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Articles 601 - 630 of 1888
Full-Text Articles in Music
166 Years Of Verdi Biography, Gregory W. Harwood
Revising Cio-Cio-San, Linda B. Fairtile
Revising Cio-Cio-San, Linda B. Fairtile
University Libraries Faculty and Staff Publications
Some of the mast extensive and significant textual changes in all of Puccini's operas appear in the published revisions of Madama Butterfly. Many of these verbal modifications, together with cuts and additions to the score, influence the dramatic depiction of the protagonists. Changes to Pinkerton's character soften an insensitive and even offensive figure who, after all, needs to be convincing as the object of Butterfly's love. For Cio-Cio-San, three rounds of revision mean a gradual loss of complexity on any fronts, bringing an exotic, mercurial heroine closer to operatic convention. The Butterfly that we know today has a more …
From The Directors, Linda B. Fairtile, Francesco Izzo
From The Directors, Linda B. Fairtile, Francesco Izzo
Verdi Forum
No abstract provided.
In Memory Of Pierluigi Petrobelli, Roger Parker, Emanuele Senici
In Memory Of Pierluigi Petrobelli, Roger Parker, Emanuele Senici
Verdi Forum
No abstract provided.
Motive, Key, Sonorità, And Tinta In La Forza Del Destino (1862), William Rothstein
Motive, Key, Sonorità, And Tinta In La Forza Del Destino (1862), William Rothstein
Verdi Forum
No abstract provided.
Leadership Through Laughter: How Henry Carey Reinvented English Music And Song, Jennifer Cable
Leadership Through Laughter: How Henry Carey Reinvented English Music And Song, Jennifer Cable
Music Faculty Publications
Polly refers to Miss Polly Peachum, a character in John Gay's The Beggar's Opera of 1728 (January). Henry Carey (1687-1743) set this verse (1728) to his famous tune Sally in our Alley, which Gay had used in the opera. Carey's verse about Polly Peachum became so popular that it was eventually incorporated into The Beggar's Opera libretto, beginning with the third edition.1 Even in this short example, we can detect Carey's delight that Polly had overtaken "the Opera of Rolli," alluding to Italian opera in general by referring specifically to the Italian poet and librettist who adapted libretti for …
The Composing Of "Musick" In The English Language: The Development Of The English Cantata, 1700-1750, Jennifer Cable
The Composing Of "Musick" In The English Language: The Development Of The English Cantata, 1700-1750, Jennifer Cable
Music Faculty Publications
The cantata as cultivated by Alessandro Scarlatti and his contemporaries Alessandro Stradella and Giovanni Bononcini was the model for the early development of the English cantata, "which remained a solo vocal genre in England throughout the eighteenth century, namely 1710-1800. By focusing on specific musical elements, such as cantata format (recitative-aria-recitative-aria or aria-recitative-aria), song forms, motivic use, textual content, instrumental requirements and performance venues, the evolution of the English cantata can be observed during the first half of the eighteenth century, developing from a simple imitation of the Italian form to a genre in its own right.1
The Theft Of Sita From The Hindu Ramayana Epic, Department Of Music, University Of Richmond
The Theft Of Sita From The Hindu Ramayana Epic, Department Of Music, University Of Richmond
Music Department Concert Programs
No abstract provided.
The University Orchestra, Department Of Music, University Of Richmond
The University Orchestra, Department Of Music, University Of Richmond
Music Department Concert Programs
No abstract provided.
University Chamber Ensembles, Department Of Music, University Of Richmond
University Chamber Ensembles, Department Of Music, University Of Richmond
Music Department Concert Programs
No abstract provided.
Junior Recital: Katelin French, Soprano, Department Of Music, University Of Richmond
Junior Recital: Katelin French, Soprano, Department Of Music, University Of Richmond
Music Department Concert Programs
No abstract provided.
University Wind Ensemble And Quincy Hilliard, Department Of Music, University Of Richmond
University Wind Ensemble And Quincy Hilliard, Department Of Music, University Of Richmond
Music Department Concert Programs
No abstract provided.
Women's Chorale And Schola Cantorum, Department Of Music, University Of Richmond
Women's Chorale And Schola Cantorum, Department Of Music, University Of Richmond
Music Department Concert Programs
No abstract provided.
Eighth Blackbird: The Music Of Stephen Hartke, Department Of Music, University Of Richmond
Eighth Blackbird: The Music Of Stephen Hartke, Department Of Music, University Of Richmond
Music Department Concert Programs
No abstract provided.
Doris Wylee-Becker, Piano, And Richard Becker, Piano, Department Of Music, University Of Richmond
Doris Wylee-Becker, Piano, And Richard Becker, Piano, Department Of Music, University Of Richmond
Music Department Concert Programs
No abstract provided.
David L. Esleck Trio, Department Of Music, University Of Richmond
David L. Esleck Trio, Department Of Music, University Of Richmond
Music Department Concert Programs
No abstract provided.
Paul Hanson, Piano, Department Of Music, University Of Richmond
Paul Hanson, Piano, Department Of Music, University Of Richmond
Music Department Concert Programs
No abstract provided.
Family Weekend Concert, Department Of Music, University Of Richmond
Family Weekend Concert, Department Of Music, University Of Richmond
Music Department Concert Programs
No abstract provided.
Shanghai Quartet, Department Of Music, University Of Richmond
Shanghai Quartet, Department Of Music, University Of Richmond
Music Department Concert Programs
No abstract provided.
Geoffrey Haydon, Piano, Department Of Music, University Of Richmond
Geoffrey Haydon, Piano, Department Of Music, University Of Richmond
Music Department Concert Programs
No abstract provided.
Anne Guthmiller, Soprano, And Dmitri Shteinberg, Piano, Department Of Music, University Of Richmond
Anne Guthmiller, Soprano, And Dmitri Shteinberg, Piano, Department Of Music, University Of Richmond
Music Department Concert Programs
No abstract provided.
Senior Recital: Carly Jones, Soprano, Department Of Music, University Of Richmond
Senior Recital: Carly Jones, Soprano, Department Of Music, University Of Richmond
Music Department Concert Programs
No abstract provided.
Senior Recital: Christopher Lynn, Tenor, Department Of Music, University Of Richmond
Senior Recital: Christopher Lynn, Tenor, Department Of Music, University Of Richmond
Music Department Concert Programs
No abstract provided.
Chamber Ensembles, Department Of Music, University Of Richmond
Chamber Ensembles, Department Of Music, University Of Richmond
Music Department Concert Programs
No abstract provided.
Senior Recital: Rhiannon Nolt, Mezzo-Soprano, And Heather Shields, Mezzo-Soprano, Department Of Music, University Of Richmond
Senior Recital: Rhiannon Nolt, Mezzo-Soprano, And Heather Shields, Mezzo-Soprano, Department Of Music, University Of Richmond
Music Department Concert Programs
No abstract provided.
Student Recital: Andrew Schutte, Electric And Double Bass, Department Of Music, University Of Richmond
Student Recital: Andrew Schutte, Electric And Double Bass, Department Of Music, University Of Richmond
Music Department Concert Programs
No abstract provided.
Ur Band Spring Concert, Department Of Music, University Of Richmond
Ur Band Spring Concert, Department Of Music, University Of Richmond
Music Department Concert Programs
No abstract provided.
Ur Jazz Ensemble & Jazz Combo, Department Of Music, University Of Richmond
Ur Jazz Ensemble & Jazz Combo, Department Of Music, University Of Richmond
Music Department Concert Programs
No abstract provided.
Women's Chorale Spring 2007 Program, Department Of Music, University Of Richmond
Women's Chorale Spring 2007 Program, Department Of Music, University Of Richmond
Music Department Concert Programs
No abstract provided.
University Orchestra, Department Of Music, University Of Richmond
University Orchestra, Department Of Music, University Of Richmond
Music Department Concert Programs
No abstract provided.