Originally entitled Sinfonietta, the Symphonic Ballad was composed for the Belfast Wireless Symphony Orchestra (later the BBC Northern Ireland Orchestra). The premiere was conducted by E Godfrey Brown on 30 August 1937. A second performance with, reduced forces, was given in a Radio Éireann broadcast on 4 September 1941 by the RÉ Orchestra conducted by Michael Bowles. At some point after this, the score of the work was mislaid and its current whereabouts is unknown. The reconstruction was made from the orchestral parts used in the 1941 performance, which are housed in the Trinity College Manuscripts and Archives Research Library. …

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Frederick May Songs, Mark Fitzgerald Jan 2016

Frederick May Songs, Mark Fitzgerald

Compositions/Arrangements

This volume gathers together Frederick May's surviving songs in a new performing edition with a commentary by the editor. Individual string parts for the Four Romantic Songs are available from the editor.

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Turning Music Into Money: The Private Practice Quick Guide, Rasheda Jones Root Jan 2016

Turning Music Into Money: The Private Practice Quick Guide, Rasheda Jones Root

Music Therapy Theses

If you are reading this hook, ll1en you probably fit the description of a music therapist who graduated with a music therapy degree of some sort who wants to start the private practice of your dreams. Or, you fit the description of a music therapist who already has a private practice, hut wants to breathe new life into the one you already have. "Turning Mu$ic into Money- The Private Practice Quick Guide" is intended to guide you through the entire process of opening a private practice in music therapy. There will also be some tips about how to sustain and …

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Rest, Sweet Nymphs: Pastoral Origins Of The English Madrigal, Danielle Van Oort Jan 2016

Rest, Sweet Nymphs: Pastoral Origins Of The English Madrigal, Danielle Van Oort

Theses, Dissertations and Capstones

This thesis is an interdisciplinary study of the impact pastoral themes in art, literature, and music had on the stylistic and thematic development of the late-Renaissance English madrigal (ca. 1590–1620), specifically works by Elizabethan composers. Madrigals were profoundly influenced by poetry and visual art as the basis for text and subject matter. Consequently, many English madrigals, both light and serious forms, cultivated Arcadian themes presented in Italian idyllic art and literature of the late-fifteenth and early-sixteenth centuries. Works discussed throughout each chapter include Jacopo Sannazaro’s poetic collection, Arcadia (ca. 1489), Edmund Spenser’s seasonal eclogues, The Shepheardes Calender (1579), Oliver Isaac’s …

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Recent Publications: An Annual Bibliography For The Journal Of The American Musical Instrument Society, Pamela Dennis Jan 2016