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Articles 61 - 90 of 295
Full-Text Articles in Music
Agency And Contemporary Recording Production, Eliot Bates
Agency And Contemporary Recording Production, Eliot Bates
Publications and Research
Recording production is a complex, multistep, typically collaborative process that entails a shifting set of individuals inhabiting changing roles within spaces that house consider able amounts of specialized technology. As these roles and technologies feature promi nently in the aesthetics of Anglophone and Francophone popular music, they have been studied within such milieus for the longest period. This scholarship tends to understand the creative act as either the result of a prominent individual or something determined by the technologies used within studios. However, recent ethnomusicological scholarship has shown it is much more difficult to clearly situate agency within recording production, …
The White Album As Neo-Victorian Fiction Of Loss, Lucas Kwong
The White Album As Neo-Victorian Fiction Of Loss, Lucas Kwong
Publications and Research
Although much has been written about the Beatles' celebration of Victorian culture on the album Sgt. Pepper's Lonely Hearts Club Band, little scholarship, if any, has focused on the White Album’s relationship to the late Victorian period. This paper examines the White Album through the lens of what Victorian studies scholar Stephen Arata has called “fictions of loss,” a body of late Victorian texts depicting intertwined processes of “national, biological, [and] aesthetic” decline. Through examining songs like "Helter Skelter" and "Revolution Number 9," I argue that the White Album deserves consideration alongside Dracula and She as a “fiction of loss,” …
Lamin Fofana: Blues, Alaina Claire Feldman, Dino Dincer Sirin, Lamin Fofana
Lamin Fofana: Blues, Alaina Claire Feldman, Dino Dincer Sirin, Lamin Fofana
Publications and Research
Catalogue for the exhibition "Lamin Fofana: Blues" presented at Baruch College's Mishkin Gallery in 2020.
Guillem D'Efak, Invent I Simulacre, Antoni Pizà
Guillem D'Efak, Invent I Simulacre, Antoni Pizà
Publications and Research
La llegenda de Guillem d’Efak (1930-1995) va començar en el mateix moment del seu naixement a l’antiga Guinea Espanyola quan son pare, un guarda colonial de Manacor destacat a l’Àfrica, per facilitar el viatge del petit Guillem a Mallorca —en realitat, un segrest sense el consentiment de sa mare— va falsificar la data de naixement de l’infant i, afegint-li un any, va declarar que havia nascut el 1929.
Recording Studios Since 1970, Eliot Bates
Recording Studios Since 1970, Eliot Bates
Publications and Research
Like many other specialty, purpose-built spaces, we tend to think of recording studios in instrumental terms, meaning that the space is defined in relation to the nominal type of work that the space is instrumental towards. While audio recordings have been made in spaces since 1877, not all of these spaces tend to be regarded as recording studios, partly since so many recordings were made in environments designed for other types of work; indeed, much of the first seventy years of US and UK recorded music history transpired at radio stations, concert halls and lightly treated mixed-use commercial spaces (e.g. …
Opera And Children’S Literature: 1895-Present, John P. Delooper
Opera And Children’S Literature: 1895-Present, John P. Delooper
Publications and Research
This presentation discusses the findings resulting from the creation of a comprehensive bibliography of English Language children’s opera books published from 1895 to present. Historically opera was often assumed to be an elitist art in the United States and was thus seldom discussed in library collection development literature, and equally rarely highlighted in children’s literature periodicals. Recently, two librarians, supported by a Carnegie Whitney grant from the American Library Association, investigated the impact of opera themed children’s books by compiling a bibliography which documented instances of opera in published English Language children’s literature over the last 125 years. By analyzing …
Resource Ecologies, Political Economies And The Ethics Of Audio Technologies In The Anthropocene, Eliot Bates
Resource Ecologies, Political Economies And The Ethics Of Audio Technologies In The Anthropocene, Eliot Bates
Publications and Research
Understanding how recorded and amplified stage musics contribute towards producing the Anthropocene necessitates attending to complex transnational flows of material, capital and labor, and how they coalesce into technological objects. This is complicated by the wide array of sites, practices and knowledges involved during various stages of the production process, from initial resource extraction, to smelting, component manufacturing, technology assembly, and distribution. To develop a suitable technological ethics, and to understand what happens to environments and to human, animal and plant lifeworlds, requires one to resist abstraction and undertake a global accounting of resource ecologies with recourse to planetary-scale political …
La Posible Consolación De La Música, Antoni Pizà
La Posible Consolación De La Música, Antoni Pizà
Publications and Research
Resumen:
La música, y por extensión el arte en general, no ofrece remedios terapéuticos adecuados frente al dolor provocado por situaciones de desespero personal. Sin embargo, esto no ha evitado que muchos oyentes y músicos profesionales intentaran usar la música como terapia. Este ensayo presenta una amplia muestra de composiciones, de J. S. Bach a Terry Riley, que se han usado como terapia de superación personal. Como puede preverse y a pesar de notables excepciones, el lenguaje de los clásicos, sobre todo si está basado en la armonía funcional, tiende a alcanzar esta misión mejor que las formas angulares e …
L’Ètica De L’Estètica ¿Caldria Debatre L’Antijudaisme Del ‘Misteri D’Elx’?, Antoni Pizà
L’Ètica De L’Estètica ¿Caldria Debatre L’Antijudaisme Del ‘Misteri D’Elx’?, Antoni Pizà
Publications and Research
Al final de la representació de la segona jornada del Misteri d’Elx hi ha un moment d’indescriptible intensitat emocional. La catarsi que experimenten els espectadors, actors i músics sol manifestar-se en aclamacions, víctors i fins i tot llàgrimes. Els ventalls de les dones aletegen agilíssims, pràcticament posseïts. Primer tímidament —per a no interrompre la màgia del moment— però gradualment amb gran intensitat, comencen, ja al final de la representació, els aplaudiments, sempre in crescendo, acompanyats, poc després, per la coneguda i emfàtica expressió: «Visca la Mare de Déu!».
The Querelle Des Clés: An Episode In Francisco Frontera De Valldemosa's Exuberant Life, Antoni Pizà
The Querelle Des Clés: An Episode In Francisco Frontera De Valldemosa's Exuberant Life, Antoni Pizà
Publications and Research
In 1858, Francisco Frontera de Valldemosa published a peculiar music theory treatise in Madrid under the title Equinotación ó Nuevo sistema musical de llaves. It has two parts. The first (pp. 11-20) is an explanation of the invention (namely, the reduction of all clefs to only three) detailing the perceived actual need for it (that is, most clefs are unnecessary, and they impede or delay the creativity of the avid music learner). The second part (new pagination, pp. 2-83) is a curious anthology of music in many genres and styles. On the left page of each spread, there is a …
Fusiones Y Confusiones Del Concierto De Aranjuez En El Jazz: Reflexiones De Un Oyente, Antoni Pizà
Fusiones Y Confusiones Del Concierto De Aranjuez En El Jazz: Reflexiones De Un Oyente, Antoni Pizà
Publications and Research
Este artículo lo conforman una serie de reflexiones sobre Sketches of Spain (1960) de Miles Davis y Gil Evans, centrándose en su versión del Concierto de Aranjuez de Joaquín Rodrigo (1940). Inspirándose en los escritos de Edward Said y Homi K. Bhabha, el autor analiza la grabación como un artefacto cultural caracterizado por su “inestabilidad formal” y su “indefinición” o “condición intermedia” (in-betweenness) convirtiéndolo en un álbum que no es ni clásico ni jazz; ni español ni no-español; ni tradicionalista ni moderno, entre otras dualidades. Sketches es una obra de arte que desafía categorías y habita los intersticios de las …
The Fusions And Confusions Of The Concierto De Aranjuez In Jazz: A Listener’S Musings, Antoni Pizà
The Fusions And Confusions Of The Concierto De Aranjuez In Jazz: A Listener’S Musings, Antoni Pizà
Publications and Research
Reflections on Sketches of Spain (1960) by Miles Davis and Gil Evans, focusing on their jazz version of Joaquín Rodrigo’s Concierto de Aranjuez (1940). Motivated by Edward Said’s and Homi K. Bhabha’s writings, the recording is analyzed as a cultural artifact characterized by its “formal instability” and its typological “inbetweenness,” rendering it neither classical nor jazz; neither Spanish nor non-Spanish; and neither traditional nor modern, among other dualities. Sketches is an artwork that defies categories and inhabits the interstices of cultural expectations.
Curation And Independent Record Shops, Lee Ann Fullington
Curation And Independent Record Shops, Lee Ann Fullington
Publications and Research
No abstract provided.
Ser Escriptor En Català A Mallorca A Finals De Segle Xx. Sobre Les Memòries De Gabriel Janer Manila, Antoni Pizà
Ser Escriptor En Català A Mallorca A Finals De Segle Xx. Sobre Les Memòries De Gabriel Janer Manila, Antoni Pizà
Publications and Research
Els dos volums de memòries publicats de l'escriptor mallorquí fan un recorregut per la postguerra i per la tímida emergència de la cultura en català als anys seixanta. Tots dos estan marcats per la por i les represàlies posteriors al 1939.
Vinyl As Event: Record Store Day And The Value-Vibrant Matter Nexus, Eliot Bates
Vinyl As Event: Record Store Day And The Value-Vibrant Matter Nexus, Eliot Bates
Publications and Research
Why would anyone purchase expensive, natural resource-intensive, and seemingly obsolete material carriers of music when streaming providers provide unlimited access to over 40 million songs for a small monthly fee? As I will show, we can no longer assume that contemporary interest is driven solely by a collector’s market or because of the audible qualities of the vinyl listening experience, and must attend to the many ways people engage with record objects today – and by extension, the vinyl record as an ontological multiple. Through an analysis of Record Store Day 2015 and affiliated phenomena including YouTube unboxing videos, other …
Nyssma Manual Revisited, Di Su
Nyssma Manual Revisited, Di Su
Publications and Research
The New York State School Music Association’s NYSSMA Manual is revised every three years. A new edition, the 33rd, is expected in July 2021. Back in 2008 this author wrote a review article of the 28th edition (2006). Since then, four revisions have been released and some changes have been made. This article, as a follow-up, reviews the Violin Solos section of the current edition, the 32nd (2018).
Flexi Discs: The Audio Format That Time Forgot And Remembered Again, Junior R. Tidal
Flexi Discs: The Audio Format That Time Forgot And Remembered Again, Junior R. Tidal
Publications and Research
Flexi discs, also known as phonosheets and Soundsheets, are “flexible” plastic sheets that can be played on turntables. This audio format was used for a wide variety of purposes including promotional materials, giveaways, and inserts into magazines, stemming from their origins in playable chocolate discs in the early 1900s (Parks, 2018). At one point in time it was a $9 million dollar business, with the U.S. government as one of the top users of the technology (Penchansky, 1979). Their disposable nature, weight, ability to print directly on material, and affordable manufacturing made the flexi disc an alternative to vinyl pressings. …
Iverson, Jennifer. 2018. Electronic Inspirations: Technologies Of The Cold-War Musical Avant Garde. New York: Oxford University Press., Theodore B. Gordon
Iverson, Jennifer. 2018. Electronic Inspirations: Technologies Of The Cold-War Musical Avant Garde. New York: Oxford University Press., Theodore B. Gordon
Publications and Research
No abstract provided.
Music Synchronizes Brainwaves Across Listeners With Strong Effects Of Repetition, Familiarity And Training, Jens Madsen, Elizabeth Hellmuth Margulis, Rhimmon Simchy-Gross, Lucas C. Parra
Music Synchronizes Brainwaves Across Listeners With Strong Effects Of Repetition, Familiarity And Training, Jens Madsen, Elizabeth Hellmuth Margulis, Rhimmon Simchy-Gross, Lucas C. Parra
Publications and Research
Music tends to be highly repetitive, both in terms of musical structure and in terms of listening behavior, yet little is known about how engagement changes with repeated exposure. Here we postulate that engagement with music affects the inter-subject correlation of brain responses during listening. We predict that repeated exposure to music will affect engagement and thus inter-subject correlation. Across repeated exposures to instrumental music, inter-subject correlation decreased for music written in a familiar style. Participants with formal musical training showed more inter-subject correlation, and sustained it across exposures to music in an unfamiliar style. this distinguishes music from other …
L'Amic Mallorquí De Rossini, Antoni Pizà, Maria L. Martínez
L'Amic Mallorquí De Rossini, Antoni Pizà, Maria L. Martínez
Publications and Research
En tot cas, avui en dia, a pesar d'haver compost molta música, Frontera és recordat —si és que és recordat— per haver estat l'artífex de la política musical de la Casa Reial i, possiblement, com tots aquests regals atesten, per la seva estreta relació amb Rossini —i amb la Reina, és clar.
Cultural Transmission Modes Of Music Sampling Traditions Remain Stable Despite Delocalization In The Digital Age, Mason Youngblood
Cultural Transmission Modes Of Music Sampling Traditions Remain Stable Despite Delocalization In The Digital Age, Mason Youngblood
Publications and Research
Music sampling is a common practice among hip-hop and electronic producers that has played a critical role in the development of particular subgenres. Artists preferentially sample drum breaks, and previous studies have suggested that these may be culturally transmitted. With the advent of digital sampling technologies and social media the modes of cultural transmission may have shifted, and music communities may have become decoupled from geography. The aim of the current study was to determine whether drum breaks are culturally transmitted through musical collaboration networks, and to identify the factors driving the evolution of these networks. Using network-based diffusion analysis …
“In The Beginning Was Body Language” Clowning And Krump As Spiritual Healing And Resistance, Sarah S. Ohmer
“In The Beginning Was Body Language” Clowning And Krump As Spiritual Healing And Resistance, Sarah S. Ohmer
Publications and Research
In the neighborhood of HollyWatts in Los Angeles, dance allows a shift from existing as bodies presented as sites of threat and extinction to sources of spiritual empowerment. Clowning and Krump dancers—their subjectivity and their dancing bodies—negotiate survival from trauma and socioeconomic marginalization. I argue that the dancers’ performances act as embodied narratives of “re-membering in the flesh.” The performance acts as a spiritual retrieval and re-integration of traumatic memories and afflictions into memory through the body. Choreography and quotes from dancers support the claim that Krump and Clowning is “re-membering in the flesh” that enacts self-worth, self-defined sexuality, and …
Electric Guitar, John A. Drobnicki
Electric Guitar, John A. Drobnicki
Publications and Research
Hollow-body guitars could not be heard over other instruments in swing bands, so pick-ups were added to the guitars, which often resulted in feedback and distortion. This led to the development of solid-body electric guitars which needed amplification in order to be heard.
Mills Brothers (1924-1981), John A. Drobnicki
Mills Brothers (1924-1981), John A. Drobnicki
Publications and Research
The Mills Brothers were the first African American group musical group to enjoy popularity with white audiences, and had a career that lasted over fifty years.
Paul, Les (1915-2009), John A. Drobnicki
Paul, Les (1915-2009), John A. Drobnicki
Publications and Research
Les Paul was a guitarist and inventor who experimented with multitrack recording.
The Plug: When Entertainment Connects, Adewale Adegbemigun
The Plug: When Entertainment Connects, Adewale Adegbemigun
Publications and Research
The plug is about alumni/ faculty/ scholar empowerment, it is a way for students that want to get into the entertainment business to get their first piece of opportunity. There is a significant amount of people that want to go into the record business but do not know how to go about it, and that is why this website was made; to put the power in the hands of the consumers. The artists at the top of the game earn more than half of their recorded music income while the average artist at the bottom doesn’t even earn enough to …
The Roles Of Academic Libraries In Shaping Music Publishing In The Digital Age, Kimmy Szeto
The Roles Of Academic Libraries In Shaping Music Publishing In The Digital Age, Kimmy Szeto
Publications and Research
Libraries are positioned at the nexus of creative production, music publishing, performance, and research. The academic library community has the potential to play an influential leadership role in shaping the music publishing life cycle, making scores more readily discoverable and accessible, and establishing itself as a force that empowers a wide range of creativity and scholarship. Yet the music publishing industry has been slow to capitalize on the digital market, and academic libraries have been slow to integrate electronic music scores into their collections. In this paper, I will discuss the historical, technical, and human factors that have contributed to …
Fragments D'Un Diari Musical, Antoni Pizà
Fragments D'Un Diari Musical, Antoni Pizà
Publications and Research
Vetllada musical al pis d'Ursula Oppens. A pesar de les connotacions vuitcentistes que pugui tenir qualsevol saló musical, Ursula no és ni una Guermantes ni una Verdurin, sinó una defensora tenaç dels segles XX i XXI. Elliott Carter, John Adams, Lutoslawski, Ligetic, etc., tots els grans compositors des segles XX i XXI li han dedicat obres, i ella, amb els seus enregistraments, alguns amb nominacions als Grammys, ha estat la gran advocada del pianisme contemporani als EUA.
Building Brand Kurdistan: Helly Luv, The Gender Of Nationhood, And The War On Terror, Nicholas S. Glastonbury
Building Brand Kurdistan: Helly Luv, The Gender Of Nationhood, And The War On Terror, Nicholas S. Glastonbury
Publications and Research
In the early 2000s, the Kurdistan Regional Government hired a US-based firm to begin a public relations campaign called “The Other Iraq.” Since that time, it has worked with a number of PR and lobbying firms to build a cultural, political, and financial apparatus that I refer to as Brand Kurdistan. This apparatus aims to prove to Western audiencesthat the Kurds are a liberal exception in an illiberal Middle East, and to build prospects of KRG’s eventual national independence. This article explores the connections between Brand Kurdistan and the gendering of Kurdish nationalism, focusing particularly on Kurdish pop diva Helly …
Keeping Score, Digitally, Kimmy Szeto
Keeping Score, Digitally, Kimmy Szeto
Publications and Research
How does a music score behave in the cloud? As music software moves to the cloud, the integrated interface for editing, engraving, and instantaneous publishing sparks innovative music practices. Artists can now create new works not only using notation and instruments, but also by way of physical gestures, movements, and live coding. The result brings audio, video, lighting, and visual design into a single artistic product. While traditional music making will continue to demand traditional scores, multimodal and multimedia integration will ultimately be reflected in its documentation, which will undoubtedly test our understanding of a “score,” and what roles libraries …