Music Commons^™

Emerging Musical Structures: A Method For The Transcription And Analysis Of Electroacoustic Music, Mario Mazzoli

Dissertations, Theses, and Capstone Projects

This dissertation proposes a method for transcribing "electroacoustic" music, and subsequently a number of methods for its analysis, utilizing the transcription as main ground for investigation. The core of the investigation is on pieces that seem particularly resistant to traditional musical analysis, as they present at least three crucial differences with respect to the "standard" repertoire: they utilize (completely or in part) non-pitched sounds, they focus on timbre avoiding traditional strategies of pitch and rhythm organization, and they are not traditionally notated. Pieces by Agostino di Scipio and Douglas Henderson serve as case studies to demonstrate the efficacy of the …

Melodic Function And Modal Process In Gregorian Chant, Richard Porterfield

Dissertations, Theses, and Capstone Projects

This study proposes a theory and method of analysis for voice leading in the melody of Gregorian chant. It draws on historical theories and practices, particularly those of the cantus tradition which 1) pre-dates the imposition on Western ecclesiastical chant of scale theories based in the Ancient Greek science of harmonics, 2) observes and predicts actual melodic behavior, and 3) remains basic to pedagogy through the centuries. Central to cantus-tradition doctrine is the investment of melodic tones with structural functions which articulate modes as melodic archetypes; idiomelic antiphons are analyzed according to five melodic functions derived from formulaic psalmody …

Xenakis In America, Charles Wolcott Turner

Dissertations, Theses, and Capstone Projects

Iannis Xenakis had a long-standing interest in the U.S., but given the five years he spent here, little has been written about his experiences. This study attempts, through archival research and interviews, to document Xenakis’ time in the United States. Its subject is his relationship to American cultural institutions, and in what lured Xenakis here for musical composition and research.

The narrative treats the period from Copland’s invitation to Tanglewood in 1963, through Xenakis’ 1972 investment by France as a state-supported artist. While he visited the U.S. many times thereafter, he no longer sought long-term engagement with U.S. institutions, but …

To One Local Man, Clarinet More Than A “Stick”, Aldemaro Romero Jr.

Publications and Research

No abstract provided.

Band Students Learn Music And Culture On Trip, Aldemaro Romero Jr.

Publications and Research

No abstract provided.

Jazz Trumpet Requires Passion And Practice, Aldemaro Romero Jr.

Publications and Research

No abstract provided.

Music A Pathway To Cultural Understanding, Aldemaro Romero Jr.

Publications and Research

No abstract provided.

Music Therapy And Autism: A View From Disability Studies, Joseph N. Straus

Publications and Research

Music therapy has positioned itself squarely within the medical model of disability, arguing that many sorts of human variability should be understood as illnesses, diseases, or other sorts of pathological medical conditions, and offering music as a source of normalization, remediation, and therapy toward a possible cure. But for many human conditions, including autism, cure is neither possible nor desirable. Instead of seeking to normalize autistic people, music therapy might instead acknowledge their distinctive sorts of musical interests and attitudes and offer to enhance their indigenous culture in an atmosphere of mutual respect. Instead of normalization and cure, music therapists …

Idiots Savants, Retarded Savants, Talented Aments, Mono-Savants, Autistic Savants, Just Plain Savants, People With Savant Syndrome, And Autistic People Who Are Good At Things: A View From Disability Studies, Joseph N. Straus

Publications and Research

People identified as idiot savants have long comprised an identifiable group (a high level of skill in the context of perceived mental deficiency) whose story has mostly been told by psychiatrists and psychologists within a medicalized model of disability that assumes deficiency and seeks remediation and normalization. More recently, people identified as savants have become common figures of literary and cinematic representation. Both of these narrative frames have enfreaked them as alien Others, whose gifts and disabilities place them outside the normal run of human intelligence and creativity. With a focus on music, this article tries to see through these …

An Analytical Example For Bob, Joseph N. Straus

Publications and Research

In the fall of 1981, I was the greenest, most naïve young music theorist you can possibly imagine. The ink on my doctoral diploma was still wet, and I had just started my first job, at the University of Wisconsin. It was a simpler, less demanding time for music theorists: I had never attended a conference, much less presented at one. But I found myself at the 1981 meeting of the newly formed Society for Music Theory in Los Angeles, giving my first-ever theory paper. I recognized Milton Babbitt, the keynote speaker for the conference, sitting right in front of …

Soliloquy, Christiaan Van Voorst Van Beest

Dissertations and Theses

No abstract provided.

Dans Les Collines De Jardins De Pierres Sacrã©Es In The Hills Of Gardens Of Sacred Stones, William Apollo Brown

Dissertations and Theses

No abstract provided.

Concerto For Violin & Chamber Orchestra, Gregory Munna

Dissertations and Theses

No abstract provided.

Conflicts Of Soviet Ideology In Sergei Prokofiev's Film Score For Ivan The Terrible, Elizabeth R. Blaufox

Dissertations and Theses

No abstract provided.

Sinking Orchid, Kris Davis

Dissertations and Theses

No abstract provided.

Conversations We Have Had, Michael Koltosky

Dissertations and Theses

No abstract provided.

Scenes From A Memory And Progressive-Metal Tonality, Blake Graham

Dissertations and Theses

No abstract provided.

Musical Offerings Trading As Conversation In Jazz, Matthew Carter

Dissertations and Theses

No abstract provided.

Sonata Form In Beethoven's Sixth Symphony, Michele Kishlansky

Dissertations and Theses

"Charles Rosen, in his book, Sonata Forms, discusses the ways in which sonata form elevated pure instrumental music, gripping the attention of audiences “without the seductions of spectacle, the sentiments of poetry, and the emotions of drama, or even the dazzling technical virtuosity of singer and performer.”1 Sonata forms accomplished this by providing a clear analogy for dramatic action, containing an identifiable climax—a moment of maximum dramatic tension to which the first part of the work pushes towards and which the composer systematically resolves. Furthermore, Rosen writes: It is a closed form, without the static frame of ternary form; it …

Eco-Theatre, R. Murray Schafer, Eleanor James, Sarah Ann Standing

Publications and Research

Born in Sarnia, Ontario, in 1933, and widely considered Canada’s leading living composer, Raymond Murray Schafer is also a librettist, educator, writer, and “soundscape” theorist. Schafer composes for symphonies as well as chamber orchestras, solo instruments (he has even composed a piece for snowmobile), and vocalists. His compositions have played throughout the world. Schafer’s operatic cycle Patria—a masterwork almost forty years in the making—consists of ten episodes, plus a prologue and an epilogue. The prologue The Princess of the Stars and epilogue And Wolf Shall Inherit the Moon (also known as the Wolf Project) comprise an eco-theatre where Schafer places …

Total Voice Leading, Joseph N. Straus

Publications and Research

The total voice leading between sets X and Y is defined as the complete collection of ordered pc intervals formed between the pcs in X and the pcs in Y. These interval multisets (imultisets) describe the sonic signature of the motion from X to Y, and they always have the property of transpositional combination. In some cases, the same total voice leading may be produced by different pairs of X and Y (Cohn 1988 refers to this as “multiple parentage”). In such cases, the total voice leading may remain the same even though the generating chords differ.

The Choral Works Of Hamish Maccunn (1868–1916), Jennifer Oates

Publications and Research

This article provides an overview of the partsongs of Hamish MacCunn and places them within the context of British choral music in the nineteenth century. A complete list of MacCunn's partsongs are included. To access the embedded sound files, access the article via the American Choral Review homepage.

Saxophone Elicits Passion Among Its Players, Aldemaro Romero Jr.

Publications and Research

No abstract provided.

Juan Luis Guerra And The Merengue: Toward A New Dominican National Identity, Raymond Torres-Santos, Cuny Dominican Studies Institute

Publications and Research

This research monograph offers a historical account about the development of merengue in the Dominican Republic from the late 1800’s to the present.

Democratizing Indian Popular Music: From Cassette Culture To The Digital Era, Peter L. Manuel

Publications and Research

The history of Indian popular music constitutes in itself a significant development in modern culture, as this set of genres—especially but not only in their Bollywood forms—have been cherished by hundreds of millions of listeners not only in South Asia but internationally as well. At the same time, the trajectory of Indian popular music represents a dramatic case study of media culture as well, as its patterns of ownership, consumption, and even musical structures themselves have been conditioned by technological changes. Most striking is the way that a highly monopolized, streamlined, and homogeneous popular music culture dominated for several decades …

Retention And Invention In Bhojpuri Diasporic Music Culture: Perspectives From The Caribbean, India, And Fiji, Peter L. Manuel

Publications and Research

No abstract provided.

Two Sides To A Drum: Duality In Trinidad Orisha Music And Culture, Ryan J. Bazinet

Dissertations, Theses, and Capstone Projects

This dissertation presents an ethnographic and historical study of music and culture in the Yoruba-derived Trinidad Orisha religion in Trinidad and New York City. Its objectives are: (1) to provide description and documentation of Trinidad Orisha music, an understudied music genre in the African diaspora; (2) to shed light on the historical, cultural, and demographic factors contributing to the development of Trinidad Orisha music by its practitioners; and (3) to provide substance for meaningful comparisons between Trinidad Orisha music and other Yoruba-derived musics.

Based on four years of fieldwork (2008-2012) in Trinidad and in Brooklyn, NY, the study explores Trinidad …

The New York Chamber Music Society, 1915-1937: A Contribution To Wind Chamber Music And A Reflection Of Concert Life In New York City In The Early 20th Century, Lisa Kozenko

Dissertations, Theses, and Capstone Projects

The New York Chamber Music Society, founded in 1915, was one of New York City's prominent cultural institutions in the early twentieth century. A vital piece of the classical music landscape, the Society played an important role in the city's development as one of the major artistic capitals of the world. The contributions that the organization made to wind chamber music repertoire and its mission to further the performance of chamber music in New York City are remarkable. The legacy of the New York Chamber Music Society is the works that were premiered or played for the first time in …

Free From Jazz: The Jazz And Improvised Music Scene In Vienna After Ossiach (1971-2011), Thomas Albert Zlabinger

Dissertations, Theses, and Capstone Projects

Focusing on a diverse and eclectic scene that is under-documented, this dissertation investigates the historical, social, and cultural aspects of jazz and improvised music in Vienna over the last four decades. Through fieldwork, I have observed various characteristics and trends regarding the jazz and improvised music scene in Vienna and have subsequently organized the musicians and their recordings into seven fluid "fields": Traditional-U.S. Performance, Post-Tradition, DJ/Hip-Hop, Volk/Ethnic, Cabaret, Unclassified, and Abroad. One of the most striking aspects of the entire scene is the near-absence of a racialized discourse among musicians and critics and of stereotypical markers of "blackness" in performance. …

Ladakhi Traditional Songs: A Cultural, Musical, And Literary Study, Noe Dinnerstein

Dissertations, Theses, and Capstone Projects

This dissertation examines the place of traditional songs in the Tibetan Buddhist culture of the former Himalayan kingdom of Ladakh. I look at how Buddhism and pre-Buddhist religion informed the texts and performance contexts of traditional songs, and how Ladakhi songs represent cultural self-images through associated musical, textual, and visual tropes. Many songs of the past, both from the old royal house and the rural Buddhist populations, reflect the socio-political structure of Ladakhi society. Some songs reflect a pan-Tibetan identity, connecting the former Namgyal dynasty to both the legendary King Gesar and Nyatri Tsangpo, the historical founder of the Tibetan …