Music Commons^™

The Sounds Of Vatican Ii: Musical Change And Experimentation In Two U.S. Trappist Monasteries, 1965−1984, Bradford Lee Eden

Library Faculty Publications

The Second Vatican Council impacted the use of liturgical music within religious communities. Two U.S. Trappist monasteries, New Melleray Abbey in Dubuque, Iowa, and Gethsemani Abbey in Bardstown, Kentucky, evidenced distinctive approaches to the musical freedom resulting from the Vatican II reforms. New Melleray incorporated contemporary folk music and instruments. At Gethsemani, Father Chrysogonus Waddell pioneered the use of Gregorian notation and English psalmody. The musical changes had a profound effect on the Trappists’ celebration of the Mass and the praying of the Liturgy of the Hours.

Ua68 Arts & Letters :The Magazine Of Potter College At Western Kentucky University, David Lee, Dean, Kelly Scott, Managing Editor

PCAL Publications

No abstract provided.

Ua68 Arts & Letters :The Magazine Of Potter College At Western Kentucky University, David Lee, Dean, Kelly Scott, Managing Editor

PCAL Publications

No abstract provided.

Pro Musica Newsletter, Fall 2014, Bowling Green State University. College Of Musical Arts

Pro Musica Newsletters

No abstract provided.

Marshall University Music Department Presents The Marshall University Chamber Choir, In Concert, ​David Castleberry, Conductor, Mark Smith, Pianist, David Castleberry

All Performances

No abstract provided.

Contemporary Conversations On Cross-Cultural Exchange, Jenni L. Shelton

The Journal of Traditions & Beliefs

No abstract provided.

School Of Music Faculty/Staff Newsletter, October 2014, School Of Music

School of Music Faculty/Staff Newsletter

Accomplishments and news from the faculty and staff of the School of Music at Illinois State University.

A Proleptic Perspective Of Music Education, Brent C. Talbot

Sunderman Conservatory of Music Faculty Publications

By explaining the cultural mechanism of 'prolepsis' through examples of my own teaching, I posit that all too often educators' and teacher educators' (purely 'ideal') recall of our pasts and imagination of our students' futures become fundamentally materialized constraints on our students' life experiences in the present.

Karl Barth's Mozart: Lessons For Christian Music Education, John Macinnis

Faculty Work Comprehensive List

The author considers Barth's thoughful and emotional engagement with Mozart's music and argues that "Christian music educators are in a special place for raising similar questions about music's contributions to human flourishing, its roles in personal progress, and the mysteries of common grace in which God's glory can be sounded from even unknowing servants."

Holy Cross Choirs Newsletter (October 2014), Choir, College Of The Holy Cross

Holy Cross Choirs Newsletter

No abstract provided.

The Regional North Indian Popular Music Industry In 2014: From Cassette Culture To Cyberculture, Peter L. Manuel

Publications and Research

This article explores the current state of the regional vernacular popular music industry in North India, assessing the changes that have occurred since around 2000 with the advent of digital technologies, including DVD format, and especially the Internet, cellphones and ‘pen-drives’. It provides a cursory overview of the regional music scene as a whole, and then focuses, as a case study, on a particular genre, namely the languriya songs of the Braj region, south of Delhi. It discusses how commercial music production is adapting, or failing to adapt, to recent technological developments, and it notes the vigorous and persistent flowering …

Rhythms: Music At The University Of Northern Iowa, V33, Fall 2014, University Of Northern Iowa. School Of Music.

Rhythms: Music at the University of Northern Iowa

Contents:

From the Director --- 2
-- Midwest International Piano Competition --- 3
-- Northern Iowa Symphony Orchestra Tours Brazil --- 5
-- Varsity Men's Glee Club Tours Spain --- 6
-- Scholarship Benefit Concert --- 7
-- Hall of Fame --- 9
-- Jazz Studies --- 10
-- Community Outreach --- 11
-- New Faculty --- 12
-- Faculty News and Activities --- 13
-- Emeritus Faculty News --- 16
-- Student Awards and Honors --- 17
-- Guest Artists 2013-14 --- 19
-- Rebecca Burkhardt conducts in China --- 21
-- Faculty Spotlight --- 22
-- Marching Band …

New Mexico Musician Vol 62 No 1 (Fall 2014)

New Mexico Musician

DEPARTMENTS

President’s Report 2

Office Notes 6

From the Editor’s Desk 8

Vice Presidents’ Reports

Band 11

Orchestra 17

General Music 19

Choral 20

Collegiate 23

Guitar 35

ORGANIZATIONAL MATTERS

NMMEA 2014 Award Winners 24

Retirees/Mentoring Report 31

NM Jazz Educators Article 34

University News 36

NMMEA Music Industry Council Members 41

Advertisers 42

A Phenomenological Investigation Of The Experience Of Music Therapists With Vocal Health Issues, Liisa Hill Murray

Theses & Dissertations

The purpose of this phenomenological study is to explore the experience of music therapists who have had vocal health issues. Participants included three board-certified music therapists who use their voice as a primary or secondary instrument in practice and have experienced vocal health issues for which they obtained medical treatment. Participants described their experiences during semi-structured interviews, and an adaptation of Giorgi's (2012) descriptive phenomenological psychological method was used to identify the underlying themes. Themes that depicted the essence of the therapists' experiences were: (a) Physical Sensations Leading to Emotional Experiences, (b) Challenges to Identity, (c) Relationship Shifts, (d) Changes …

October In Galicia, Karen J. Siegel

Dissertations, Theses, and Capstone Projects

October in Galicia is a setting of selections from the Czech poet Ewald Murrer’s fantastical book, The Diary of Mr. Pinke, translated into English by Alicie Pi!t’ková. The surreal day-to-day happenings of Mr. Pinke occur in a timeless group of villages revealed by a translator’s note to be modeled on the historical region of Galicia (now part of Poland, Ukraine, and Russia). The tape part (or more accurately the digital audio files), which appears in “October 23rd,” consists of an organ recording that has been manipulated electronically. The electronic manipulations are subtle enough that the original pitches are always …

A Derivation Of The Tonal Hierarchy From Basic Perceptual Processes, David Smey

Dissertations, Theses, and Capstone Projects

In recent decades music psychologists have explained the functioning of tonal music in terms of the tonal hierarchy, a stable schema of relative structural importance that helps us interpret the events in a passage of tonal music. This idea has been most influentially disseminated by Carol Krumhansl in her 1990 monograph Cognitive Foundations of Musical Pitch. Krumhansl hypothesized that this sense of the importance or centrality of certain tones of a key is learned through exposure to tonal music, in particular by learning the relative frequency of appearance of the various pitch classes in tonal passages. The correlation of pitch-class …

Different Placements Of Spirit: African American Musicians Historicizing In Sound, Casey Hale

Dissertations, Theses, and Capstone Projects

This dissertation examines two recent projects by African American musicians that enact critical and historiographic agency by reconstructing the music of the past: William Parker's project The Inside Songs of Curtis Mayfield, dedicated to re-imagining the works of the soul music icon with an ensemble featuring the poetic recitation of Amiri Baraka; and Marcus Roberts's reinvention of the Jazz Age rhapsodies of George Gershwin and James P. Johnson, Rhapsody in Blue and Yamekraw: A Negro Rhapsody. Rooted in African American interpretive traditions, and working both within and against such discursive categories as "jazz," "black music," and "American music," these artists …

Nikolai Medtner's First Piano Concerto: A Metrotectonic Analysis, Aleksandra Sarest

Dissertations, Theses, and Capstone Projects

This dissertation focuses on the work of the Russian-born composer Nikolaĭ Medtner, presenting an original analysis of his Piano Concerto No. 1 in C Minor, op. 33. The analysis is preceded with an overview of Medtner's life and his entire body of music, and with a discussion of the composer's artistic beliefs and musical style. Medtner lived at a time when most composers searched for new paths, believing that nothing original could be produced unless there were drastic changes to musical language itself. Medtner was among the few composers who remained loyal to the Western classical tradition. Working within its …

The Art Of The Commonplace: Found Sounds In Compositional Practice, Jennifer Stock

Dissertations, Theses, and Capstone Projects

This dissertation contains a historical analysis of the emergence of found sounds or everyday noises as a compositional strategy in Western art music through the first half of the 20th century. Pioneering works are examined to determine the motives and aesthetic goals that first led composers to bring noise to the musical surface, including the avant-garde collaboration Parade, Futurist noise experiments, and Pierre Schaeffer's early work with musique concrète. These early works are used to create two analytical spectra with which to analyze contemporary pieces that incorporate founds sounds with instrumental music: one spectrum that considers the level of integration …

Redefining Diaspora Consciousness: Musical Practices Of Moroccan Jews In Brooklyn, Samuel Reuben Thomas

Dissertations, Theses, and Capstone Projects

This dissertation examines the role of musical practices in the synagogue life of Maroka'im (Moroccan Jews) in Brooklyn, New York. Living in an urban setting known for its diverse and robust Jewish life, community members utilize several different types of musical expression to emblematize three distinct diasporic ethnic identities: Jewish (of ancient Israel), Sephardi (Spanish), and Maroka'i (Moroccan). Based upon ethnographic fieldwork carried out between 2008 and 2013, this study demonstrates how Maroka'im in Brooklyn use musical expressions to evoke more than one sense of diaspora consciousness--Jewish, Sephardi, and Maroka'i--to foster what I term a layered diaspora consciousness.

To illustrate …

Gendered Practices And Conceptions In Korean Drumming: On The Negotiation Of "Femininity" And "Masculinity" By Korean Female Drummers, Yoonjah Choi

Dissertations, Theses, and Capstone Projects

Korean drumming, one of the most popular musical practices in South Korea, currently exists in a state of contradiction as drumming, historically performed by men, is increasingly practiced by women. Women drummers who enter this male-dominated realm confront the "masculinization" of the practice, which is naturalized and normalized through the field's discourse and performance. At the same time, they seek a "femininity" that may help them to survive in the field. To examine these gendered conceptions and practices, I draw on the ways in which contemporary Korean traditional drum performers, predominantly professional female drummers, conceptualize, experience, perform, reinforce, and/or resist …

The Kalophonic Settings Of The Second Psalm In The Byzantine Chant Tradition Of The Fourteenth And Fifteenth Centuries, Arsinoi Ioannidou

Dissertations, Theses, and Capstone Projects

The kalophonic settings of the second Psalm emerged in music manuscripts of the Byzantine Empire during the early fourteenth century and were long considered the exemplary specimens of their kind, yet no scholarly study has ever examined the reasons behind their significant production, purposeful usage and abrupt vanishing, two centuries later, from the church repertory. In this dissertation, I explore the historical and political circumstances of the Palaiologan period (1261-1453) that determined the creation and usage of these settings as an artistic propagandistic vehicle that glorified the image of the emperor. The politics of imitation of Christ by the imperial …

Secrets Of A Toy-Box: A Study Of Claude Debussy's La Boîte À Joujoux, Mirna Lekic

Dissertations, Theses, and Capstone Projects

The influence of Claude Debussy's inventive musical language can be traced through to the most modern classical repertoire. Yet of the composer's three ballets, which provided the counterweight to the Russian dominance of Parisian ballet culture in the early 1900s, only Jeux has received substantial scholarly attention. The following document is a monograph on La Boîte à joujoux (1913), Debussy's innovative ballet for children or marionettes. It offers an exploration of the work's broader significance and contextualizes it both within Debussy's oeuvre and in a broader historical realm. Included is a survey of the ballet's performance history, as well as …

The Mad Science Of Hip-Hop: History, Technology, And Poetics Of Hip-Hop's Music, 1975-1991, Patrick Rivers

Dissertations, Theses, and Capstone Projects

In 1979, the first commercial recordings of hip-hop music were released. The music's transition from the parks and clubs of the Bronx to recorded media resulted in hip-hop music being crafted and mediated in a recording studio before reaching the ears of listeners. In this dissertation I present a comprehensive investigation into the history of the instrumental component of hip-hop music heard on recordings, commonly referred to as beats. My historical narrative is formed by: the practices involved in the creation of hip-hop beats; the technologies that facilitated and defined those practices; and the debates around these two aspects that …

Musical Rhetoric, Narrative, Drama, And Their Negation In Morton Feldman's Piano And String Quartet, Ryan Michael Howard

Dissertations, Theses, and Capstone Projects

Though Morton Feldman famously expressed his aversion to conventional compositional rhetoric early in his career, an examination of his music from the late 1970s onward reveals a more complex and ambiguous relationship with musical rhetoric than has often been acknowledged. In his own writings Feldman hinted at the notion of illusory function and directionality in his music, as well as to the phenomenon of "negation." It is my contention that the extended-length works written in the last years of the composer's life, which frequently feature tantalizing suggestions of conventional musical narrative, provide rich opportunity for readings of these statements. My …

Convocation, Unlv Convocations

Convocations

No abstract provided.

Todesfuge, Casey Hale

Dissertations, Theses, and Capstone Projects

Todesfuge (2008-2010) is a setting, for tenor and chamber orchestra, of Paul Celan's poem of the same name. Celan wrote his landmark work on the Holocaust in the years after he himself was freed from internment in a Romanian forced labor camp in 1944, though its imagery is drawn from accounts of the death camps in Poland. From the outset, I was ambivalent about setting this text to music, but felt compelled, and my response was to frame it with idiomatic references to German music from Wagner to Weill, exploring the discomfort of using aesthetic artifice to represent unspeakable atrocities. …

Ralph Shapey And The Search For A New Concept Of Musical Continuity, 1939-66, Barry Wiener

Dissertations, Theses, and Capstone Projects

This dissertation creates a narrative for the stylistic development of the American composer, Ralph Shapey, during the first half of his career. Shapey's music represents a fusion of Schoenbergian metamorphic process and Varèsian stasis, methods for the creation of musical continuity that are usually considered incompatible. I show how Shapey formulated his compositional techniques, influenced by his teacher, Stefan Wolpe, and his friend, Edgard Varèse.

Shapey's interest in the music of Schoenberg was mediated through the prism of Wolpe's musical ideas. Wolpe used unordered pitch-class sets to present the aggregate in his music, and avoided Schoenberg's neo-classic and neo-baroque forms …

Timbral Transformations In Kaija Saariaho's From The Grammar Of Dreams, Karen J. Siegel

Dissertations, Theses, and Capstone Projects

This dissertation is a study of Kaija Saariaho's 1988 vocal work From the Grammar of Dreams, with a focus on timbre. It begins with background on Saariaho, and research on timbre in music theory and psychoacoustics (Chapters 1 and 2). Chapter 3 shows how Saariaho manipulates timbre to expressive and formal ends in From the Grammar of Dreams, including creating timbral tension and release, applying Robert Morris' Contour Theory in its analyses. Chapter 4 then explores how the timbral transformations interact with non-timbral musical elements. The conclusion (Chapter 5) puts the compositional techniques of this work in the context of …

Uni Jazz Combos Concert, September 30, 2014 [Program], University Of Northern Iowa. School Of Music.

Music Recital Programs

Program of a music recital given by faculty, students, or guest artists from the School of Music at the University of Northern Iowa.