Music Commons^™

Instrumental Chamber Music: Woodwinds And Brass, Chapman Brass Ensemble, Chapman Woodwind Ensemble

Printed Performance Programs (PDF Format)

No abstract provided.

Keyboard Collaborative Arts Studio Recital, Varsénik Aslanyan, Rachel Danielson, Evangeline Jodjana, Esther Kim, Yi-Jiao Tian, Elliott Wulff, Tony Baek, Hannah Kidwell, Kimberly Levin, Cynthia Navarette, Kathryn Rock, Andrew Schmitt, Chloé Tardif

Printed Performance Programs (PDF Format)

No abstract provided.

From A Chat In The Parlor To Viral Music Videos: An Analysis Of Music As A Social Occasion, Emma Plotnik

Student Scholar Symposium Abstracts and Posters

Imagine an intimate room filled with people playing cards and casually chatting, while one of Chopin’s piano sonatas plays elegantly in the background. This scenario is characteristic of the atmosphere surrounding Classical and Romantic European salons. Salons served as havens of musical discourse from the Baroque era to the early twentieth century. However, with the advancement of technology from the mid-twentieth century to the present, there has been a decline, or, arguably, even a cessation of salon life.

The aim of this project was to recreate the salon environment through the generation of the online discussion forum, "Music Soirée." To …

Student Pianists In Recital, Brian Clemens, Alexandra Jones, Tyler Johnson, Dahee Jung, Stephanie Caress, Sophia Bui, Ashley Shahbazi, Janice Park, Cole Jackson, Anzhela Kushnirenko, Olivia Gerns, Ariel Chien, Andrew Siles, Michael Seaman, Janice Park

Printed Performance Programs (PDF Format)

No abstract provided.

The Voice Of The Motherland: Exploring The Development Of Russian Music Before Mikhail Glinka, Alvin Ly

Student Scholar Symposium Abstracts and Posters

When learning about early western classical music history, the first countries often discussed include England, Germany, France, and Italy beginning around the time of Gregorian chant. It is not until approximately the early Romantic Era that we begin to learn about Russian composers such as Mikhail Glinka, Pyotr Tchaikovsky, or those of the “Mighty Handful” including most notably Modest Mussorgsky, Nikolai Rimsky-Korsakov, and Alexander Borodin. The emergence of Russian music into the western classical world is often taken for granted and seldom asked how or why it happened. In this study, I will compare the development of Russian music alongside …

Prodigies On Youtube: Finding The Genuine Artist In Youth, Priscilla Peraza

Student Scholar Symposium Abstracts and Posters

There seem to be more child prodigies today than ever before. This growth can be attributed to the way society contributes to and facilitates young talent. For instance, shows such as “America’s Got Talent”, “American Idol”, and “The X Factor” cultivate the younger generation to desire fame. Though these children are exceptionally talented, they are also discovered and forgotten at such a rapid pace as well, no doubt due to the amount of social medial accessible in the 21st century. YouTube has become a part of the easily accessible social media trend and is often used as a common source …

Diva Diversity: National Vocal Schools And Qualities, Emma Plotnik

Student Scholar Symposium Abstracts and Posters

Hearing the term “opera singer” for many triggers an image of a German dramatic soprano bearing viking horns and powerfully bursting into a high C. Yet, what is it that perpetuates this stereotype that German singers possess weighty instruments with dark timbres? Why are classically trained North American vocal students told by their teachers to sing lightly and delicately when performing French mélodie, and not any other genre?

Research in vocal pedagogy has demonstrated that singers from particular regions have been typified by their vocal qualities in terms of size and color. These qualities by nation mainly stem from contrasting …

In Concert: The Chapman Orchestra And Chapman University Wind Symphony, Chapman Orchestra, Chapman University Wind Symphony

Printed Performance Programs (PDF Format)

No abstract provided.

Chapman Percussion Ensemble, Chapman Percussion Ensemble

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No abstract provided.

An Academic Festival Overture, Chapman Orchestra, Chapman Wind Symphony

Printed Performance Programs (PDF Format)

No abstract provided.

Student Pianists In Recital, Aaron Grisez, Janice Steininger, Rachel Gossen, Kaelyn Moore, Tony Vallejo, Kyla Mccarrel

Printed Performance Programs (PDF Format)

No abstract provided.

Chamber Music: Strings And Piano, Ethan Reed, Rafael Zepeda, Varsénik Aslanyan, Emy Eddow, Priscilla Peraza, Devin Marcus, Laura Schildbach, Arturo Balmaceda, Stephanie Calascione, Jordan Perez-Lomeli, Sam Ek, Rachelle Schouten, Alicia Correa, Leeyeon Kuen, Nathaniel Cook, Suzanne Haitz, Austin Phillips, Stephanie Anderson, Michael Fleming, Will Parker, Javier Chacon, Connor Bogenreif, Kimberly Levin, Christopher Defazio, Connie Tu, Gabrielle Stetz, Ariel Chien, Chloé Tardif, Nicholas Kaynor

Printed Performance Programs (PDF Format)

No abstract provided.

Instrumental Chamber Music: Winds And Brass, Chapman Woodwind Quintet, Rivera Woodwind Quintet, Chapman Harmoniemusik Ensemble, Chapman University Saxophone Quartet, Chapman Trumpet Ensemble, Greene Brass Quintet, Stetson Brass Quintet, Hall Brass Quintet

Printed Performance Programs (PDF Format)

No abstract provided.

Big Band And Jazz Combos, Chapman Big Band, Chapman Jazz Combo

Printed Performance Programs (PDF Format)

No abstract provided.

Chapman Guitar Ensemble, Chapman Guitar Ensetnble

Printed Performance Programs (PDF Format)

No abstract provided.

Chapman University Wind Symphony, Chapman University Wind Symphony

Printed Performance Programs (PDF Format)

No abstract provided.

Vocal Jazz In Concert, Alexandra Blum, Stephanie Caress, Hannah Fan, Caroline Hawkins, Megan Mandel, Jasmine Rodriguez, Niki Black, Claire French, Ashley Kron, Dina Zangwill, Graeme Aegerter, Austin Devone, Johann Gino Joson, Christopher Traynor, Albert Alva, Estefan Colindres

Printed Performance Programs (PDF Format)

No abstract provided.

Opera Chapman Presents: L'Elisir D'Amore (The Elixir Of Love), Opera Chapman, Chapman Orchestra

Printed Performance Programs (PDF Format)

No abstract provided.

Music Around Noon, Josh Roberson, Emilia Yanez-Lopez, Sam Ek, Matthew Bond, Sean Atkinson, Nate Brown, Chris Horney, Brandon Miranda, William Meinert, Erin Theodorakis, Paul Floyd

Printed Performance Programs (PDF Format)

No abstract provided.

Senior Recital, Arsen Jamkotchian

Printed Performance Programs (PDF Format)

No abstract provided.

Instrumental Chamber Music: Strings, Rachelle Schouten, Nathaniel Cook, Emy Eddow, Priscilla Peraza, Devin Marcus, Ethan Reed, Rafael Zepeda, Suzanne Haitz, Austin Phillips, Christine Anderson, Jordan Lomeli-Perez, Michael Fleming, Will Parker, Javier Chacon, Conner Bogenreif, Gabrielle Stetz, Arturo Balmaceda, Stephanie Calascione, Ariel Chien, Christopher Defazio, Claire Furukawa, Alicia Correa, Leeyeon Kuen, Lizzie Murtough, Chloé Tardif, Kimberly Levin, Nicholas Kaynor

Printed Performance Programs (PDF Format)

No abstract provided.

Vocal Jazz In Concert, Alexandra Blum, Samantha Dominguez, Samira Kasraie, Megan Mandel, Ashley Kron, Tessa Oliaro, Dina Zangwill, Austin Devone, Brett Gray, Graeme Aegerter, Albert Alva, Alicia Storm Marquis, Carlos Hernandez

Printed Performance Programs (PDF Format)

No abstract provided.

Student Pianists In Recital, Leslie Jones, Tony Vallejo, Rachel Gossen, Tyler Johnson, Sarah Brown, Cole Jackson, Niki Black, Andrew Siles, Kimberly Levin, Varsenik Aslanyan, Mai Phuong Duong, Will Parker, Dahee Jung, Han-Na Jang, Brian Clemens, Bella Lucareli, Stephanie Caress, Sophia Bui, Ashley Shahbazi, Elliot Wulff

Printed Performance Programs (PDF Format)

No abstract provided.

K-Pop Or K-Death? The Mirrored Oppression From Hollywood In The 1930s, Molly Welsh

Student Scholar Symposium Abstracts and Posters

In the 1930s, the film industry in Hollywood set the standard of “Hollywood filmmaking” with its development of star-contracts so oppressive, actors would be trapped for years within them. However, the implications of creating such a star-system have far surpassed what William Hays believed he was doing in the 1930s. In South Korea, a big star-system still exists and in many ways, mirrors what the United States did in the 1930s. What is informally known as “K-Pop” is a label for the music industry that seeks to emulate western ideals not only in looks, but in practice. This system allows …

Arts For Instigating Social Change: Truth Behind The Sinking Of The Mv Sewol, Ivy Kwon

Student Scholar Symposium Abstracts and Posters

Art appeals to the audience by delivering a message that results in a social change. Regardless of which form it is, it is the “means [by] which a society reminds itself of the stories it wants to remember.” The year of 2014 has seen a series of unexpected accidents worldwide that used arts to incite an issue. For instance, there was a tragic accident in South Korea that resulted sinking a ferry that carried 476 people. Among them were 300 high school students that were on their way to the field trip. From this accident, there were nearly 300 lives …

Deconstructing Chaos: The Role Of Pitch Hierarchy In Music Perception, Gabrielle Stetz

Student Scholar Symposium Abstracts and Posters

During the early twentieth century, art music composers pushed Western tonality to the limits and eventually abandoned tonality altogether, creating a system that treated every pitch equally. This atonal system broke down all keys and harmonic progressions that are cornerstones of Western musical pitch hierarchy. Through an extensive review of current literature, this research aims to show that the concept of hierarchy, present in tonal but not atonal music, is central to music perception. This presentation will explore the role hierarchy in music perception through several means: examining the physical nature of sound on a mathematical basis, determining innate structures …

Mirroring Reality: Music In Video Games, Allison Burr

Student Scholar Symposium Abstracts and Posters

This paper explores the effectiveness of music in video games in terms of mood setting and immersion. The effectiveness of the emotion evoked is studied through both personal and scholarly research. Four video games are explored from different game genres. In "Bioshock" and "Fallout 3", the music immerses the player into the environment of the video game, whether it is an underwater dystopia or the post apocalyptic Washington DC area. "Dead Space", a survival horror game set on an abandoned mining vessel in space, pushes the boundaries in terms of musical dissonance and terror by using innovative sound design. The …

Student Piano Showcase, Mia Barinaga, Jaycie Kim, Brittany Buendia, Jovan Majano, Gina Kouyoumdjian, Stella Monshaw, Christiane Moon, Varsenik Aslanyan, Elliot Wulff, Daniel Shipley, Rachel Danielson, Duke Kim, Alayne Hsieh, Gloria Cho, Heather Moore, Connie Tu, Arsen Jamkotchian, Kristi Mckinley

Printed Performance Programs (PDF Format)

No abstract provided.

Chapman Percussion Ensemble, Paul Burdick, Cole Castorina, Katie Eikam, Aaron Griesz, Storm Marquis, Andrea Stain

Printed Performance Programs (PDF Format)

No abstract provided.

Music Around Noon, Gloria Cho, Christine Moon, Alex Cowan, Taylor Kunkel, Karen Yu, Arsen Jamkotchian, Stella Monshaw

Printed Performance Programs (PDF Format)

No abstract provided.