Music Commons^™

Ensemble Concert: Illinois State University Brass Tentet In Concert, September 28, 2004, School Of Music

School of Music Programs

Center for the Performing Arts
Tuesday Evening
September 28, 2004
8:00 p.m.

Recital: Convocation, September 28, 2004, School Of Music

School of Music Programs

Center for the Performing Arts
Tuesday Morning
September 28, 2004
11:00 a.m.

John Winn And The Neighborliness Quartet, Department Of Music, University Of Richmond

Music Department Concert Programs

No abstract provided.

Charles Hulin, Piano, Department Of Music, University Of Richmond

Music Department Concert Programs

No abstract provided.

Choral Showcase, September 19, 2004, Timothy Fredstrom, Lauren Saeger, James Major, Karyl Carlson

School of Music Programs

Center for the Performing Arts
Sunday Afternoon
September 19, 2004
3:00 p.m.

Ensemble Concert: Illinois State University Symphony Orchestra, September 19, 2004, Glenn Block

School of Music Programs

Center for the Performing Arts
Sunday Evening
September 19, 2004
7:00 p.m.

Junior Recital: Tad O'Brien, Guitar; September 17, 2004, Tad O'Brien

School of Music Programs

Kemp Recital Hall
Friday Evening
September 17, 2004
6:00 p.m.

Junior Recital: Ashley Smith, Soprano; September 17, 2004, Ashley Smith

School of Music Programs

Kemp Recital Hall
Friday Evening
September 17, 2004
7:00 p.m.

Charles W. Bolen Recital Series: Faculty Showcase; September 14, 2004, School Of Music

School of Music Programs

Center for the Performing Arts
Tuesday Evening
September 14, 2004
8:00 p.m.

Eighth Blackbird, Department Of Music, University Of Richmond

Music Department Concert Programs

No abstract provided.

Guest Artist Series: Carl Ratner, Baritone; September 9, 2004, Carl Ratner

School of Music Programs

Center for the Performing Arts
Thursday Evening
September 9, 2004
8:00 p.m.

Charles W. Bolen Recital Series: Carlyn Morenus, Piano; September 7, 2004, Carlyn Morenus

School of Music Programs

Center for the Performing Arts
Tuesday Evening
September 7, 2004
8:00 p.m.

New Mexico Musician Vol 52 No 1

New Mexico Musician

No abstract provided.

The Cambridge Companion To Debussy, By Simon Trezise (Review), Julian Onderdonk

Music Theory, History & Composition Faculty Publications & Performances

No abstract provided.

Then And Now, August 31, 2004, Gregory Hamilton

School of Music Programs

Kemp Recital Hall
Tuesday Evening
August 31, 2004
8:00 p.m.

Review Of The Hilliard Ensemble, Guillaume De Machaut: Motets. Ecm Records, 2004, Vicki Stroeher

Music Faculty Research

The motets of Guillaume de Machaut (1300-1377), though described by one scholar as "conservative and backward-looking" because of their heavy use of French texts, nonetheless provide a rich melodic, rhythmic, and harmonic palette for the extraordinary voices of the Hilliard Ensemble. The ensemble's recording of eighteen of the twenty-three known works in this genre (a twenty-fourth exists, but its attribution is spurious), is exemplary and should delight both the medieval scholar and the casual listener.

[Review Of] Amg All-Music Guide, Robert A. Aken

Library Faculty and Staff Publications

No abstract provided.

Ridington, Amber Flower, B. 1969 (Fa 200), Manuscripts & Folklife Archives

Folklife Archives Finding Aids

Finding aid only for Folklife Archives Project 200. Transcriptions and cassette tapes (14) of interviews that Amber Ridington, Western Kentucky University student, had with Joe Marshall, Bowling Green, Kentucky, and other individuals who were knowledgeable about the operations of the Quonset, 1946-1959, a music and recreational venue in Bowling Green, Kentucky.

School Of Music Recital Programs From 2004 To 2005, Wright State University School Of Music

School of Music Printed Programs

This is a collection of programs from a variety concerts, recitals, and other performances previously held at Wright State University during the 2004 to 2005 school year.

Graduate Recital: Ying Su, Piano; July 31, 2004, Ying Su

School of Music Programs

Kemp Recital Hall
Saturday Evening
July 31, 2004
7:00 p.m.

Help!: An Annotated Bibliography Of Resources For The Beginning Choral Conductor, Bonnie Marie Ashby

Theses and Dissertations

This bibliography is intended as a resource for choral conductors at the beginning of their journey of musical and personal development. While this project cannot possibly cover every aspect of or resource on choral music, it is a beginning. I admit I have spent more time researching my personal weaknesses and have not covered as thoroughly areas in which the choral conducting program at Brigham Young University is exceptionally strong. Even so, I hope this compilation will help address common challenges of beginning choral conductors.

The bibliography is divided into sections by topic, with additional sections on Internet sites and …

Ua68/9/1 Western Minstrel, Wku Department Of Music

WKU Administration Documents

The Western Minstrel is the official alumni newsletter of the WKU Department of Music.

Daniel Vega-Albela, Violin, Daniel Vega-Albela

School of Music Graduate Recitals

• DANIEL VEGA-ALBELA, Violin
• Susan Wiersma Uchimura, Piano

Daniel Vega-Albela is a candidate for the Master of Music degree majoring in violin performance. He received his bachelor’s degree from the Mannes College of Music.

The Spell Of Speech, Bruno Tucunduva Ruviaro

Dartmouth College Master’s Theses

This text is a complement to the musical composition The Spell of Speech, a piece for actress, electro-acoustic sounds and live-electronics composed in 2004 as part of the requirements to conclude the Master’s degree in Electro-Acoustic Music at Dartmouth College. The core of this research is the relationship between speech and music composition. The first chapter presents a theoretical framework comprising evolutionary musicology and music cognition. The second chapter contains a historical survey of electro-acoustic music in which human voice plays a fundamental role. Finally, the third chapter analyzes the composition The Spell of Speech, presenting the main techniques used …

The Spell Of Speech, Bruno Ruviaro

Music

This text is a complement to the musical composition The Spell of Speech, a piece for actress, electro-acoustic sounds and live-electronics composed in 2004 as part of the requirements to conclude the Master’s degree in Electro-Acoustic Music at Dartmouth College. The core of this research is the relationship between speech and music composition. The first chapter presents a theoretical framework comprising evolutionary musicology and music cognition. The second chapter contains a historical survey of electro-acoustic music in which human voice plays a fundamental role. Finally, the third chapter analyzes the composition The Spell of Speech, presenting the main techniques used …

Research Note: Musical Traditions In India, Salil Sachdev

Bridgewater Review

No abstract provided.

Automatic Drum Transcription And Source Separation, Derry Fitzgerald

Doctoral

While research has been carried out on automated polyphonic music transcription, to-date the problem of automated polyphonic percussion transcription has not received the same degree of attention. A related problem is that of sound source separation, which attempts to separate a mixture signal into its constituent sources. This thesis focuses on the task of polyphonic percussion transcription and sound source separation of a limited set of drum instruments, namely the drums found in the standard rock/pop drum kit. As there was little previous research on polyphonic percussion transcription a broad review of music information retrieval methods, including previous polyphonic percussion …

Omen, Tao-Hsing Wang

Masters Theses

The arrangement of this composition is based on chamber orchestra. The piece which is very classical structure was written not only by the harmonic theory of chromaticism and mode mixture but also by a sort of contrapuntal skill for its essential musical languages by me. In addition, the music form of the whole piece can be described as three movements with one introduction, though it should be played without any interruption or break between each movement.

As the title "Omen," we can find that there is a crucial harmonic motive, augmented triad, hidden in the introduction of this piece, and …

News From Cart, Deborah Nemko

Bridgewater Review

No abstract provided.

The Drawing Of The Three, John Griffin

Masters Theses

The Drawing of the Three is a work in seven movements scored for full orchestra. The title, along with the movement names, are derived from the novel The Dark Tower II: The Drawing of the Three by Stephen King. This composition can be viewed as a "sequel" to my earlier piece The Gunslinger, inspired by the first book in King's "Dark Tower" series. Unlike the previous work, the music is not intended to be a literal programmatic representation of the book's plot. Rather, its purpose is to musically depict the personalities and inner conflicts of the characters in the …