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2015

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Articles 1231 - 1260 of 1283

Full-Text Articles in Music

A Mechanism For Sensorimotor Translation In Singing: The Multi-Modal Imagery Association (Mmia) Model, Peter Q. Pfordresher, Andrea R. Halpern, Emma B. Greenspon Jan 2015

A Mechanism For Sensorimotor Translation In Singing: The Multi-Modal Imagery Association (Mmia) Model, Peter Q. Pfordresher, Andrea R. Halpern, Emma B. Greenspon

Faculty Journal Articles

WE PROPOSE A NEW FRAMEWORK TO UNDERSTAND singing accuracy, based on multi-modal imagery associations: the MMIA model. This model is based on recent data suggesting a link between auditory imagery and singing accuracy, evidence for a link between imagery and the functioning of internal models for sensorimotor associations, and the use of imagery in singing pedagogy. By this account, imagery involves automatic associations between different modalities, which in the present context comprise associations between pitch height and the regulation of vocal fold tension. Importantly, these associations are based on probabilistic relationships that may vary with respect to their precision and …

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The Speed Of Our Mental Soundtracks: Tracking The Tempo Of Involuntary Musical Imagery In Everyday Life, Kelly Jakubowski, Nicolas Farrugia, Andrea R. Halpern, Sathish K. Sankarpandi, Lauren Stewart Jan 2015

The Speed Of Our Mental Soundtracks: Tracking The Tempo Of Involuntary Musical Imagery In Everyday Life, Kelly Jakubowski, Nicolas Farrugia, Andrea R. Halpern, Sathish K. Sankarpandi, Lauren Stewart

Faculty Journal Articles

The study of spontaneous and everyday cognitions is an area of rapidly growing interest. One of the most ubiquitous forms of spontaneous cognition is involuntary musical imagery (INMI), the involuntarily retrieved and repetitive mental replay of music. The present study introduced a novel method for capturing temporal features of INMI within a naturalistic setting. This method allowed for the investigation of two questions of interest to INMI researchers in a more objective way than previously possible, concerning (1) the precision of memory representations within INMI and (2) the interactions between INMI and concurrent affective state. Over the course of 4 …

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Absolute Pitch In Naturalistic Singing: A Commentary On Olthof Et Al., Andrea R. Halpern Jan 2015

Absolute Pitch In Naturalistic Singing: A Commentary On Olthof Et Al., Andrea R. Halpern

Faculty Journal Articles

The parent article looks at pitch stability in an archive of folksongs recorded over several decades. Some evidence for pitch stability was found. Here, I consider some additional aspects of the archive that could be examined, offer some extensions to relevant laboratory studies, and consider some inherent strengths and limitations of the naturalistic, archival approach.

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Differences In Auditory Imagery Self-Report Predict Neural And Behavioral Outcomes, Andrea R. Halpern Jan 2015

Differences In Auditory Imagery Self-Report Predict Neural And Behavioral Outcomes, Andrea R. Halpern

Faculty Journal Articles

Mental imagery abilities vary among individuals, as shown both by objective measures and by self-report. Few imagery studies consider auditory imagery, however. The Bucknell Auditory Imagery Scale is a short self-report measure encompassing both Vividness and Control subscales for musical, verbal, and environmental sounds. It has high internal reliability, no relation to social desirability, and only a modest relation to musical training. High scores on Vividness predict fewer source memory errors in distinguishing heard from imagined tunes on a recognition test, and better performance on pitch imitation tasks. Furthermore, higher scores are related to hemodynamic response and gray matter volume …

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Project 3: Clip Et Critique D'Une Chanson, Brenda C. Crosby Jan 2015

Project 3: Clip Et Critique D'Une Chanson, Brenda C. Crosby

French

No abstract provided.

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Captain Beefheart, Monica Berger Jan 2015

Captain Beefheart, Monica Berger

Publications and Research

No abstract provided.

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Addressing The Critical Shortage Of Latinos In Music Education: Pre-Service Latino Music Education Student Perspectives On Recruitment And Retention Strategies, Eben-Ezer Arias-Garcia, Dean Gronemeier Jan 2015

Addressing The Critical Shortage Of Latinos In Music Education: Pre-Service Latino Music Education Student Perspectives On Recruitment And Retention Strategies, Eben-Ezer Arias-Garcia, Dean Gronemeier

McNair Poster Presentations

My research focus is on 1st and 2nd generation Latino music education students and their paths to becoming music educators in the United States. Latino students are an under researched portion of music education in the American population, but represent the fastest growing ethnic group in America. During my preliminary research I found that there is a critical shortage of Latino music educators. Through an instrumental case study with critical-case sampling, done through interviews and a questionnaire taken by several pre-service Latino music education majors at a southwest university, I found that the most important factor for recruiting future music …

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We Live In Waves, William S. Trachsel Jan 2015

We Live In Waves, William S. Trachsel

Graduate Thesis Collection

Composition for orchestra.

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Inferno, Stephen Kachenovich Jan 2015

Inferno, Stephen Kachenovich

Graduate Thesis Collection

Composition for piano.

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Rift, Luke Flynn Jan 2015

Rift, Luke Flynn

Graduate Thesis Collection

Composition for orchestra.

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Trends In Chamber Music Composed By European Composers Who Became Deaf In The Romantic Era, Vinh Dao Jan 2015

Trends In Chamber Music Composed By European Composers Who Became Deaf In The Romantic Era, Vinh Dao

Undergraduate Research Posters

This study attempts to discover if there are trends among the composition style of composers from the Romantic Era who went deaf. To ascertain the true nature of deaf composition, 10 scores were analyzed –5 scores from composers who were hearing or were not deaf yet and 5 scores from composers who were completely deaf. The scores were examined rather than recordings of these pieces as modern string quartets, piano trios, violin and piano duet players would not be able to replicate the sound and style of music from the Romantic Era. In particular, this study found that deaf composers …

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V.1 2015-2016, Center For Arts & Language, Students Of Risd, Risd Archives Jan 2015

V.1 2015-2016, Center For Arts & Language, Students Of Risd, Risd Archives

All Student Newspapers

v.1 is a publishing platform for the ongoing work, ideas, discussions, debates, and aspirations of students at the Rhode Island School of Design. The 2015-2016 issue contains articles on addressing the complexities surrounding today's institutions, pedagogies, technologies, and professional expectations. This issue was not themed intentionally, yet the articles signal the problems of higher education and the precarity of the students who occupy it.

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The Microtonal Guitars Of Harry Partch, John Schneider Jan 2015

The Microtonal Guitars Of Harry Partch, John Schneider

Soundboard Scholar

Known as an "American Maverick," Harry Partch (1901–1974) was surely one of the United States's most colorful composers. His dissatisfaction with the scales and instruments of Western music inspired him to design and build an orchestra of over two dozen handcrafted "microtonal" instruments that were tuned to his notorious "monophonic" scale of forty-three tones per octave. Between 1934 and 1952, Partch created four different adapted guitars, using them in fifteen compositions ranging from solo song cycles (Barstow, December 1942, U.S. Highball, Three Intrusions) to chamber music, dances, and four of his five major …

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An Uncatalogued Piece By Fernando Sor?, Ricardo Aleixo Jan 2015

An Uncatalogued Piece By Fernando Sor?, Ricardo Aleixo

Soundboard Scholar

This article discusses a page of music manuscript, shelf no. MD-C-90 (4), preserved in a royal monastery situated in Madrid: the Convent of the Descalzas Reales. It contains three works for guitar, including two attributed to the Catalan composer and guitarist Fernando Sor (1778–1839). The first, entitled Minué de Sors, is known as Sor's Op. 23, No. 6, while the second short composition, Alemanda desors [sic], is not yet officially attributed to Sor. While recent research has revealed that Salvador Castro de Gistau (ca. 1770–?), a publisher originally from Madrid, issued this same piece in his Op. …

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Editorial: Guitar Research Resources—An Update, Thomas Heck Jan 2015

Editorial: Guitar Research Resources—An Update, Thomas Heck

Soundboard Scholar

In early May, 2015, there was a biennial gathering of guitar history enthusiasts and scholars at the town of Hemmenhofen, Germany, on Lake Constance. One of the sessions was a round table with the title, "Old and New Sources and Horizons for Historical Research on the Guitar." It was designed to stimulate audience participation and certainly succeeded. Brief papers were offered by three scholars in attendance. Here, Heck identifies eight points of progress, each of which can be considered good news for those who work in the field of guitar history.

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The Guitar As An "Open-Air" Instrument In The Early Romantic Era, Panagiotis Poulopoulos Jan 2015

The Guitar As An "Open-Air" Instrument In The Early Romantic Era, Panagiotis Poulopoulos

Soundboard Scholar

In the first decades of the nineteenth century, playing music outdoors became a popular trend in Europe and North America. This largely reflected the Romantic ideal of coming closer to nature, whose allure played a significant role in contemporary education, literature, art, fashion, and music. By investigating a wide variety of written and pictorial sources, as well as surviving instruments in museum collections, this article discusses the development of the guitar as an “open-air” instrument as epitomised by the invention of guitar variants for use “on the go”. Moreover, the article sheds new light on the guitar’s connections to other …

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Fernando Sor On The Move In The Early 1820s, Erik Stenstadvold Jan 2015

Fernando Sor On The Move In The Early 1820s, Erik Stenstadvold

Soundboard Scholar

This article adds to our knowledge of Sor’s final months in London in 1822 and his subsequent Paris sojourn before he went to Russia in 1823. Central to Sor’s activity during this period was his involvement in the ballet Cendrillon, for which he wrote the music. Hitherto unknown reviews of the premiere at the King’s Theatre on March 26, 1822, show that both the ballet and the music were consistently well received by the London critics. This success led to action being taken to have the ballet staged at the Paris Opéra, and in the fall that same year …

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For The Sake Of St. Cecilia: Analysis And Re-Orchestration Of Gerald Finzi's For St. Cecilia, Op. 30, Christopher Brent Rosborough Jan 2015

For The Sake Of St. Cecilia: Analysis And Re-Orchestration Of Gerald Finzi's For St. Cecilia, Op. 30, Christopher Brent Rosborough

LSU Doctoral Dissertations

Gerald Finzi contributed few pieces to the field of choral music, however the works that have been made available are filled with charm and finesse. Similar to the manner of Duparc, his small output encompasses great depth, beauty, and ingenuity. One such work is For St. Cecilia, Op. 30. Hidden behind the veil of the tradition of English musical festivals, Finzi’s St. Cecilia along with other great works became otherwise lost or discarded in the milieu of nineteenth and twentieth century British composition. Uncovering Finzi’s ode, one might find the size of orchestra and chorus a bit daunting. However, in …

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And I Heard 'Em Say: Listening To The Black Prophetic, Cameron J. Cook Jan 2015

And I Heard 'Em Say: Listening To The Black Prophetic, Cameron J. Cook

Pomona Senior Theses

This thesis aims to explore how conceptions of the black prophetic tradition, as discussed by thinkers Cornel West and George Shulman, might be expanded into the realm of African American musical traditions and genres. I argue that musical genres like the blues and hip-hop function as an affective discourse that aesthetically, politically and religiously function as sites of resistance to white supremacy and provide alternate pathways to liberation as compared to more canonical instantiations of the black prophetic. In particular I provide close readings of performances and art by Nina Simone and Kanye West.

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Stefano Landi's Arie A Una Voce And Early Seventeenth-Century Italian Guitar Music With Alfabeto Notation, Nicholas Galfond Jan 2015

Stefano Landi's Arie A Una Voce And Early Seventeenth-Century Italian Guitar Music With Alfabeto Notation, Nicholas Galfond

Electronic Theses and Dissertations

In the first few decades of the seventeenth century countless songbooks were published in Italy, more than 300 of which included the notation system for guitar accompaniment known as alfabeto. This early repertoire for the five-course Spanish guitar was printed mostly in Naples, Rome, and Florence, and was a pivotal precursor to our modern tonal musical understanding. The very nature of both the instrument and its characteristic dance-song accompaniment style led composers to create block harmonies in diatonic progressions long before such concepts bore any semblance to a functioning theory. This paper uses the 1620 publication Arie a una voce …

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The Forging Of Modern Broadway Sound Design Techniques Amid The Fires Of The Rock Musicals In The Late 1960s And 1970s., Timothy Tracey Jan 2015

The Forging Of Modern Broadway Sound Design Techniques Amid The Fires Of The Rock Musicals In The Late 1960s And 1970s., Timothy Tracey

Electronic Theses and Dissertations

From the ancient Greek theater, through the dawn of the Renaissance, beyond the development of Shakespearean theater, to the Broadway theater boon in the 1920s, sound reinforcement within the theater remained virtually unchanged. Through Broadway's Golden Age, directors and producers relied on architectural acoustics to carry sound throughout the theaters. This is not surprising given that most of the theaters were built in the early 1900s, before the invention of any electric sound reinforcement technology. Moreover, early attempts at amplification in the 1940s yielded dismal results. Eventually, the maturation of the integrated book musical and the invasion of the rock …

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Romantic Ideals In Contemporary Folk Music, Brett Schwartz Jan 2015

Romantic Ideals In Contemporary Folk Music, Brett Schwartz

Electronic Theses and Dissertations

This thesis examines contemporary folk music from no earlier than 2006, specifically music of the bands The Decemberists, Fleet Foxes, and Bon Iver. Providing a close reading of select songs, I prove that modern music is seeing a revival in the Romantic Era and Transcendentalist ideals and philosophy. The works and philosophy of Samuel Taylor Coleridge (1772-1834), William Wordsworth (1770-1850), John Keats (1795-1821), as well as Henry David Thoreau (1817-1862), Ralph Waldo Emerson (1803-1882), among others and their critics are all considered for points of comparison to the modern lyrics. The reason for this revival is considered in the conclusion …

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Makerspace: The Future Of Music, Anthony L. Paganelli Jan 2015

Makerspace: The Future Of Music, Anthony L. Paganelli

Faculty/Staff Personal Papers

Presentation regarding the use of Makerspace in creating and sharing music.

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Ernst Mahle: A Pedagogical Edition Of His Four Concertinos For Piano And Orchestra, Joao Paulo Casarotti Jan 2015

Ernst Mahle: A Pedagogical Edition Of His Four Concertinos For Piano And Orchestra, Joao Paulo Casarotti

LSU Doctoral Dissertations

German-born composer Ernst Mahle (b. 1929) holds a respected position in the music field in Brazil, his adopted country since 1951. Mahle is the artistic director and co-founder of the “Escola de Musica de Piracicaba,” one of the most important musical institutions in Brazil. His work has focused on conducting, composition, and elementary music education. The main focus of this research will be to examine Mahle’s four concertinos for piano and orchestra intended for young performers. This paper will also provide information regarding Mahle’s sixty years of musical legacy in Brazil and his pedagogical idiom for piano solo. For a …

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Olivier Messiaen's Influence In The Violoncello Works Of Toru Takemitsu, Susannah Violet Montandon Jan 2015

Olivier Messiaen's Influence In The Violoncello Works Of Toru Takemitsu, Susannah Violet Montandon

LSU Doctoral Dissertations

This monograph is an examination of Oliver Messiaen’s influence in the violoncello solo and chamber compositions of Tōru Takemitsu. A total of sixteen pieces: Le Son Calligraphie I (1958), Le Son Calligraphie III (1960), Scene (1959), Landscape (1960), Corona II (1962), Valeria (1969), Quatrain (1975), Quatrain II (1977), Waterways (1978), A Way Alone (1981), Orion for Violoncello and Piano (1984), Orion and Pleiades: Concerto for Violoncello and Orchestra (1984), Entre-Temps (1986), A Solitary Road (1988), Herbstlied (1993), and Between Tides (1993), are studied to determine the degree of Messiaen’s influence. The research is through a cellistic and musicological analysis including …

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The Decibel Scoreplayer - A Digital Tool For Reading Graphic Notation, Cat Hope, Lindsay R. Vickery Dr Jan 2015

The Decibel Scoreplayer - A Digital Tool For Reading Graphic Notation, Cat Hope, Lindsay R. Vickery Dr

Research outputs 2014 to 2021

In 2009, the Decibel new music ensemble based in Perth, Western Australia was formed with an associated manifesto that stated “Decibel seek to dissolve any division between sound art, installation and music by focusing on the combination of acoustic and electronic instruments” [1]. The journey provided by this focus led to a range of investigations into different score types, resulting in a re-writing of the groups statement to “pioneering electronic score formats, incorporating mobile score formats and networked coordination performance environments” [2]. This paper outlines the development of Decibel’s work with the ‘screen score’, including the different stages of the …

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The American Symphony Orchestra: Factors Affecting Concert Attendance And Predictions For The Millennial Ticketholder, Hayley Graham Jan 2015

The American Symphony Orchestra: Factors Affecting Concert Attendance And Predictions For The Millennial Ticketholder, Hayley Graham

Honors Program Theses

This research investigates the perception of live orchestral music performances among members of the American millennial generation, born between 1985 and 1997. Specifically, it describes the most common factors and trends affecting attendance decisions, looking at aspects such as past musical experience, marketing strategies used, and accessibility of performances. Current programming, marketing, and educational trends in several orchestras are also considered. Information for this study was gathered from a survey of University of Northern Iowa students, as well as from case studies of orchestras. This thesis provides predictions and recommendations for how to best reach this demographic as orchestras move …

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Numuzart: An Original, Multi-Sensory, Creative Experience, Tori Christine Ovel Jan 2015

Numuzart: An Original, Multi-Sensory, Creative Experience, Tori Christine Ovel

Honors Program Theses

NuMuzArt grew from a small seed planted in my brain over the summer of 2014, when I attended a few summer composition programs to experience and learn more about my compositional craft. While at the Charlotte Music Festival, I participated in a conversation about the sterile nature of music recitals in the academic and concert music world. This conversation stuck with me and became a no-brainer subject for my honors thesis. I would research the concert music world and construct an alternative which would solve a few of my personal vendettas against the standard recital format, while retaining a “serious …

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Similar But Different: An Analysis Of Differences In Clarinet And Saxophone Pedagogy And Doubler’S Misconceptions, Nicholas Jeremy Carlo Jan 2015

Similar But Different: An Analysis Of Differences In Clarinet And Saxophone Pedagogy And Doubler’S Misconceptions, Nicholas Jeremy Carlo

Honors Program Theses

Doubling, or the ability to play one or more secondary instruments, is an extremely important skill for the professional woodwind player to have. For a saxophonist, the ability to play clarinet can sometimes make the difference between winning an audition or not. On a more basic level, many clarinetists learn to play saxophone so they can participate in the school jazz band, while many saxophonists learn to play clarinet both as a double in jazz band or as a new challenge in the concert band setting. Many times a student will pick up an instrument and attempt to figure it …

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Expanding The American Canon: A Conductor's Compendium Of Black American Orchestral Composers, Nseobong Ekpo Jan 2015

Expanding The American Canon: A Conductor's Compendium Of Black American Orchestral Composers, Nseobong Ekpo

Theses and Dissertations

From the colonial days in the early 1600s until the present, Black Americans have contributed to the musical life of America. Black Americans and composers of African descent have contributed to symphonic music since the early days of Western Art Music. However, Black Americans have not been adequately represented in symphonic concert programs past or present. This document aims to address the issue of accessible published works by Black Americans by presenting a current resource of available and ready-tobe- performed symphonic orchestral music by Black American composers. This document will include: A brief historical overview of contributions of Black Americans …

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