Music Commons^™

The Index Of The Quotidian: Folk Music And Language Poetry, Gus Tafoya

2020 Award Winners

No abstract provided.

Notes From The Editor 2019, Bruce Gleason

Research & Issues in Music Education

No abstract provided.

A Survey Of Music Teachers’ Working Conditions, David N. Sanderson, Timothy D. Buzza, Christopher S. Jannings, Kangwon Kim, Bryan D. Maurer, Jonathan Soderberg-Chase

Research & Issues in Music Education

For this study the researchers examined music teacher responses to survey items pertaining to their working conditions. Participants reported their satisfaction about factors related to music program funding, facilities, workload, professional development, and school culture. Responses were analyzed to detect possible differences in responses due to demographic factors of teachers, schools, and teaching assignments. Initial findings indicated that teachers were generally satisfied with their all aspects of their working conditions with the exception of professional development. A MANOVA was conducted to determine if there were any significant differences in responses based on participant demographics. While our study found no disparities …

Shush: A Creative (Re)Construction, Kathleen Spring

Faculty & Staff Publications

Shush: A Creative (Re)Construction stems from work conducted during a sabbatical in fall 2017. The audio piece, Shush Me Awake, is a composition that explores the shush as a performative act. The accompanying framing essay uses an autoethnographic approach to provide a contextualized look at the composition process for this piece, while simultaneously situating it within existing scholarship in library and information studies on the image of the librarian and stereotypes. The composer notes provide additional technical details about the audio piece itself.

New Mexico Composers Archive, Unm Digital Initiatives & Scholarly Communication

Love in the Archives 2019

Merging the digital with the physical, the New Mexico Composers' Archive (MSS 904 BC) was featured on screen and in print during Love in the Archives. Begun in 1973 by then-Dean of Libraries Dr. John Harvey, the collection has been partially digitized. Exhibit-goers were able to interact with the digital and physical objects and draw their own conclusions about the pros and cons of each format. A few pieces were newly digitized for the exhibit and they are included here.

Curated by Amy Winter, Program Specialist, Digital Initiatives and Scholarly Communication

Towards An Open And Scalable Music Metadata Layer, Thomas Hardjono, George Howard, Eric Scace, Mizan Chowdury, Lucas Novak, Meghan Gaudet, Justin Anderson, Nicole D'Avis, Christopher Kulis, Edward Sweeney, Chandler Vaughan

Faculty Works

One of the significant issues in the music supply chain today is the lack of consistent, complete and authoritative information or metadata regarding the creation of a given musical work. In many cases multiple entities in the music supply chain have each created their own version of the metadata for a musical work, often by manually re-entering the same information or through scraping data from other sites. In such cases, the effort to synchronize or to correct the information becomes manually laborious and error-prone. Furthermore, confidential information regarding the legal ownership of the musical work is often commingled in the …

“Blaspheming Beethoven?”: The Altered Bach Motive In Vaughan Williams’S Fourth Symphony, Ryan M. Ross

CoE Publications

Vaughan Williams’s Fourth Symphony (1934) has elicited much discussion regarding its aesthetic nature and sources of inspiration. Early critics associated the work’s dissonances with a concession to continental European musical modernism, or with a depiction of the political tensions of 1930s Europe. More recent commentaries have noted its references to Beethoven, one of which the composer admitted to in print. These commentators have argued either that these references constitute a continuation of the Beethovenian tradition in the twentieth century, or that they present a critique of the German composer. This essay adds a new argument in favor of the latter …

Escape From The East, Martha Marie Failinger

Children's Book Writing and Illustrating (MFA) Theses

Although a plethora of documentaries, movies, and literature surrounding the trauma of

World War II and its aftermath exist, a relative paucity comes from the German people – perhaps

due to the collective guilt and shame that surrounded the horrors of the Holocaust.

This thesis project is a middle school graphic novel memoir based on a true story of a German boy (pseudonym: Hans) during the years 1940 to 1949. Hans becomes a member of the prestigious St. Thomas Boys Choir in Leipzig and finds that Bach’s music, which he is constantly singing, helps to keep his soul alive in …

Gender And Singing In The American Classroom, Amanda Franklin

Honors Program Theses

This thesis was written to uncover the history of gender and choral singing, draw connections between gender and music, analyze current student perspectives regarding singing in the American classroom, and offer suggestions for educators in present-day chorus classes. This thesis is most relevant for music educators who seek a more-gender balanced program, but the implications of this research can be applied to gender in education as a whole.

"Fuck Tha Police": The Poetry And Politics Of N.W.A., Sandra Young

English Faculty Publications

No one withdrew after syllabus day. In the semester I piloted a first-year seminar course, the “Rhetoric of Protest Songs,” on the first day of class, I introduced the topic of the class and myself. However, before I gave students the syllabi, I confessed that I knew little about music. I told them I Googled and YouTubed, and read our text to gain knowledge about protest songs. I told them the “Rhetoric of Protest Songs” was a writing class, and rhetoric means persuasion. “In this class, you’ll write academic essays about protest songs. And we’ll listen to some music.”

My …

Using Music Therapy As An Adjunct To Pharmacologic Therapies For Chronic Pain, Andrea L. Rosenberg

Theses and Graduate Projects

Chronic pain affects more than 1 in 4 individuals in the United States. Many patients are being prescribed opioids to manage this pain, leading to an immense problem involving addiction, overdoses, and preventable deaths. Music therapy has been shown to provide “music analgesia,” improving anxiety, depression, and mobility problems associated with chronic pain conditions. The most benefit was seen when the music was known to the patient, the patient had a role in choosing the music, and when the music had a beat of less than 120 beats per minute. These promising results include a wide variety of chronic pain …

The Experience Of Music Therapy During The Weaning Process Of Patients Receiving Invasive Mechanical Ventilation, Stephanie M. Morris

Theses and Graduate Projects

Mechanical ventilation (MV) is a medical intervention used to assist the respiratory function of someone who is medically compromised. Patients need to wean from the ventilator in order to resume breathing on their own. A spontaneous breathing trial (SBT) is used to determine one’s readiness to be liberated from the ventilator. Music therapy is the use of music interventions, facilitated by a board-certified music therapist, to address patient-specific goals within a therapeutic relationship. Music therapists working in an intensive care unit (ICU) may focus their clinical work to address the stressors, fears, and medical complications associated with vent weaning. The …

The Ballads Of Marvin Gaye, Andrew Flory

Music Faculty Work

This article focuses on Marvin Gaye’s involvement with music related to the “middle of the road” (MOR) market within the American music business between 1961 and 1979. From 1961 to 1966, in addition to his work as a teen idol, Gaye performed regularly in supper clubs, released four albums of standards material, and recorded dozens of other related songs that were eventually shelved. In a fascinating turn, he worked extensively on a series of unreleased tracks between 1967 and 1979, using experimental techniques to revise, reinterpret, and recompose melodies over already completed backing music. Gaye’s interest in ballads connects to …

Traversing Two Worlds: Influences Upon Career Perspectives Of Mexican-American Music Education Majors, Amy A. Weimer, Virginia Wayman Davis, Daniel Salinas

School of Music Faculty Publications

The present study examines the career pathways of Mexican-American music majors. Participants included 42 (17 female, 25 male) music majors enrolled at a Hispanic-Serving Institution in South Texas. The study focused on identifying relations among students' levels of acculturation and career goals. Students’ cultural behavior, career self-efficacy, extrinsic and intrinsic work values, motivation, and social bonding were measured via standardized questionnaires. Results indicate that a greater degree of adhering to both traditional and American culture predict higher career outcomes, including culture and gender interactions.

The Bridge To Mainstream Music-Latin Pop Crossing Over Into Mainstream Music In The United States, Selena Fregoso

Whittier Scholars Program

Latin Pop within mainstream music has become a trend in the United States that has allowed for Spanish and English to coexist in one track. The causes of the emergence of this trend are the Latino population growth, streaming platforms, and Luis Fonsi and Daddy Yankee’s son “Despacito. This trend is impacting the music industry’s future by allowing artists to reach more people and expand their audience. The trend also implements Latino culture in American culture by creating unity between fans from different ethnic and cultural backgrounds. By looking at Latino population growth, Spotify streaming service, and music rankings through …

The Use Of Deep Learning Distributed Representations In The Identification Of Abusive Text, Susan Mckeever, Hao Chen, Sarah Jane Delany

Conference papers

The selection of optimal feature representations is a critical step in the use of machine learning in text classification. Traditional features (e.g. bag of words and n-grams) have dominated for decades, but in the past five years, the use of learned distributed representations has become increasingly common. In this paper, we summarise and present a categorisation of the stateof-the-art distributed representation techniques, including word and sentence embedding models. We carry out an empirical analysis of the performance of the various feature representations using the scenario of detecting abusive comments. We compare classification accuracies across a range of off-the-shelf embedding models …

A Hybrid Process Mining Framework For Automated Simulation Modelling For Healthcare, Susan Mckeever, Waleed Abo Hamad, Mohammed Mesabbah

Conference papers

Advances in data and process mining algorithms combined with the availability of sophisticated information systems have created an encouraging environment for innovations in simulation modelling. Researchers have investigated the integration between such algorithms and business process modelling to facilitate the automation of building simulation models. These endeavors have resulted in a prototype termed Auto Simulation Model Builder (ASMB) for DES models. However, this prototype has limitations that undermine applying it on complex systems. This paper presents an extension of the ASMB framework previously developed by authors adopted for healthcare systems. The proposed framework offers a comprehensive solution for resources handling …

Electric Guitar, John A. Drobnicki

Publications and Research

Hollow-body guitars could not be heard over other instruments in swing bands, so pick-ups were added to the guitars, which often resulted in feedback and distortion. This led to the development of solid-body electric guitars which needed amplification in order to be heard.

Distillation Of Sound: Dub In Jamaica And The Creation Of Culture, Eric J. Abbey

Wayne State University Dissertations

In the early 1970s, the culture of Jamaica shifted politically and culturally with the introduction of the mixing board in music. This writing centers on the ways in which technology created a culture of dub reggae that has gone on to affect the world. The major albums and engineers that influenced this change are the focus here. By doing so, we can view how large changes in technology affected the society of Jamaica and how this led to significant cultural development. With Raymond Williams’ definition of culture and Thomas Vendrys’ structure of Dub music, the culture is defined, furthered, and …

Facial Re-Enactment, Speech Synthesis And The Rise Of The Deepfake, Nicholas Gardiner

Theses : Honours

Emergent technologies in the fields of audio speech synthesis and video facial manipulation have the potential to drastically impact our societal patterns of multimedia consumption. At a time when social media and internet culture is plagued by misinformation, propaganda and “fake news”, their latent misuse represents a possible looming threat to fragile systems of information sharing and social democratic discourse. It has thus become increasingly recognised in both academic and mainstream journalism that the ramifications of these tools must be examined to determine what they are and how their widespread availability can be managed.

This research project seeks to examine …

'...Sometimes The Actual Sound Of The Voice Is My Own': An Interview With Garrett Sholdice, Mark Fitzgerald

Articles

This interview surveys the music of Garrett Sholdice, discusses influences and traces aspects of Sholdice's aesthetic and technical approach.

Music And The Presidency: How Campaign Songs Sold The Image Of Presidential Candidates, Gary M. Bogers

Honors Undergraduate Theses

In this thesis, I will discuss the importance of campaign songs and how they were used throughout three distinctly different U.S. presidential elections: the 1960 campaign of Senator John Fitzgerald Kennedy against Vice President Richard Milhouse Nixon, the 1984 reelection campaign of President Ronald Wilson Reagan against Vice President Walter Frederick Mondale, and the 2008 campaign of Senator Barack Hussein Obama against Senator John Sidney McCain. In doing so, there will be an analysis of how music was used to sell the image of these presidential candidates through both its juxtaposition with other forms of mass media (television advertisements, radio, …

Night Music (Compositions, Performance And Improvisations) –And– Developing A Chromatic-Intervallic Approach To Jazz Improvisation Through Reflexive Practice. An Exegesis, Jamie Oehlers

Theses: Doctorates and Masters

This research examines the processes involved in developing and applying a novel melodic jazz improvisation technique—a chromatic-intervallic approach (CIA). Improvised melodic approaches in jazz music from the 1920s until today have primarily been driven through the development of tension within melody lines by using variations of the scale/chord method and harmonic substitution. The CIA examined through my saxophone and improvisatory practice in this research explores the incorporation of melodies derived from intervallic combinations, and assesses the resulting tension within the melody through the use of the Melodic Tension Rating tool; a tool created through the research period of this study. …

Re-Composing Feminism: Australian Women Composers In The New Millennium, Talisha Goh

Theses: Doctorates and Masters

In the age of postfeminism and fourth-wave feminism online, Australian women composers are theoretically able to “have it all,” however, the proportion of women in the occupation appears to have plateaued in recent years. In this thesis, I explore the multiple ways in which gender and feminism interact with practising Australian women composers. Feminist musicology has had a large impact on the Australian musicological scene, with theorists such as McClary and Macarthur bringing the subject of women in music to the fore in the 1990s, aiding efforts to advocate for reform on behalf of women composers. Additionally, third-wave feminist scholars …

Towards Interaction: Combining Jazz Techniques And Idiomatic Writing For Varied Ensembles. A Collection Of Musical Works -And- An Exegesis, Glyn Alan Macdonald

Theses: Doctorates and Masters

This practice-led research project has produced musical works that bring together ensembles from the Western Classical tradition that only read notation, and, jazz soloists who improvise. Three works ‘Standing Ground’, ‘The Journey’ and ‘Matt versus the Zombies’ were composed for three ensembles each with an improvising soloist. These ensembles included a British style Brass Band, Brass Quintet and a double Saxophone quartet.

The project built on the work of Andy Scott and Eddie Sauter, both of whom wrote for non-jazz ensembles and an improvising artist without including a jazz rhythm section. The accompanying non-jazz ensemble was written in such a …

The Grain Of The Digital Audio Workstation, Michael Terren

Theses: Doctorates and Masters

This thesis explores the material conditions and practices of the digital audio workstation (DAW), treating them as a subject of musical composition. The DAW is a software application currently ubiquitous in facilitating the creation of recorded and electronic music. Despite its prominence, few have articulated its unique possibilities for compositional practice, or historically contextualised the emergence of such practices. To clarify the locus of inquiry, a theoretical framework termed the grain of the DAW is developed. Derived primarily from Roland Barthes’ notion of the grain (1977), it is understood as the sonic effects in a recorded musical work that infer …

Performance Practice In Hungarian Folk Music And Its Relationship To The Style Hongrois, Teresa Vinci

Theses: Doctorates and Masters

This study investigates style and performance practice within the oral traditions of Hungarian folk music, and explores intersections with the nineteenth-century idiom style hongrois. Interviews, lessons, and workshops were undertaken as part of a practice-based immersive research experience, and comparisons with the style hongrois made via analysis of scores and recordings of Jeno Hubay (1858-1937). The research strives towards an ‘Historically Informed Performance’ specific to these styles, and explores how they can inform each other. Findings are presented through a dissertation and a CD recording “Never Far Away…” comprising the researcher’s violin performance as leader of an Hungarian folk …

Teaching Music Literacy In Beginning Band: A Review Of Method Books And A Proposed Alternative Method, Haley Caroline Harrington

Murray State Theses and Dissertations

The purpose of this study is to review current band methodologies, specifically for the beginning band, and identify the current process of teaching music literacy. For beginning bands, music literacy instruction is a powerful tool music students use to be successful at sight-reading. It cannot be assumed that simply because students perform music on instruments, they also will achieve high ratings at sight-reading. Brain-compatible learning may offer a solution in addressing the issue with how beginning band students are taught to read music. Therefore, this study will propose a more effective method, applying the Music Learning Theory of Edwin Gordon …

Mills Brothers (1924-1981), John A. Drobnicki

Publications and Research

The Mills Brothers were the first African American group musical group to enjoy popularity with white audiences, and had a career that lasted over fifty years.

Paul, Les (1915-2009), John A. Drobnicki

Publications and Research

Les Paul was a guitarist and inventor who experimented with multitrack recording.