Music Commons^™

Country Music In The Northeast: Two Careers, Joseph Ruff

Masters Theses & Specialist Projects

Although country music and its antecedents have received attention primarily as cultural phenomena of the South, the past twenty years have witnessed a growing scholarly interest in the interplay between commercial country music, vernacular components. and performers within a regional context. The commercial product which has now attained worldwide appeal undoubtedly sustains a significant relationship to the folkways and regional identity of the South; nonetheless, performers and vernacular styles from other areas of the country have contributed to the development of country music. Most important. many areas outside of the South maintain local traditions of country music entertainment. In this …

Offense Perceived, Appropriate Actions And Possible Solutions: A Research Of Censorship, Sharon K. Van Poolen

Masters Theses

Students at Western Michigan University were asked via a survey to read lyrics and indicate an offensiveness rating. Lyrics containing vulgar or sexual language or derogatory statements about religion received higher offensive ratings. Actions deemed acceptable in response to offensive lyrics include picketing and boycotting. Prevalent themes identified in the lyrics are antagonism toward religion, sexism and unhealthy sexual relations. Groups cited most frequently as potentially harmed by lyrics are children 5-12, adolescents and women. Respondents were questioned about participation in certain activities and what alternatives to direct censorship are acceptable. Most would prefer to be involved indirectly, for example, …

The Use Of Music Therapy To Influence The Self-Confidence And Hostility Of Adolescents Who Are Sexually Abused, Joy Clendenon-Wallen

Masters Theses

The purpose of this study was to determine whether music therapy would be an effective therapeutic medium for reducing hostility and increasing the self-confidence of sexually abused adolescents. The study utilized an experimental and control group which is unique in the sexual abuse literature. Most studies are descriptive or quasi-experimental in nature. Some of the subjects increased their self-confidence and decreased their hostility although no statistical significance was achieved for either group. This study describes the treatment problems of sexually abused adolescents and offers examples of non-confrontational and goal directed treatment strategies which can be achieved through music therapy. Music …

[Review Of] The Guinness Encyclopedia Of Popular Music, Robert A. Aken

Library Faculty and Staff Publications

No abstract provided.

Iso Classical Pronunciation Guide 1992 & 1993, Sheridan Stormes

Scholarship and Professional Work

Pronunciation guides used by the Indianapolis Symphony Orchestra staff to insure accurate pronunciation of composer’s and performer’s names as well as those of certain compositions.

Graduate Bulletin, 1993-1995, Moorhead State University

Graduate Bulletins (Catalogs)

No abstract provided.

Memory Biases In Left Versus Right Implied Motion, Andrea R. Halpern, Michael H. Kelly

Faculty Journal Articles

People remember moving objects as having moved farther along in their path of motion than is actually the case; this is known as representational momentum (RM). Some authors have argued that RM is an internalization of environmental properties such as physical momentum and gravity. Five experiments demonstrated that a similar memory bias could not have been learned from the environment. For right-handed Ss, objects apparently moving to the right engendered a larger memory bias in the direction of motion than did those moving to the left. This effect, clearly not derived from real-world lateral asymmetries, was relatively insensitive to changes …

Women's Communication In Country Music, Heather Elizabeth Yarbrough

Masters Theses

The lyrical content of female performed country songs was evaluated in this study. Female soloist performer's songs ranking in the top hits of each year between 1950 and 1989 were examined. After indepth research into the history of country music and the female role in country music, several songs performed by females and listed as hits between the years 1950 and 1989 were analyzed. The characteristic found in most female songs was relationships with men and family and how women react to the positive and negative aspects of these relationship.

[Review Of] Soul Music A-Z, Robert A. Aken

Library Faculty and Staff Publications

No abstract provided.

[Review Of] Fire Music: A Bibliography Of The New Jazz, 1959-1990, Robert A. Aken

Library Faculty and Staff Publications

No abstract provided.

Representing African Music, Kofi Agawu

Publications and Research

Of all the currents of change that have swept the humanities during the last half-century, the most far-reaching revolve around language. Philosophy, history, and literary criticism, among other language-based disciplines, have developed what is often presented as a largely unprecedented self-consciousness about representation. The message to scholars in nonlanguage-based disciplines is clear: to be taken seriously, one can no longer view language as a transparent window to an objective reality but must confront the foundational political and ideological baggage of the medium itself, as well as its constant slippage in the hands of the producer.

Contemporary Christian Music: Where Rock Meets Religion, Jay R. Howard

Scholarship and Professional Work - LAS

...In the midst of this controversial relationship between rock music and religious messages, and as a response to a feeling of being "locked out" of the secular music industry, there has been a burgeoning Christian recording industry using rock music, known as Contemporary Christian Music (CCM). CCM involves the pairing of a Gospel message or Christian worldview with popular forms of rock music...

[Review Of] Biographies Of Creative Artists: An Annotated Bibliography, Robert A. Aken

Library Faculty and Staff Publications

No abstract provided.

Effects Of Music As A Conditioned Stimulus And Progressive Muscle Relaxation In Reducing Anxiety, Marie Elaine Clarkson

Masters Theses

The primary purpose of this study was to determine whether music could become a conditioned stimulus for lowered muscle tension and/or reduced anxiety.

There were three groups: (1) the PMR group receiving PMR alone, (2) the MUS group receiving music alone, and (3) the PMRM group receiving PMR followed by music. After four training sessions, a posttest was conducted in which all of the groups were given five minutes to relax. The PMR group had silence, the MUS group had music and the PMRM group had music which had previously been heard after relaxation training. Tension and anxiety reduction were …

[Review Of] Lissauer's Encyclopedia Of Popular Music In America: 1888 To The Present, Robert A. Aken

Library Faculty and Staff Publications

No abstract provided.

Vol. 14 No. 2 (1991): Pacific Studies Full Issue, The Jonathan Nāpela Center For Hawaiian And Pacific Islands Studies

Pacific Studies

Pacific Studies is published two times a year by The Jonathan Nāpela Center for Hawaiian and Pacific Studies, Brigham Young University Hawai‘i #1979, 55–220 Kulanui Street, Lāʻie, Hawai‘i 96762, but responsibility for opinions expressed in the articles rests with the authors alone. Subscription rate is US$40.00 yearly, payable to The Jonathan Nāpela Center for Hawaiian and Pacific Studies. The Jonathan Nāpela Center for Hawaiian and Pacific Studies (formerly The Pacific Institute) is an organization funded by Brigham Young University Hawai‘i. The Center assists the University in meeting its cultural and educational goals by undertaking a program of teaching, research, and …

Contributors: Vol 14 No. 2, The Jonathan Nāpela Center For Hawaiian And Pacific Islands Studies

Pacific Studies

Contributors list of Vol. 14 (1991): Pacific Studies Full Issue 2

Books Received And Book Notices, The Jonathan Nāpela Center For Hawaiian And Pacific Islands Studies

Pacific Studies

Book Listing for the Vol 6, No 1 Fall Edition of the Pacific Studies Journal

Vol. 14 No. 2 (1991): Pacific Studies Front Matter, The Jonathan Nāpela Center For Hawaiian And Pacific Islands Studies

Pacific Studies

Pacific Studies is published two times a year by The Jonathan Nāpela Center for Hawaiian and Pacific Studies, Brigham Young University Hawai‘i #1979, 55–220 Kulanui Street, Lāʻie, Hawai‘i 96762, but responsibility for opinions expressed in the articles rests with the authors alone. Subscription rate is US$40.00 yearly, payable to The Jonathan Nāpela Center for Hawaiian and Pacific Studies. The Jonathan Nāpela Center for Hawaiian and Pacific Studies (formerly The Pacific Institute) is an organization funded by Brigham Young University Hawai‘i. The Center assists the University in meeting its cultural and educational goals by undertaking a program of teaching, research, and …

[Review Of] Every Little Thing: The Definitive Guide To Beatles Recording Variations, Rare Mixes & Other Musical Oddities, 1958-1986, Robert A. Aken

Library Faculty and Staff Publications

No abstract provided.

[Review Of] Gigging: The Musician's Underground Touring Directory, Robert A. Aken

Library Faculty and Staff Publications

No abstract provided.

[Review Of] Percussion Discography: An International Compilation Of Solo And Chamber Percussion Music, Robert A. Aken

Library Faculty and Staff Publications

No abstract provided.

Vol. 14 No. 1 (1990): Pacific Studies Full Issue, The Jonathan Nāpela Center For Hawaiian And Pacific Islands Studies

Pacific Studies

Pacific Studies is published two times a year by The Jonathan Nāpela Center for Hawaiian and Pacific Studies, Brigham Young University Hawai‘i #1979, 55–220 Kulanui Street, Lāʻie, Hawai‘i 96762, but responsibility for opinions expressed in the articles rests with the authors alone. Subscription rate is US$40.00 yearly, payable to The Jonathan Nāpela Center for Hawaiian and Pacific Studies. The Jonathan Nāpela Center for Hawaiian and Pacific Studies (formerly The Pacific Institute) is an organization funded by Brigham Young University Hawai‘i. The Center assists the University in meeting its cultural and educational goals by undertaking a program of teaching, research, and …

Contributors: Vol 14 No. 1, The Jonathan Nāpela Center For Hawaiian And Pacific Islands Studies

Pacific Studies

Contributors list of Vol. 14 (1990): Pacific Studies Full Issue 1

Books Received And Book Notices, The Jonathan Nāpela Center For Hawaiian And Pacific Islands Studies

Pacific Studies

Book Listing for the Vol 14, No 1 Edition of the Pacific Studies Journal

Vol. 14 No. 1 (1990): Pacific Studies Front Matter, The Jonathan Nāpela Center For Hawaiian And Pacific Islands Studies

Pacific Studies

Pacific Studies is published two times a year by The Jonathan Nāpela Center for Hawaiian and Pacific Studies, Brigham Young University Hawai‘i #1979, 55–220 Kulanui Street, Lāʻie, Hawai‘i 96762, but responsibility for opinions expressed in the articles rests with the authors alone. Subscription rate is US$40.00 yearly, payable to The Jonathan Nāpela Center for Hawaiian and Pacific Studies. The Jonathan Nāpela Center for Hawaiian and Pacific Studies (formerly The Pacific Institute) is an organization funded by Brigham Young University Hawai‘i. The Center assists the University in meeting its cultural and educational goals by undertaking a program of teaching, research, and …

Vol. 13 No. 3 (1990): Pacific Studies Full Issue, The Jonathan Nāpela Center For Hawaiian And Pacific Islands Studies

Pacific Studies

Pacific Studies is published two times a year by The Jonathan Nāpela Center for Hawaiian and Pacific Studies, Brigham Young University Hawai‘i #1979, 55–220 Kulanui Street, Lāʻie, Hawai‘i 96762, but responsibility for opinions expressed in the articles rests with the authors alone. Subscription rate is US$40.00 yearly, payable to The Jonathan Nāpela Center for Hawaiian and Pacific Studies. The Jonathan Nāpela Center for Hawaiian and Pacific Studies (formerly The Pacific Institute) is an organization funded by Brigham Young University Hawai‘i. The Center assists the University in meeting its cultural and educational goals by undertaking a program of teaching, research, and …

Vol. 13 No. 3 (1990): Pacific Studies Front Matter, The Jonathan Nāpela Center For Hawaiian And Pacific Islands Studies

Pacific Studies

Pacific Studies is published two times a year by The Jonathan Nāpela Center for Hawaiian and Pacific Studies, Brigham Young University Hawai‘i #1979, 55–220 Kulanui Street, Lāʻie, Hawai‘i 96762, but responsibility for opinions expressed in the articles rests with the authors alone. Subscription rate is US$40.00 yearly, payable to The Jonathan Nāpela Center for Hawaiian and Pacific Studies. The Jonathan Nāpela Center for Hawaiian and Pacific Studies (formerly The Pacific Institute) is an organization funded by Brigham Young University Hawai‘i. The Center assists the University in meeting its cultural and educational goals by undertaking a program of teaching, research, and …

Contributors: Vol 13 No. 3, The Jonathan Nāpela Center For Hawaiian And Pacific Islands Studies

Pacific Studies

Contributors list of Vol. 13 (1990): Pacific Studies Full Issue 3

[Review Of] The Decca Hillbilly Discography, 1927-1945, Robert A. Aken

Library Faculty and Staff Publications

No abstract provided.