Music Commons^™

Yellow River Piano Concerto, Yaxin Chen

UNLV Theses, Dissertations, Professional Papers, and Capstones

The Yellow River Piano Concerto (1969) by Yin Chengzong (1941–present) and other committee members (Chu Wanghua, Liu Zhuang, Sheng Lihong, Shi Shucheng, and Xu Feixing), the most popular piano concerto in China, was composed at the time of the Cultural Revolution. It was written as an arrangement of the Yellow River Cantata composed by Xian Xinghai (1905–1945) in 1939 at the height of the Anti-Japanese War (1937–1945). Yin and his work played a critical role in making the piano the most popular instrument among a new generation of Chinese performers and composers. I examined some articles, journals and dissertations form …

Dimitri Mitropoulos A Champion Of New Music, Ioannis Protopapas

UNLV Theses, Dissertations, Professional Papers, and Capstones

I am investigating the role of Dimitri Mitropoulos in promoting contemporary music primarily during his tenure as the principal conductor of New York Philharmonic. I plan to discuss the contemporary composers and works he found important, and why this music needed to be heard. This study will help to illuminate the new music of the 1940’s and 50’s, and the conductor’s role in cultivating audiences. Moreover, it will demonstrate the relationship between conducting and composition, and the role of this relationship in successful performance practice and interpretation. Additionally, I will provide a detailed list of Mitropoulos's premieres with New York …

The Bridge From Etude To Repertoire: Hermann Six Concert Studies, Op. 18, Yuxin Zhao

UNLV Theses, Dissertations, Professional Papers, and Capstones

Scales and etudes are considered essential steps in developing an advanced technique on any instrument. The viola, as a member of the string family, was not nearly as popular or recognized as the violin or cello before the twentieth century. It is the same situation with the viola’s repertory and etudes: there are many pieces transposed from the cello or clarinet, for example, and many etudes are borrowed from the violin. However, even though the viola has a similar shape and playing posture to the violin, they are still different instruments with a significantly different technique. Violists should therefore avoid …

Rusalka And The Snow Maiden: A Comparative Study Of Two Fairytale Operas, Olivera Gjorgoska

UNLV Theses, Dissertations, Professional Papers, and Capstones

The two late-romantic operas Rusalka by Antonín Dvořák and The Snow Maiden by Nikolai Rimsky-Korsakov are based on fairy tales, and combine romance, fantasy, and drama. Their plots develop in parallel universes and have astonishing similarities. However, the music and drama develop following different goals. In Rusalka, leitmotifs and dramatic harmonies shape the plot into a tragedy. In The Snow Maiden motives and melodies exist to describe the character rather than lead the story and the drama; the focus is on Russian folk elements, choruses, and people.

The main character in both operas is a naïve, beautiful, fairy-like female character …

Developing The Young Dramatic Soprano Voice Ages 15-22, Monica Ariane Williams

UNLV Theses, Dissertations, Professional Papers, and Capstones

This doctoral dissertation provides information on how to develop the young dramatic soprano, specifically through more concentrated focus on the breath. Proper breathing is considered the single most important skill a singer will learn, but its methodology continues to mystify multitudes of singers and voice teachers. Voice professionals often write treatises with a chapter or two devoted to breathing, whose explanations are extremely varied, complex or vague. Young dramatic sopranos, whose voices are unwieldy and take longer to develop are at a particular disadvantage for absorbing a solid vocal technique. First, a description, classification and brief history of the young …

Beginning The Baroque Bassoon: A Contemporary Approach, Elizabeth Ellen Valvano

UNLV Theses, Dissertations, Professional Papers, and Capstones

“Beginning the Baroque Bassoon: A Contemporary Approach” is an introductory method for bassoonists who are interested in learning how to play the baroque bassoon or transitioning from the modern bassoon to its baroque counterpart. This method begins with a history of the development of the bassoon before delving into specific performance techniques. This approach includes bassoon history, information on reed making, instructional examples, fingering charts, solo suggestions and playing examples, and resources for further study. While emphasizing beginning the baroque bassoon, this method also includes resources for the more advanced bassoonist. The goal of this text is to widen the …

Sacred Song Sisters: Choral And Solo Vocal Church Music By Women Composers For The Lenten Revised Common Lectionary, Lisa Elliott

UNLV Theses, Dissertations, Professional Papers, and Capstones

This document explores sacred music by women composers for the Revised Common Lectionary (RCL) of the Catholic and Christian churches. The study researches exclusively choral and vocal solo music by women composers for the church season of Lent. Other primary limitations include music in English, and music from the nineteenth century to the present. The main question answered in this document is: what sacred music has been published by women composers that may be programmed in church services?

This question is answered in the included appendices. These appendices list the music by women composers appropriate for the specific RCL readings …

The Cello Concertos Of Karl Davydov (1838–1889): Historical Context And Pedagogical Rol, Adam Matthew Stiber

UNLV Theses, Dissertations, Professional Papers, and Capstones

Despite the large quantity of music produced by the outstanding cellists of past eras, the range of repertoire regularly used in teaching advanced cellists in the US is fairly limited. In particular, though the virtuosic compositions of Karl Davydov (1838–1889) are common fare in Russia and Eastern Europe, cellists in the US perform them only rarely. Davydov rose to the highest echelon of performers in his generation. Today, scholars widely credit him with founding the Russian school of cello playing. Members of Davydov’s pedagogical lineage achieved prominence as artists and teachers, and his compositions are proven instructional pieces. In this …

Escaping Time: Messiaen’S Musical Language, Religious Symbolism, And Undermining Time In Quatour Pour La Fin Du Temps, Sarra Elizabeth Hey-Folick

UNLV Theses, Dissertations, Professional Papers, and Capstones

Scholars, including Robert Fallon and Wilfred Mellers, understand Olivier Messiaen’s Quatour pour la fin du Temps through the lens of war and captivity. Written during Messiaen’s imprisonment in the German prisoner of war camp Stalag VIII A during World War II, Quatour portrays the biblical “end of time” described in the book of Revelations. Messiaen drew connections between Quatour and the apocalypse with references to the angel of the apocalypse, the abyss, and the end of time. Messiaen, along with Étienne Pasquier, Jean Le Boulaire, and Henri Akoka premiered Quatour on January, 15th 1941, for their fellow prisoners and guards …

The Child Dreams: An Examination Of Gil Shohat’S Adaptation Of Hanoch Levin’S Play, Karin Hochman

UNLV Theses, Dissertations, Professional Papers, and Capstones

On January 18, 2010, Gil Shohat's operatic adaptation of Hanoch Levin's 1993 play, The Child Dreams, had its world premiere at the Israeli Opera. The opera was commissioned for the opening of that company's twenty-fifth season. Levin's play holds a central place in Israeli culture; given the play's stature, Shohat's musical work raises a number of essential questions about adaptations and their consequent reception. This document will examine the critical perception of the effort: did the critics reviewing the production understand Shohat's intentions and did they "read" the work in the same way that he did?

We possess a wealth …

The Musical Style And The Cultural Connotation Of Bright Sheng's Opera 'Dream Of The Red Chamber', Xirui Huang

UNLV Theses, Dissertations, Professional Papers, and Capstones

When people speak about the book Dream of the Red Chamber, their hearts soften. This novel is one of the Four Great Classical Novels in China, and the best-known one. Commissioned by the former director of San Francisco Opera David Gockley, the composer Bright Sheng and the librettist David Henry Hwang adopted the novel into the opera version of Dream of the Red Chamber. Since it premiered at San Francisco Opera house in September of 2016, there is no doubt that the opera was aimed for the Western opera audiences. The original book Dream of the Red Chamber is a …

Cross-Cultural Work In Music Cognition: Challenges, Insights, And Recommendations, Nori Jacoby, Elizabeth Hellmuth Margulis, Martin Clayton, Erin Hannon, Henkjan Honing, John Iversen, Tobias Robert Klein, Samuel A. Mehr, Lara Pearson, Isabelle Peretz, Marc Pearlman, Rainer Polak, Andrea Ravignani, Patrick E. Savage, Gavin Steingo, Catherine J. Stevens, Laurel Trainor, Sandra Trehub, Michael Veal, Melanie Wald-Fuhrmann

Psychology Faculty Research

Many foundational questions in the psychology of music require cross-cultural approaches, yet the vast majority of work in the field to date has been conducted with Western participants and Western music. For cross-cultural research to thrive, it will require collaboration between people from different disciplinary backgrounds, as well as strategies for overcoming differences in assumptions, methods, and terminology. This position paper surveys the current state of the field and offers a number of concrete recommendations focused on issues involving ethics, empirical methods, and definitions of “music” and “culture.”

Ambassador Of Cajun Music: Jimmy C. Newman, 1927-2014, Michael Green

History Faculty Research

In February 1765, the first boat with French-speaking refugees from Acadia in Nova Scotia arrived in the present-day state of Louisiana, where their description of themselves as Acadians changed, just as regional dialects change, into Cajuns. Their departure was part of what one historian of Cajun culture calls an “ethnic cleansing.” The British had acquired French Canada two years before and deported the Catholic Acadians to other colonies; a group of them chose instead to head for what they thought was French territory. It turned out that the Treaty of Paris of 1763, which had conveyed French Canada from France …

The Historical And Cultural Influences Of Gagok 가곡 (Korean Art Song): A Musical Guide, Sarah Kim

UNLV Theses, Dissertations, Professional Papers, and Capstones

This document explores what Gagok (Korean Art Song) consists of, the origins and history of it and how one may approach it musically, vocally and interpret it textually. The main questions I answer in this document include: What makes these art songs distinctly Korean? What significance does the role of Eastern Asian history have in order to closely tie the inspiration of writing Gagok? How does the text and music express these important historical events? The answers to these questions are essential to understanding Gagok by analyzing and interpreting the songs also in relation to approach learning them.

The research …

Balys Dvarionas: A Brief History, Analysis Of His Concerto For Horn And Orchestra, And The First Recording Of The Concerto, Jonathan Lewis Snyder

UNLV Theses, Dissertations, Professional Papers, and Capstones

This document will concentrate on the currently unpublished and incomplete manuscript of the orchestral version of Concerto for Horn and Orchestra [Koncertas valtornei su orkestru], composed by Lithuanian composer Balys Dvarionas (1904–1972). Despite his popularity and importance in Lithuania, Dvarionas’s music is not as well known throughout the rest of the world. This document aims to redress this situation.

The document provides a more thorough English-language biography about the composer than those that currently exist in print. It discusses various aspects of the concerto, including its place in Dvarionis’s output and a brief analysis, a core aspect of which is …

How Musical Artists Can Use Social Media For Successful Careers, Kian Hassankhan, Sutirtha Chatterjee

AANAPISI Poster Presentations

This research paper is about elucidating the current business model of the music industry and how artists or musicians can use it to their advantage through social media, specifically Instagram. Through paid and organic advertising, artists, producers and musicians can create successful music business startups and add an additional source of income to their lives. This paper dives deep into real, tangible goals while expanding the philosophy of the aspiring creative entrepreneur by giving them a road map to creating a successful creative brand through the lens of social media.

Illuminating Unsung Americans Sung As A Musical Staple Within American Culture, Richard Leon Hodges

UNLV Theses, Dissertations, Professional Papers, and Capstones

The book Unsung Americans Sung was first published in 1944 by the Handy Brothers Publishing Company. With over 30 contributors and edited by William C. Handy, this book explores the great abolitionists of the eighteenth century and the climate of Negro culture during that moment in time. The book includes poetry, illustrations, children’s songs, choral works, scenes from major works, and art songs. Handy was not only offering his opinion of the Negro of the time, but he was creating a book that would add these freedom fighters and generational torchbearers into the archives of every American. Sadly, this glimpse …

Mozart's "Mezzos": A Comparative Study Between Castrato And Female Roles In Mozart's Operas, Erin Gonzalez

UNLV Theses, Dissertations, Professional Papers, and Capstones

Scholarly work on Wolfgang Amadeus Mozart’s singers has focused particularly on the soprano voice. There is a general neglect of attention on the low female voice—or what we would commonly call the “mezzo-soprano”—in his operas. As a mezzo-soprano and singer of Mozart repertoire (both female and travesti roles), I find it imperative that a comparative study of Mozart’s compositional treatment between both the castrato and mezzo-soprano voice be created to better understand Mozart’s style and intent for composition for these voice types.

This document is geared toward singers and teachers alike and will examine select arias of the castrato and …

Bridging The Gap: An Introduction To Jazz Improvisation And The Application Of Manipulating Composed Content For Classical Percussionists, James Douglas Whiting

UNLV Theses, Dissertations, Professional Papers, and Capstones

This document presents a systematic study of an introductory method to jazz improvisation for classical percussionists. This method discusses a combination of fundamental concepts of jazz improvisation, combined with the approaches of applying these concepts as a way of manipulating composed content. This methodology provides classical percussionists with an appropriate vehicle to bridge their knowledge from through-composed, and classical music, to jazz improvisation. The concepts, along with an analysis of their application, is detailed in each chapter with extensive musical examples.

George Gershwin's Concerto In F: A Wind Orchestra Transcription With Historical Context And Transcription Techniques, Andrew Smouse

UNLV Theses, Dissertations, Professional Papers, and Capstones

This document discusses the transcription process of creating a wind orchestra transcription of George Gershwin’s Concerto in F. Following a brief biography of George Gershwin and historical context of the work, the transcription methodology and precise instrument substitution are provided. The resulting transcription adds a new Gershwin work to the wind band repertoire.

Focusing on three key principles, (1) maintaining the original key, expressive, and technical markings; (2) preserving the original instrumental parts of the orchestral score; and (3) continuing to use the consort and soloistic styles of composition, the document describes the transcription methodology through specific examples. These examples …

Florence B. Price's Compositional Style To Song Settings Of Paul Laurence Dunbar's Dialect Poetry: A Performance Guide, Daniel Joseph Hunter Jr

UNLV Theses, Dissertations, Professional Papers, and Capstones

Florence B. Price (1887-1953) was an African-American composer from Little Rock, Arkansas. Ms. Price, who was a mixed-race female, was able to achieve unprecedented success during her lifetime. Price, a composer of instrumental, orchestral, and vocal music,

acknowledged the challenges of being a woman of color, trying to break into a world dominated by white men. Through her perseverance, she found success in 1933 when the Chicago Symphony Orchestra performed her Symphony in E Minor, making her the first African-American woman to have a work performed by a major orchestra in the United States. Marian Anderson, William Grant Still and …

The Synthesis Of Balkan Folk Tunes In The Music Of Vlastimir Nikolovski And Alexander Vladigerov, Dejan Daskalov

UNLV Theses, Dissertations, Professional Papers, and Capstones

The study of folk music from the Balkan countries proves to be a long and complex area of study, since the access to sources, scores and literature is quite limited. Distribution of accurate information in regards to Balkan folk music is of significant importance because it would provide a global opportunity for promotion and education on this topic. Without documented research, inaccurate presentations of Balkan music could cause an overall disinterest in this genre.

The original and alluring aspects of this style of music lie mostly in its meter. Moreover, it contains three fundamental metric structures: regular, asymmetric, unmeasured and …

114 Years In Oblivion: The History And Development Of International Flute Festivals In Central America, Dafne Zenice Guevara

UNLV Theses, Dissertations, Professional Papers, and Capstones

This document examines Central American flute festivals to understand their role in preserving heritage, promoting unique composers and their compositions, educating the public about art music, and positively impacting the personal growth of students as well as to gaining insight into the socio-economic history as it relates to the development of music in the region. To achieve this goal, the flute festivals of Costa Rica, Honduras, Guatemala and Panamá were studied within the context of the countries’ history. Music tradition started in the region with the aboriginal tribes and was strongly influenced by the colonization of the Spaniards. These conquerors …

Spiritual Roots And Classical Fruits: A Stylistic Analysis And Performance Guide Of Selected Spirituals And Art Songs By Jacqueline Hairston, Phillip Lewis Newell Harris

UNLV Theses, Dissertations, Professional Papers, and Capstones

Spiritual Roots and Classical Fruits is the title of Jacqueline Butler Hairston’s first and only CD. Hairston is an American born composer and arranger who has proven herself as a prolific writer of vocal music, most notably in the genre of spirituals and art songs. The

Charlotte, North Carolina native brings a wealth of experience to composition through her southern roots in spirituals and her formal classical training at The Juilliard School of Music, Howard University and Columbia University. The goal of this document is to introduce and present solo vocal music of Hairston’s with an emphasis on harmonic structure, …

Beyond The Melting Pot: An Anthology Of Modern Art Song By Immigrant Composers In America, Kathryn Omune

UNLV Theses, Dissertations, Professional Papers, and Capstones

The anthologies currently available of modern American art song present a homogenous

view of the composers working today in this country. As a whole, they do little to

acknowledge the diverse group of musicians actively composing in this genre. As a

country filled with an array of talented and multi-cultural musicians, it is essential that

the vocal repertory accurately represents both the composers and the performers working

within the field.

The purpose of this document and anthology is to fill a void left by the current

published anthologies by presenting art song composed by immigrant composers. Geared

towards teachers and …

The Life Of A Marimba Master: Zeferino Nandayapa Ralda; Composer, Band Leader, Soloist, Lindsay Michelle Whelan

UNLV Theses, Dissertations, Professional Papers, and Capstones

Zeferino Nandayapa Ralda was the greatest Mexican marimba artist of the twentieth century. Born in Chiapas, Mexico, Zeferino was the youngest son of Norberto Nandayapa, the most well respected Mexican marimba builder of his time. Throughout Zeferino’s lifetime, he

cultivated a career that made him well-known in Mexico and firmly established the name Nandayapa as being synonymous with the word marimba. Zeferino’s career consisted of appearances as a solo artist, as a featured soloist with symphony orchestras around Mexico, as leader of marimba bands, and, many appearances abroad. He wrote many arrangements of standard Mexican folk songs, classical literature, as …

Crossover Trumpet Performance: Jazz Style And Technique For Classical Trumpeters, Kevin Christopher Tague

UNLV Theses, Dissertations, Professional Papers, and Capstones

This document examines crossover trumpet playing: the ability to comfortably transition from classical to jazz style. Problems trumpeters face when shifting between classical and jazz styles and the importance of always performing idiomatically are discussed. There is no consensus regarding the best way to develop crossover ability, but experts agree that the proper use of articulation is vital for stylistically authentic performances. A review of the literature reveals fundamental differences in how articulation is taught in classical and jazz pedagogies. Additionally, jazz and classical musicians approach printed music differently. By detailing key elements of jazz articulation and interpretation the document …

Going Old School: Using Eighteenth Century Pedagogy Models To Foster Musical Skills And Creativity In Today's Students, Monique Arar

UNLV Theses, Dissertations, Professional Papers, and Capstones

Recent research has illuminated a pedagogical approach to keyboard improvisation of the Italian conservatories of the seventeenth and eighteenth centuries, namely that of partimenti: single-stave, multiple clef exercises in which students were trained to improvise (Gjerdingen 2007, Sanguinetti 2012, van Tour 2015). This approach was passed down through oral instruction until the mid-twentieth century, when pedagogical priorities shifted away from improvisation and compositional creativity towards virtuosity, technique and adherence to the printed page. Simultaneously, the tradition of decade-long musical apprenticeship was replaced with semester-long courses in music theory and harmony.

The existing research on partimenti presents a compelling historical narrative …

Tres Danzas Cubanas By Alejandro García Caturla: A Transcription For Wind Orchestra With Accompanying Biographical Sketch And Transcription Method, Darrell Brown

UNLV Theses, Dissertations, Professional Papers, and Capstones

Alejandro García Caturla was a Modernist Cuban composer of the early 20th Century. In his compositions and orchestrations, Caturla predominantly featured woodwind, brass, and percussion instruments (and incorporated Afro-Cuban percussion instruments). Caturla’s musical vernacular is a hybridization of styles, not just of the colloquial idioms of Cuba and the music of the European avant-garde, but of the unification of the island’s musical cultures. One of Caturla’s earliest, international successes was his orchestral work Tres danzas cubanas written in 1929. This document includes the creation of a new transcription for wind orchestra of the three-movement work. A biographical sketch of Caturla’s …

Finding The Shakespeare In Ambroise Thomas' Hamlet: A Comparison Of Plot And Character In The Seventeenth-Century English Play And The Nineteenth-Century French Opera, Bonita Elissa Bunt

UNLV Theses, Dissertations, Professional Papers, and Capstones

Although the 17th century play Hamlet by William Shakespeare was originally performed in English, its popularity grew throughout Europe, entering France’s robust theatre tradition around the turn of the 19th century. Multiple versions of the translated play became available and the story began to take on French characteristics as it was adapted for French audiences. By the time Hamlet was set by librettists Michel Carré and Jules Barbier and composer Ambroise Thomas, the story had morphed somewhat from the original Shakespeare. Much of the story was condensed and the ending was significantly changed. Originally successful after its 1868 premiere, the …