Music Commons^™

Cf Album, Transcriptions, And Analyses, Collin Felter

Honors Scholars Collaborative Projects

CF is an album of Collin Felter original compositions with a focus on creating a more approachable form of jazz harmony. To further the accessibility of the music, Felter has transcribed and analyzed his compositions for the listeners to theoretically understand what they are aurally experiencing. Included is the transcriptions/analysis document along with a link to the recordings of the album (can be found on all music streaming platforms).

“Because We Are Catholic”: Music As A Bridge Between Identities Within The Catholic Community Of South India, Johnathan Theodore Travis Rhodes

Electronic Theses and Dissertations

In this thesis, I argue that the music of the Catholic Church of South India, which draws from Indian and Western music genres, functions as a cultural bridge allowing the worshiper to express a distinctively Catholic identity without distancing themselves from their Hindu roots. This cultural connection reinterprets Karnatak musical styles, practices, and traditions as distinctively Catholic rather than Indian or Hindu. Thus, Indian cultures are recontextualized within a Catholic paradigm, as these practices are regarded as Catholic regardless of their historical, cultural, or religious origin. These identities, Indian and Catholic, are not in tension with one another, but instead, …

Determining The Composition, Joe Bennett, Sean M. O'Connor

Faculty Works

This chapter explores the interpretation of a musical work in the context of changes to songwriters’ creative behaviors, driven by changes in composing technologies. It argues that in the 21st century, a musical work (MW) is fully embodied in a phonorecording, and that single, artificially isolated elements (such as melodic fragments) should be considered de minimis for the purposes of copyright infringement litigation. This view is evidenced by the self-reported creative activities of more than 200 songwriting teams, taken from the popular podcast Song Exploder. Three detailed case studies are provided from this collection, all based on songwriting teams using …

Ancient Mesopotamian Music, The Politics Of Reconstruction, And Extreme Early Music, Samuel N. Dorf

Books and Book Chapters by University of Dayton Faculty

I write this piece primarily as a musicologist and amateur early music practitioner (viola da gamba player) who tries to understand the ways twentieth- and twenty-first century musicians and scholars have imagined and performed ancient music and dance. This essay emerged from my book project Performing Antiquity: Ancient Greek Music and Dance from Paris to Delphi, 1890-1935 and brings my training as a historical musicologist and dance historian to bear on issues typically of concern to archaeologists, classicists, and linguists.

While working on that book, I kept running across a number of individuals working now who are deeply engaged in …

Richard Dyer's Star Theory Applied To Musician/Actress: Lady Gaga, Allora R. Lee

Capstone Showcase

Richard Dyer’s Stars and general studies analyze the unusual phenomena surrounding influential film stars and their unmitigated power to compel and amaze those outside of the spotlight. His studies separate the theory into three intermingling parts: stars as a social phenomenon, stars as images, and stars as signs. There are many components in Dyer’s studies that can be extracted and used in analyses of particular actors and actresses. However, this does not solely revolve around film stars. In this analysis, I will be examining the famous pop music icon and recent actress, Lady Gaga. Through an analysis of her style, …

The Sounds Of Being "Un-American": Embodied Cultural Trauma Within Japanese American Musical Worlds, Kyle Przybylski

Electronic Theses and Dissertations

WWII saw the forced removal of around 120,000 Japanese Americans to concentration camps across the United States. Despite being incarcerated in often unforgiving social, political, and physical environments, many incarcerees developed means of continuing Japanese cultural traditions and music. Since that time, former incarcerees have largely avoided detailed discussion of their experiences of imprisonment, and as such, there is little information to determine what kind of impact incarceration had on their individual and collective musical worlds.

This thesis explores transgenerational cultural trauma using the incarceree experiences of the Granada Relocation Center (a National Historic Landmark) in southern Colorado. The cultural …

Exercises In Developing Bebop Scale Language For Collegiate Jazz Students, Lars Swanson

Graduate Theses, Dissertations, and Problem Reports (ETD)

In this document, major, dominant and minor bebop scales are introduced and engaged through a series of etudes for C instruments, Alto Sax, Tenor Sax, Trumpet, Trombone and Bass. The methodology used is derived from a series of private lessons in which bebop scales were introduced and then engaged over chord progressions. Backing tracks are utilized and linked.

The Roman Catholic Ordinary Mass From Circa 1750 To Circa 1820: A Selected Bibliography, Letícia Gabriele Grützmann Januario

Graduate Theses, Dissertations, and Problem Reports (ETD)

Orchestrated masses from the 18th century and early years of the 19th century provide a valuable source of repertoire for contemporary choral conductors. This project will explore composers and works from circa 1750 to 1820 to provide choral conductors with a list of works suitable for programming based on the practical size of vocal and instrumental forces.

Western choral music was born in a church setting. Among all choral genres, the mass is the only genre composed throughout all eras, from medieval until the 20th century. The mass remained a prominent genre during the 18th century despite the secularizing influence …

The Solo Piano Sonatas Of Cipriani Potter (1792-1871): An Analysis, Reappraisal, And Historical Performance, Jordan Proctor

Theses: Doctorates and Masters

The solo piano sonatas (Op. 1, 3, and 4) of once eminent English pianist/composer Cipriani Potter (1792-1871) are a collection of works that have for the most part fallen into obscurity. Potter produced three such sonatas in his lifetime, each at approximately the same time during his educational trip to Vienna between 1817 and 1818. Potter was much celebrated in his own time as a virtuoso pianist, teacher, and eventual principal at the Royal Academy of Music, and as an editor of the works of Mozart and Beethoven amongst others. This study examines Potter’s sonatas in light of both modern …

"This Is How We Play Destroy": Deconstruction And The Construction Of A Cyborg Future In Poppy's Am I A Girl?, Stevie Eve Sanchez

Dissertations and Theses @ UNI

Internet sensation and pop music star Poppy’s 2018 sophomore album Am I a Girl? stands out in an increasingly oversaturated pop landscape, thanks to evocative imagery, cleverly ambiguous lyrics, and daring genre crossovers that challenge conventions of contemporarypop music. Despite the album’s titular question, Poppy is not interested in being defined—instead, she seeks to transcend definition and exist in the space of questioning.On the album, Poppy explores concepts like gender, class, and consciousness in a way that pushes the boundaries of pop, deconstructing her genre, while also deconstructing the issues she sings about—and offering a vision for a future that …

The Historical And Cultural Influences Of Gagok 가곡 (Korean Art Song): A Musical Guide, Sarah Kim

UNLV Theses, Dissertations, Professional Papers, and Capstones

This document explores what Gagok (Korean Art Song) consists of, the origins and history of it and how one may approach it musically, vocally and interpret it textually. The main questions I answer in this document include: What makes these art songs distinctly Korean? What significance does the role of Eastern Asian history have in order to closely tie the inspiration of writing Gagok? How does the text and music express these important historical events? The answers to these questions are essential to understanding Gagok by analyzing and interpreting the songs also in relation to approach learning them.

The research …

Do It Yourself: Women And Lgbtq+ Musicians And Promoters In The Diy Midwest Music Scene, Morgan W. Matzen

Honors Thesis

In certain parts of the Midwest “DIY,” or the underground/alternative music scene, there is not enough representation of women, people of color and LGBTQ+ individuals in music, whether onstage as a band or musician, or in venue ownership and leadership. This study looks at where these diverse people are, and the setbacks they’ve faced along the way of becoming a musician, promoter or venue owner. Three emerging themes through this journalistic research include all-ages venues and music scenes as integral to getting people involved in music; a “DIY” attitude or ethos as a push for these musicians and promoters to …

Music Retrieval System Using Query-By-Humming, Parth Patel

Master's Projects

Music Information Retrieval (MIR) is a particular research area of great interest because there are various strategies to retrieve music. To retrieve music, it is important to find a similarity between the input query and the matching music. Several solutions have been proposed that are currently being used in the application domain(s) such as Query- by-Example (QBE) which takes a sample of an audio recording playing in the background and retrieves the result. However, there is no efficient approach to solve this problem in a Query-by-Humming (QBH) application. In a Query-by-Humming application, the aim is to retrieve music that is …

Vocal Health Preservation For Teachers Of Music: A Literature Review, Lyndsay Byers, Lisa Vinney Phd Ccc-Slp, Kimberly Adelman Ms Ccc-Slp

Graduate Independent Studies - Communication Sciences and Disorders

This literature review explores research findings regarding risk factors of voice disorders for teachers of music. It summarizes current research regarding personal, environmental, and occupational practices teachers of music can implement to help preserve their voices. This document also reviews literature findings regarding when, where, and how music teachers can seek assistance for voice symptoms.

Praising God Around The World: Christian Worship Music As An Individual And Collective Experience, Divya Putty

Student Scholar Symposium Abstracts and Posters

The artists “Bethel” and “Hillsong” are frequently recognized by Christians living in America. But what about the names “Bridge Music India” or “Sinach”? These names would be most likely unknown in the states but celebrated in India and Nigeria. While each stems from vastly different cultural backgrounds, they all serve the purpose of creating a space for people to connect with God and each other through musical worship. Drawing on four different pieces of worship music and their use in live services, this article analyzes the effects of worship music, specifically their lyrical and musical content, on the individuals participating …

A Stylistic Analysis With Performance Suggestions Of Robert Muczynski’S Selected Late Piano Works: Maverick Pieces, Opus 37, Masks, Opus 40, And Dream Cycle, Opus 44, Ji Hyun Kim

Dissertations

Robert Muczynski (1929-2010) was a composer, pianist, and educator whose work is starting to garner more attention and interest from scholars, performers, and audiences.

Muczynski’s musical output covers a variety of genres from works for solo instruments to orchestral works and film scores. He was especially devoted to writing for piano. This is well represented in his musical output. Among his forty-eight compositions with opus numbers, seventeen works are for solo piano. He also wrote a piano concerto (No.1, Op.7), and twelve chamber works featuring the piano. Although his music has increased in popularity, it is less discussed when compared …

Authenticity And Practicality: Evaluating And Performing Multicultural Choral Music, Jesse Noote

Dissertations

Many choral music educators believe that multicultural music is a vital part of any choral curriculum. However, the research shows that these same choral directors are reluctant to select multicultural octavos because they lack training in non-Western music, which prevents them from effectively teaching and performing this music authentically. The purpose of this dissertation is to equip choral directors with the necessary tools for bridging the gap between desiring to perform and actually performing multicultural octavos.

Six authors have provided authenticity checklists that are designed to help music educators evaluate and perform multicultural music. This research synthesizes those lists to …

An Analysis Of Western Art Music Arrangements For Steel Pan Chamber Ensemble, Ian Meiman

Dissertations

This dissertation is an analysis of western art music arrangements for steel pan chamber ensembles. Specifically, this dissertation will analyze how certain arrangers have adapted western art music for steel pan chamber ensemble while discussing the possible methods the arranger used to create this adaptation. The analysis will observe the melodic, harmonic, rhythmic, and other significant alterations made in the steel pan chamber arrangement, and discuss any changes made, whether due to the adaptation of the instruments or otherwise, from the original works. The dissertation will also include a brief historical discussion on western art music’s influence of early steel …

Aggregation Services And Songwriter Independence, Saxon John Paul Ahern

Capstone Projects and Master's Theses

Digital download aggregation services are the modern songwriter’s greatest ally and independent record labels’ newest competition. Digital download aggregators like CDBaby, Distrokid, Tunecore, and Awal have made releasing an album for online distribution far easier than before. Many aggregators are affordable and also provide many services to the songwriter that historically involved employing additional middlemen.

Like distribution, the mastering stage of production has evolved. Mastering music can now be done through online services independently and on a very tight budget. Automated mastering services like LANDR and iZotope will be briefly discussed in section three, as well as additional options for …

The Impact Of Bridge Program Participation On The Academic Success And Retention Of Freshman Music Majors, Allie Celeste Prest

LSU Doctoral Dissertations

The bridge program for incoming music majors at Louisiana State University, run by the School of Music, is a program in its sixth year of existence (2014-2019). The program is a 5 day pre-college orientation that seeks to “bridge the gaps” for incoming music majors through a variety of programming, including sessions on note taking and lectures (given by current music faculty), peer-led integration sessions, financial and time-management workshops presented by university staff, and panels with alumni and community arts leaders. This program was developed as a departmental response to the call to increase the academic success and retention of …

Fluids In Music: The Mathematics Of Pan’S Flutes, Bogdan Nita, Sajan Ramanathan

Department of Mathematics Faculty Scholarship and Creative Works

We discuss the mathematics behind the Pan’s flute. We analyze how the sound is created, the relationship between the notes that the pipes produce, their frequencies and the length of the pipes. We find an equation which models the curve that appears at the bottom of any Pan’s flute due to the different pipe lengths.

Does Spotify Really Hurt Artists?, Daniel Witt

Marriott Student Review

For years, members of the music industry have debated whether music streaming services like Spotify help or hurt artists. This article explores the pros and cons of music streaming and argues that overall, Spotify and services like it are helping artists to achieve their career goals.

Curation And Independent Record Shops, Lee Ann Fullington

Publications and Research

No abstract provided.

All Access: A Backstage Pass To A Collaborative, Undergraduate Music Journal, Michele Gibney, Keith Hatschek, Nicole Wasnock

Conservatory of Music Faculty Presentations

The number of currently publishing, student run music journals can be counted on one hand. And of those, only half are for undergraduates. At University of the Pacific, the Conservatory of Music started a music industry analysis and opinion journal in 2018. Edited and written by undergraduate students, Backstage Pass has published two issues totaling 47 papers. The benefits of journal writing, editing, publishing and hosting are numerous from many different stakeholder points of view. The collaborative effort is shared between the University Libraries (hosts the institutional repository where the journal is published and offers technical support) and the Conservatory …

Vinyl As Event: Record Store Day And The Value-Vibrant Matter Nexus, Eliot Bates

Publications and Research

Why would anyone purchase expensive, natural resource-intensive, and seemingly obsolete material carriers of music when streaming providers provide unlimited access to over 40 million songs for a small monthly fee? As I will show, we can no longer assume that contemporary interest is driven solely by a collector’s market or because of the audible qualities of the vinyl listening experience, and must attend to the many ways people engage with record objects today – and by extension, the vinyl record as an ontological multiple. Through an analysis of Record Store Day 2015 and affiliated phenomena including YouTube unboxing videos, other …

Contents Page

Sound Scripts

No abstract provided.

From The Phenomenal Sublime To Critical Play: Sonic Approaches To Engagement At The 13th Totally Huge New Music Festival, Jonathan W. Marshall

Sound Scripts

The thirteen Tura Totally Huge Festival of New Music was held in Perth, 19-29 Oct 2017. The Festival included numerous performances, residencies and workshops, as well as the Totally Huge New Music Festival Conference, 26 Oct 2017. The following article provides a critical overview of key performances within the Festival. The 2017 Festival was particularly notable for immersive works which offered what one might call phenomenal experiences, particularly Michael Pisaro’s A Wave and Waves and DCC: Glitch by Kouhei Harada, Mitsuaki Matsumoto and Shohei Sasagawa. A Wave and Waves and DCC: Glitch harnessed the fully embodied and located experience of …

Musical Interpretation In Improvised Human-Machine Performance, Benjamin Carey

Sound Scripts

The development of interactive performance systems is an active area of research in the field of live electronic music. Whilst various models and metaphors of interactivity have been proposed in the literature, the engagement of these systems in improvised performance remains under-researched. This paper explores the notion of musical interpretation in improvised human-machine performance practice from the perspective of a performer-developer. Through a consideration of the notion of the musical text, these creative artefacts and the performance practices they engender are situated within the context of interpretive musical practice. I argue that musical performances with these software systems may be …

Action Music 2 [Score], Erik Griswold

Sound Scripts

Sheet music to Action Music 2

The Semi-Autonomous Rock Music Of The Stones, Darren Jorgensen

Sound Scripts

The Flying Nun record the Dunedin Double (1982) is credited with having identified Dunedin as a place where independent, garage style rock and roll was thriving in the early 1980s. Of the four acts on the double album, The Stones would have the shortest life as a band. Apart from their place on the Dunedin Double, The Stones would only release one 12” EP, Another Disc Another Dollar. This essay looks at the place of this EP in both Dunedin’s history of independent rock and its place in the wider history of rock too. The Stones were at first glance …