Music Commons^™

Student Ensemble: Symphony Orchestra Concert, September 20, 2015, Glenn Block Conductor, Amy Gilreath Trumpet

School of Music Programs

Center for the Performing Arts
September 20, 2015
Sunday Evening
7:00 p.m.

Student Ensemble: Choral Showcase, September 20, 2015, Kristin Moroni Director, Mark Grizzard Director, Karyl Carlson Director, Leslie Manfredo Director

School of Music Programs

Center for the Performing Arts
September 20, 2015
Sunday Afternoon
3:00 p.m.

Duo Violin Recital, Carla Trynchuk

Concerts and Event Programs 2015-2016

Duo Violin Recital

Carla Trynchuk & Olga Kaler

Beilin Han, piano

Featuring works by:

Leclair, Prokofiev, Moszkowski and Sarasate

Celebration In Honor Of Patti Thompson And Donna Miller, Setnor School Of Music

Setnor School of Music - Performance Programs

No abstract provided.

Student Recital: Jonathan Tangard, Guitar, Jonathan Tangard

Student Recitals

No abstract provided.

Dr. Eugene Rousseau Master Class, September 17, 2015 [Program], University Of Northern Iowa. School Of Music.

Music Recital Programs

Program of a music recital given by faculty, students, or guest artists from the School of Music at the University of Northern Iowa.

2015-2016 Performance Forum - September 17, 2015, Vijeta Sathyaraj, Alfonso Hernandez, Chance Israel, Anastasia Tonina, John Weisberg, Walker Harnden, Shaquille Southwell, Amalie Wyrick-Flax, Michael Pittman, Sebastian Castellanos, Shaun Murray, Robert Williams, Paul Chinen, Trevor Mansell, Cameron Hewes, Jacqueline Gillette, Mileidy Gonzales, T'Anna Tercero, Hugo Valverde Villalobos, Amy Nickler

Performance Forum

No abstract provided.

Student Ensemble: Symphonic Winds, September 17, 2015, Martin H. Seggelke Conductor

School of Music Programs

Center for the Performing Arts
Thursday Evening
September 17, 2015
8:00 p.m.

Faculty Recital, Kind Of Blue Concert, September 16, 2015, Lawrence University

Conservatory of Music Concert Programs

Harper Hall

Skin & Bones, September 16, 2015 [Program], University Of Northern Iowa. School Of Music.

Music Recital Programs

Program of a music recital given by faculty, students, or guest artists from the School of Music at the University of Northern Iowa.

Whitcomb Tower Recital Series, Chi Yong Yun

Whitcomb Tower Series 2015-2016

Whitcomb Tower Recital Series

A series of recitals presented by students the 3rd Wednesday of every month.

Report On Ams, Kenneth M. Cotich, Holly Gardinier

Faculty Papers and Conference Presentations with CGU Graduate Co-authors

This presentation summarizes and evaluates the American Musicological Society's website as a reference tool for music scholars. Evaluation methods used come from Laurie Sampsel (2012) and Holly Gardinier (2015).

2015-2016 Music For The Mind, Alla Sorokoleova, Anastasia Tonina, Paul Chinen, Walker Harnden, Trevor Mansell, John Weisberg, Jacqueline Gillette, Cameron Hewes, Shaquille Southwell, Amalie Wyrick-Flax, Sebastian Castellanos, Michael Pittman, Mileidy Gonzales, Shaun Murray, T'Anna Tercero, Hugo Valverde Villalobos, Robert Williams, Amy Nickler

Other Seasonal Concerts

No abstract provided.

Tour De France: Cayla Bellamy, Bassoon September 15, 2015 [Program], University Of Northern Iowa. School Of Music.

Music Recital Programs

Program of a music recital given by faculty, students, or guest artists from the School of Music at the University of Northern Iowa.

The Art Of Rock And Roll Memoir, Howard Schaap

Faculty Work Comprehensive List

No abstract provided.

Student Ensemble: Wind Symphony, September 13, 2015, Martin H. Seggelke Conductor, Daniel Gallagher Isu Concerto Competition Winner

School of Music Programs

Center for the Performing Arts
Sunday Afternoon
September 13, 2015
3:00 p.m.

A Tribute To Kenny Wheeler; Uni School Of Music Faculty, Alumni, And Guest Recital, September 11, 2015 [Program], University Of Northern Iowa. School Of Music.

Music Recital Programs

Program of a music recital given by faculty, students, or guest artists from the School of Music at the University of Northern Iowa.

2015-2016 Performance Forum - September 10, 2015, Yasa Poletaeva, Darren Matias

Performance Forum

No abstract provided.

Guide To The Linfield Chamber Orchestra (Lco) Collection, Linfield College Archives

Linfield Archives Finding Aids

This collection, a repository for the documents, media, and minutia of the Linfield Chamber Orchestra, shows the efforts of the organization to provide a teaching orchestra to the Yamhill County area. The majority of the collection is paper-based, with ephemerae such as posters and news clippings.

Randy Grabowski, Trumpet, September 8, 2015 [Program], University Of Northern Iowa. School Of Music.

Music Recital Programs

Program of a music recital given by faculty, students, or guest artists from the School of Music at the University of Northern Iowa.

Writing Moonlight: An Analysis Of Beethoven’S Piano Sonata Opus 27 No. 2 In C Sharp Minor, Andrew L. Lynch

Kaleidoscope

An analysis of the first movement of one of Beethoven’s most popular sonatas, the Moonlight Sonata, by a chemical engineering major who is a relative outsider to music. Analysis proceeds systematically: line by line and stanza by stanza. The goal of this analysis is elucidation of Beethoven’s methods for producing the atmosphere of haunting desire which pervades the piece.

A Rare Pair Affair, Heather Peyton, Oboe, September 4, 2015 [Program], University Of Northern Iowa. School Of Music.

Music Recital Programs

Program of a music recital given by faculty, students, or guest artists from the School of Music at the University of Northern Iowa.

Alexander Pershounin, Double Bass, September 3, 2015 [Program], University Of Northern Iowa. School Of Music.

Music Recital Programs

Program of a music recital given by faculty, students, or guest artists from the School of Music at the University of Northern Iowa.

2015-2016 Performance Forum - September 3, 2015, Anastasia Tonina, Alfonso Hernandez

Performance Forum

No abstract provided.

Student Recital: Sam Venable, Saxophone, Sam Venable

Student Recitals

No abstract provided.

Shakers (Sc 2938), Manuscripts & Folklife Archives

Manuscript Collection Finding Aids

Finding aid only for Manuscripts Small Collection 2938. Compilation of manuscript and printed Shaker hymns, and instructions for dances to accompany hymns. Some of the hymns were transcribed by Roger Hall.

A Musical Homiletic: Drawing On The Sonic Dimensions Of The Word And Spirit, Thomas H. Troeger

Yale Journal of Music & Religion

The article begins by addressing two primary areas of concern: 1. Can music communicate meaning, and if so, how? 2. Can theological realities be expressed through music and other artistic forms whose primary medium is not language? The author then lays out a schema featuring four different aspects of developing a musical homiletic, starting with the simplest and moving to the most complex. (1) Preachers can speak in a way that captures the musicality of human conversation: its sonically engaging use of inflection, volume, pace, and timbre. (2) Preachers can interpret the theological and poetic meaning of the texts that …

Singing The Sermon: Where Musicology Meets Homiletics, Emmett G. Price Iii

Yale Journal of Music & Religion

From the beginning of the Christian Church, singing and preaching have served as major tools of communication. In fact, they remain the most utilized methods of articulating and explicating personal and communal theologies across the diverse and expansive expressions of Christianity.

From the life, ministry, and legacy of Jesus Christ through the teachings of the Apostle Paul, the roles and functions of singing and preaching are well known but not well studied as a unit. From the foundational writings of the early Church Fathers through the various theses of the reformers, the acts of singing and preaching have been studied …

Preaching And The Power Of Music: A Dialogue Between The Pulpit And Choir Loft In 1689, Markus Rathey

Yale Journal of Music & Religion

During the ecclesiastical year 1689-90 the Lutheran superintendent in Leipzig, Johann Benedict Carpzov, and his cantor, the composer Johann Schelle, embarked on a collaboration of unusual scale. In the previous year, Carpzov had preached a cycle of sermons based on well-known hymns from the Lutheran tradition. In 1689-90 Carpzov gave a short summary of the earlier hymn sermons, while Schelle composed for each Sunday a cantata based on the very same hymn. The result is a unique collaboration between preacher and musician, pulpit and choir loft. Only a few of Schelle’s compositions have survived; however, the extant cantatas together with …

Preaching About Pipes And Praise: Lutheran Organ Sermons Of The Seventeenth Century, Joyce L. Irwin

Yale Journal of Music & Religion

The seventeenth century was a grand era for organ building, and as new organs were installed in Lutheran churches in Germany, there were services of dedication at which a sermon was preached to explain the theological basis for using organ music in worship and to extol the value of instrumental worship for the praise of God. In some respects these sermons were all alike: scriptural passages, predominantly from the Old Testament, were cited to remind the congregation of ancient musical practices; opponents of church organs from Zwingli through Calvin to Voetius and Grossgebauer were chastised as misguided or worse; the …