Music Commons^™

Moiselle Renstrom, Myrna J. Layton

Faculty Publications

Katherine Moiselle Renstrom (June 23, 1889 – September 28, 1956) was a Utah educator, author, lyricist and composer of music for children.

Newel Kay Brown, Myrna J. Layton

Faculty Publications

Newel Kay Brown (February 29, 1932 – ) is an American composer, conductor, and arranger. He was chair of the Composition Division in the College of Music at the University of North Texas before his retirement.

Marie Manwaring Anderson, Myrna J. Layton

Faculty Publications

Teresa Marie Manwaring Anderson (July 8, 1913 – February 23, 2002) was an Idaho composer, pianist, music teacher and choral director.

Georgia Mae Wahlin Bello, Myrna J. Layton

Faculty Publications

Georgia Mae Wahlin Bello (February 13, 1924 – November 5, 2007) was an accomplished vocalist and pianist who was also a “one hit wonder” composer.

Earl C. Hazelle, Myrna J. Layton

Faculty Publications

Earl Charles Hazelle (February 1, 1906 – November 22, 1993) was a pianist, organist, accordionist and a composer of music for all three instruments as well as vocal music. He was also an accomplished painter in oils. Hazelle taught both music and art lessons for many years.

Edwin F. Parry, Myrna J. Layton

Faculty Publications

Edwin Francis Parry (June 11, 1860 – September 16, 1935) was a Utah typesetter, printer and writer who also loved music. He sang, played the organ and piano, wrote song lyrics and composed many songs and hymns.

Irene (Christopherson) Tempest, Myrna J. Layton

Faculty Publications

Irene Ellen Nelson Christopherson Tempest (January 19, 1904 – February 9, 1988) was a Utah pianist, organist and composer.

Maurine Dewsnup, Myrna J. Layton

Faculty Publications

Grace Maurine Dewsnup (February 8, 1909 – February 1, 1998) was a Utah piano soloist, dance accompanist, composer, music theorist and teacher.

Marie Nelson Bennett, Myrna J. Layton

Faculty Publications

Marie Nelson Bennett (June 15, 1926 – November 18, 2018) was an American composer.

Frances K. Thomassen Taylor, Myrna J. Layton

Faculty Publications

Frances Eliza Warren Kingsbury Thomassen Taylor (January 21, 1870 – November 17, 1952) was an organist, composer and member of the General Board of the Primary Associations.

Mildred Tanner Pettit, Myrna J. Layton

Faculty Publications

Laura Mildred Tanner Pettit (August 9, 1895 – April 9, 1977) is best known as the composer of the iconic Primary song, I am a Child of God. Much of the music composed by Sister Pettit was aimed at children and can be found in various publications of the Primary Association of the Church of Jesus Christ of Latter-day Saints. However, Sister Pettit wrote dance music and operettas which were performed widely. She sometimes choreographed and directed the productions as well.

Between Sound And Theology: Timbral Performativity In Brazilian Religious Musicking, Marcell Silva Steuernagel

Yale Journal of Music & Religion

This article explores the performativity of timbre, summarizing key perspectives from the English-language scholarship on the topic and setting them in conversation with Latin American perspectives on timbre. In addition, it examines a performance of “500 Graus” (500 degrees), a song performed by Brazilian Pentecostal artists Cassiane and Shirley Carvalhaes, to demonstrate how the performativity of timbre unfolds within a particular expression of Latin American religious musicking. In doing so, it investigates the phenomenon of timbre between music and sound studies, and theology and church music studies, providing insights relevant to the study of timbre and the study of religious …

Timbre — A Transcendent Paradox?, Eugenia Siegel Conte

Yale Journal of Music & Religion

Timbre, as ethnomusicologist Cornelia Fales writes, is “paradoxical” precisely because it is one of the most exacting processes in which the human body may sense and comprehend the source of a sound even as that comprehended sound is impossible to describe outside of metaphor or comparison. As one of the more recognizable qualities of sound but the most difficult to describe, timbre allows us to consider physical/emotional (affective) experiences of sound as a key aspect of faith and meditation. In this article, I examine physical-affective intersections of faith and meditation that often are key to praxes of worship, and show …

Singing A Wide Heart: Timbre And Sung Prayer In Senegal’S Layène Community, Margaret L. Rowley

Yale Journal of Music & Religion

Layène sung prayer (called sikkar) is embedded within the religious practices of the Layène community, a minority Sufi order in Dakar, Senegal. This article explores the functions of Layène sung prayer, focusing especially on its loud, vibrational timbre. Both men and women vocalists in call-and-response sing loudly, using wide vibrato and electronic amplification to ensure that the sikkar reaches the inhabitants—both human and non-human—in the surrounding community. This article demonstrates that the distinctive timbre of Layène sung prayer serves the spiritual functions of binding the community together in spiritual and social cohesion, increasing individual and collective generosity, and demarcating …

Live Wires: The Angelus Temple And The Timbre Of Power, Catherine Provenzano

Yale Journal of Music & Religion

This article is a media history and contemporary case study of The Angelus Temple in Los Angeles, founded by Aimee Semple McPherson in 1923. My analysis of the Angelus insists upon the centrality of a hyperaudible paradigm of worship that uses media to maximize the legibility of a Christian message, and, more than this, imagines that media itself as a living soul in need of redemption. Many contemporary megachurches employ savvy applications of sound and sound transmission as instruments of belonging as well as action, and these rely on high-budget investments in church infrastructure, software and personnel. I argue that …

Performing "Manly" Worship Music: Gender And Timbre At Mars Hill Church, Maren Haynes Marchesini

Yale Journal of Music & Religion

Ten years ago, Mars Hill boasted fifteen campuses and 15,000 members. Amid mounting allegations of abuse and mismanagement leveled against founding pastor Mark Driscoll, the church famously collapsed, closing its doors at the end of 2014. Driscoll had built Mars Hill’s core brand around his opposition to the perceived feminization of the Christian mainstream, and appointing himself the “leader of a heterosexual male backlash” in the church and broader culture. While Driscoll’s muscular Christianity stands in a wide historical stream, Mars Hill long led the charge in establishing a youth-oriented, hipster brand of hypermasculine Calvinism. And while rhetoric and theology …

From The Heaviest, Dirtiest Depths To The Washy Ambient Clouds: Guitar Timbre In/As Schismogenesis In North American Christianity, Joshua K. Busman, Nathan Myrick

Yale Journal of Music & Religion

This essay argues that within the socio-cultural context of North American Christianity, the timbral qualities of electric guitar, with its long lineage as a site of cultural values conflict and identity negotiation, serves a theological function in the emerging and cohering sonority of digital worship. Using as comparative case studies the timbral qualities of delay and ambience as promoted and sold by Worship Tutorials as representing normative sonic values for these Christians, on the one hand, and the dialectic and schismatic deployment of distortion by the band My Epic on the other, we suggest that these timbral qualities become important …

Sounds Like 'Saudade': Eschatological Echoes In Brazilian 'Gospel' Music, Fernando Berwig Silva

Yale Journal of Music & Religion

This paper analyzes the song “Saudade” by the Brazilian gospel singer Stella Laura. In the song, I argue that Stella Laura uses Brazilian timbral markers from the Sertanejo and Gospel Brazilian music genres to articulate a unique perspective on eschatology, one that is based on the affective structure of the Lusophone word ‘saudade.’ Furthermore, I contend that the song, rooted in the Brazilian nostalgic sertanejo music tradition, leans on stylistic and timbral tools to communicate the idea of saudade from heaven. Beyond lyrics that feature theological notions of origin, identity, and nostalgia, Stella Laura’s song employs timbral, poetic, …

Means Of Evangelization In The Catholic Church Through Music, Patrice Metcalf

Masters Theses

There are numerous resources for Catholic churches today to encourage a congregation’s full involvement in musical participation, but there is little guidance or information on how these practices help with evangelization. The evangelization process is essential to the healthy growth of the church on Earth and for the salvation of believers. Musical resources give an eclectic variety of music, all of which is methodically written by its composers. After the COVID-19 pandemic, many church choirs have struggled to return, with some churches abandoning the use of large choirs and opting for a single soloist to lead the congregation. This leads …

Identifying Aspects Of Musical Diversity That Engender Multigenerational Worship In Select Baptist Churches: A Case Study, Megan Scruggs Hollifield

Doctoral Dissertations and Projects

Multigenerational worship through the avenue of musical diversity in the Baptist church is the focus of this case study. This study aims to identify critical components of musical diversity, emphasizing song selection as a key element of liturgy within corporate worship. The research undertakes an observational analysis of the relationship between musical diversity through liturgy and congregational engagement of all generations. Five Baptist churches were selected to be studied to categorize the similarities and differences in the area of multigenerational worship. The case study research model provided a variety of data collection methods through research observations, online questionaries and in-person …

Differentiation In Artistic Expressions Of Worship: A Study Of The Front Royal Church Of The Nazarene, Stephanie L. Blakely

Masters Theses

While music is globally recognized as a common tool for expressing worship in both academia and the evangelical church, it is not the only art form mentioned in the Bible regarding acts of worship. The Council of Arts Accrediting Associations recognizes four main disciplines of fine and performing arts, including Music, Art and Design, Theatre, and Dance; however, in the twenty-first century evangelical church, music takes precedence as the main expression of worship. This qualitative study will gain insight into the pursuit and understanding of utilizing various art forms as expressions of biblical worship in modern-day worship settings within the …

Ruth Gatrell, Myrna J. Layton

Faculty Publications

Ruth Josephine Barton was born on December 23, 1921, in Farmington, Utah. Her parents were Lloyd and Edna (Cottrell) Barton. When the Bartons married, Edna already had a five-year-old daughter, Helen, from a previous marriage. Ruth was the first of two children born to Edna’s second marriage. The family was living in Mount Pleasant, Utah, but returned to the home of Edna’s father, Edward Cottrell, for the birth of the baby. She was named Ruth for the biblical heroine, and Josephine because she shared a birthday with the prophet Joseph Smith. A younger sister, Laura Jean, joined the family in …

Peggy Clinger, Myrna J. Layton

Faculty Publications

Catherine Peggy Clinger (January 11, 1949 – August 9, 1975) was an American singer, voice actress and composer.

N. Lorenzo Mitchell, Myrna J. Layton

Faculty Publications

Nephi Lorenzo Mitchell (May 4, 1889 – November 9, 1968) was a pianist, organist, music teacher and composer, whose life and work took place in three countries: England, Canada and the United States. Mitchell was named the Aaronic Priesthood Music Director for the Church of Jesus Christ of Latter-day Saints in 1945, and was the director of the McCune School of Music and Art from 1950-1957. He served on the General Music Committee of the Church from 1938-1968.

Vanja Y. Watkins, Myrna J. Layton

Faculty Publications

Vanja Louise Yorgason was born on September 22, 1938 in Ogden, Utah, the daughter of R. Milton and Norma Johns Yorgason. Vanja grew up in a musical home. Her father was a violinist, and her mother a pianist and an organist. Vanja and her four brothers learned to “sing four-part hymns in tune unaccompanied.”1 Their parents felt that music was an important part of their children’s education, and made the necessary sacrifices to provide music lessons.

Spiritual Music As A Factor Of Religious Identity In Ukrainian Orthodoxy, Oleh Sokolovskyi, Maksym Melnychuk, Sviatoslav Melnychuk

Occasional Papers on Religion in Eastern Europe

This scholarly article explores current challenges and spiritual-cultural trends arising in the context of historical events and civilizational transformations experienced by modern Ukraine. The study focuses on the revival of authentic traditions of sacred musical art within Ukrainian Orthodoxy, regarded as one of the fundamental factors in the formation of national identity. Within an interdisciplinary approach that combines religious studies, philosophy, art history, and cultural studies, the research analyzes the musical sacredness as a phenomenon of numinous experience imbued with transcendental meaning and cathartic energy. It is established that the spiritual music of the Orthodox tradition functions as a form …

Dragon Guitars And Sexy Zombies: Tracing The Meta-Motion Of The Naga Motif In Northeast Thailand, Aaron Michael Stanley

Dartmouth College Master’s Theses

Abstract

This thesis traces the evolving symbolism of the Naga motif (a mythic water serpent) in Northeast Thailand through a framework I call meta-motion, which maps symbolic persistence of this cultural signifier and boundary marker across four cultural horizons—animist (Z), Hindu–Khmer (B), Buddhist (A), and modern/global (C). Like electrons in quantum super position, symbolic motifs circulate as overlapping “waves” of potential meaning and are concretized into cultural “particles” only when recruited for specific ritual, commercial, or political purposes. I add a bookend extension to Chang’s Hindu-Buddhist (B/A) typology with the addition of Horizons Z and C in order to make …

Voice Of My People: An Expression Of Welcome And Liturgical Justice For Afrodiasporic People In North American Catholicism, Marvand Roger Holland Ii

Doctor of Pastoral Music Projects and Theses

Music has always been central to the lives of Black people. The Black religious experience is even more profound when expressed through music. It is therefore no happenstance that music is of great import as pertains to the spiritual lives of Black people, including Black Catholics. Faith is expressed through culture. It is through culture that the faith is realized and known. In this, is the essence of inculturation.

Anscar Chupungco states that if not inculturated, the liturgy of the local Church will remain at the periphery of people’s cultural experience. For this reason, it is imperative that Afrodiasporic music …

Music, Poetry And Identity In Badakshan, Tajikistan: Singing And Sounding Community, Chorshanbe Goibnazarov

Music & Performance in Muslim Contexts

An illuminating account of Ismaili music, spiritual poetry and social change in Badakhshan.

In the riverine valleys of the Pamir Mountains of Tajik Badakhshan, a thriving millennium-old community of Nizari Ismaili Muslims created a unique spiritual culture in which the performance of music and poetry plays a central role. This book focuses on the central musical and poetic tradition of the Pamiri Ismailis, qasīda-khonī (also known as maddo), tracing its origins, evolution, delocalisation and relocation.

This book introduces readers to leading performers of qasīda-khonī and to the Ismaili gnosis that inspires its music and poetry.

• Based on six …

Living Heritage, Resilience And Ethically Informed Infrastructures In Malawi, Martha B. Lerski, Frank Puluputu Mwale

Publications and Research

Rooted in a rural community’s needs, this paper explores how historically, and ethically informed infrastructures can support community engagement towards identification, documentation, and dissemination of local, traditional, and indigenous knowledge relating to climate change. The paper examines climate adaptation and sustainability issues through the lenses of community organizing and Library & Information Science best practices. It draws on a growing body of literature identifying a role for expanded epistemological and subject discipline perspectives. While the impacts of climate on material culture are increasingly recognized, intangible, and biocultural heritage have not received as much attention. Living heritage traditions and knowledge systems …