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Articles 1561 - 1590 of 2648
Full-Text Articles in Music
Sex And Laughter In Women's Music, 1970-77, Sarah Dougher
Sex And Laughter In Women's Music, 1970-77, Sarah Dougher
University Studies Faculty Publications and Presentations
The women's music movement of the early 1970's was created by and for women who came to political consciousness as a result of the women's liberation movement. The music culture that emerged was originally called "lesbian music", but later gained the less controversial descriptor "women's music". Outside of this music movement music produced during this period rarely made explicit links with emerging feminist consciousness.What differentiated "women's music" from other music made by women of the period was its lesbian focus (in both lyrics and performance contexts). Women's music was created for a lesbian audience to describe lesbian experiences and desires. …
Studies In English Church Music, 1550-1900. (Variorum Collected Studies Series, Cs926) By Nicholas Temperley (Review), Julian Onderdonk
Studies In English Church Music, 1550-1900. (Variorum Collected Studies Series, Cs926) By Nicholas Temperley (Review), Julian Onderdonk
Music Theory, History & Composition Faculty Publications & Performances
No abstract provided.
Douçaine Vivant: The Life, Death, And Resurrection Of A Cylindrical Survivor, Aage Bent Nielsen
Douçaine Vivant: The Life, Death, And Resurrection Of A Cylindrical Survivor, Aage Bent Nielsen
Boise State University Theses and Dissertations
Thirty years ago, ocean archaeologists excavating the sunken wreck of the Tudor flagship the Mary Rose uncovered a “mystery instrument,” later revealed as the only extant douçaine. This exciting discovery catalyzed this work and a new career direction for the author. The douçaine is a cylindrical bored early double reed instrument mentioned frequently in literature and chronicles from the thirteenth to early seventeenth centuries. Unfortunately, none of the known references included a definitive description or iconographical depiction. Despite the emergence of the extant douçaine, relatively little scholarship exists on the instrument. Furthermore, only one contemporary instrument maker uses the extant …
Poldowski Rediscovered, David Mooney
Poldowski Rediscovered, David Mooney
Articles
This is a brief magazine article, commissioned to celebrate the 75th anniversary of the death of Poldowski. It contains a biographical sketch and a description of compositions.
The Features Of The Voice Of African American Tradition: An Analysis Of African American Rhetoric For The Influence Of The Call Response Technique, Laura Venezia
Communication Studies
This project explicates the nature of the rhetorical strategies, especially the call response, used by various African American artists and orators (Frederick Douglass, Martin Luther King Jr., Malcolm X, Grandmaster Flash and the Furious Five, and Public Enemy). The techniques include the interplay of repetition and heightening emotion provided especially through 1. using the “call response” directly, 2. announcing jeremiad warnings and rallying cries, and 3. using potent images to arouse emotions—the objective correlative.
Protest Music Of The Vietnam War: Description And Classification Of Various Protest Songs., Amanda Marie Carr-Wilcoxson
Protest Music Of The Vietnam War: Description And Classification Of Various Protest Songs., Amanda Marie Carr-Wilcoxson
Electronic Theses and Dissertations
The Vietnam War and subsequent protest movement remains one of the most tumultuous times in U.S. history. This thesis is an attempt to define and describe the protest movement as well as the varied popular protest songs that came from this era. Building on a previous study written by Elizabeth Kizer, this thesis creates sub-categories in which the protest music falls into.
The first two chapters of this study help by giving historical context to the songs by describing the Vietnam War and then the protest movement in the U.S. The final chapter then deals with popular protest songs that …
An Analytical And Educational Survey Of Howard Hanson's Dies Natalis For Band, Emily Anne Spradley
An Analytical And Educational Survey Of Howard Hanson's Dies Natalis For Band, Emily Anne Spradley
Theses and Dissertations
The purpose of this thesis is to examine Howard Hanson's composition, Dies Natalis for Band, from both an analytical and an educational perspective. To accomplish this objective, research on Hanson's personal and professional development as a composer, teacher, advocator, and otherwise contributor to the field of music was executed, information on and within Dies Natalis for Band was investigated, and suggestions were made for educational techniques to employ when teaching this composition. The author suggests that more analysis using Hanson's own theoretical system on intervallic relationships may yield additional information on his thought processes in composition. Biographical information on Howard …
An Analytical And Educational Survey Of The Sacred Harp By David Liptak, Joshua Payne Howard
An Analytical And Educational Survey Of The Sacred Harp By David Liptak, Joshua Payne Howard
Theses and Dissertations
This thesis will explore analytical and educational domains of The Sacred Harp by David Liptak. Influenced by the history and compositional techniques of shape note singing, the composition is a tribute to the past and current Sacred Harp singing conventions nationwide and the exuberance expressed within the shape note tradition. The structure and unique style of The Sacred Harp will be examined within the history of shape note singing. Part I of this thesis addresses the history of the Sacred Harp tune book and the shape note singing schools; Part II is a formal analysis of the composition and Part …
Bedford: Sun Paints Rainbows On The Vast Waves - A Historical And Analytical Perspective, Christian Eden Merchant
Bedford: Sun Paints Rainbows On The Vast Waves - A Historical And Analytical Perspective, Christian Eden Merchant
Theses and Dissertations
This thesis will investigate "The Sun Paints Rainbows on the Vast Waves" by David Bedford with consideration given to analysis of the work itself, historical perspectives, and educational conceptions. The work was commissioned by the Huddersfield Festival of Contemporary Music with additional financial assistance provided by the Hinrichsen foundation. Composed between June and August of 1982, this is the first piece by Bedford in the wind band medium. Part I of this written project is a short biographical sketch of the composer, Part II addresses influences on David Bedford's style while simultaneously elaborating on the historical significance of the musical …
The Harper's Legacy: National Airs And Pianoforte Music., Una Hunt
The Harper's Legacy: National Airs And Pianoforte Music., Una Hunt
Articles
No abstract provided.
Response To Rice, Kofi Agawu
Response To Rice, Kofi Agawu
Publications and Research
Timothy Rice is concerned that ethnomusicology—field, discipline, area of study, constellation of diverse musico-intellectual pursuits—has some “serious problems.” It seems that we have either not been reading each other’s work, or not engaging with it sufficiently. Opportunities to develop some “theoretical muscle” have been missed. Specifically, some seventeen articles broaching the favorite theme of music and identity published in this journal between 1982 and 2005 failed to proceed in cumulative fashion. Rice wants to see ethnomusicology “grow in intellectual and explanatory power,” but this will not happen if subsequent writers refuse to engage their predecessors at a theoretical level. A …
Remembering Martin Chusid (1925-2013)
Johannes Brahms & Richard Mühlfeld: Sonata In F Minor For Clarinet & Piano, Op. 120 No. 1, Emily Tyndall
Johannes Brahms & Richard Mühlfeld: Sonata In F Minor For Clarinet & Piano, Op. 120 No. 1, Emily Tyndall
Theses and Dissertations
Johannes Brahms (1883-1897) originally planned to retire from composing after completing his String Quintet in G Major ("Prater"), Op. 111. However, his mind was quickly changed after being inspired by the performances of Meiningen clarinetist Richard Miihlfeld (1859-1907). Brahms enjoyed Miihlfeld's interpretation of the Weber's clarinet works, especially the Quintet, and was impressed by his ability to move easily between the different registers of the instrument. Because of the way Miihlfeld inspired him, Brahms was able to produce the Clarinet Quintet, the Clarinet Trio, and two Clarinet Sonatas, all of which have become a vital part of the instrument's repertoire. …
From The Directors, Linda B. Fairtile, Francesco Izzo
From The Directors, Linda B. Fairtile, Francesco Izzo
Verdi Forum
No abstract provided.
In Memoriam Mary Jane Phillips-Matz (1926-2013), Linda B. Fairtile
In Memoriam Mary Jane Phillips-Matz (1926-2013), Linda B. Fairtile
Verdi Forum
No abstract provided.
La Vida Sexual De Chopin, Antoni Pizà
La Vida Sexual De Chopin, Antoni Pizà
Publications and Research
El protagonista de La nàusea, Antoine Roquentin, té una existència grisa i soporífica a la provinciana i asfixiant ciutat de Bouville. Afortunadament té temps per redactar un diari en el qual anota les poques vicissituds de la seva vida. La falta d'activitats externes es compensa amb temps per reflexionar, rumiar i escriure. Antoine realment no riu sinó que únicament sobre in. Tot i que no li manquen conforts materials, la seva vida no té sentit. Així, anhela una vida amb una existència més plena, una vida que vagi més enllà de l'existència biològica quotidiana.
Music For Trumpet And Cornetto In The Duben Collection, Breanna Michelle Evangelista
Music For Trumpet And Cornetto In The Duben Collection, Breanna Michelle Evangelista
Theses : Honours
This dissertation aims to bring to light, and to categorise, the music for trumpet and cornetto contained in the great manuscript collection at Uppsala University, the so-called Düben collection. The dissertation will divide into four clear sections. After an introductory chapter on the Düben collection itself, chapter two will give an overview of the trumpet and cornetto music contained therein. This chapter - in addition to identifying composers, works and typical genres -will also centre round issues of musical style and of the etymology of instruments. Chapter three will present two unpublished works in a modern critical edition, complete with …
Historically Informed Performance Practice Of The Baroque Era, Amanda Beard
Historically Informed Performance Practice Of The Baroque Era, Amanda Beard
Theses and Dissertations
In recent years, much debate has ensued regarding the level of consideration that should be given to the historical context of musical compositions that were written and performed during the Baroque era, which extends from 1600 to 1750 CE. The question arises as to how closely we should strive to emulate the performance conditions that would have been present during the Baroque era. Robert Donington, an English musicologist and author of two definitive texts on Baroque performance practice, suggests in his Performer's Guide to Baroque Music that we can meet the expectations of the Baroque composers to a greater degree …
The Seventeenth-Century Battaglie For Lute In Italy, Aiden Deasy
The Seventeenth-Century Battaglie For Lute In Italy, Aiden Deasy
Theses : Honours
Italy had been the theatre of war for centuries. Political fragmentation ignited dynastic rivalries, carving out powerful autonomous city-states whose leaders amassed within their courts artists, musicians and writers in order to chronicle their military, religious and political vision. The musical depictions of particular military exploits, or battaglia, became popular springboards for colourful, programmatic compositions. These works were often performed in public in order to garner support for campaigns. Originally a vocal genre whose distant relative can be traced back to the caccia, or hunting song, the battaglie were often transcribed for instruments, in particular the lute, thus …
Letters Of Ralph Vaughan Williams 1895-1958, Edited By Hugh Cobbe (Review), Julian Onderdonk
Letters Of Ralph Vaughan Williams 1895-1958, Edited By Hugh Cobbe (Review), Julian Onderdonk
Music Theory, History & Composition Faculty Publications & Performances
No abstract provided.
Las Ensaladas (Praga, 1581): Con Un Suplemento De Obras Del Género [Music Review], Antoni Pizà
Las Ensaladas (Praga, 1581): Con Un Suplemento De Obras Del Género [Music Review], Antoni Pizà
Publications and Research
This new publication consists of three parts: volume 1 comprises a critical study of the music and its composers; volume 2 is a modern transcription of the Prague publication with a supplement including works by Flecha and other composers; and volume 3 is a box set that includes facsimiles of the extant four partbooks (the newly-discovered tiple, alto, tenor, as well as the already-known baxo; the quintus, still missing, had to be reconstructed for the edition).
The Music Of Jerry Sieg: A Descriptive Catalogue Of His Piano Music And An Analysis Of The Five Miniatures For Piano, Nuria Mariela Royas
The Music Of Jerry Sieg: A Descriptive Catalogue Of His Piano Music And An Analysis Of The Five Miniatures For Piano, Nuria Mariela Royas
Dissertations
The purpose of this study is to present the solo piano music of the American composer Jerry Sieg, whose output includes works for orchestra, voice, opera, chorus, and numerous compositions for solo instruments.
It opens with the biography of the composer, including information concerning bis musical training, followed by a brief survey of his solo piano works. A discussion of his compositional style in his Five Miniatures for Piano, written in 1994 for the American pianist Marian Lee, is also included in this work. The analysis of the Five Miniatures for Piano in Chapter IV presents a detailed analysis of …
A Comparative Analysis Of Roman Palester's Concertino Pour Saxophone Alto Et Orchestre A Cordes, Brian Donald Kauth
A Comparative Analysis Of Roman Palester's Concertino Pour Saxophone Alto Et Orchestre A Cordes, Brian Donald Kauth
Dissertations
The music of Roman Palester (1907-1989) is little known outside his native Poland. Before World War II, he experienced a great deal of musical success, with many of his compositions being performed at prestigious music festivals throughout Europe. Palester completed his one solo work for the saxophone, the Concertino pour Saxophone Alto et Orchestre a Cordes, in 1938, but its scheduled premiere in 1939 never took place due to political tensions on the eve of World War II.
In 1978, Palester revised the work for saxophonist David Pituch, who premiered and recorded this version. A comparison of the original and …
The Contributions Of Axel Jørgensen To The Solo Trombone Repertoire Of Denmark In The Twentieth Century, Andrew H. Converse
The Contributions Of Axel Jørgensen To The Solo Trombone Repertoire Of Denmark In The Twentieth Century, Andrew H. Converse
Glenn Korff School of Music: Dissertations, Theses, Student Creative Work, and Performances
Axel Jørgensen is one of a few Danish composers who has contributed compositions to the solo trombone repertoire that gained an international and lasting reputation in the twentieth century. Jørgensen, like many Danish composers from the first part of the twentieth century, is often overlooked due to the imposing figure of Carl Nielsen. Jørgensen’s compositions, while not overly patriotic, give the trombonist a sense of the Danish Nationalistic Romantic style of the late nineteenth and early twentieth century.
Jørgensen was one of the first composers to write for the emerging slide trombone idiom in Denmark at the beginning of the …
An Analytical And Educational Survey Of Roger Boutry's Métachrome, Kimberly Renée Perkins
An Analytical And Educational Survey Of Roger Boutry's Métachrome, Kimberly Renée Perkins
Theses and Dissertations
This project is an analytical and educational survey of Roger Boutry's Metachrome, a French wind band piece written in 2003. Part I of this project explores the history of modem French music. Part II is an analytical perspective of the composition. Part III presents a teaching approach, including teaching materials such as lesson plans, assignments, and rubrics. Part IV includes student handouts that coincide with the teacher lesson plans. Additional resources for the conductor can be found in the Appendix section.
Conductor's Guide To Mark Camphouse's "To Build A Fire", Amanda L. Kastner
Conductor's Guide To Mark Camphouse's "To Build A Fire", Amanda L. Kastner
Senior Honors Theses
This thesis is a guide to understanding and performing Mark Camphouse’s composition, To Build A Fire. The thesis includes a biography of Jack London and a literary analysis of London’s short story “To Build A Fire,” upon which the composition is based. Musical analysis of the Camphouse composition, rehearsal considerations, and performance considerations are also discussed. The literary analysis provides background for the composition and a starting platform for the musical analysis. The musical analysis parallels the composition with the short story. This analysis also provides some technical considerations of the instrumental parts. The rehearsal considerations include a rehearsal plan, …
Microtonality As An Expressive Device: An Approach For The Contemporary Saxophonist, Seán Mac Erlaine
Microtonality As An Expressive Device: An Approach For The Contemporary Saxophonist, Seán Mac Erlaine
Dissertations
This dissertation provides a critical examination of the use of microtonality as an expressive tool for the improvising saxophonist and offers a new method for quarter-tone production drawing on cultural references from European art music, Arabic Maqam and Contemporary Jazz. The thesis is underpinned by an historical, musicological analysis of tuning systems and theory necessary for the performer of microtonal music. The dissertation is presented in three chapters. In Chapter One, a discussion of tuning theory and a history of temperament systems contextualises the current uses of equal temperament and extensions of it including the quarter-tone tempered system. Chapter Two …
Red Detachment Of Women And The Enterprise Of Making ‘Model’ Music During The Chinese Cultural Revolution, Clare Sher Ling Eng
Red Detachment Of Women And The Enterprise Of Making ‘Model’ Music During The Chinese Cultural Revolution, Clare Sher Ling Eng
Faculty Scholarship
Artworks produced with official sanction during periods marked by turmoil and human suffering are challenging subjects for scholars who would like to discuss them in a fair and responsible manner. If they aestheticize the works’ form and political affiliation, how would they be doing justice to these works whose creation and content are so meshed with the politics of their time? On the other hand, can an approach that takes ideology into account be developed that does not appear to ignore, condone or support the odious acts of violence associated with those periods? This article explores the latter question with …
Re-Envisioning Tragedy: A Comparative Analysis Of Gender And Madness In Three Twentieth-Century Operas, Caolfionn Bhreidé Yenney
Re-Envisioning Tragedy: A Comparative Analysis Of Gender And Madness In Three Twentieth-Century Operas, Caolfionn Bhreidé Yenney
Music Honors Projects
This comparative analysis of three twentieth-century operas - Berg's Wozzeck, Britten's Peter Grimes, and Shostakovich's Lady Macbeth of the Mtsensk District - traces their respective discourses of gender and madness, specifically within the dramatization (musical and otherwise) of their title characters. Of the three, Wozzeck, because it adheres to strict gender roles, has been received most uniformly as a tragedy; by contrast Lady Macbeth is traditionally viewed in terms of satire. I argue that feminist musicological analysis allows for a re-envisioning of all three operas, in which the characters are received as tragic regardless of subverting societally …
Review Of To Live's To Fly: The Ballad Of The Late, Great Townes Van Zandt. By John Kruth A Deeper Blue: The Life And Music Of Townes Van Zandt By Robert Earl Hardy, Chuck Vollan
Great Plains Quarterly (through 2013)
Townes Van Zandt was a founding member of the modern Texas singer-songwriter tradition and influenced or played with everyone from Bob Dylan to Norah Jones. His spare, evocative lyrics, coupled with his beautiful, articulate guitar playing, developed a particularly loyal and eclectic fan base. His songs have been covered most famously by Willie Nelson, Waylon Jennings, and Emmylou Harris, but also by a host of great and lesser-known performers. He was a major influence on the "Outlaw" Country movement.
Van Zandt wrestled with inner demons. His eccentricities, mental illness, and the resulting heavy substance abuse, combined with often poorly produced …