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Articles 481 - 510 of 1554

Full-Text Articles in Music

Copyright’S Creative Hierarchy In The Performing Arts, Michael W. Carroll May 2012

Copyright’S Creative Hierarchy In The Performing Arts, Michael W. Carroll

Scholarly Articles in Law Reviews & Journals

Copyright law grants authors certain rights of creative control over their works. This Article argues that these rights of creative control are too strong when applied to the performing arts because they fail to take account of the mutual dependence between writers and performers to fully realize the work in performance. This failure is particularly problematic in cases in which the author of a source work, such as a play or a choreographic work, imposes content-based restrictions on how a third party may render the work in performance. This Article then explores how Congress might craft a statutory license to …


Marshall University Music Department Presents The College Of Fine Arts 17th Annual Awards Convocation, April 20, 2012, Marshall University Apr 2012

Marshall University Music Department Presents The College Of Fine Arts 17th Annual Awards Convocation, April 20, 2012, Marshall University

All Performances

No abstract provided.


Gian Carlo Menotti's The Unicorn, The Gorgon, And The Manticore, Department Of Music, University Of Richmond Apr 2012

Gian Carlo Menotti's The Unicorn, The Gorgon, And The Manticore, Department Of Music, University Of Richmond

Music Department Concert Programs

No abstract provided.


Ua68 Arts & Letters :The Magazine Of Potter College At Western Kentucky University, Karen Schneider, Editor-In-Chief, David Lee, Dean Apr 2012

Ua68 Arts & Letters :The Magazine Of Potter College At Western Kentucky University, Karen Schneider, Editor-In-Chief, David Lee, Dean

PCAL Publications

No abstract provided.


La Boheme, School Of Music, School Of Theatre And Dance Apr 2012

La Boheme, School Of Music, School Of Theatre And Dance

Programs - Theatre, Dance, and Film

Productions took place March 30-31 at 7:30 pm; April 1 at 2 pm; April 5-7 at 7:30 pm, 2012


Tooth Of Crime, School Of Theatre And Dance Apr 2012

Tooth Of Crime, School Of Theatre And Dance

Programs - Theatre, Dance, and Film

By Sam Shepard

Music and Lyrics by T Bone Burnett

Productions took place April 27-30 at 7:30 pm, April 30 at 2:00 pm, 2012


La Boheme, School Of Theatre And Dance, School Of Music Apr 2012

La Boheme, School Of Theatre And Dance, School Of Music

Programs - Theatre, Dance, and Film

By Giacomo Puccini

Productions took place March 30-31 at 7:30 pm; April 1 at 2 pm; April 5-7 at 7:30 pm, 2012


Titanic, Murray State University Jan 2012

Titanic, Murray State University

Campus Lights

No abstract provided.


"Spectacular Opacities": The Hyers Sisters' Performances Of Respectability And Resistance, Jocelyn Buckner Jan 2012

"Spectacular Opacities": The Hyers Sisters' Performances Of Respectability And Resistance, Jocelyn Buckner

Theatre Faculty Articles and Research

This essay analyzes the Hyers Sisters, a Reconstruction-era African American sister act, and their radical efforts to transcend social limits of gender, class, and race in their early concert careers and three major productions, Out of Bondage and Peculiar Sam, or The Underground Railroad, two slavery-to-freedom epics, and Urlina, the African Princess, the first known African American play set in Africa. At a time when serious, realistic roles and romantic plotlines featuring black actors were nearly nonexistent due to the country’s appetite for stereotypical caricatures, the Hyers Sisters used gender passing to perform opposite one another as heterosexual lovers in …


Corporeal Modification In The Hollywood Musical: New Paradigms For Genre Analysis, Christopher Timothy Gullen Jan 2012

Corporeal Modification In The Hollywood Musical: New Paradigms For Genre Analysis, Christopher Timothy Gullen

Wayne State University Dissertations

This project explores the trend of bodily and identity modification in the contemporary Hollywood musical and calls for a re-reading of the genre away from the standard classification, that of one strictly imbued with wistful nostalgia and heteronormativity. This work argues that several films have abrogated these traditional ideals to create a carnivalesque representation of the societal norms through a genre, and a production code that sought to preserve them. Using the work of Russian semiotician Mikhail Bakhtin, this project reveals that these films feature dark and satirical para-realities of murder, debauchery and cannibalism that act as a catharsis to …


Volume 04, Matt Szemborski, Phillip Van Ness, Sarah Croughwell, Sarah Mayfield, Alyssa Strackbein, Marley Kimmel, Stephanie Skipp, Jamie Yurasits, Katherine Taggart, Alex Leonhart, Kristen Rawls, Andrew Armes, Amanda Haymens, Allison Paqlowski, Erica May, Stephanie Lane, Luke Acree, Cassandra L. Wilson, Stephanie Pishock, Erica Hopson, K. Juston Osborne, Katheryn Grayson, Kyle Fowlkes, Jessica Cox, Kaity Byrum, John-Harwood Scott, Ashley Johnson, Samantha Hockman, Emily Staskiel, Nancy Macdonald, R. Kruger Bressin, Benjamin P. Bilodeau, Andrea Irby, Kristin Macquarrie, Sarah Bietsch, Elizabeth Bednar Jan 2012

Volume 04, Matt Szemborski, Phillip Van Ness, Sarah Croughwell, Sarah Mayfield, Alyssa Strackbein, Marley Kimmel, Stephanie Skipp, Jamie Yurasits, Katherine Taggart, Alex Leonhart, Kristen Rawls, Andrew Armes, Amanda Haymens, Allison Paqlowski, Erica May, Stephanie Lane, Luke Acree, Cassandra L. Wilson, Stephanie Pishock, Erica Hopson, K. Juston Osborne, Katheryn Grayson, Kyle Fowlkes, Jessica Cox, Kaity Byrum, John-Harwood Scott, Ashley Johnson, Samantha Hockman, Emily Staskiel, Nancy Macdonald, R. Kruger Bressin, Benjamin P. Bilodeau, Andrea Irby, Kristin Macquarrie, Sarah Bietsch, Elizabeth Bednar

Incite: The Journal of Undergraduate Scholarship

Please note that part of pages 92-95 are redacted, in the digital copy, due to a misprint of the original printed article.

Introduction from Dean Dr. Charles Ross

The Internal Other: Transculturation and Postcolonial Magical Realism in Rushdie’s Midnight’s Children by Matt Szemborski

Photography by Phillip Van Ness

Photography “Waterfall” by Sarah Croughwell

Romancing the Bite: Statistical Analysis of Young Adult Vampire Novels by Sarah Mayfield

Photography by Alyssa Strackbein

Photography by Marley Kimmel

Wine and Society in the Viceroyalty of Peru by Stephanie Skipp

Analysis of Claud Monet’s Impression, Sunrise by Jamie Yurasits

Exploring Meaning: The Lindisfarne Gospels by …


The Barzakh Of Flamenco: Tracing The Spirituality, Locality And Musicality Of Flamenco From South Of The Strait Of Gibraltar, Tania Flores Oct 2011

The Barzakh Of Flamenco: Tracing The Spirituality, Locality And Musicality Of Flamenco From South Of The Strait Of Gibraltar, Tania Flores

Independent Study Project (ISP) Collection

Flamenco performance – which scholars often describe in terms of the three dimensions of cante, or singing, baile, or dance, and toque, or instrumentation – is a complex synthesis of cultural influences across several centuries. In discussing the evolution of flamenco, scholars typically begin with the history of the gitanos, the subgroup of the Romani or Gypsy people that settled in Spain. Drawing upon a large body of ethnographic, historic and scientific evidence, scholars agree that the gitanos originated in the northwestern regions of contemporary India and

Pakistan – specifically, Rajasthan and the Punjab region (Iovita 275; …


Tokoyo: A Story Of Cultural Movement, Melissa Jessel May 2011

Tokoyo: A Story Of Cultural Movement, Melissa Jessel

Renée Crown University Honors Thesis Projects - All

Tokoyo: A Story of Cultural Movement is an exploration of Japanese culture through performance. The piece incorporates stylized, ritualistic, and contemporary movement. The device used to portray our research was a folk tale told solely through physical expression. Music by Japanese composers and projections of the country supported the movement and helped to tell the story of the culture.

We were deep into our research when we embarked on our trip to Japan to observe the specificity of the culture in everyday life and performance. Everything that we read, watched, and took part in manifested itself in the final presentation. …


When You Got It, Bump It: A Lost Showgirl’S Cabaret, Mary Claire King May 2011

When You Got It, Bump It: A Lost Showgirl’S Cabaret, Mary Claire King

Renée Crown University Honors Thesis Projects - All

For my Capstone project, I developed an original cabaret entitled “When You Got It, Bump It: A Lost Showgirl’s Cabaret.” The story follows Mazeppa, the lost showgirl, as she travels the vaudeville “circuit” in an attempt to regain her fame. I portray this leading character, while two other women portray her friends and co-stars. All three characters are based on perhaps some of the most famous showgirls on Broadway, Mazeppa, Tessie Tura and Electra of the 1959 musical, Gypsy.

I performed the cabaret twice, on the evenings of April 2nd and 3rd, at the First Unitarian …


Healthy Performance Practice For Male Barbershop Singers, Jacob K. Bartlett May 2011

Healthy Performance Practice For Male Barbershop Singers, Jacob K. Bartlett

Glenn Korff School of Music: Dissertations, Theses, Student Creative Work, and Performances

Barbershop singing is a hobby enjoyed by hundreds of thousands of men and women across the world. We attend conventions, shows, competitions, and educational outreach programs each year at our own expense to preserve a style we truly love.

Most singers of the style are amateur musicians. This constitutes somewhat of a challenge when we consider the need for healthy singing in light of certain assumptions about the vocal technique required of the barbershop style. Most do their best to make a healthy sound but end up doing more harm than good to their own voices after a lengthy rehearsal. …


Shanghai Quartet, Mozart Quartet K. 465 Dissonance, Bartok Quartet No. 6, Office Of Arts + Cultural Programming, Peak Performances At Montclair State University Apr 2011

Shanghai Quartet, Mozart Quartet K. 465 Dissonance, Bartok Quartet No. 6, Office Of Arts + Cultural Programming, Peak Performances At Montclair State University

2010-2011 PEAK Explores the Answer: Experiments in Arts & Technology

How does the forgotten become the familiar? A ll you need to do is hear the work of English composer Frank Bridge (1879–1941). Bridge wrote beguiling music— Novelletten great example is a —that suf fered a loss of public as a result of World War II but is now having a deserved resurgence. Bridge mentored many artists, most notably Benjamin Britten. This stellar program includes Mozart’s Quartet K. 465 “Dissonance” and Bartok’s Quartet no. 6.


Ua68 Arts & Letters :The Magazine Of Potter College At Western Kentucky University, Sally Ray, Editor-In-Chief, David Lee, Dean Apr 2011

Ua68 Arts & Letters :The Magazine Of Potter College At Western Kentucky University, Sally Ray, Editor-In-Chief, David Lee, Dean

PCAL Publications

No abstract provided.


Cinderella, Theatre Arts & Music Departments, March 2011, Carrie D. Applegate Mar 2011

Cinderella, Theatre Arts & Music Departments, March 2011, Carrie D. Applegate

Department of Theatre Arts Programs (UP 620)

Play Program for Theatre Arts Department and Music Department production of Rodgers & Hammerstein's Cinderella. Performed in the Morrison Center for the Performing Arts, March 2011. Program design by Carrie Applegate


Pink Jacket 2011, Students Of Risd, Risd Archives Feb 2011

Pink Jacket 2011, Students Of Risd, Risd Archives

All Student Newspapers

Pink Jacket was a single issue student publication published in 2011 in both print and online formats. It features MFA student musings, artwork, and creative writing.


Beauty And The Beast, Murray State University Jan 2011

Beauty And The Beast, Murray State University

Campus Lights

No abstract provided.


Preperations On A Graduate Viola Recital, Julia Gutierrez Jan 2011

Preperations On A Graduate Viola Recital, Julia Gutierrez

Open Access Theses & Dissertations

The intention of this paper is to discuss three works of the viola repertoire and their specific performance practices and musical aspects. The paper discusses the historical background of the pieces, harmonic and form structure, and suggested performance practices for each work.


The Performance Production Process Of An Outstanding High School Choir, Kathy K. Rolsten Jan 2011

The Performance Production Process Of An Outstanding High School Choir, Kathy K. Rolsten

USF Tampa Graduate Theses and Dissertations

Despite the interest in and importance of producing high quality choral performance, the question "How is superior performance produced?" has not been addressed in a holistic and naturalistic way. A synthesis of previous research findings suggests that a combination of actions, interactions, relationships, and conditions produce superior choral performance. Yet a holistic examination of this multi-faceted production process has not been conducted. In order to identify all factors contributing to the production of superior performance and how these factors work together, I comprehensively examined an extreme case of superior performance. This extreme case of superior performance was one high school, …


Ua68/17/1 Potter College Of Arts & Letters Theatre & Dance Publications, Wku Archives Dec 2010

Ua68/17/1 Potter College Of Arts & Letters Theatre & Dance Publications, Wku Archives

WKU Archives Collection Inventories

Publications created by the department of Theatre & Dance including theatrical posters and programs, a newsletter, brochures, and more.


Silence: Exploring Salvatore Sciarrino’S Style Through L’Opera Per Flauto, Megan R. Lanz Dec 2010

Silence: Exploring Salvatore Sciarrino’S Style Through L’Opera Per Flauto, Megan R. Lanz

UNLV Theses, Dissertations, Professional Papers, and Capstones

The purpose of this paper is to examine the works in Salvatore Sciarrino’s (b. 1947) collection L’opera per flauto written for solo flute and to examine Sciarrino’s compositional style, focusing on his characteristic markings, creative sonorities, and other pertinent facts about pieces in the collection. The first chapter in this paper discusses the value of silence in music and how Sciarrino provides the illusion of perceived silence. Chapter Two discusses elements of Sciarrino’s compositional style and the presence of complex notation. The final chapter provides flutists with a technical guide to the seven pieces in his L’opera per flauto collection. …


The 25th Annual Putnam County Spelling Bee, School Of Theatre And Dance, School Of Music Oct 2010

The 25th Annual Putnam County Spelling Bee, School Of Theatre And Dance, School Of Music

Programs - Theatre, Dance, and Film

Productions took place October 7-9 and 12-16 at 7:30 pm; October 10 at 2 pm


Design Collaboration As A Tool For Developing Diversity In The Work Place, Rees E. E. Shad Jul 2010

Design Collaboration As A Tool For Developing Diversity In The Work Place, Rees E. E. Shad

Publications and Research

Without a doubt the modern workplace is one made up of numerous working professionals graced with an array of varied abilities who work in tandem to meet a common goal. In this article the author recounts his personal journey to embracing the collaborative process and how he has honed and developed the skill set into an important element of design curriculum in order to prepare students for this fundamental market paradigm.


Passing For Black: Coon Songs And The Performance Of Race, Patricia R. Schroeder Jun 2010

Passing For Black: Coon Songs And The Performance Of Race, Patricia R. Schroeder

English and Creative Writing Faculty Publications

No abstract provided.


Incidental Music: Enhancing The Emotional Experience Of The Audience, Daniel Edward Nelson May 2010

Incidental Music: Enhancing The Emotional Experience Of The Audience, Daniel Edward Nelson

UNLV Theses, Dissertations, Professional Papers, and Capstones

Environmental psychologists, like Robert Gifford who study transactions between individuals and their physical settings, maintain that as an individual's environment is changed, the environment also changes his/her behavior and experience. (Gifford, 2002) Like other segments of a theatrical setting, manipulation of the environment can enhance or constrain a broad range of audience actions from traditional theatre audiences to shoppers in a mall or guests at a wedding. Physical elements, as well as other ambient factors such as lighting, color, and quality of materials, set design, music, fragrance, and room temperature are a sample of the dramatic elements used to orchestrate …


Volume 03, Cheryl Peck, Charles Hoever, Longwood Theater Department, Brittany Anderson, J. Ervin Sheldon, Richard Hayden, Yuri Calustro, Candice Fleming, Rebecca Franklin, Ashley Yocum, Danielle M. Jagoda, Cristina M. Valdivieso, Jameka Jones, Amy Ellis, Ashley Maser, Erikk Shupp, Jamie Yurasits, Joshua Davis, Alexander Leonhart, Kenny Wolfe, Sally Meadows, J. Haley, Amy Jackson, Morgan Howard, Adrienne Heinbaugh, Melissa Dorton, Ciarra Stalker Apr 2010

Volume 03, Cheryl Peck, Charles Hoever, Longwood Theater Department, Brittany Anderson, J. Ervin Sheldon, Richard Hayden, Yuri Calustro, Candice Fleming, Rebecca Franklin, Ashley Yocum, Danielle M. Jagoda, Cristina M. Valdivieso, Jameka Jones, Amy Ellis, Ashley Maser, Erikk Shupp, Jamie Yurasits, Joshua Davis, Alexander Leonhart, Kenny Wolfe, Sally Meadows, J. Haley, Amy Jackson, Morgan Howard, Adrienne Heinbaugh, Melissa Dorton, Ciarra Stalker

Incite: The Journal of Undergraduate Scholarship

Introduction from Dean Dr. Charles Ross

Little Shop of Horrors by Longwood Theater Department

Who Has the Hottest Hotsauce in Farmville: A Quantitative Comparison of Sauces from Local Restaurants by Cheryl Peck and Charles Hoever

Precipitation Effects on the Growth of White Oaks and Virginia Pines on the Mt. Vernon Plantation by Brittany Anderson

Design and Synthesis of Novel Ion Binding Molecules for Self-Assembly and Sensing Applications by J. Ervin Sheldon

A Statistical Analysis of Algorithms for Playing SameGame by Richard Hayden

Intersecting Cylinders at Arbitrary Angles by Yuri Calustro

Putting a Foot in the Revolving Door: Strategies for Reducing …


Real Americans Mean Much More: Race, Ethnicity, And Authenticity In Belasco's Girl Of The Golden West And Puccini's La Fanciulla Del West, Linda B. Fairtile Jan 2010

Real Americans Mean Much More: Race, Ethnicity, And Authenticity In Belasco's Girl Of The Golden West And Puccini's La Fanciulla Del West, Linda B. Fairtile

University Libraries Faculty and Staff Publications

Conceived by Belasco and filtered through Puccini, the characters in La fanciulla del West exhibit a diversity that is unusual even for an opera with an exotic setting: Mexicans, Australians, and European-Americans of various backgrounds reinvent themselves in a new land of seemingly endless possibilities, while the area's native inhabitants struggle to survive. California's multi-cultural population as understood by Belasco, by his Broadway audience, and by Puccini and his operatic audience create compound layers of difference that both focus and obscure the racial and ethnic hierarchies that played out in the 1840s and 50s. This article will begin to untangle …