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Articles 901 - 930 of 1073
Full-Text Articles in Music
Marshall University Music Department Presents A Senior Recital, Jessica Stewart Bethel, Flute, Jessica Stewart Bethel
Marshall University Music Department Presents A Senior Recital, Jessica Stewart Bethel, Flute, Jessica Stewart Bethel
All Performances
No abstract provided.
Marshall University Music Department Presents The Chamber 10 And More!, Present A, Faculty Recital, Ann Marie Bingham, Clarinet, Leslie Petteys, Piano, Ann Bingham, Leslie Petteys
Marshall University Music Department Presents The Chamber 10 And More!, Present A, Faculty Recital, Ann Marie Bingham, Clarinet, Leslie Petteys, Piano, Ann Bingham, Leslie Petteys
All Performances
No abstract provided.
Marshall University Music Department Presents The Chamber 10 And More!, Present, Guest Artist, Cihat Aşkın, Violin, With, Yeşim Dikener, Piano, Şőlen Dikener, Cello, Şőlen Dikener, Yeşim Dikener, Cihat Aşkın
Marshall University Music Department Presents The Chamber 10 And More!, Present, Guest Artist, Cihat Aşkın, Violin, With, Yeşim Dikener, Piano, Şőlen Dikener, Cello, Şőlen Dikener, Yeşim Dikener, Cihat Aşkın
All Performances
No abstract provided.
Review Of Georg Philipp Telemann, Ein Feste Burg, Carus Records, 2005, Vicki Stroeher
Review Of Georg Philipp Telemann, Ein Feste Burg, Carus Records, 2005, Vicki Stroeher
Music Faculty Research
Georg Philipp Telemann ( 1681-1767) found his niche as the Kantor/Kapellmeister of the Johanneum Lateinschule and principal churches in Hamburg, for it gave him the opportunity to compose numerous works in a variety of media, both sacred and secular. During his tenure in this position, from 1721 to his death in 1767, his sacred music output encompassed some twenty cycles of cantatas, as well as significant numbers of passions and oratorios and a sprinkling of motets and psalm settings. While in sheer volume his cantata output far outstripped that of Johann Sebastian Bach, Telemann's reputation in music history classes resides …
Marshall University Music Department Presents A Graduate Lecture – Recital, Michelle Hontz, Piano, Cousins, Substitutes For Old Favorites, Michelle Hontz
Marshall University Music Department Presents A Graduate Lecture – Recital, Michelle Hontz, Piano, Cousins, Substitutes For Old Favorites, Michelle Hontz
All Performances
No abstract provided.
Review Of Harry Christophers And The Sixteen, La Jeune France, Vicki Stroeher
Review Of Harry Christophers And The Sixteen, La Jeune France, Vicki Stroeher
Music Faculty Research
Harry Christophers and The Sixteen (which, on this disc numbers from twelve to twenty-four singers) have assembled an exciting recording of rather unusual repertoire: that of the group of composers known as La Jeune France. Although these works may not speak aesthetically to everyone, the performances certainly will. The group's tuning is impeccable and their diction clear, even when the composer deliberately obscures the text. Christophers' interpretations are neither heavyhanded nor overly controlled, even as the chorus's expression ranges from the primitive and aggressive to the quiet and mystical.
Chamber 10 And More!, W. Edwin Bingham
Marshall University Music Department Presents The Huntington Museum Of Art, Music At The Museum Series, Presents, Andrew Zohn, Guitarist, Andrew Zohn
All Performances
No abstract provided.
Review Of Poulenc: Messe En Sol, Litanies A La Vierge Noire, Motets Choeur De Chambre Accentus Laurence Equilbey, Conductor 1997 Accord, Vicki Stroeher
Review Of Poulenc: Messe En Sol, Litanies A La Vierge Noire, Motets Choeur De Chambre Accentus Laurence Equilbey, Conductor 1997 Accord, Vicki Stroeher
Music Faculty Research
When conductor Laurence Equilbey established the Accentus Chamber Choir in 1991, she and the group set out to perform unaccompanied repertoire of the nineteenth and twentieth centuries. In this recording of Francis Poulenc's sacred works from 1936 to 1953, one detects a decision well served. Equilbey and the group approach Poulenc's repertoire with a deep understanding of the period, the composer's spirituality and its effect on his creative psyche, and his obvious debts to Stravinsky, Faure, and early Catholic traditions. Poulenc's intensely spiritual sacred works are not easy to reconcile with his earlier secular and more satirical offerings, but Equilbey …
J.A.C. Redford's A Psalm Triptych As Sonic Altarpiece, Erin Jones Kishpaugh
J.A.C. Redford's A Psalm Triptych As Sonic Altarpiece, Erin Jones Kishpaugh
Theses, Dissertations and Capstones
J.A.C. Redford’s love of music for the voice and the importance of his faith, key factors in understanding this composer who is best known for his film and television scores, are displayed through the song cycle A Psalm Triptych. This study examines the structure of and inspiration behind this song cycle as a means to determine its function. Redford’s approach to text setting is motivated by a desire for the meaning to be more clearly understood when illuminated by his music. Inspired by visual art, he generated a textual structure resembling triptych altarpieces, through which the listener hears the psalmist’s …
Rallying Round Our Liberty, Wendell Dobbs, Leo Welch, Linda Dobbs, Neil Cadle
Rallying Round Our Liberty, Wendell Dobbs, Leo Welch, Linda Dobbs, Neil Cadle
Recordings
No abstract provided.
A Survey Of Daily Routines, George Palton
A Survey Of Daily Routines, George Palton
Music Faculty Research
Survey of professional tuba and euphonium players in the United States consisting of current college professors, prominent freelance musicians, and musicians in professional ensembles such as military bands and orchestras.
Lo! How A Rose E'Er Blooming, Jeffrey L. Pappas
Lo! How A Rose E'Er Blooming, Jeffrey L. Pappas
Music Faculty Research
No abstract provided.
Review Of The Hilliard Ensemble, Guillaume De Machaut: Motets. Ecm Records, 2004, Vicki Stroeher
Review Of The Hilliard Ensemble, Guillaume De Machaut: Motets. Ecm Records, 2004, Vicki Stroeher
Music Faculty Research
The motets of Guillaume de Machaut (1300-1377), though described by one scholar as "conservative and backward-looking" because of their heavy use of French texts, nonetheless provide a rich melodic, rhythmic, and harmonic palette for the extraordinary voices of the Hilliard Ensemble. The ensemble's recording of eighteen of the twenty-three known works in this genre (a twenty-fourth exists, but its attribution is spurious), is exemplary and should delight both the medieval scholar and the casual listener.
Review Of Trio Mediaeval, Soir, Dit-Elle, Ecm Records 2004 And Words Of The Angel, Ecm Records 2001, Vicki Stroeher
Review Of Trio Mediaeval, Soir, Dit-Elle, Ecm Records 2004 And Words Of The Angel, Ecm Records 2001, Vicki Stroeher
Music Faculty Research
This pair of discs by Trio Mediaeval offers an imaginative soundscape of music both ancient and new. Trio Mediaeval's approach to the ancient is laudable and lovely, but the contemporary compositions written specifically for this all female group seem to give them their truest voice. The older recording, Words of the Angel (2001), intersperses movements of the Tournai mass--one of the earliest manuscript compilations of polyphonic settings of the texts of the Ordinary—among monophonic laudae and English Marian motets and sequences. The various styles provide textural and harmonic relief, a real concern in a completely unaccompanied recording. The recording takes …
Review Of Felix Mendelssohn Bartholdy, Christus, Kirchenwerke Iii, Kammerchor 2004 Stuttgart, Bamberger Symphoniker, Frieder Bernius, Conductor. Carus-Verlag, 1987., Vicki Stroeher
Music Faculty Research
Carus-Verkag, Frieder Bernius, and the Stuttgarter Kammerchor have produced a number of impressive recordings to serve as companions to their impeccable printed editions of valuable, but seldom performed, choral works. Mendelssohn's music has been championed in at least six of these recordings, and showcases an undeniably rich output that until now has received scant attention. The present disc aims to reverse that fortune. Christus features three early works from 1822 to 1825, when the composer was just thirteen to sixteen years old, along with late works from 1843 and 1847. Even the earliest of these works provides evidence of Mendelssohn's …
George Grove And Victorian Culture, Vicki Stroeher
George Grove And Victorian Culture, Vicki Stroeher
Music Faculty Research
No abstract provided.
Review Of Andrea Gabrieli, Missa Pater Peccavi, Motets And Instrumental Music, 2003 His Majestys Consort Of Voices, His Majestys Sagbutts And Cornetts, Timothy Roberts, Conductor. Hyperion, 2000, Vicki Stroeher
Music Faculty Research
Any recording that focuses solely upon the music of Andrea Gabrieli, the other Gabrieli, risks languishing in store bins, forgotten by all but the most musicological of listeners. This recording, fortunately, should not suffer that fate.
Director Timothy Roberts, His Majestys Sagbutts and Cornetts and the newly formed His Majestys Consort of Voices have put together a celebration of Andrea Gabrieli that is as well performed as it is researched. Though some of the scoring choices are unusual, the performances are nearly impeccable with but a few exceptions.
Review Of Benjamin Britten, Sacred And Profane, Amdg, Five Flower Songs, Old French Carol, Choral Dances From Gloriana, Polyphony, Stephen Layton, Conductor. Hyperion, 2000, Vicki Stroeher
Music Faculty Research
The choral works of English composer Benjamin Britten (1913-76), like his efforts in other forms, have been overshadowed by his operas. War Requiem, essentially operatic in character, along with Rejoice in the Lamb, and A Ceremony of Carols, have risen to the top of the choral repertoire and receive the majority of the attention paid today as concert and recording fare. These, however, obscure a number of other excellent works in Britten's choral output. Sacred and Profane, a release by Stephen Layton and Polyphony, provides a useful glimpse at some of Britten's lesser known works for mixed chorus, including previously …
The American Community Band: History And Development, Jason Michael Hartz
The American Community Band: History And Development, Jason Michael Hartz
Theses, Dissertations and Capstones
Contemporary band scholars believe that the American community band experienced a revival at the end of the twentieth century. Examining the community band’s unique history from its earliest forms during the Revolutionary period through the Golden Age of Bands identifies the traditions that supported this revival. The twentieth century, however, is ripe with developments largely independent from previous eras, including the vast expansion of the music education system in the United States and the education of amateur musicians, the Great Depression, and the gradual acceptance of the band as an artistic medium. Through this study, the current revival of the …
Robert Schumann - Romances And Ballads, Jeffrey L. Pappas
Robert Schumann - Romances And Ballads, Jeffrey L. Pappas
Music Faculty Research
Although the Romances and Ballads, op. 67, 75, 145 and 146, on this compact disc receive little recognition in the overall scheme of Schumann's compositional output, they play a much greater role in the life of the composer.
Consumer Test, Michael Stroeher
Consumer Test, Michael Stroeher
Music Faculty Research
Three players and about 30 listeners took part in a Trombone Consumer Test in the University of North Texas Concert Hall. The consumer test was inspired and based on a 1994 British Trombone study.
Hillbillies And Sharecroppers: An Introduction To East Coast And Mississippi Blues Styles, John Wesley Taylor
Hillbillies And Sharecroppers: An Introduction To East Coast And Mississippi Blues Styles, John Wesley Taylor
Theses, Dissertations and Capstones
In his thesis, Hillbillies and Sharecroppers: an introduction to East coast and Mississippi blues guitar styles, along with the accompanying CD performance, John Taylor discusses pre-WWII blues. The discussion includes regional guitar styles as well as physicalities involved in the performance of early acoustic blues in Appalachia and Mississippi. There is a chapter devoted to subjects covered in early blues songs with a list of lyric examples as well as a biography section devoted to both white and black performers in these styles. The live performance utilizes stories behind the songs and historical information of the performers discussed in the …
Seeing Salvation: 1000 Years Of Sacred Music, Jeffrey L. Pappas
Seeing Salvation: 1000 Years Of Sacred Music, Jeffrey L. Pappas
Music Faculty Research
This compact disc is the third in a series of music and art recordings prepared to accompany exhibits at the National Gallery in London.
The Effect Of Music On Visuospatial Memory, James L. Mccracken
The Effect Of Music On Visuospatial Memory, James L. Mccracken
Theses, Dissertations and Capstones
Music was utilized in an attempt to enhance visuospatial memory. Twenty-eight individuals, who attended a United Methodist Church in southern West Virginia, were randomly assigned to experimental and control conditions. The experimental group was exposed to new age and classical compositions, counterbalanced for order effects. The new age and classical selections were of similar tempo and complexity. The control group received two relaxation periods, of a comparable length to the music presented to the experimental group. The 7/24 Spatial Recall Test was used to measure visuospatial memory. The measure was administered to each participant immediately after exposure to the music …
Oral History Interview: Lowell E. Long, Lowell E. Long
Oral History Interview: Lowell E. Long, Lowell E. Long
0064: Marshall University Oral History Collection
Lowell E. Long’s interview focuses on the region of Appalachia: its location, environments, people, and identity. Mr. Long was born in April 1941 in War, McDowell County, WV. His family moved to East Liverpool, OH, after World War II, and relocated to Huntington, WV, in January 1945. In the audio clip provided, Mr. Long discusses what it means to be Appalachian and focuses on family bonds and sense of belonging in the region. During his interview, he describes his family’s use of folk medicine. Mr. Long provides descriptions of the segregated neighborhoods and schools of Huntington, WV, during his childhood. …
Roussel: The Flute And Extramusical Reference, Wendell Dobbs
Roussel: The Flute And Extramusical Reference, Wendell Dobbs
Music Faculty Research
The article Roussel: The Flute and Extramusical Reference reveals the literary side of Roussel's flute music.
0666: Susan And Geoff Eacker Collection, 1997, Marshall University Special Collections
0666: Susan And Geoff Eacker Collection, 1997, Marshall University Special Collections
Guides to Manuscript Collections
Susan and Geoff Eacker interviewed ten women banjo players throughout August to October 1997 in WV and eastern KY. Interviews include Kate Brett, Diane Jones, Jessica Bills, Lynne Davis (about Molly O’Day), Kim Johnson (including Wilson Douglas), Sylvia O’Brien, Helena Triplett, Pam Lund, Cari Norris, and Dora Mae Wagers. This collection includes ten cassette tapes with the interviews and ten folders of transcripts for each interview.
0583: Janice Chandler Papers, 1969-1976, Marshall University Special Collections
0583: Janice Chandler Papers, 1969-1976, Marshall University Special Collections
Guides to Manuscript Collections
Huntington, West Virginia music educator. Papers include a script for "200 years celebration of Cabell county," a bicentennial musical presentation that was never produced.
0575: Women's Club Of Huntington, 1961-1993, Marshall University Special Collections
0575: Women's Club Of Huntington, 1961-1993, Marshall University Special Collections
Guides to Manuscript Collections
Programs, newspaper clippings, photographs and scrapbook pages concerning a Young People's Concert series of sponsored by local civic group.