Music Commons^™

Ensemble Concert: Jazz Ensemble I, September 25, 2015, Jonathan Beckett Director

School of Music Programs

Center for the Performing Arts
September 25, 2015
Friday Evening
8:00 p.m.

The Art Of French Melodie: A Manual For Recital Preparation, Kristen Abraham

Honors Theses

This is a documentation of my journey through the research, development and execution of a voice recital, with a focus on the creation of guidelines for how one may achieve success in a future recital. Moving through three phases: Thinking, Doing, and Reflecting, I highlight the important processes required to transition seamlessly through the phases. During the entirety of this project, I kept a journal of each step, documenting everything to maintain the integrity of the process, and organizing the information into sections to make the findings easier to understand, learn, and replicate. My end goal is to produce a …

Graduate Recital: Andy Harnsberger, Percussion; September 24, 2015, Andy Harnsberger Percussion

School of Music Programs

Kemp Recital Hall
September 24, 2015
Thursday Evening
8:00 p.m.

2015-2016 Performance Forum - September 24, 2015, Xiaonan Huang, Sheng Yuan Kuan, Munkhshur Enkhbold, Matthew Calderon, Mozhu Yan, Chen Liang, Zongxi Li, Emily Nichols, Mariana Cisneros, Hallgrimur Hauksson, Kevin Karabell, Guillermo Garcia Cuesta, Robert Williams, Sodienye Finebone

Performance Forum

No abstract provided.

Marshall University Music Department Presents, The Historical Trumpets And Flutes, From The, United States Army Old Guard Fife And Drum Corps, Elizabeth Reed Smith

All Performances

No abstract provided.

Studio Recital: Trombone, September 23, 2015, Mark Babbitt

School of Music Programs

Kemp Recital Hall
/="/">September 23, 2015
/="/">Wednesday Evening
/="/">7:30 p.m.

Authenticity In Music Performance: Evidence From The Singer-Songwriter Community, Jon Littlefield

Atlantic Marketing Association Proceedings

Experiencing music provides a unique lens to study identity. The alienation resulting from increased technological mediation in both music production and consumption might drive consumption (Potter 2010), hence authenticity may be an appealing positioning strategy for marketers. Singer-songwriters, for example, write and perform their own music with minimal technological interference. This represents a direct connection with the musician that we characterize as more historically authentic (Thornton 1996), however this characterization is not universal. In this paper, I seek to gather insight into the myriad expressions of authenticity within the music consumption environment by detailing a study of performance musicians.

David Esleck Trio, Department Of Music, University Of Richmond

Music Department Concert Programs

No abstract provided.

Faculty Recital, Vocal Works Of Samuel Barber, September 20, 2015, Lawrence University

Conservatory of Music Concert Programs

Memorial Chapel

Student Ensemble: Symphony Orchestra Concert, September 20, 2015, Glenn Block Conductor, Amy Gilreath Trumpet

School of Music Programs

Center for the Performing Arts
September 20, 2015
Sunday Evening
7:00 p.m.

Student Ensemble: Choral Showcase, September 20, 2015, Kristin Moroni Director, Mark Grizzard Director, Karyl Carlson Director, Leslie Manfredo Director

School of Music Programs

Center for the Performing Arts
September 20, 2015
Sunday Afternoon
3:00 p.m.

Celebration In Honor Of Patti Thompson And Donna Miller, Setnor School Of Music

Setnor School of Music - Performance Programs

No abstract provided.

Student Recital: Jonathan Tangard, Guitar, Jonathan Tangard

Student Recitals

No abstract provided.

Student Ensemble: Symphonic Winds, September 17, 2015, Martin H. Seggelke Conductor

School of Music Programs

Center for the Performing Arts
Thursday Evening
September 17, 2015
8:00 p.m.

2015-2016 Performance Forum - September 17, 2015, Vijeta Sathyaraj, Alfonso Hernandez, Chance Israel, Anastasia Tonina, John Weisberg, Walker Harnden, Shaquille Southwell, Amalie Wyrick-Flax, Michael Pittman, Sebastian Castellanos, Shaun Murray, Robert Williams, Paul Chinen, Trevor Mansell, Cameron Hewes, Jacqueline Gillette, Mileidy Gonzales, T'Anna Tercero, Hugo Valverde Villalobos, Amy Nickler

Performance Forum

No abstract provided.

Dr. Eugene Rousseau Master Class, September 17, 2015 [Program], University Of Northern Iowa. School Of Music.

Music Recital Programs

Program of a music recital given by faculty, students, or guest artists from the School of Music at the University of Northern Iowa.

Faculty Recital, Kind Of Blue Concert, September 16, 2015, Lawrence University

Conservatory of Music Concert Programs

Harper Hall

Whitcomb Tower Recital Series, Chi Yong Yun

Whitcomb Tower Series 2015-2016

Whitcomb Tower Recital Series

A series of recitals presented by students the 3rd Wednesday of every month.

Skin & Bones, September 16, 2015 [Program], University Of Northern Iowa. School Of Music.

Music Recital Programs

Program of a music recital given by faculty, students, or guest artists from the School of Music at the University of Northern Iowa.

2015-2016 Music For The Mind, Alla Sorokoleova, Anastasia Tonina, Paul Chinen, Walker Harnden, Trevor Mansell, John Weisberg, Jacqueline Gillette, Cameron Hewes, Shaquille Southwell, Amalie Wyrick-Flax, Sebastian Castellanos, Michael Pittman, Mileidy Gonzales, Shaun Murray, T'Anna Tercero, Hugo Valverde Villalobos, Robert Williams, Amy Nickler

Other Seasonal Concerts

No abstract provided.

Tour De France: Cayla Bellamy, Bassoon September 15, 2015 [Program], University Of Northern Iowa. School Of Music.

Music Recital Programs

Program of a music recital given by faculty, students, or guest artists from the School of Music at the University of Northern Iowa.

Student Ensemble: Wind Symphony, September 13, 2015, Martin H. Seggelke Conductor, Daniel Gallagher Isu Concerto Competition Winner

School of Music Programs

Center for the Performing Arts
Sunday Afternoon
September 13, 2015
3:00 p.m.

2015-2016 Performance Forum - September 10, 2015, Yasa Poletaeva, Darren Matias

Performance Forum

No abstract provided.

A Tribute To Kenny Wheeler; Uni School Of Music Faculty, Alumni, And Guest Recital, September 11, 2015 [Program], University Of Northern Iowa. School Of Music.

Music Recital Programs

Program of a music recital given by faculty, students, or guest artists from the School of Music at the University of Northern Iowa.

Randy Grabowski, Trumpet, September 8, 2015 [Program], University Of Northern Iowa. School Of Music.

Music Recital Programs

Program of a music recital given by faculty, students, or guest artists from the School of Music at the University of Northern Iowa.

A Rare Pair Affair, Heather Peyton, Oboe, September 4, 2015 [Program], University Of Northern Iowa. School Of Music.

Music Recital Programs

Program of a music recital given by faculty, students, or guest artists from the School of Music at the University of Northern Iowa.

2015-2016 Performance Forum - September 3, 2015, Anastasia Tonina, Alfonso Hernandez

Performance Forum

No abstract provided.

Alexander Pershounin, Double Bass, September 3, 2015 [Program], University Of Northern Iowa. School Of Music.

Music Recital Programs

Program of a music recital given by faculty, students, or guest artists from the School of Music at the University of Northern Iowa.

Student Recital: Sam Venable, Saxophone, Sam Venable

Student Recitals

No abstract provided.

Singing The Sermon: Where Musicology Meets Homiletics, Emmett G. Price Iii

Yale Journal of Music & Religion

From the beginning of the Christian Church, singing and preaching have served as major tools of communication. In fact, they remain the most utilized methods of articulating and explicating personal and communal theologies across the diverse and expansive expressions of Christianity.

From the life, ministry, and legacy of Jesus Christ through the teachings of the Apostle Paul, the roles and functions of singing and preaching are well known but not well studied as a unit. From the foundational writings of the early Church Fathers through the various theses of the reformers, the acts of singing and preaching have been studied …