Music Commons^™

Concert Recording 2014-04-30a, Laura Hart, Chelsea Martinez, Morgan Vaughn, Torre Campbell, Donna Vickers, Hannah Craig, Hannah Mindeman Shuman, Ashley Baty, Michael Rothmeyer, Olga Greenhut, Coby Anderson, Christie Onzol, Stephanie Burnett, Kristine Mezines, Riley Snell, Ashlyn Berry, Melis Soyarslan

Concert Recordings & Programs

Dolente immagine di Fille mia / Vincenzo Bellini -- And this is my beloved / Robert Wright ; George Forrest -- Nana / Manuel de Falla -- Ich liess mir sagen / Hugo Wolf -- Extase / Henri Duparc -- When Fredric was a little lad / Gilbert ; Sullivan -- Falconer. One seeing castle stalker ; Snow on Ben Nevis ; Stalcaire reel / Catherine McMichael -- Sonata IV / Georg Philipp Telemann

Concert Recording 2014-02-20, Olga Greenhut, Hannah Mindeman Shuman, University Of Arkansas Fayetteville. Women's Chorus, University Of Arkansas Fayetteville. Concert Choir

Concert Recordings & Programs

Niska banja / [arr.] Nick Page -- She tells her love / Stephen Caldwell -- Requiem acternam - mode 6 / Gregorian chant -- Sam was a man / Vincent Persichetti -- Beautiful winter / Amy F. Bernon -- This is the day / [arr.] Gerald Smith -- Loch Lomond / [arr.] Gail Kubik -- Elegischer gesang, op. 118 / L. van Beethoven -- If I got my ticket / [arr.] Roy L. Bellfield, Jr

Concert Recording 2014-03-12, Amy Mayes, Jordan Wilhelm, Yudai Hironaka, Elliot Green, Amanda Brooks, Jacob Hilton, Jessica Watkins, Stephen Byars, Andrew Baker

Concert Recordings & Programs

Telemann duets. Duetto for two flutes ; Clavier fantasie no 2 / Georg Philipp Telemann ; [trans.] Byars -- Duet for flute and tuba / Walter Hartley -- Tuba duets. Tuba duet no 1 ; Tuba duet no 5 rock style / Scott Schlesinger -- Little William's tubas / Ken Steen -- Ready for love / Arie ; [arr.] Byars -- Procession of the nobles / Nikolai Rimsky-Korsakov ; [arr.] Mike Forbes -- New creation. Set me as a seal / Rene Clausen ; [arr.] Byars -- Little suite for winter. Fantasia ; Blues bounce ; Lullaby ; Rondo ; …

Concert Recording 2014-04-23b, Jackson Jones, Elliot Green, Michael Burner, Kristine Mezines

Concert Recordings & Programs

Cameos. VIP ; Nostalgic singer ; Nimble dancer ; Phantom procession ; Derby winner / Gordon Jacob -- Aequale / Anton Bruckner -- Konzert fur posaune und klavier / Composer (1810-1849)

Concert Recording 2014-01-25, Johan Botes, University Of Arkansas Fayetteville. Razorbones, Paul Pollard, Cory Mixdorf

Concert Recordings & Programs

Concerto. Allegro giusto ; Lento, ben ritmato ; Allegro moderato / Nino Rota -- Postcards III / Anthony Plog -- A beautiful noise. A beautiful noise ; Vocalise ; Rondo finale / John Frith -- Trombone institute of technology / Michael Davis -- Concertino. Allegro maestoso ; Andante ; Allegro moderato / Ernst Sachse -- New Orleans / Eugene Bozza -- Tosca. E lucevan le stele / Giacomo Puccini -- Romeo and Juliet, op. 64. Introduction ; Young girl Juliet ; Masks ; Montagues and Capulets ; Romeo and Juliet at parting ; Juliet's death and funeral / Sergei Prokofiev …

The Feeling That You Are Where You Belong: A Qualitative Analysis Of College Music Groups And Student Success, Susan Elizabeth Johnson

Honors Program Theses

“We believe in the power of music to uplift, to inspire, and to help make the world a better place.” These words, from the mission statement of an all-men’s choir at a mid-sized Midwestern university, accurately reflect the attitude that many people have toward music. Music ensembles, both vocal and instrumental, often have a very profound impact on their members, emotionally, socially, and even academically. For college students in particular, these organizations can provide a social structure and support group that helps with the transition from high school to college and helps students deal with homesickness and the unfamiliarity of …

The Culture And History Surrounding “Szomorú Nόták” Of Béla Bartόk’S Twenty Hungarian Folksongs And Its Influence On Bartók’S Settings, Mary Katherine Rawls

Theses and Dissertations

This document is an exploration of the Hungarian culture and history as it pertains to "Somorú nótak" of Bartók's Twenty Hungarian Folksongs. The information presented will provide insight into the Magyar, Hungarian, outlook as well as relevant themes. As a performer, it is important to make these connections and apply them to the musical setting so that a genuine portrayal of the texts and their emotions is possible. Hungarian history, the folksong as it pertains to the Hungarians, and the process by which these songs were composed are discussed in order to establish their importance and background of the content. …

The Remaking Of An American Opera: A Detailed Look At Carlisle Floyd's Grand Opera 'The Passion Of Jonathan Wade', Joshua R. Wentz

Theses and Dissertations

Carlisle Floyd's single grand opera, The Passion of Jonathan Wade, premiered in 1962 in New York City only to be placed on a shelf for the next twenty-eight years to collect dust. In 1990, David Gockley at Houston Grand Opera commissioned a revival of the work, prompting Floyd to write eighty percent new music and libretto. The two versions are similar in plot but are set very different musically.

This document examines the composer, a historical background of the American landscape at the time of each premiere, and a brief analytical examination of The Passion of Jonathan Wade in both …

Improvisation In A Fourth-Grade Music Class, Lauren Julia King Driscoll

Theses and Dissertations

With the intent of improving the understanding of music learning, I investigated the processes of tonal, rhythm, melodic, and harmonic improvisation among my fourth-grade students and me. The following were the guiding research questions. 1. How did I adapt music improvisation strategies for my intact class of fourth-grade students? 2. How did those students participate in music improvisation experiences? 3. How did those students describe their music improvisation experiences? Seventeen fourth-grade students participated in this study, and I participated in this study as a participant observer. Over the course of five weeks, I taught ten 50-minute music classes, where I …

In Search Of Murmurings (Full Score), Luke Martin

Honors Theses

"In Search of Murmurings" is deeply indebted to my reading of Marcel Proust's Swann's Way and explores his concept of recombining lost memories in the liminal space of our inner selves. Certain moments in the piece act as aural triggers for memory eruptions into my lost and fragmented experience of past composers' works. As much as this piece is an exploration of Proust, it is also an exploration of myself. By following these memory eruptions, I am departing from the convention, expected, and narrative path; I am asking: what happens when I allow the illogical and non-linear to take control?

Critical Editions And Comparative Analysis Of Three Representative Wind Band Works From The French Revolution, Adam Gary Kehl

Theses and Dissertations

The French Revolution witnessed the greatest output of music for wind band before the twentieth century. The importance of wind bands and wind repertoire grew for several reasons including, most notably, their participation in government sponsored outdoor national festivals. Festival celebrations were large gatherings in which wind band music was a central component. The French National Guard Band was the dominant musical ensemble in revolutionary France; its leaders, François Gossec, Bernard Sarrette, and Charles-Simon Catel, were among France's most important musical figures between 1789-1799. These men, in combination with music schools established in Paris during the Revolution, helped shaped the …

Expansion And Contraction In Movements I And Vii Of Gyorgy Ligeti's Hamburg Concerto, Andrew Charles Hannon

Theses and Dissertations

György Ligeti's final composition, Hamburg Concerto (1999, rev. 2002), features his compositional technique of expansion and contraction. The concerto is scored for two flutes, oboe, two bassett horns (both doubling on clarinet), bassoon, solo double horn, four natural horns, trumpet, trombone, two percussionists, and single strings. The natural overtones of the horns offer unique harmonic possibilities that relate to Ligeti's use of expansion/contraction. While several analysts have examined expansion/contraction in other works by Ligeti, no one has yet looked at this technique in Hamburg Concerto, particularly as applied to Ligeti's use of natural overtones. This paper examines the two outer …

Arts Entrepreneurship: An Essential Sub-System Of The Artist's Meta-Praxis, Jonathan Gangi

Theses and Dissertations

As the field of Arts Entrepreneurship education continues to grow, the barriers it confronts prevent maximum vitality. Leading scholars and administrators indicate that program development and formal accreditation standards are important components supporting the field's growth. As such, this document explores next steps and examines how to move the field towards academic maturity.

First, notable Arts Entrepreneurship academic programs are compared and contrasted as a representative sample of existing curricular approaches. Second, issues of accreditation are analyzed as barriers preventing growth, followed by recommendations for removing these obstacles. Third, the Artist's Meta-Praxis conceptual framework is presented as a way to …

A Performer's Guide For Two Solo Song Cycles By Darius Milhaud (1892-1974): Catalogue De Fleurs, Opus 60 & Six Chansons De Théâtre, Opus 151b, Jolene Elizabeth Flory

Theses and Dissertations

This study is a guide for vocalists and teachers to assist in the preparation and performance of two of the solo song cycles by Darius Milhaud (1892-1974): Catalogue de fleurs, opus 60 (1921) and Six Chansons de Théâtre, opus 151b (1936).

Chapter one is a biography focusing on the most impactful moments in Milhaud's career. The chapter takes the reader through his early years, education, travels to Brazil, connection with Les Six, career highlights, and years as a professor. The second chapter serves as an introduction to the compositional elements found in Milhaud's vocal works. After establishing the recurring techniques, …

Songs You Know By Heart: Alcohol, Promiscuous Sex, Drugs, And Escape In Jimmy Buffett’S Music, Eve M. Brank, Kathleen A. Fox, Victoria Kaspar

Department of Psychology: Faculty Publications

Some researchers argue singer-songwriter Jimmy Buffett’s lyrics focus on alcohol, promiscuous sex, and drugs, while others say Buffett’s music has changed since he sold out to corporate sponsorship. Results from a systematic coding of all 386 of his songs released since 1969 indicate Buffett’s music is more about escape and irony than deviant behaviors. Furthermore, lyric themes remain largely unaltered even through an increase in his popularity and corporate sponsorship.

Carroll Best: Old-Time 'Fiddle-Style Banjo' From The Great Smoky Mountains, Ted Olson

ETSU Faculty Works

Excerpt: In an interview published in the February 1992 issue of The Banjo Newsletter and conducted by bluegrass historian Neil Rosenberg and banjo player and instruction book author Tony Trischka, Carroll Best conveyed the depth of his connections to the instrument he had mastered: “When I was old enough to pick up a banjo I wanted to play.”

The Art Song Of Edmundo Villani-Côrtes: A Performance Guide Of Selected Works, Irailda Eneli Barros Silva Rodrigues

Theses and Dissertations--Music

The purpose of this study is to present a performance guide for singers on twelve selected songs in Brazilian Portuguese for voice and piano by Brazilian composer, pianist, and arranger Edmundo Villani-Côrtes (b.1930). Since 1949, Villani-Côrtes has been active in the musical scene of Brazil. He has a unique compositional style that seamlessly combines elements of both art music and popular music. Villani-Côrtes’s body of works includes over two hundred compositions for solo instrumental music, orchestral music, choral music, and art song. He has written over sixty songs in Brazilian Portuguese, including the Ciclo Cecília Meireles (1987), winner of the …

Use Of The Diagnostic And Statistical Manual-5 Among Current Music Therapy Students, Jasmine Simons

Theses and Dissertations--Music

The Diagnostic and Statistical Manual (DSM) provides updates of diagnostic criteria and it is crucial that clinicians from all relevant fields are aware of new terminology. Music therapists are increasingly being added to interdisciplinary teams and need to efficiently communicate with other professionals. This study aimed to discover if current music therapy students are familiar with the DSM-5 before they enter their professional practice. Music therapy students from two American Music Therapy Association-approved universities completed a survey aimed to assess their use and knowledge of the DSM-5. A total of 58 participants were included in the analysis. Findings from …

Relationships Between Traditional Music Audience Participation And Pro-Social Behaviors, Donald J. Polzella, Jeremy S. Forbis

Psychology Faculty Publications

In order to investigate the relationship between music audience participation and pro-social behaviors, this study analyzed data from 6239 households who took part in the 2008 U.S. Department of Commerce Current Population Survey: Participation in the Arts Supplement. The data were analyzed using logistic regression, in which three specific pro-social behaviors (i.e., voting in the most recent presidential election, making charitable donations or volunteering time, and attending community meetings) were regressed on participation in music (i.e., attending classical, jazz, or opera music concerts). After controlling for the effects of age, race, sex, income, education, marital status, and occupation class, it …

Volume 28, Various Authors

Journal of Music Theory Pedagogy

No abstract provided.

Concert Recording 2014-10-15, Dorian Scott, Jacob Hilton, Robert Wiser, Yudai Hironaka, University Of Arkansas, Fayetteville. Tuba/Euphonium Quartet

Concert Recordings & Programs

Take this hammer / Steven Snowden

Exploring The Mediality Of Live And Studio Composition: The Case Of Computer Music, And Its Implications In “Ambivalence Of Density”, Michael Terren

Theses : Honours

This dissertation attempts to apply the communications theory concept of “mediality,” as described by Jonathan Sterne, to the context of music composition for different mediums, namely the media of the live performance and the studio work (the recording, the concrete work). Mediality denotes the complex “web of practice and reference” between different media—how we interact with and perceive media, and how this affects the content of the medium. The mediality of live and studio composition is posited as cross-referential, non-hierarchical and non-dichotomous—a relationship of “dependence and imbrication” rather than antagonistic binaries.

I investigate the mediality of live and studio composition …

French Opera And The French Revolution, Etienne Nicolas Mehul, Savannah J. Dotson

Departmental Honors Projects

Although Etienne Nicolas Méhul is relatively unknown today, he was greatly respected by his contemporaries, including Beethoven, Cherubini and Berlioz. He rose to popularity and notoriety during the most turbulent years of the French Revolution, when most intellectuals fled for their lives, and yet he managed to maintain his status as a favorite of the people. From an examination of some of his operas - Euphrosine (1790), Ariodant (1799), Adrien (1792, 1799), and Horatius Coclès (1794) - it is apparent that Mehul used thinly veiled allegories to express his views. His heroes in these operas were Romans, Scottish nobles, and …

Something Wicked This Way Comes: Scoring Hamline University's Production Of "Macbeth", Andrew Brady

Departmental Honors Projects

This project represents a practical investigation into using original underscore in the modern theatrical experience. Over 40 minutes of cinematic, orchestral underscore were composed by the author specifically for Hamline University Theatre Department’s 2014 production of Macbeth. Using electronic scoring methods and digital playback strategies, the music was “performed” with variable timing that was able to directly match the performance of the actor’s for each show. The accompanying written musicological analysis explores the score’s uses of themes, spotting strategies, and integration of the show’s artistic concept. The analysis, in conjunction with the recorded score, demonstrates a cohesive effort to …

Sources, Linda B. Fairtile

University Libraries Faculty and Staff Publications

Sources of instrumental music and of non-dramatic vocal music are generally understood to include preliminary sketches and drafts, manuscript and printed scores, performing parts, and, in the latter case, materials related to the choice or development of the vocal text. Letters, diaries, administrative papers, and even journalistic reviews can also be considered sources. Opera, as a collaborative fusion of music and drama, expands this list to include such materials as set and costume designs, staging manuals, lighting plots, and prop lists. Technology has further augmented the inventory, first with still photographs, and later with audio and video recordings. This chapter …

Composing After The Italian Manner: The English Cantata 1700-1710, Jennifer Cable

Music Faculty Publications

In this chapter, I will examine examples from several of the earliest eighteenth-century English cantatas written after the Italian style and in direct response to the growing popularity of Italian vocal music in England.³ The early English cantatas of three composers-John Eccles, Daniel Purcell, and Johann Christoph Pepusch-portend how each would fare in the new musical century, when the compositional ideals of an earlier era were foresaken as the focus on Italian vocal music, the 'talk of the town', broadened in scope and sharpened in intensity.

Recording Review Of Woody Guthrie, American Radical Patriot, Ted Olson

ETSU Faculty Works

Review of Woody Guthrie, American Radical Patriot

Book Review Of Art Rosenbaum: The Mary Lomax Ballad Book: America's Great Twenty-First Century Traditional Singer, Ted Olson

ETSU Faculty Works

Review of Art Rosenbaum: The Mary Lomax Ballad Book: America's Great Twenty-first Century Traditional Singer

Shift : For Flute, Clarinet, Violin, Violoncello, Piano, And Percussion, Robby Schranze

Honors Theses

No abstract provided.

Directing The Oxford Children's Chorus: Observations And Advice For Directing An Extracurricular Children's Choir, Kathryn E. Shuford

Honors Theses

This thesis examines the observations and experiences of a first year choir director in an extracurricular choral program. Observations were taken from the weekly rehearsals of the Oxford Children's Chorus, a community children's chorus for 4-6th grade students in Oxford, Mississippi, during the fall 2013 semester. The thesis is divided into four chapters. The first chapter provides background information about the Oxford Children's Chorus and the subsequent chapters each deal with a different aspect of directing a community choral ensemble: planning for a rehearsal, running a rehearsal, and growing the organization. Topics discussed include: choosing repertoire, rehearsal pacing, rehearsal order, …