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2002

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Articles 571 - 585 of 585

Full-Text Articles in Music

Algorithmic Composition In Contrasting Musical Styles, Tristan Mcauley Jan 2002

Algorithmic Composition In Contrasting Musical Styles, Tristan Mcauley

Theses : Honours

The aim of this project is to create software that will give non-musical people the ability to compose convincingly 'real' music in specific musical genres. By 'real' music we mean music which is not obviously "machine generated", recognisable as being of the selected genre, of an aesthetically pleasing quality (a very subjective concept) and usable in a commercial context. To achieve this goal various computational techniques are used including genetic algorithms and finite state automata. The process involves an original, top down approach and a bottom up approach based on previous studies. A novel, skeletal structure is formed to depict …

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A Catalogue Of Twentieth-Century Spanish Music For Cello And Piano, Gabriel Delgado Morán Jan 2002

A Catalogue Of Twentieth-Century Spanish Music For Cello And Piano, Gabriel Delgado Morán

LSU Doctoral Dissertations

This catalogue presents 146 twentieth-century Spanish composers with 219 pieces for cello and piano. Pieces collected in this catalogue are largely original works for cello and piano. However, a few pieces in which the arrangement has been made by the composer or under the composer's supervision have been included. Some foreign composers working in Spain for many years have also been included. The body contains the entries by the composer's last name in alphabetical order. Each entry will include as much information as possible within the following guide: complete name and dates of the composer, complete title of the piece, …

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Aspects Of Jazz And Classical Music In David N. Baker's Ethnic Variations On A Theme Of Paganini, Heather Koren Pinson Jan 2002

Aspects Of Jazz And Classical Music In David N. Baker's Ethnic Variations On A Theme Of Paganini, Heather Koren Pinson

LSU Master's Theses

David Baker's Ethnic Variations on a Theme of Paganini (1976) for violin and piano bring together stylistic elements of jazz and classical music, a synthesis for which Gunther Schuller in 1957 coined the term "third stream." In regard to classical aspects, Baker's work is modeled on Nicolo Paganini's Twenty-fourth Caprice for Solo Violin, itself a theme and variations. From Paganini,it borrows aspects of melody, harmony, and articulation, not only of the theme but also the variations. In regard to jazz, Baker transforms most variations (including the theme, which in comparison to Paganini's is already a variation) into distinct styles related …

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Paradise: In A Dream, Jonathan Beresford Horrocks Jan 2002

Paradise: In A Dream, Jonathan Beresford Horrocks

LSU Master's Theses

Paradise: In a Dream is a poem by Christina Rossetti, which is based on a dream the author had of heaven. It was my goal to give this masterpiece a musical dimension: expanding its meaning and giving the experience dramatic implications. The harmonic language and tensions come from the words of the poem. I used progressive tonality to tie the twentieth-century musical element to the romantic idiom of the poem. There are two important musical themes. The “song of Paradise” theme is Schubertian and dance-like, appearing for the first time before the second verse (meas. 32). The theme of earthly …

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Text And Structure In Schoenberg's Op. 50, And An Original Composition, Symphony #1, Thomas, Jr. Michael Couvillon Jan 2002

Text And Structure In Schoenberg's Op. 50, And An Original Composition, Symphony #1, Thomas, Jr. Michael Couvillon

LSU Doctoral Dissertations

Part One of this document provides an analytical study of Schoenberg's final opus, Op. 50, three religious choral works written in the serial style: Driemal Tausend Jahre, Op. 50a (1949), De Profundis, Op. 50b (1950), and Modern Psalm, Op. 50c (1951). This study is divided into five chapters: an introduction, a conclusion, and a chapter of analysis for each of the three pieces. Analysis of these pieces reveals three significant conclusions: 1) Schoenberg consistently incorporates areas of relative consonance and pitch emphasis into his serial structures; 2) these areas of pitch emphasis, together with other musical devices are used to …

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The Works Of Manuel Quiroga: A Catalogue, Ana Luque Fernandez Jan 2002

The Works Of Manuel Quiroga: A Catalogue, Ana Luque Fernandez

LSU Doctoral Dissertations

Manuel Quiroga Losada (1892-1961), violinist, composer, and artist, was one of the foremost figures of the first half of the 20th century. This study tries to bring to light his musical legacy, a long overdue task. Until now, all attempts to rediscover the figure of Quiroga have centered mainly on his career as a violinist, his recordings or his paintings, however not on his compositions. This document is an inventory of the forty-four pieces for violin solo, violin and piano, and violin and orchestra written by Quiroga. Manuel Quiroga mainly wrote for the violin in the form of short pieces …

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Alban Berg's Filmic Music: Intentions And Extensions Of The Film Music Interlude In The Opera Lula, Melissa Ursula Dawn Goldsmith Jan 2002

Alban Berg's Filmic Music: Intentions And Extensions Of The Film Music Interlude In The Opera Lula, Melissa Ursula Dawn Goldsmith

LSU Doctoral Dissertations

The music composed to accompany the film in Berg’s Opera Lulu--the “Film Music Interlude” (FMI)--is the subject of this study. Although this is film music, and Berg wrote his own Film Music Scenario, scholars have ignored writings about film theory and film music in their historical and analytical treatments of the FMI. How do writings about film theory and film music apply to the analysis and exploration of historical and social contexts of the FMI, and what musical and extramusical intentions and extensions can be drawn from the FMI? Some answers come to light while exploring sources containing Berg’s correspondence …

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An Introduction To American Song Composer Daron Aric Hagen (B.1961) And His Miniature Folk Opera: Dear Youth, Jane Mccalla Redding Jan 2002

An Introduction To American Song Composer Daron Aric Hagen (B.1961) And His Miniature Folk Opera: Dear Youth, Jane Mccalla Redding

LSU Doctoral Dissertations

American composer Daron Aric Hagen (b. 1961) is emerging as one of America's brightest young composers of the twenty-first century. Ned Rorem, the champion of American art song, believes Hagen to be a composer of great ability and skill. This study deals with the miniature folk opera Dear Youth (1990) which is composed of eight songs for soprano, piano, and flute. The songs are "The Bonnie Blue Flag" (Ketchum), "I Stop Again" (Ropes), "The Picture Graved Into My Heart" (Ropes), "The Trouble Was Tom..." (Anonymous), "The Lord Knows" (Smith), "O, for Such a Dream" (Smith), "Christmas Night" (Ingram), and "...Silently …

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A Model For Evaluation Of Selected Compositions For Unaccompanied Solo Trumpet According To Criteria Of Serious Artistic Merit, Michael Craig Bellinger Jan 2002

A Model For Evaluation Of Selected Compositions For Unaccompanied Solo Trumpet According To Criteria Of Serious Artistic Merit, Michael Craig Bellinger

LSU Doctoral Dissertations

This document presents a pilot study for evaluating the serious artistic merit of unaccompanied solo trumpet literature. The model for use in the study was derived from the efforts of two wind band literature researchers, Acton E. Ostling, Jr. and Jay W. Gilbert. Ostling wrote his dissertation in 1978 and Gilbert replicated and updated the research in 1993. The primary element of the Ostling and Gilbert studies was a carefully defined collection of ten criteria used to evaluate the quality of each work. A 5-point Likert scale was the unit of measurement. The outcome of this adaptation was a rank …

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The Effects Of Internet Guided Practice With Aural Modeling On The Sight-Singing Accuracy Of Elementary Education Majors, Jessica L. Hall Jan 2002

The Effects Of Internet Guided Practice With Aural Modeling On The Sight-Singing Accuracy Of Elementary Education Majors, Jessica L. Hall

LSU Master's Theses

The purpose of this study was to determine the effectiveness of aural modeling in guided practice through the Internet on the sight-singing improvement of elementary education majors. Students enrolled in a music methods course for elementary education majors (N=37) used software delivered via the Internet to practice sight-singing. The experimental web page included visual examples of sight-singing exercises as well as aural modeling of each of the exercises. The control web page included only visual examples. A t test for independent samples indicated no significant difference in the posttest scores of the two groups in rhythm (p > .05), pitch on …

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Review Of Raíces: The Roots Of Latin Music In New York City, Antoni Pizà Jan 2002

Review Of Raíces: The Roots Of Latin Music In New York City, Antoni Pizà

Publications and Research

When I was in school – and that was, obviously, a long time ago – the word Latin, whether as a noun or as an adjective, referred to the world of ancient Rome, its language, culture, and civilization. Needless to say, this definition has now been replaced by another, whose connotations refer to the culture of the countries south of the border of the United States. When a term alters its meaning, it is undoubtedly indicative of larger issues. In recent decades, for example, the popular music of the Spanish-speaking world, not only has attained by appropriation a distinct …

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Modernity And Musical Structure: Neo-Marxist Perspectives On Song Form And Its Successors, Peter L. Manuel Jan 2002

Modernity And Musical Structure: Neo-Marxist Perspectives On Song Form And Its Successors, Peter L. Manuel

Publications and Research

No abstract provided.

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A Stylistic And Analytical Study Of Concerto No.2 For Piano And Orchestra, Op.33, By Lee Hoiby, Ji-Won Mun Jan 2002

A Stylistic And Analytical Study Of Concerto No.2 For Piano And Orchestra, Op.33, By Lee Hoiby, Ji-Won Mun

LSU Doctoral Dissertations

Lee Hoiby’s Concerto No. 2 for Piano and Orchestra, Op. 33, completed in 1980, is a welcome addition to the piano concerto repertory. The concerto was first performed June 6, 1980, in Chicago by Lee Hoiby with the American Chamber Symphony conducted by Robert Frisbie. This concerto contains the usual three movements and reflects many stylistic traits of late Romantic music. The purpose of this paper is to provide a stylistic and analytical examination of Lee Hoiby’s Concerto No. 2 for Piano and Orchestra, Op.33. The paper is organized into three chapters. The first chapter includes biographical information about Hoiby, …

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"Los Motz E.L So": Words Melody, And Their Interaction In The Songs Of Folquet De Marseille, Nancy Ellen Washer Jan 2002

"Los Motz E.L So": Words Melody, And Their Interaction In The Songs Of Folquet De Marseille, Nancy Ellen Washer

LSU Doctoral Dissertations

Although the poems of the troubadours have been extensively studied almost since they were first composed and the troubadours themselves indicate that they tried to create interactions between the melodies and the words, the melodies and the interactions between the poems and melodies in the complete songs have been examined much less intensively. In this dissertation I delve into the songs of the late twelfth-century troubadour Folquet de Marseille whose thirteen songs surviving with their melodies provide a varied collection of a suitable size to permit intensive analysis of poetic and musical compositional practices and the interactions between the two. …

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Program: Unf Wind Ensemble Feb. 24, 2001, Unf Wind Ensemble, Gordon Brock Jan 2002

Program: Unf Wind Ensemble Feb. 24, 2001, Unf Wind Ensemble, Gordon Brock

Flyers, Playbills, Posters, and Programs

Canzona / Peter Mennin -- Irish tune from County Derry / Percy A. Grainger -- Semper Fidelis / John Philip Sousa -- Rhapsody in blue / George Gershwin; ed. by Thomas Verrier.

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