Clarinet Ensemble Recital, Jonathan Cannon, Tallyn Wesner, Isaiah C. Pickney, Kaitlynn Zigterman, Carlos Mata-Alvarez, Steven Porter, Aki Oshima, Audrey Wood, Jennifer Iles, Johnathon Cannon

Chamber Music Programs

Program listing performers and works performed

2011-2012 Lynn Philharmonia No. 3, Lynn University Philharmonia, Bruce Polay, Heqing Huang, Doniyor Zuparov, Chun Yu Tsai, Anastasiya Timofeeva

Philharmonia

2011 Concerto Competition Winners

• December 3, 2011 at 7:30 PM and December 4, 2011 at 4:00 PM
• Bruce Polay, guest conductor ; Heqing Huang, piano ; Doniyor Zuparov, cello ; Chun Yu Tsai, marimba ; Anastasiya Timofeeva, piano
• Overture to Rienzi / Richard Wagner -- Piano Concerto No. 1 in C Major, op. 15 / Ludwig van Beethoven -- Cello Concerto No. 1 in E-flat Major, op. 107 / Dmitri Shostakovich -- Concerto for Marimba and String Orchestra / Emmanuel Séjourné -- Piano Concerto No. 1 in B-flat Minor, op. 23 / Pyotr Ilyich Tchaikovsky

2011-2012 Philharmonia Season Program

Jesus Music: The Story Of The Jesus Movement And Evaluation Of Its Musical Impact, Shimon K. Galiley

Senior Honors Theses

Few recent historical developments have had as much impact on American Evangelical Christianity as the Jesus Movement. Dating back only a few decades, this movement resulted in the conversion of many countercultural youth and the consequent revitalization of many American churches. One of the greatest impacts of the Jesus Movement was its new music which came to be known as “Jesus Music.”

This thesis describes the history of the Jesus Movement and the musical impact it had on American Evangelical Christianity.

Convocation, Gianni Becker, Isabella Ivy, Stephany Padua, Carla G. Lopez, Anthony Rodriguez, K. C. Singer, Timothy Harpster, Audrey Wood, Tabitha Mackin, Jonathan Cannon, Dustin Stevens, Noe Otani, Jessica Kim, Travis Lohmann, Michelle Lee, Bilyana Tancheva, Adriel Algiere, Zhu Sun, Maryann Taylor, Danbi Cho

Convocations

Program listing performers and works performed

Unlv Choral Ensembles And Chamber Orchestra, David B. Weiller, Jocelyn K. Jensen, Taras Krysa, Jessica Kim, Amy Homer-Smith

Choral Ensembles

Program listing performers and works performed

Student Recital, Mark Runkles, Ali Gilroy, Matthew Thomas Guschl, Erin Kennelly, David Warner, Albina Asryan, Allison Mcswain, Rachel L. Waddell

Chamber Music Programs

Program listing performers and works performed

New Mexico Musician Vol 59 No 2 (Winter 2011)

New Mexico Musician

No abstract provided.

2011-2012 Dean's Showcase No. 2, Jo Brand, Roman Yearian, Cassidy Moore, Jesse Yukimura, Noemi Rivera, Fabian Alvarez, Fabiola Porras, Greg Stead, Raul Rodriguez, Aneliya Novikova, Anastasiya Timofeeva

Dean's Showcase

No abstract provided.

Balancing Music Industry Curricula In Undergraduate Degree Programs: A Course Distribution Survey And Analysis, Keith Hatschek

Conservatory of Music Faculty Articles

Institutions offering degrees under the various names of music business, music industry, music management or music merchandising, most often employ some type of interdisciplinary curricular approach. By interdisciplinary, it is implied that studies in additional subject areas beyond so-called music industry topics are included as required coursework to complete a degree program. For two- and four-year degree-granting institutions, coursework in the area of “general studies” is most often also mandated. (The term “general studies” will be used to represent coursework required outside the major to help students develop the requisite breadth of knowledge in various disciplines.) To further diversify the …

Marshall University Department Of Music Presents Missa In Angustiis, Hob. Xxii: 11 “Nelson Mass” Franz Joseph Haydn And Fantasia In C Major, Opus 80 For Piano, Chorus, And Orchestra, Ludwig Van Beethoven, David Castleberry, Henning Vauth, Elizabeth Reed Smith, Marlayna Maynard

All Performances

No abstract provided.

Identifying Barriers And Incentives Related To Attending The Performing Arts: An Examination Of First Year College Students, Laura J. Sweet

College of Journalism and Mass Communications: Theses

Young adults entering their first year of academic study beyond high school face seemingly limitless opportunities. For the first time, they’re on their own: deciding everything from when to eat to where to study and what to do in their free time. Campuses are rich with possibilities. From official student organizations and clubs, to impromptu pizza parties and dorm floor trivia contests, daily decisions create the experiences that shape the life to come. On many large campuses, alongside academic buildings are art galleries and performance spaces. Research shows that early exposures to the arts lead to increased engagement during student …

A Madrigal Eve, December 2011, Illinois State University

Madrigal Dinner Programs

Illinois State University Alumni Center

An Analysis Of Selected Trombone Ensemble Music By Dr. Eric Ewazen, Gregory S. Brandt

Theses and Dissertations

Dr. Eric Ewazen is a prolific, and celebrated composer, having written over fifty works for brass, thirty-one of which include trombone. His contribution to trombone repertoire is significant and wide-ranging. Research papers and doctoral dissertations have been written about Dr. Ewazen's instrumental compositions, however none of them have thoroughly explored his homogeneous chamber music for trombone or articulated his unique method of composition. Various people with numerous backgrounds listen to, perform, conduct, and teach the music of Dr. Ewazen. Due to his unique compositional style, it is imperative that one analyzes and reflects on his works to aid understanding. By …

From Bendinelli To Arban: Styles Of Articulation Within Selected Trumpet Method Books, Nate Locke

Theses and Dissertations

The earliest known trumpet method book to be compiled was Tutta L 'arte della Trombetta (The Entire Art of Trumpet-Playing) in 1614 by Cesare Bendinelli. This book proved to be the pioneer for six that followed by: Girolamo Fantini (1638), Johann Ernst Altenberg (1795), Joseph-Gebhardt Kresser (1836), Raniero Cacciamani (1853), Francois Georges Auguste Dauverne (1857), and Jean Baptist Arban (1864). These books alone attest that articulation was a worthy topic of discussion during this 250-year period. The purpose of this paper is to address how articulation developed through the above seven method books as well as consider how articulation is …

School Of Music Faculty/Staff Newsletter, December 2011, School Of Music

School of Music Faculty/Staff Newsletter

Accomplishments and news from the faculty and staff of the School of Music at Illinois State University.

The Maturation Of Pulse: The Rhythmic Evolution From Swing To Bebop, Sam Weber

Masters Theses

The musical style that came to prominence in US in the 1940s, known as bebop, is a style that is remembered and discussed in terms of its harmonic characteristics and its notable soloists. This is the view that is taken in most scholarly writing on the music and also the view that is taught to most students of jazz today. However, there is arguably an equally if not more profound evolution in the rhythmic language of this music which is almost totally un-discussed. By digitally analyzing recordings, tracing musical and personal influence, and by examining related technological developments, it becomes …

The Unlv Percussion Ensemble, Dean Gronemeier, Timothy Jones

Chamber Music Programs

Program listing performers and works performed

Student Chamber Music Recital, December 1, 2011 [Program], University Of Northern Iowa. School Of Music.

Music Recital Programs

Program of a music recital given by faculty, students, or guest artists from the School of Music at the University of Northern Iowa.

The Mexican Identity And Music: Audioscapes And The Transnational Death Metal Band Brujeria, Michael D. Mena

Theses and Dissertations - UTB/UTPA

The California-based Mexican-American “activist” metal band Brujeria, uses a powerful, yet conflicting, blend of nihilism, anarchism, and racism with a dose of hyper-patriotism in its attempt to convey the voice of oppressed Mexicans on both sides of the border. While it is uncertain whether or not Brujeria is intentionally political, their live performances and song lyrics are highly critical of both the U.S. and Mexico regarding immigration policy, border-crossing, and other issues which have resonated among an international audience. In this paper I explore the conflicting notions of space, performativity, binationality and U.S. Mexico relations within the context of Brujeria …

The American Homophilic School Of Composition, Rik Noyce

UNLV Theses, Dissertations, Professional Papers, and Capstones

A small enclave of gay composers in New York, led by Aaron Copland (1900-1990) and Virgil Thomson (1896-1989), established a distinct twentieth-century musical sound that became synonymous with America. Copland and Thomson were prominent among a group of gifted gay musicians and conductors in New York in the 1930s, 40s and 50s. While perhaps not self-identifying as gay, as the term had not yet been coined, they did however acknowledge, honor, and support one another's lives as being homosexual. Is it possible that something as seemingly unrelated as sexual preference could, in fact, impact a musical style?

In this document, …

The Role Of Metrical Structure In Tonal Knowledge Acquisition, Matthew Rosenthal

UNLV Theses, Dissertations, Professional Papers, and Capstones

Experienced listeners possess a working knowledge of pitch structure in Western music, such as scale, key, harmony, and tonality, which develops gradually throughout childhood. It is commonly assumed that tonal representations are acquired through exposure to the statistics of music, but few studies have investigated potential learning mechanisms directly. In Western tonal music, tonally stable pitches not only have a higher overall frequency of occurrence, but they may occur more frequently at strong than weak metrical positions, providing two potential avenues for tonal learning. Two experiments employed an artificial grammar learning paradigm to examine tonal learning mechanisms. During a familiarization …

Adolphe Nourrit, Gilbert Duprez, And The High C: The Influences Of Operatic Plots, Culture, Language, Theater Design, And Growth Of Orchestral Forces On The Development Of The Operatic Tenor Vocal Production, Micheal Lee Smith Jr.

UNLV Theses, Dissertations, Professional Papers, and Capstones

The operatic tenor voice has evolved from a variety of influences. This document identifies four influences involved in the development of the operatic tenor voice and describes their impact on performance practices including the chest voice high C (C5). Modern tenors’ performance practices originate in the nineteenth century ascendance of an Italian singing technique. This particular singing technique achieved popularity when Gilbert Duprez sang the role of Arnold in Rossini’s Guillaume Tell with a do di petto (i.e. from-the-chest) production of sound rather than the mix of falsetto and head voice that was traditional at the time. The role of …

Clarinet Performance Practices For Alberto Ginastera's "Variaciones Concertantes": Solutions For Orchestral Auditions And Performances, Thomas James Kmiecik

UNLV Theses, Dissertations, Professional Papers, and Capstones

The principal clarinet part of Alberto Ginastera's Variaciones concertantes (1953) requires the performer to execute a number of exposed passages that are considered impractical by many clarinetists as published. The Boosey & Hawkes edition of Variaciones concertantes was published for the B-flat clarinet. On account of this clarinet choice, the part exceeds the traditional upper range of the instrument in the third variation (Variazione in modo di Scherzo per Clarinetto ). Moreover, it requires very awkward fingering patterns in passages because they are written in the Phrygian mode of C-sharp. To avoid some of these technical obstacles, many professional …

Heinrich Baermann: The Clarinetist And Inspiration, Alisa Nagel

Honors Program Theses

When composing music, inspiration can be drawn from many sources. Some composers find inspiration in the works of other composers, some draw on innovations of the technical aspects of instruments, and some find a muse. Heinrich Baermann became the muse for composers Carl Maria von Weber and Felix Mendelssohn. Each composer wrote several pieces for Baermann, and worked with him personally. It is clear that Heinrich Baermann was a virtuoso clarinetist who helped define an era of clarinet playing, but his direct influence on the aforementioned composers has rarely been analyzed. Developing a greater understanding of this influence is important …

All I Am: Defining Music As An Emotional Catalyst Through A Sociological Study Of Emotions, Gender And Culture, Adrienne M. Trier-Bieniek

Dissertations

This dissertation, "'All I Am': Defining Music as an Emotional Catalyst through a Sociological Study of Emotions, Gender and Culture", is based in the sociology of emotions, gender and culture and guided by symbolic interactionist and feminist standpoint theory. A primary focus is on understanding the emotional and empowering relationships women build with music that is written and performed by women, especially if they are using the music for emotional support or as a means to heal themselves. This study examines the cultural, emotional and gendered role music plays in day-to-day social life using data collected during forty-two semi-structured interviews …

Doctoral Recital, Robert Logan Biles

Graduate Student Recitals

Program listing performers and works performed

Student Ensemble: Guitar Studio, November 30, 2012, School Of Music

School of Music Programs

Kemp Recital Hall
November 30, 2011
Wednesday Evening
7:30 p.m.

Doctoral Recital, Spencer Baker

Graduate Student Recitals

Program listing performers and works performed

University Symphony Orchestra, Department Of Music, University Of Richmond

Music Department Concert Programs

University Symphony Orchestra, Department Of Music, University Of Richmond

Music Department Concert Programs

No abstract provided.