Music Commons^™

Politics And Country Music: Analyzing Why Country Music Is Associated With The Political Right, Christa Noe

Musicology and Ethnomusicology: Student Scholarship

The general perception that country music aligns itself with the political right is perhaps most exemplified by the songs, “Courtesy of the Red, White, and Blue (The Angry American)” by Toby Keith and “Okie from Muskogee” by Merle Haggard. Both songs speak of patriotic values that are traditionally associated with that side of politics. However, At the same time, some country songs, particularly older music, align more with the political left, such as “Man in Black” by Johnny Cash and “9 to 5” by Dolly Parton. Nadine Hubbs (2014) has shown how country music is often associated with the poor …

Depaul Digest

DePaul Magazine

College of Education Professor Jason Goulah fosters hope, happiness and global citizenship through DePaul’s Institute for Daisaku Ikeda Studies in Education. Associate Journalism Professor Jill Hopke shares how to talk about climate change. News briefs from DePaul’s 10 colleges and schools: Occupational Therapy Standardized Patient Program, Financial Planning Certificate program, Business Education in Technology and Analytics Hub, Racial Justice Initiative, Teacher Quality Partnership grant, Intimate Partner Violence and Brain Injury collaboration, School of Music Career Closet, Sports Photojournalism course, DePaul Migration Collaborative’s Solutions Lab, Inclusive Screenwriting courses. New appointments: School of Music Dean John Milbauer, College of Education Dean Jennifer …

The Scholarship Of Rock Music: Knowledge Mapping Through Bibliography, Monica Berger

Publications and Research

Scholarship on rock and popular music has grown dramatically in volume and methodological variety and complexity including extensive use of interdisciplinary approaches. There currently is no comprehensive resource for scholars and educators to explore monographic scholarly literature on rock. I will showcase a new annotated bibliography, with a focus on disciplinarity and methodology, which provides a lens into how this scholarly discourse has evolved. This bibliography also makes visible broader trends regarding research topics in rock and popular music. This project will be a resource to academics and other authors, faculty designing and updating curricula, and librarians interested in building …

Componiendo El Núcleo: Una Exploración De La Bomba Y La Identidad Afroecuatoriana En El Valle De Chota, Ethan Guok

Independent Study Project (ISP) Collection

Este proyecto se centra en la bomba, una tradición musical y de danza afroecuatoriana que se practica en el valle del Chota, situado entre las provincias de Imbabura y Carchi, pero también más ampliamente en el Territorio Ancestral que comprende el valle del Chota, La Concepción, Salinas y Guallupe. Históricamente y en la actualidad, la bomba ha desempeñado un papel importante en la creación de comunidad y la preservación de la identidad cultural afrochoteña, y el conocimiento de cómo tocar la bomba se ha transmitido intergeneracionalmente a través de la tradición oral. Sin embargo, como tradición negra y oral, la …

(Alte)Rnative Realities In Ghana; An Africanfuturist Travelogue Into The World Buildings Of Contemporary Ghanaian Female Alte Musicians, Agasarokeza Natasha Naomi

Independent Study Project (ISP) Collection

In this research paper, I will use Africanfuturism as a lens through which I explore Ghanaian female alte musicians’ contributions to the growing Africanfuturistic imaginaries. Overall, this research aims to contribute to the growing body of knowledge on Ghanaian female Alte musicians and highlight their significance in shaping alternative realities. I will employ a qualitative research methodology, including interviews with two Ghanaian female alte musicians, and content analysis of their music videos, lyrics, and musical productions. By delving into their personal experiences and artistic expressions, the paper seeks to uncover how these artists challenge traditional gender roles, explore cultural identities, …

"Being Able To Play For A Wider Audience": Student Musician Perspectives On Performing In The Library, Gisele Schierhorst, Christine Fena

Library Faculty Publications

In the United States, the library-as-concert-space has a substantial history and has been a way for libraries of all types to build partnerships and create community, while providing free, educational, and shared experiences for patrons. Less discussed, however, is the impact that informal concerts have on student musicians who perform in academic library spaces. Conventionally, student musicians perform well-rehearsed repertoire in recital halls for an audience that consists of their peers, teachers, family, and friends. These formal performances are often part of the required academic curriculum for music majors. There is little opportunity, however, for them to experience what it …

The Bereaved Songwriters' Project, Laura A. Figueroa

Doctor of Education (Ed.D)

The purpose of this quantitative, quasi-experimental study was to evaluate bereaved individuals’ responses to a reflective songwriting program intervention (RSPI). The purposive and convenient sample included 30 bereaved adults who were members of the teaching staff at a private, Christian, K-12 school in the southeastern United States and/or past or present members of the church with which the school was affiliated. The researcher developed a simple and succinct RSPI in which study participants were prompted to create an original musical piece using personal reflections, memories, and descriptions in song form to commemorate a deceased loved one. The Warwick-Edinburgh Mental Well-being …

Preparing Future Leaders In The Arts Through The Community Arts Engagement Certificate Program: What I Learned From Teaching The First Introductory Seminar, Sharon Davis Gratto

Research and Reflection on Learning and Teaching in Higher Education

The University of Dayton’s Community Arts Engagement certificate program was recently launched with the teaching of its first introductory seminar. The program and this course were conceived to be broader in scope for arts majors than the more familiar arts administration minor program. Several of the outcomes of the seminar—both those planned and those unforeseen—can be informative in thinking more expansively about experiential learning and community collaboration in arts education or other disciplines. This article represents a narrative description of the program and its introductory seminar and a personal reflection after teaching the seminar for the first time.

Audible Futures: Scenes Of Sonic Encounter In Cold War Kurdistan, 1923–2023, Nicholas S. Glastonbury

Dissertations, Theses, and Capstone Projects

This dissertation examines a century of cultural politics in Kurdistan, from 1923 to 2023, and it does so from a relatively marginal vantage point in most histories of Kurdistan: that of the Soviet Caucasus. It takes as its primary object the cultural and political itineraries of sonic media and listening in Kurdistan, from Soviet Kurdish radio broadcasting and pirated cassettes to postsocialist archives, DJ booths, and streaming music. These itineraries map not only the emergence and circulation of Kurdish notions of tradition, heritage, and cultural memory, but also the methods of counterinsurgency deployed by the states that occupy Kurdistan. In …

User Education, Z. Sylvia Yang, Angela Pratesi

Library Faculty Publications

You notice the flashing notification in the corner of your screen.

Click: Claim Chat.
Chat00568: Hi! I’m writing a paper about Black representation in opera and trying to find a copy of Fire Shut Up in My Bones. I tried googling but wasn’t able to find it. Do you know where I can find a copy?
Music Librarian: What a great topic! One moment while I search for that.
Furiously searches all of the standard places for a new opera score. Fire Shut Up in My Bones is too new to be commercially available but it …

Exploring The Experiences Of Black, Brown, Indigenous, And People Of Color In High School Concert Bands And Orchestral Ensembles, Matthew J. Smith

Doctor of Education Program Dissertations

The traditional concert band/orchestra model in many public high schools often passively presents content regarding Black, Indigenous, and People of Color (BIPOC). BIPOC students in these ensembles bring a wealth of experience from their communities. Meanwhile, BIPOC face barriers including invalidation and a diminished sense of representation in these ensembles. This qualitative investigation explored how BIPOC students in a public 9-12 high school district experienced social, pedagogical, curricular practices in their school’s concert band/orchestra. Guided by critical race theory and culturally responsive pedagogy, and employing interpretive phenomenological analysis, this study addressed the lack of inclusivity and representation experienced by BIPOC …

Creating Information-Literate Musicians In The Academic Library, Z. Sylvia Yang, Jessica M. Abbazio, Angela L. Pratesi

Library Faculty Publications

For musicians, the act of creation is multifaceted: musicians perform, analyze, write, speak, and teach in highly collaborative and diverse environments. Information-literate musicians require training to understand and engage with the myriad kinds of content and materials inherent to the contemplation, study, creation, and enjoyment of music.

The various information needs of musicians requires creators to make many choices--from selecting a particular score edition or recording from many similar options, to employing a specific scholarly or pedagogical methodology to their work, musicians require the skills to critically evaluate information and determine its usefulness. Music’s ubiquity adds a further layer of …

Why Not Be Free: The Black Worldmaking Praxis, Research Method, & Manifesto For Developing Music Interventions Against Stress In Black Youth, Armond Epps Dorsey

Dartmouth College Master’s Theses

Why Not Be Free? is an interdisciplinary exploration of music intervention development demonstrating the application of my integrated research and artistic practices through an outlined antiracist method for designing music to reduce stress in Black college youth and a manifesto detailing the compositional process. I draw from Black feminist and womanist thought, music cognition, and public health literature to outline a framework for designing music interventions to reduce stress among Black populations: the Music Medicine Critical Race Praxis. I situate my work among Black speculative artists reimagining experiences in everyday Black life as well as music intervention researchers integrating …

Journey, Movement, Affect And Rhythm: Migration Through North Indian Folk Songs, Sangeeta Gupta, Shambhavi Gupta

International Journal on Responsibility

This paper captures the lived experiences and affect associated with migration, through the folk songs of North India. While migration is usually studied as a larger demographic movement involving temporary or permanent displacement and departure, our project captures the pain and apprehension it entails. We have tried to retrieve the vital connection between gender and migration through an analysis of folk songs about the experiences of women. These songs passed down as a part of the oral tradition, articulate how a woman engages and interacts with migration – both due to her marriage and also when her husband leaves home …

Eloquentia Perfecta: Performing Public Speaking To Enhance Scientific Presentation Skills Of Pharmacy Students, Marta J. Brooks, Trudi Wright

Jesuit Higher Education: A Journal

The Jesuits know the importance of words and their delivery, both on the page and orally, which is why they place heavy emphasis on “perfect eloquence,” or eloquentia perfecta. It was in the spirit of the adjustment of words with a “sensitivity to patients’ needs” that inspired a performance class of public speaking within the graduate pharmacy curriculum at Regis University. The courses described herein are part of the core curriculum within the School of Pharmacy. They place emphasis on not only understanding the science of what the students are communicating, but how they communicate this information. Students are …

Stop Not Writing Songs: Using Time And Collaboration To Overcome Self-Doubt, Imposter Syndrome, And Writer's Block, Carley Baer

University Honors Theses

The inner critic is a common foe within creative disciplines, and with it comes a host of internal obstacles such as anxiety, self-doubt, imposter syndrome, writer’s block, and more, that cause stress and conspire to keep artists from realizing their full creative potential. In this paper, I utilize research methods as well as self-reflection to consider how songwriters can implement the external constraints of time and collaboration to get around internal obstacles and introduce more freedom into the creative process. I examine the strategies of quantity over quality, maintaining an improv mindset, and amending expectations to explain how the inner …

Living The Dream- A Rhetorical Analysis Into The Morgan Wallen Racial Slur Scandal Through William Benoit’S Image Reconstruction Theory, Dylan Joseph Singletary

Masters Theses

Public figures often find themselves in controversies that result in a damaged image. In the field of communication image repair is conducted as a form of crisis communication. William Benoit’s image repair theory views image repair through specific strategies which are mortification, corrective action, denial, evasion of responsibility, and reducing offensiveness. Benoit’s image repair strategies can be found through country music star Morgan Wallen’s rhetoric in his attempts at image repair through the four artifacts. Results of the rhetorical analysis of the artifacts show that image repair strategies work better for certain situations. Benoit’s image theory is supported by Wallen’s …

The Music Of Democratic Kampuchea: Revolution Songs As Public Pedagogy, Anissa Jade Lesh

Masters Theses

The Communist Party of Kampuchea (CPK) which ruled Cambodia from 1975 to 1979 utilized a variety of methods to ensure control over the country and its people. Among these methods were the creation and dissemination of revolutionary songs which extolled the virtues of the CPK, instilled fear, and provided explicit instructions on how to serve the Ângka (the organization). While scholars unanimously recognize the use of music as public pedagogy during the regime, there are very few works which explore the songs, their lyrics, or how the music itself reflected their intended sociopolitical purpose. Through the transcription, translation, and analysis …

Examining The Use Of Expressive Arts Therapies In Neurorehabilitation Treatment Planning, Rebecca J. Horner

Expressive Therapies Capstone Theses

Those undergoing neurorehabilitation after stroke and traumatic brain injury report a diminished sense of overall wellness. This paper examines the conceivable benefits of introducing expressive arts therapies, which is the therapeutic use and combination of the visual arts, movement, drama, music, writing and other intermodal creative processes, into physical therapy and neurorehabilitation treatment planning. Expressive arts therapies have the capacity to engage with an individual’s physical, emotional, social and spiritual states concurrently. They simultaneously offer the ability to promote an increased sense of well-being, address mind-body disconnects, and process trauma non-verbally.

The sections of this narrative literature review focus on …

Jewish Wordless Singing In Music Therapy And Burnout Prevention With Outpatient Mental Health Clinicians, Elizabeth Zinn

Expressive Therapies Capstone Theses

Existing literature has shown a rise in burnout levels for mental health clinicians, especially in light of the recent and ongoing COVID-19 pandemic. This capstone project focused on understanding how Jewish wordless melodies (niggunim) may be used as a technique in group singing in music therapy as a strategy for preventing clinician burnout. Research has demonstrated that music therapy techniques may be beneficial in addressing the causes and components of burnout though there is minimal research on the use of niggunim in music therapy, and none on the use of niggunim to prevent burnout. A single-session niggunim-based intervention was …

How Sensory Exploration Using Expressive Arts Provides A Cohesive Experience For Children With Multiple Diagnoses, Chanelle Goguen

Expressive Therapies Capstone Theses

This thesis looks at the potential benefits and cohesive experience of sensory exploration for children with multiple diagnoses through a trauma informed lens. The researcher was inspired by Prendiville’s (2021) idea of how interactive sensory exploration and art making can help foster and develop reciprocal communication and socio-affective relationships influenced the researcher to design a method that would be used to collect data about potential similar findings. In the method, the interaction of the sensory-specific art mediums were reflected through the expressive therapies continuum (ETC) framework. The research of this thesis acknowledges and explores how trauma and adverse childhood experiences …

Talking Heads, Fear Of Music, And The "Different Thinking" Of David Byrne, John Bruni

Ought: The Journal of Autistic Culture

This article proposes that the 2006 post on the website of David Byrne, the vocalist/guitarist of Talking Heads, announcing his self-diagnosis as an autistic person, invites a reappraisal of the band’s discography, especially Fear of Music (1979), which foregrounds his lyrical approach. Fear of Music, I suggest, relies on “autistic misdirections” that illustrate Byrne’s “different thinking” about his body, mind, communicative (in)ability, and relationship to physical spaces – all prominent and productive areas of exploration within critical autism studies.

“Different thinking” is taken from the 2020 memoir of Chris Frantz, the drummer of Talking Heads, in describing, retroactively, how …

Du Undergraduate Showcase: Research, Scholarship, And Creative Works, Caitlyn Aldersea, Justin Bravo, Sam Allen, Anna Block, Connor Block, Emma Buechler, Maria De Los Angeles Bustillos, Arianna Carlson, William Christensen, Olivia Kachulis, Noah Craver, Kate Dillon, Muskan Fatima, Angel Fernandes, Emma Finch, Colleen Cassidy, Amy Fishman, Andrea Francis, Stacia Fritz, Simran Gill, Emma Gries, Rylie Hansen, Shannon Powers, Jacqueline Martinez, Zachary Harker, Ashley Hasty, Mykaela Tanino-Springsteen, Kathleen Hopps, Adelaide Kerenick, Colin Kleckner, Ci Koehring, Elijah Kruger, Braden Krumholz, Maddie Leake, Lyneé Alves, Seraphina Loukas, Yatzari Lozano Vazquez, Haley Maki, Emily Martinez, Sierra Mckinney, Audrey Mitchell, Kipling Newman, Audrey Ng, Megan Lucyshyn, Andrew Nguyen, Stevie Ostman, Casandra Pearson, Alexandra Penney, Julia Gielczynski, Tyler Ball, Anna Rini, Christina Rorres, Simon Ruland, Helayna Schafer, Emma Sellers, Sarah Schuller, Claire Shaver, Kevin Summers, Isabella Shaw, Madison Sinar, Claudia Pena, Apshara Siwakoti, Carter Sorensen, Madi Sousa, Anna Sparling, Alexandra Revier, Brandon Thierry, Dylan Tyree, Maggie Williams, Lauren Wols

DU Undergraduate Research Journal Archive

DU Undergraduate Showcase: Research, Scholarship, and Creative Works

Hearing Idir In Bouïra, Hugh Roberts

Journal of Amazigh Studies

N/A

Farida Aït Ferroukh, Kateb Yacine Et Debza Au Cœur Du Printemps Berbère, Mestafa G'Idir

Journal of Amazigh Studies

N/A

Osmosis: Asymmetries In Telematic Performance, Matthias Ziegler

Journal of Network Music and Arts

For the 2022 edition of the NowNet Arts Conference on October 31st, the telematic research team of the Zurich University of the Arts (ZHdK) presented a project entitled OSMOSIS. OSMOSIS was a concert event, highlighting how telematically connected spaces always confront each other asymmetrically. Their telematic connection is part of a continuous space in which information is fragmented and selectively reassembled. Like the biochemical process of osmosis in which molecules diffuse across a cell membrane from one level of concentration to another, in telematic connections certain elements such as sound, physicality, movement, and empathy are diffused across spaces, each being …

Synthesis: Works Of Sarah Weaver And Collaborations (2020-2022), Sarah Weaver

Journal of Network Music and Arts

Synthesis Series is a set of contemplative contemporary network arts works for solo, chamber, and large ensemble performance. The works are my compositions and collaborations from the years 2020 to 2022. The concept of synthesis is conceived as an activation of synchrony. Synthesis Series follows my prior works in Synchrony Series and Source Series as sequences of compositions since 1998 proliferating into a networked system of artistic realization. In Synchrony Series I defined synchrony as the perceptual alignment of distributed time and space components. Synthesis builds on this to activate the alignment as a networked state of composite resultants, networked …

Distributed Networks Of Listening And Sounding: 20 Years Of Telematic Musicking, Doug Van Nort

Journal of Network Music and Arts

This paper traces a twenty-year arc of my performance and compositional practice in the medium of telematic music, focusing on a distinct approach to fostering interdependence and emergence through the integration of listening strategies, electroacoustic improvisation, pre-composed structures, blended real/virtual acoustics, networked mutual-influence, shared signal transformations, gesture-concepts and machine agencies. Communities of collaboration and exchange over this time period are discussed, which span both pre- and post-pandemic approaches to the medium that range from metaphors of immersion and dispersion to diffraction.

An Overview Of Immersive Virtual Reality Music Experiences In Online Platforms, Ben Loveridge

Journal of Network Music and Arts

As the field of Virtual Reality (VR) continues to mature, so too does the potential for creative and immersive musical experiences in the medium. However, of the thousands of applications now available across the major VR platforms, only a small number of titles focus on the ability to create or explore musical content. This article outlines the current state of music games, experiences, and creative applications across the current VR ecosystem. Firstly, it surveys the quantity of commercial titles currently available across the major VR platforms with a music-related focus. Secondly, the article classifies music applications into the following subcategories: …

Musical Time In Network Interaction: The Case Of Unfinished Line, Silvio Ferraz, William Teixeira

Journal of Network Music and Arts

Considering recent world events, art and music could not be unmoved by the dramatic turn of directions in both the way people relate and the place of technology in their lives. An ongoing project of both the authors in writing a new piece for cello and Disklavier operated by interactions in real-time gave place to a new kind of composition, mixing written music to improvisation and replacing real-time for something we are calling remote time. This paper presents such walking of resilience, first reviewing some relevant points of view about musical interaction in real-time and the importance of synchrony for …