Music Commons^™

Supporting Coordination Of Children With Asd Using Neurological Music Therapy: A Pilot Randomized Control Trial Comparing An Elastic Touch-Display With Tambourines, Franceli L. Cibrian, Melisa Madrigal, Marina Avelais, Monica Tentori

Engineering Faculty Articles and Research

Aim

To evaluate the efficacy of Neurologic Music Therapy (NMT) using a traditional and a technological intervention (elastic touch-display) in improving the coordination of children with Autism Spectrum Disorder (ASD), as a primary outcome, and the timing and strength control of their movements as secondary outcomes.

Methods

Twenty-two children with ASD completed 8 NMT sessions, as a part of a 2-month intervention. Participants were randomly assigned to either use an elastic touch-display (experimental group) or tambourines (control group). We conducted pre- and post- assessment evaluations, including the Developmental Coordination Disorder Questionnaire (DCDQ) and motor assessments related to the control of …

Music And Infrasound In Horror Movies - How They Can Be Used To Enhance Horror Films, Isabella Sills

Student Scholar Symposium Abstracts and Posters

The purpose of this project is to research and investigate the effect music and sound effects have on horror films, specifically, the natural phenomena known as infrasound will be explored in depth. Just outside our range of hearing at 20 Hz, infrasound may not be audible, but can still cause physical reactions such as anxiety, uneasiness, and extreme sorrow (Morrow, 2017). I am looking to create a horror comic in the form of a video that heavily relies on musical cues and the incorporation of infrasound to build up parts of the story told in the form of a comic. …

"In The Sentimental Past": Cultural Identity Through Film Music Before And After The Hong Kong Handover, Kasady Liu

Student Scholar Symposium Abstracts and Posters

Hong Kong: a city characterized by Jackie Chan, kung fu, and its surprising “in-betweenness.” Not quite Eastern and not quite Western, Hong Kong has been placed in a unique position due to its recent handover from Great Britain to China. As a result of this handover, the people of Hong Kong have displayed various attitudes towards their previous, foreign system of democratic government and their new, Communist system of government. Hong Kong’s cultural identity is closely tied with the handover, and in this paper, I analyze how the film music of Hong Kong movies have conveyed ideas about their cultural …

Praising God Around The World: Christian Worship Music As An Individual And Collective Experience, Divya Putty

Student Scholar Symposium Abstracts and Posters

The artists “Bethel” and “Hillsong” are frequently recognized by Christians living in America. But what about the names “Bridge Music India” or “Sinach”? These names would be most likely unknown in the states but celebrated in India and Nigeria. While each stems from vastly different cultural backgrounds, they all serve the purpose of creating a space for people to connect with God and each other through musical worship. Drawing on four different pieces of worship music and their use in live services, this article analyzes the effects of worship music, specifically their lyrical and musical content, on the individuals participating …

Grime And Spirit: On A Hype!, Monique Charles

Sociology Faculty Articles and Research

Grime is a genre of Black British music originating from London at the turn of the twenty-first century. In this article, I explore responses to moments of Grime music making and engagement in live performance settings. I make connections between Grime, Black music streams (Lena), Black Atlantic (Gilroy) practices, the Black Public Sphere (Baker) AND how engagements at these intersections are connected to spiritual practice in the context of live performance. The power in Grime live performance settings; where the spiritual is found, connects to the sonic characteristics deployed, embodied and emotive responses and cultural practice. Spirituality, through cultural practice, …

Open Access Archives In The Music Classroom; Examining Primary Sources And Information Privilege, Taylor Greene

Library Presentations, Posters, and Audiovisual Materials

The Performing Arts Librarian at Chapman University incorporated open access archives into his Music Information Literacy course in order to accomplish several learning objectives: a) introduce students to recognizing the importance of primary sources; b) interact with open access archival resources; and c) create an opportunity to discuss information privilege. This discussion takes inspiration from the “Information Has Value” frame from the ACRL Framework for Information Literacy for Higher Education, specifically related to the knowledge practice to “recognize issues of access or lack of access to information sources” and the disposition to “examine their own information privilege.”

In class, students …

Mda As A Research Method Of Generic Musical Analysis For The Social Sciences: Sifting Through Grime (Music) As An Sft Case Study, Monique Charles

Sociology Faculty Articles and Research

Using Grime as a case study, I employ the analytical framework I created, that is, Musicological Discourse Analysis (MDA) as a holistic mode of analysis to contextualize Grime sociologically and musicologically. This method retheorizes genre, providing a more specific, useful, and detailed musical classification system; the sonic footprint timestamp (SFT). The MDA framework provides a generic mode of musical analysis for research projects in sociology, cultural studies, and the social sciences fields. This article evaluates key musical influences in the evolution of Grime as both (i) a musical form and (ii) an analysis of influences in relation to its social …

Acrl Framework Assignments For Music Information Literacy, Taylor Greene

Library Presentations, Posters, and Audiovisual Materials

Though the ACRL Framework was adopted two and a half years ago, music librarians continue to wonder how to integrate the six frames described by this guiding document into our information literacy instruction while also covering the necessities of music information literacy. In this presentation, I will discuss the approach that I used to incorporate the six frames into my instruction for the Music Information Literacy course I teach at Chapman University while still retaining essential music instruction, such as searching for music, navigating particular resources like Grove Music Online, and citation formatting. Specifically, I will focus on the in-class …

2nd Place Contest Entry: Piracy, Policy, And Pandora: Outdated Copyright In A Digital World, Stephanie Caress

Kevin and Tam Ross Undergraduate Research Prize

This is Stephanie Caress' submission for the 2018 Kevin and Tam Ross Undergraduate Research Prize, which won second place. She wrote about current copyright laws and digital distribution practices and how they can be improved for creators and consumers of music.

Stephanie is a senior at Chapman University, majoring in Music and Strategic & Corporate Communication. Her faculty mentor is Dr. Jessica Sternfeld.

54th Annual Chapman Invitational Chamber Choir Festival, Tesoro High School Vocal Choir Ensemble, Northwood High School Chamber Singers, Arlington High School Chamber Singers, Mission Viejo High School Chamber Singers, Santa Margarita Catholic High School Chamber Singers, Aliso Niguel High School Madrigals, Murrieta Mesa High School Chamber Choir, Mater Dei High School Chamber Singers, Ruth Asawa San Francisco School Of The Arts Concert Choir, Las Vegas Academy Of The Arts Bella Voz, Las Vegas Academy Of The Arts Academy Singers, Riverside City College Chamber Singers, Fullerton College Chamber Singers, Mount San Antonio College Chamber Singers, Saddleback College Chamber Singers, Chapman University Singers

Printed Performance Programs (PDF Format)

No abstract provided.

Four Years Vs. One Semester: Music Information Literacy Delivered In Different Time Frames, Taylor Greene

Library Presentations, Posters, and Audiovisual Materials

How much does the time elapsed between instruction sessions affect retention of music information literacy concepts? This poster will demonstrate the two methods of delivering the Music Information Literacy course at Chapman University and discuss the benefits and pitfalls of each model. Starting in 2014, music students have been required to take four courses in Music Information Literacy which were delivered in 90-minute sessions over the course of four academic years. The Performing Arts Librarian, who has taught the course since its inception, noticed a lack of retention from some students and hypothesized that the timespan of delivery was a …

54th Annual Holiday Wassail Concert, Chapman University Singers, Chapman University Choir, Chapman University Women's Choir, Chapman Orchestra

Printed Performance Programs (PDF Format)

No abstract provided.

54th Annual Holiday Wassail Concert, Chapman University Singers, Chapman University Choir, Chapman University Women's Choir, Chapman Orchestra

Printed Performance Programs (PDF Format)

No abstract provided.

Piracy, Policy, And Pandora: Outdated Copyright In A Digital World, Stephanie Caress

Student Scholar Symposium Abstracts and Posters

This project examines how current copyright laws and digital distribution practices in music can be improved for both the creator and the consumer. The laws that govern our digital atmosphere, and thus a large portion of music distribution, are outdated and cause a wide variety of problems for both artists and fans. To create a comprehensive picture and establish the scope of this problem, I start by outlining the process a song goes through from when it is written to when it is in the hands, or rather ears, of listeners. From there, copyright laws are entwined with this process. …

New Horizons Concert Series: People Inside Electronics, Aron Kallay, Nick Terry, Brian Walsh, Louise Thomas, Colin Horrocks, Ian Dicke

Printed Performance Programs (PDF Format)

No abstract provided.

Conference Conversations: Monique Charles On Corbyn And Grime, Florence Sutcliffe-Braithwaite, Monique Charles

Sociology Faculty Articles and Research

Yesterday Renewal co-hosted an event with The Corbyn Effect at Momentum’s conference, The World Transformed, in Brighton. One of the speakers, Monique Charles, recently completed a PhD on grime music. In The Corbyn Effect she looks at the phenomenon of Grime for Corbyn, and we had coffee with her to talk about her work, Jeremy Corbyn, and the Labour Party.

Grime Launches A Revolution In Youth Politics, Monique Charles

Sociology Faculty Articles and Research

"The relationship between grime and politics has been an interesting and evolving one. Grime is a genre of music that emerged at the turn of the 21st century in London’s inner boroughs. Early on, its sound was most closely likened to US hip hop and rap. But those in the know appreciate grime’s deep connections to its UK predecessors, which include music from the British underground scene such as garage and jungle, in addition to Jamaican dancehall, electronic/experimental music, and British punk. The grime 'sound' developed as it grew, eventually being acknowledged as its own genre at the MOBOs in …

Bendablesound: An Elastic Multisensory Surface Using Touch-Based Interactions To Assist Children With Severe Autism During Music Therapy, Franceli L. Cibrian, Oscar Peña, Deysi Ortega, Monica Tentori

Engineering Faculty Articles and Research

Neurological Music Therapy uses live music to improve the sensorimotor regulation of children with severe autism. However, they often lack musical training and their impairments limit their interactions with musical instruments. In this paper, we present our co-design work that led to the BendableSound prototype: an elastic multisensory surface encouraging users to practice coordination movements when touching a fabric to play sounds. We present the results of a formative study conducted with 18 teachers showing BendableSound was perceived as “usable” and “attractive”. Then, we present a deployment study with 24 children with severe autism showing BendableSound is “easy to use” …

The Chapman Orchestra In Concert: "The French Connection", Chapman Orchestra

Printed Performance Programs (PDF Format)

No abstract provided.

New Horizons Concert Series: Del Sol String Quartet, Del Sol String Quartet

Printed Performance Programs (PDF Format)

No abstract provided.

La Relation Réalisateur – Compositeur : Un Exemple De Processus Créatif Relationnel Énactif, Ivan Magrin-Chagnolleau

Presidential Fellows Articles and Research

Cet article explore la relation qui existe entre un réalisateur et un compositeur. Plusieurs exemples sont étudiés, y compris des exemples tirés de l’expérience personnelle de l’auteur. Ces exemples mettent en lumière les différentes façons de travailler sur la composition d’une musique de film, et notamment les différentes façons pour un réalisateur de collaborer avec un compositeur.

53rd Annual Holiday Wassail, Chapman Orchestra, Chapman University Choir, Chapman University Singers, Chapman University Women's Choir, Chapman Percussion Ensemble, William Wells

Printed Performance Programs (PDF Format)

No abstract provided.

Student Pianists In Recital, Aaron Grisez, Rachel Gossen, Ariel Chien, Niki Black, Rebekah Dennis, Madeline Barrett, Lewis Gehami, Yusuke Sumoyama, Avery Roberts, Mai Phuong Duong, Dylan Kanner, Ashley Shahbazi, Michael Seaman

Printed Performance Programs (PDF Format)

No abstract provided.

“A Flower Which Blossoms And Fades”: Depictions Of Tuberculosis In 19th-Century Opera, Daniel Goldberg

Student Scholar Symposium Abstracts and Posters

The romantic period in art and music is a time that focused on the regular person and had a fascination with nature, emotion, and death. One of the most common themes used was disease. One of the more common diseases of the time in both opera and real life was tuberculosis. In opera tuberculosis is always brought upon the same type of person time and time again and is always shown both by the character, and also though a series of metaphors. This character is always a woman and these “tubercular heroines” always are young, beautiful, frail people who need …

Student Piano Showcase, Crystal Mo, Brooke Harmon, My Tran, Mia Barinaga, Brittany Buendia, Christiane Moon, Gina Kouyoumdjian, Stella Monshaw, Connie Tu

Printed Performance Programs (PDF Format)

No abstract provided.

Early Music Ensemble: "Singen Und Klingen German Music From The Late Renaissance Through The Early Baroque", Chapman Early Music Ensemble

Printed Performance Programs (PDF Format)

No abstract provided.

Instrumental Chamber Music: Brass And Woodwinds

Printed Performance Programs (PDF Format)

No abstract provided.

Instrumental Chamber Music: Strings, Emy Eddow, Sam Naff, Amadea Tanner, Charley Story, Alicia Correa, Julianne Lussier, Ariel Chien, Katie Kotar, Arturo Balmaceda, Chris Noble, Hannah Ceriani, Lorianne Frelly, Lisa Yoshida, Safieh Moshir-Fatemi, Preston Yamasaki, Haley Hedegard, Will Parker, Ryan Kelly, Isabella Pepke, Stella Monshaw, Eileen Kim, Chris Nelson, Clio Brady

Printed Performance Programs (PDF Format)

No abstract provided.

Chapman Guitar Ensemble, Chapman Guitar Ensemble

Printed Performance Programs (PDF Format)

No abstract provided.

New Music Ensemble, Chapman New Music Ensemble

Printed Performance Programs (PDF Format)

No abstract provided.