Music Commons^™

Concert Recording 2014-04-25, Diego Plata, Tomoko Kashiwagi

Concert Recordings & Programs

Sonatina for flute and piano / Eldin Burton -- Fantasia no 2 in a minor / Georg Philipp Telemann -- Concerto for flute and orchestra / Jacques Ibert -- Sequenza I / Luciano Berio -- Suite paysanne hongroise / Bela Bartok

Directing The Oxford Children's Chorus: Observations And Advice For Directing An Extracurricular Children's Choir, Kathryn E. Shuford

Honors Theses

This thesis examines the observations and experiences of a first year choir director in an extracurricular choral program. Observations were taken from the weekly rehearsals of the Oxford Children's Chorus, a community children's chorus for 4-6th grade students in Oxford, Mississippi, during the fall 2013 semester. The thesis is divided into four chapters. The first chapter provides background information about the Oxford Children's Chorus and the subsequent chapters each deal with a different aspect of directing a community choral ensemble: planning for a rehearsal, running a rehearsal, and growing the organization. Topics discussed include: choosing repertoire, rehearsal pacing, rehearsal order, …

The Role Of Laryngeal Function In Breathing For Singing, Ellen V. Graham

Theses and Dissertations--Music

Poor breath management is problematic for singing. Voice students and singing teachers typically attribute breath management issues to abdominal-diaphragmatic breathing technique. The present study seeks to determine whether glottal insufficiency may also contribute to singer’s breath management problems. Studies have revealed a relationship between incomplete vocal fold closure and inefficiency in the speaking voice. However, the effect of incomplete vocal fold closure on vocal efficiency in singers has yet to be determined. Since the larynx cannot be observed without the assistance of clinical instrumentation, not readily available in the voice studio, issues at the glottal level may be underappreciated as …

Reconciling Brundibár: Practical Considerations For Producing Hans Krása’S Children’S Opera, Daniel W. Chetel

Theses and Dissertations--Music

Brundibár, the children’s opera by Czech composer Hans Krása (1899–1944), is the story of two children who go to town to seek some milk to help their sick mother. When they arrive the children are bullied by the Brundibár, a mean adult who plays the organ grinder and takes the children’s money. To fight back against the overbearing Brundibár the children seek the help of the town’s young people—along with three fairy-tale animals—to make the town square a safe place again.

The piece was performed in 1942 by the children of Prague’s Jewish orphanage, and then presented with child singers …

A Study Of J.S. Bach’S Sacred And Secular Vocal Works Influenced By Popular Stylized Dance Of The French Baroque Court: A Performer’S Guide, Dione J. Napier

Theses and Dissertations--Music

Among the existing body of literature on J.S. Bach’s massive compositional output, a scarce percentage of this research is dedicated specifically to the study of French Baroque court dances and their influence on Bach’s solo vocal repertoire. This study presents secular and sacred solo vocal works by J.S. Bach that were influenced by popular French court dances of the eighteenth century. The study explores musical and dance traits extracted from some of the most popular French Baroque court dances and incorporated into solo vocal repertoire. The intent of this paper is to provide a resource from a performer’s perspective that …

From Piano Girl To Professional: The Changing Form Of Music Instruction At The Nashville Female Academy, Ward’S Seminary For Young Ladies, And The Ward-Belmont School, 1816-1920, Erica J. Rumbley

Theses and Dissertations--Music

During the nineteenth century middle and upper-class women in Nashville and the surrounding region occupied a clearly defined place within society, and their social and academic education was designed to prepare them for that place. Even as female education gradually became more progressive in the later nineteenth-century, its scope was still limited by gender roles and expectations. Parents wanted their daughters to learn proper social graces, and “ornamental” studies such as music, needlework, and painting were a large part of their education. As the nineteenth gave way to the early twentieth-century, the focus of women’s education began to shift, with …

A Performance Guide To Glenn Kotche's "Monkey Chant", Jonathan Sharp

Theses and Dissertations--Music

Solo percussionist and composer Glenn Kotche has achieved international fame with his experimental percussion-based music, collaborating with and composing for renowned contemporary music ensembles such as the Kronos Quartet, Band on a Can All-Stars, So Percussion, and Eighth Blackbird. One of his most celebrated compositions in recent years is Monkey Chant, which combines acoustic and electronic elements in a solo multiple percussion setting. Written and premiered in 2006, Kotche was inspired to compose Monkey Chant after listening to original field recordings in Bali from the Nonesuch Explorer Series. Found in these recordings is the popular Balinese music and dance …

Italian And Spanish Influence On Selected Works Of Mexican Composers: María Grever, Ignacio Fernández Esperón “Tata Nacho,” And Agustín Lara, Manuel M. Castillo

Theses and Dissertations--Music

The last decades of the 19th Century and the first decades of the 20th Century encompass a revolutionary movement worldwide. The growth and advances throughout all disciplines of study and especially the collaboration across Literature, Music, Performing Arts, Culture and Politics became stronger and more evident than ever before.

As the Mexican Revolution (1910) developed in frightening fights, the country became increasingly insecure and violent. It was the duty of the living artist to create pathways to escape reality, embellishing the surroundings with its music, paintings and poetry. This climate is what paved the way to the bohemian living-style that …

An Examination Of A Conductor’S Performance Preparation Of The Mendelssohn Violin Concerto In E Minor, Robert J. Seebacher

Theses and Dissertations--Music

The music of Felix Mendelssohn-Bartholdy (1809-47) has earned a prominent position in the orchestral repertoire. One of his greatest works, and certainly one of the most performed, is his Violin Concerto in E minor, Op. 64. The work enjoys much popularity with, and recognition by, soloists, orchestras, and conductors alike. Even with its fame and familiarity, it remains a work that must be carefully studied and prepared by the conductor. This document presents an examination of a conductor’s performance preparation of the Mendelssohn Violin Concerto. The purpose of this examination is to equip the conductor with a depth of knowledge …

The Effect Of Family Centered Music Therapy Sessions On Relaxation States Of Informal Caregivers Of Hospice And Palliative Care Patients, Adrienne Claire Steiner

Theses and Dissertations--Music

Advances in healthcare and shifts toward patient and family centered care have allowed healthcare professionals to focus on the entirety of a patient and what affects his/her health. In noting such changes, and in consideration of what affects quality of life, findings in the literature address the physiological and physiological differences between those who are caregivers versus those who are not caregivers. This study investigated the relaxation state of those who were considered informal caregivers of hospice and palliative patients in an acute hospitalized setting.

A family centered music therapy session was conducted utilizing a music-­‐ assisted relaxation intervention incorporating …

Re-Thinking Paris At The Fin-De-Siècle: A New Vision Of Parisian Musical Culture From The Perspective Of Gabriel Astruc (1854-1938), Cesar A. Leal

Theses and Dissertations--Music

Gabriel Astruc (1864-1938), a French impresario of Jewish background, is mostly known for his collaborative work as an impresario with Sergei Diaghilev and his Ballets Russes. His role within Parisian musical culture at the fin de siècle, however, was much broader. He was a critic, creator of a leading periodical, producer of musical and circus events, music publisher, and associate of many important cultural figures of his day. Although Astruc has been mentioned in scholarly literature, his multifaceted activities have never been carefully studied.

Following the revisionist initiatives of previous scholars (e.g., Pasler, Huebner, Garafola, Fauser), this project offers …

Beverly, “Music Misses You”: A Biographical And Performance Guide To American Mezzo-Soprano Beverly Wolff’S Career And Her Subsequent Impact On American Opera And Art Song, Sarah C. Downs Trail

Theses and Dissertations--Music

American mezzo-soprano, Beverly Wolff has not received the credit or respect that she deserves in operatic history. Her career began in 1952 and flourished until her retirement from the stage in 1981. Her intense characterizations, innate musicianship, and intelligence made her one of the most sought-after performers from the 1950s to the 1970s. For thirty years, she worked with some of the operatic world’s finest musicians, including Leonard Bernstein, Gian-Carlo Menotti, Samuel Barber, Ned Rorem, Beverly Sills, Norman Triegle, Placido Domingo, among others.

She was represented by Columbia Artists Management Inc (CAMI), one of New York’s oldest and most prestigious …

The Effects Of A Cooperative Learning Environment On Preservice Elementary Teachers' Interest In And The Application Of Music Into Core Academic Subjects, John Okley Egger

Theses and Dissertations--Music

The purpose of this study was to examine the effect of cooperative learning on preservice elementary teachers’ interest in, and the application of music into, core academic subject lesson plans. Participants (N = 59) were preservice elementary teachers enrolled in four class sections of a music method course designed for elementary education majors at a large southern university. All members participating in the study were placed by section for eight weeks in one of two groups-an individualistic learning group or cooperative learning group.

During the first 6 weeks of the study, participants worked on the Music Integration Project. …

A Performance Guide To Gabriel Fauré’S La Chanson D’Ève, Op. 95, Sarah E. Klopfenstine-Wear

Theses and Dissertations--Music

In this study, background information, International Phonetic Alphabet pronunciations, poetic translations, and musical analyses of the ten songs that comprise Gabriel Fauré’s La Chanson d’Ève, Op. 95 are provided. Included is the relationship between his original poetry and Fauré’s resultant song cycle. Additionally, a portion is dedicated to an overview of the registers of the mezzo-soprano voice, and it specifically addresses who is best suited to perform La Chanson d’Ève. This document looks at the vocal challenges presented for the mezzo-soprano voice within each song, particularly the subject of vowel modification as it relates to the IPA pronunciation …

Zilphia Horton, A Voice For Change, Alicia R. Massie-Legg

Theses and Dissertations--Music

This dissertation examines the role of Zilphia Horton (1910-1956) in helping to establish the use of music as a powerful tool to unify and train groups involved in social reform at seminars led by Highlander Folk School. In engaging in what has been termed the “mobilization of music,” Mrs. Horton was active in labor disputes, training seminars in the United States and Canada, and the formation of women’s union auxiliaries from 1935 until 1956. The study uses correspondence written by Horton to her husband, Myles Horton; business letters to labor union officials and contributors to songsters; and writings revealing her …

Edward Elgar’S Extended Tonal Procedures—An Inquiry Into Elgar’S Chromatic Realm, Higo Henrique Rodrigues

Theses and Dissertations--Music

This study aims to examine the ways in which English composer Edward Elgar (1857–1934) expanded common-practice tonality; it shows how Elgar employed harmonic structures and syntax in an innovative manner through specific extended-tonal techniques such as the use of chromatic-third relations (both harmonically and as a tonal plan), harmonic substitutions, and local ambiguous sonorities that at times lead to tonal ambiguity. The system that Elgar expanded upon has been called “Classical diatonic tonality”, which was extended when late nineteenth-century composers such as Elgar infused their music with chromaticism. Through an investigation of Elgar’s extended tonal techniques one can come to …

Elliott Carter And His Use Of Metric And Temporal Modulaton In His Eight Pieces For Four Timpani : An Examination Into The Application Of Click Tracks During The Preparation And Performance Of These Works, Tegan Lebrun

Theses : Honours

Elliott Carter’s Eight Pieces for Four Timpani have become integral works in the solo timpani repertoire. They continue to offer technical and musical challenges to both developing and professional players and have influenced the development of the solo timpani genre to date. These pieces contain metric and temporal modulation – musical processes which alter certain performance parameters concerning pulse and subdivision tempi.

This dissertation investigates Carter’s use of metric and temporal modulation in his Eight Pieces for Four Timpani and examines the effects click track application has on the performance of these works. A brief biography of Carter and his …

Explorations In Double-Stops: Three New Pieces For Expanding The Role Of The Double Bass In The Jazz Ensemble, Ashley De Neef

Theses : Honours

This dissertation investigates the potential for using double-stops - the sounding of two or more simultaneous notes - as a means for extending the traditional role of the double bass, within compositions for a small jazz ensemble. It is the contention of this dissertation that it is possible to use double-stops to perform a more advanced function within the jazz ensemble, without compromising the double bass’ primary harmonic and rhythmic duties.

A historical overview of the history of the double bass within western classical and jazz music will be provided, as to outline and define what the double bass’ role …

Brad Mehldau’S Approach To Orchestration At The Piano In A Trio Setting As Demonstrated On “August Ending” (2004) And “Secret Beach” (2006), Gabriel Fatin

Theses : Honours

Brad Mehldau is one of the most accomplished and original pianists playing today, and his musical output is met with a grand reception from critics and the public alike. Influenced predominately by the jazz piano lineage including Wynton Kelly and McCoy Tyner, rock music, and classical music, he has developed a highly unique way of playing, which early on was reminiscent of Bill Evans. One of the most striking aspects of his playing is in the way that he orchestrates his improvisations across the piano. He has the ability to play independent solo melodies in his left hand and right …

Adding To Blake Set To Music: A Bibliography, Ashanka Kumari

Department of English: Dissertations, Theses, and Student Research

William Blake, like other Romantic-era poets, was inspired by and wrote about the world around him. The hundreds of poems he wrote later inspired other genres such as music. In 1990 the University of California Press published Blake Set to Music: A Bibliography of Musical Settings of the Poems and Prose of William Blake written by Donald Fitch. This bibliography lists 1,412 pieces up to 1988. The following bibliography consists of pieces of music written after Fitch’s bibliography was published or, in a few cases, a composition written before Fitch’s bibliography was published, but not mentioned in that bibliography. This …

A Brief History Of Jazz Drumming, Zachary A. King

Honors Theses and Capstones

No abstract provided.

Issues And Challenges In The Delivery Of Secondary School Music Education In Ireland : A Regional Case Study, Marita Murray

Theses

Research in effective music experiences during childhood and teenage years has shown the potential for significant developmental effects. However, the number of students studying music as a subject in secondary school in Ireland is statistically low in comparison with other areas of schooling. International literature points to a number of key issues and significant challenges in the delivery of music as a subject, yet there has been little Irish research carried out in this area. This study aims to examine the delivery of school music education in a sample of Irish post-primary schools. It is a case study in delivery …

Analysis And Expressive Performance : Four Selected Works By Chopin, Timothy David Saeed

LSU Doctoral Dissertations

In this dissertation, I examine four works by Chopin and address issues of expressive performance derived from principles of the nineteenth-century Swiss theorist, Mathis Lussy (1828-1910). Lussy’s systematic approach into the understanding and organization of the individual phrase in relation with performance practice resembles many recent theories of rhythm and performance methodologies. As have several recent theorists, Lussy sought the causes of expressive performance in the structure of the musical phrase, rather than a performer’s artistic intuition, and identified a tripartite classification of accent. The purpose of this study is to adapt and expand the application of Lussy’s theory of …

Bells In Tower At Evening Toll : A Performer's Guide To The Songs Of David P. Rossow On The Texts Of William Shakespeare And A. E. Housman For Baritone Voice And Piano, Matthew Joseph Daniels

LSU Doctoral Dissertations

David P. Rossow (b. 1975) is a contemporary American composer and arranger of choral works, music for jazz ensemble, and most recently, songs for solo voice and piano. This document serves as a performer’s guide to Rossow’s songs for baritone/low male voice and piano, Three Shakespeare Sonnets and Three A.E. Housman Songs. Chapter 1 is comprised of relevant biographical information about the composer from early childhood to present (2014). Chapters 2 and 3 are performance guides to Three Shakespeare Sonnets and Three A.E. Housman Songs, respectively. Included in these chapters are the following: date of composition; source of poetry; harmonic …

Concerto For Laptop Ensemble And Orchestra: The Ship Of Theseus And Problems Of Performance For Electronics With Orchestra: Taxonomy And Nomenclature, Jonathan Corey Knoll

LSU Doctoral Dissertations

This dissertation is an examination of the problems faced when staging a work for electronics and orchestra. Part I is an original composition and model for the exploration of those problems. Part II is a monograph reviewing those problems and concentrating on issues of taxonomy and nomenclature. Part I is a concerto for laptop ensemble and orchestra titled The Ship of Theseus. It is named after a philosophical paradox. If every component of an object (i.e. the boards of a ship) is replaced with newer parts, at what point does the original cease to exist? Likewise, if the music performed …

The World Of Tan Dun: The Central Importance Of Eight Memories In Watercolor, Op. 1, Lin Tian

LSU Doctoral Dissertations

Tan Dun is a mysterious figure in both eastern and western classical music. His rich music interests, innovative approach, and culturally eclectic writing style have gained him an international reputation. His piano suite, Eight Memories in Watercolor, Op. 1, while conceived as a simple diary of longing for his hometown, is an essential composition in his oeuvre. Although this piece is often overlooked because of its simplicity, I contend that this Op. 1 is a pivotal piano work containing many of the compositional devices used throughout his career. This piece compellingly combines traditional Chinese music and philosophy with western compositional …

Carroll Best: Old-Time 'Fiddle-Style Banjo' From The Great Smoky Mountains, Ted Olson

ETSU Faculty Works

Excerpt: In an interview published in the February 1992 issue of The Banjo Newsletter and conducted by bluegrass historian Neil Rosenberg and banjo player and instruction book author Tony Trischka, Carroll Best conveyed the depth of his connections to the instrument he had mastered: “When I was old enough to pick up a banjo I wanted to play.”

The Art Song Of Edmundo Villani-Côrtes: A Performance Guide Of Selected Works, Irailda Eneli Barros Silva Rodrigues

Theses and Dissertations--Music

The purpose of this study is to present a performance guide for singers on twelve selected songs in Brazilian Portuguese for voice and piano by Brazilian composer, pianist, and arranger Edmundo Villani-Côrtes (b.1930). Since 1949, Villani-Côrtes has been active in the musical scene of Brazil. He has a unique compositional style that seamlessly combines elements of both art music and popular music. Villani-Côrtes’s body of works includes over two hundred compositions for solo instrumental music, orchestral music, choral music, and art song. He has written over sixty songs in Brazilian Portuguese, including the Ciclo Cecília Meireles (1987), winner of the …

Use Of The Diagnostic And Statistical Manual-5 Among Current Music Therapy Students, Jasmine Simons

Theses and Dissertations--Music

The Diagnostic and Statistical Manual (DSM) provides updates of diagnostic criteria and it is crucial that clinicians from all relevant fields are aware of new terminology. Music therapists are increasingly being added to interdisciplinary teams and need to efficiently communicate with other professionals. This study aimed to discover if current music therapy students are familiar with the DSM-5 before they enter their professional practice. Music therapy students from two American Music Therapy Association-approved universities completed a survey aimed to assess their use and knowledge of the DSM-5. A total of 58 participants were included in the analysis. Findings from …

The Band At Little Rock Central High School Before, During, And After Integration In 1957-1958, Brandon Earl Robinson

Electronic Theses and Dissertations

The purpose of this dissertation was to investigate the history of the Little Rock Central High School band before, during, and after integration in 1957-1958. A review of related literature in the areas of civil rights, Brown v. Board of Education, integration of schools, integration of Little Rock Central High School, and integration of school music programs provided the rationale for this study. Based on the related literature, research questions for this study included: What was the history of the Central Band before, during, and after integration in 1957-1958? Who was the first African American in the Central band? When …