American Skating …

Old Dominion University Wind Ensemble: Angels, Old Dominion University Wind Ensemble, Brian Diller (Director), Raquel Rodriguez Samayoa (Performer), Laura Johnson (Graduate Conductor), Victoria Magnusson (Performer), Grafton High School Wind Ensemble, Darren Kirsch (Director)

Ensemble Performances

No abstract provided.

Social Prescribing For An Aging Population, Amy Clements-Cortés, Joyce Yip

Music Faculty Publications

As the human population is moving toward a demographic of aging individuals, increased levels of stress will be placed on the current health care system. “… As people live longer, there is a tendency or the onset of disease to occur closer to the end of life” (p. 441) and the incidence of mental health illnesses is prevalent in older adults. Currently, the medical model is dominant in the health care system and aims to cure any issue(s) without considerations in the cause or source. Social prescribing/social prescription enables physicians and health care professionals to refer individuals to non-clinical services, …

Uni Percussion Group, November 20, 2019 [Program], University Of Northern Iowa. School Of Music.

Music Recital Programs

Program of a music recital given by faculty, students, or guest artists from the School of Music at the University of Northern Iowa.

Wind Studio Recital, Department Of Music

Concerts and Event Programs 2019-2020

The Wind Studio presents a recital featuring the students of Jason Gresl, Debra Inglefield, Aleksandra Kemble, and Gabriel Renteria-Elyea. Works include Mozart, Debussy, Faure, and others.

University Band And Symphonic Band, November 20, 2019, Marisa Miko, Zachary A. Taylor, Marykatheryne E. Kuhne

School of Music Programs

Center for the Performing Arts
November 20, 2019
Wednesday Evening
8:00 p.m.

Collaborative Piano: Eun Cho, Violin; Stephanie Suhyun An, Piano; November 20, 2019, Eun Cho, Stephanie Suhyun An

School of Music Programs

Kemp Recital Hall
November 20, 2019
Wednesday Evening
7:30 p.m.

Fall Term Keyboard Department Area Recital, November 19, 2019, Lawrence University

Conservatory of Music Concert Programs

Memorial Chapel

Karakalpak Dastans, Arzu Azimova

Eurasian music science journal

Both all over Central Asia area and Karakalpakstan epic art is represented in the genre of dastan. Dastan can be defined as a comprehensive poetic legend, a story combining in itself prose, verses, and music. In given article such dastans are considered as «Almapys», «Gor ogli» («Kor-ogli»), «Edige», «Ashik Garib», «Shokhsanam and Garib» and also having local distribution such as «Kirk Kiz», «Maspatsha», «Sharyar», «Koblan». Karakalpak dastans, as many Central Asian dastans, are based on alternation of prosaic and poetic sections. Tradition bearers of epic performance in Karakalpakstan are jirau and bakhshi (baksis).

2019-2020 Ppc Recital - Guillermo Yalanda (Bassoon), Guillermo Yalanda, Guzal Isametdinova

PPC/PSDP Recitals

No abstract provided.

Tuesday Morning Recital, November 19th, Arkansas State University Department Of Music

Performance Programs

No abstract provided.

Uni Horn Choir, November 19, 2019 [Program], University Of Northern Iowa. School Of Music.

Music Recital Programs

Program of a music recital given by faculty, students, or guest artists from the School of Music at the University of Northern Iowa.

Three American Operas And Illinois Festival Opera, November 19, 2019, Britannia Howe, Mikayla Mindiola, Dr. Justin Vickers

School of Music Programs

Kemp Recital Hall
November 19, 2019
Tuesday Evening
7:00 p.m.

Jazz Small Groups, (Combo 1), November 18, 2019, Lawrence University

Conservatory of Music Concert Programs

Harper Hall

Student Recital: Daniel Stazer, Percussion, Daniel Stazer

Student Recitals

Daniel Stazer is a student of Professor David Walker. This recital is given in partial fulfillment of the requirements for the Bachelor of Music, Music Education degree.

Daniel Stazer, percussion

2019-2020 Ppc Recital - Meng-Hsin Shih (Bassoon), Meng Hsin Shih, Sharon Villegas

PPC/PSDP Recitals

No abstract provided.

2019-2020 Master Class - Joël Vaïsse (Trombone), Joël Vaïsse, Aaron Small, Tyler Coffman, Aaron Chan, Mario Rivieccio

Master Classes

No abstract provided.

Key Notes: The Newsletter Of The Department Of Music, Georgia Southern University

School of Music: News & Publications (2017-2023)

• Dr. Jane Marrero Master Class 2019
• Southern Invitational 2019
• Georgia Southern Opera Outreach 2019

Ur Wind Ensemble: A Celebration Of Song, Department Of Music, University Of Richmond

Music Department Concert Programs

No abstract provided.