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Articles 541 - 570 of 957
Full-Text Articles in Music
Volume 38, Number 06 (June 1920), James Francis Cooke
Volume 38, Number 06 (June 1920), James Francis Cooke
The Etude Magazine: 1883-1957
What Must I Go Through to Become a Prima Donna? (interview with Geraldine Farrar)
More Income for Music Teachers: How and Why One Teacher Made Good at an Increased Price
Count the Cost
Musical Genius Everywhere
Child's First Piano Lesson
How to Get Your First Pupils
Compelling Force in Musical Success (interview with Alberto Jonás)
What Shall I Teach?
Most Simple Way of Teaching Lines and Spaces
Scale Maxims
Hint on Memorizing
New Pianistic Beauties Through New Pedal Effects
Did You Say You Couldn't Memorize Music? Read This!
Taking American Music Seriously
Temperature and Practice
Let the Light Fall Right …
Volume 38, Number 05 (May 1920), James Francis Cooke
Volume 38, Number 05 (May 1920), James Francis Cooke
The Etude Magazine: 1883-1957
New Tendencies in Pianistic Art (interview with Benno Moiseiwitsch)
Note on Interpretation
How to Write Characteristic Music
Some Big Thoughts from a Great Writer
Slow Scales
Don't be Fooled by Fake Memory Systems
Technic versus Interpretation in Piano Study
Those Tiresome Five-Finger Exercises!
Teaching in the Language of Do
What Do You Mean by Musical Expression?
Well-tuned Piano
Start the Fashion of Punctuality
How the Great Masters Practiced
Interest at the Very Beginning
Dictating Music
Mystery of Genius
New Pianistic Beauties by New Pedal Effects
Tone-Deaf Pupils
Will Ragtime Turn to Symphonic Poems (interview with Major Rupert Hughes)
Some Interesting …
Volume 38, Number 04 (April 1920), James Francis Cooke
Volume 38, Number 04 (April 1920), James Francis Cooke
The Etude Magazine: 1883-1957
Music for the Man of To-day (interview with Rupert Hughes)
Don't Be Discouraged
Need for Wrist Freedom
Psychic Influence in Modern Music
Slow Practice the First Step on the Road to Virtuosity
Romance of a Famous Song: Judge Galloway's The Gypsy Trail
Recipes for Profitable Practice
Piano Playing of To-day
Temperament, Technic and Tact in Accompanying
Some Important Facts About Studying Real Composition
Introducing Yourself to the Pupil
Scales in Four Octaves
Getting the Most from Technical Exercises
Hateful Half Hour' Practice and Some Ways of Overcoming It
How Some Composers Compose
Attention as a Factor in Piano Study
Why …
Volume 38, Number 03 (March 1920), James Francis Cooke
Volume 38, Number 03 (March 1920), James Francis Cooke
The Etude Magazine: 1883-1957
Musical Aftermath of the Great War (interview with Walter Damrosch)
Catchy Fourth
Getting Ahead in Music
Method versus Methods: A Practical Talk to Teachers from a Renowned European Pedagog
Murdering Your New Piece
Secrets of the Success of Great Musicians
Secret of a Good Musical Memory: Successive Steps in Acquiring the Art of Remembering Music
Piano Teacher's Best Advancement
Home-Made Metronome
Classic Piano Playing from Beethoven to the Modern
Hints for Your Repertoire
Ill-Founded Conclusion Concerning the Great Mozart
Every Music Student Should Learn How to Accompany
Right Kind of Musical History
Do You Want a Flexible Wrist?
What Instrument …
Volume 38, Number 02 (February 1920), James Francis Cooke
Volume 38, Number 02 (February 1920), James Francis Cooke
The Etude Magazine: 1883-1957
Notable Group of American Musical Educators
Etudes of Chopin and How They Ought to be Practiced
Multiple Rhythm
Indispensables in Pianistic Success
Some Errors and How I Corrected Them
What is Shape in Music
All Sorts and Conditions of Pupils
Is Playing by Ear Harmful? Play What You See, See What You Play; Play What you Hear, Hear What You Play; See What You Hear, Hear What You See
Key Relationship and Key Signatures
Hearing Wrong Fingering
Secrets of the Success of Great Musicians
High-Grade Concerts in a Small Town
Gather Memories! The True Story of a Musician Who Did …
Instrumental Music Is Scriptural, O. E. Payne
Instrumental Music Is Scriptural, O. E. Payne
Stone-Campbell Books
No abstract provided.
Volume 38, Number 01 (January 1920), James Francis Cooke
Volume 38, Number 01 (January 1920), James Francis Cooke
The Etude Magazine: 1883-1957
Indispensables in Pianistic Success (interview with Josef Hofmann)
Irregular Rhythms
Records That Help the Music Teacher
Qu-est-ce Que Vous Voulez?
Don't Be Too Awfully Dignified
Three Rs of Sight Reading
Musical Embellishments
Taking Stock
Conquer Your Bête Noire
Inter-relationship of the Ear and the Eye
Some Practical Hints on Pedaling
Dressing the Part
Lines and Spaces
Musical Pot-Boilers: Facts about the Mental Tasks Which Great Masters Have Been Forced to Undertake to Earn a Bare Existence
Difficulty in Piano Music
After the Novelty Has Gone
Clairvoyance, Spiritism and Occultism in Music
Sensations in the Spotlight
Blazing New Trails
Will Richard …
Volume 37, Number 11 (November 1919), James Francis Cooke
Volume 37, Number 11 (November 1919), James Francis Cooke
The Etude Magazine: 1883-1957
Echoes of Musical Czecho-Slovakia (interview with Josef Stransky)
Real Tendencies of Czecho-Slovak Music
If at First You Don't Succeed
Playing Without Looking at the Keys
Birth of the Czecho-Slavék Republic through Song
Invitation to Song: A Literal Translation of a Poem by Tablonsky
How the Name Bohemian Came Into False Repute
Bedrich Smetana, Founder of Modern Czecho-Slovak Music
Thumbnail Biography of Antonin Dvorék
Dvorák as I Knew Him
Great Masters as Music Teachers
Do Your Fingers Follow Your Eye?
Marks of Expression
Why Music is the Soul of Czechoslovakia
Neckache
Working Through Opposites
Czecho-Slovak Popular Music
How to Make a …
Volume 37, Number 10 (October 1919), James Francis Cooke
Volume 37, Number 10 (October 1919), James Francis Cooke
The Etude Magazine: 1883-1957
National and Radical Impressions in the Music of To-day and Yesterday (interview with Sergei Rachmaninoff)
Rudoph E. Schirmer
Interpretation
Few Teaching Hints
Appreciations of Rachmaninoff from Famous Musicians in America
New Thoughts on Memorizing Music
Beethoven—Iconoclast, Democrat, Genius
Joiners in Music
Psychology and the Child
The Art Spiritual: A Fine, Reflective Article Upon the Possibilities of the Tonal Art
Studio Problem (A Dialogue)
Less Nervousness Now
Musical Monkeys and the Piano Touch
Authentic Biography of Rachmaninoff
Let the Parents Know
How to Administer Rewards
Secret of Success of Great Musicians
Don't Sit Too Close
New Method of Piano Practice
Minor …
Volume 37, Number 09 (September 1919), James Francis Cooke
Volume 37, Number 09 (September 1919), James Francis Cooke
The Etude Magazine: 1883-1957
Strong Fingers, Strong Arms, Strong Technic: Physical Culture Exercises Backed with Right Living Help to Build Sound Technical Background
Musical Pharmacopoeia
Pacemaker
Year in the Fundamentals of Musical Composition: The Minor Key and Other Musical Matters
Leaving Out Notes
Be True to Your Own Musical Tastes
Rules and Scales
Favorite Instruments of Great Composers
How to Learn a Short Passage Quickly
Secrets of the Success of Great Musicians
Practical Study of Arpeggios: How the Least Possible Contraction of the Muscles, Combined with the Greatest Possible Control of Weight, Will Produce the Best Results in the Shortest Time
Why Rhythm is …
Volume 37, Number 08 (August 1919), James Francis Cooke
Volume 37, Number 08 (August 1919), James Francis Cooke
The Etude Magazine: 1883-1957
Intimate Glimpses of Grieg and Dvorák
Cause of Satisfactory Piano Playing
Beethoven's Tardy Fame
Habit Lessens Fatigue
That Awkward Fourth Finger
Ten Famous Rules Ten Years After: A Thoroughly Democratic Artistic Senate of Men and Women of Experience Epitomize Their Best Thoughts on Piano Practice
New Ideals of Pianistic Art
Mentally Photographing Music
Let There Be Tunes
Luck and Success
Plan of Musical Study for the Busy
Birds as Inspiration for Great Composers
American Opera One Hundred Years Ago
What Jazz Is, and Why
One Great Source of Mastery
Pianist and the Relaxation Fad
Music Teacher's Prescription Box
Origin of …
Volume 37, Number 07 (July 1919), James Francis Cooke
Volume 37, Number 07 (July 1919), James Francis Cooke
The Etude Magazine: 1883-1957
Pathetique of Tschaikowski
Opening Number of Our Recital
How to Choose a Piano
Making the Pupil's Interest Wider
Don't Give Up Music at the Altar: A Symposium by Noted Women in Music
Year in the Fundamentals of Musical Composition
What Do You Put Into Your Music?
Jamie's First Piano Lesson
Drudgery of Teaching
Ear Imperial: Why Ear Training is of Paramount Importance
Moods of Temperament
Time Directions and Their Meaning
How the Art of Playing the Piano Developed
Enthusiastic Teaching
Prosperity and Business Methods of Great Composers
Some Facts About the Nocturne
Interest Through Opera
Secrets of Success of Great …
Volume 37, Number 06 (June 1919), James Francis Cooke
Volume 37, Number 06 (June 1919), James Francis Cooke
The Etude Magazine: 1883-1957
Professional Accompanist
Ten Golden Rules for Piano Study
Pianist and Time Values
Imperfection of the Musical Scale
Silent Rhythm
How to Study the Two-Voiced Inventions of Bach
Rock Bottom of Pianistic Progress
Talking and Doing
Muscular Action in Piano Playing
Make Technic Your Servant—Not Your Master
Practical and Helpful Ideas from the National Convention of the Music Teachers' National Association: What Active Teachers are Thinking and Saying
When Nero was Studying Singing
Out—Back at 2.30
Bible Operas
Cultivating Confidence in the Child
Famous Salon Compositions and Their Composers: Pieces Everybody Knows and the Musicians Who Wrote Them
Making the Summer …
Volume 37, Number 05 (May 1919), James Francis Cooke
Volume 37, Number 05 (May 1919), James Francis Cooke
The Etude Magazine: 1883-1957
Helps in Teaching Note Reading
Launching the Beginner
Practical Examinations at Home
Individualism in Piano Study (interview with Ethel Leginska)
Setting the Standard
Silly? Or No Ear for Music?
Confidence in One's Art
Are You One of These?
Golden Age of Singing
Fall of the Walls of Jericho
Program Making
Year in the Fundamentals of Musical Composition: The Dominant Seventh
Music in the Wilds
Like Attracts Like
Getting Results in Arpeggio Teaching
Why Some American Artists Don't Get On: From a Manager's Point of View
What Do You Want, Big Names or Real Music?
Memorizing Your Piece
Most Powerful Effect …
Volume 37, Number 04 (April 1919), James Francis Cooke
Volume 37, Number 04 (April 1919), James Francis Cooke
The Etude Magazine: 1883-1957
Characteristic Mistakes of Young Piano Pupils
Teaching Children to Play
Inspiration of Ensemble Playing
Where Music Comes From
I Don't Like This Piece
Correct Position at the Key Board
More About Raising the Teacher's Income: Why the Music Teacher is Entitled to Larger Fees for Services
Awakening the Disinterested Pupil
What's in a Bell
True Reward of Good Work
Secrets of Success of Great Musicians
Proper Understanding of the Style of Several Master Composers
How to Practice Broken Chords: Modern Ideas Upon the Principle of the Minimum of Muscular Contraction and the Maximum of Controlled Weight Applied to an Everyday …
Volume 37, Number 03 (March 1919), James Francis Cooke
Volume 37, Number 03 (March 1919), James Francis Cooke
The Etude Magazine: 1883-1957
Anton Dvorák in the Class Room
Who is the Composer?
Marvelous Hand
Question of the Virtuoso Conductor
Music Teachers, Awake!
Has the Art of the Piano Reached Its Zenith or Is it Capable of Further Development? A Historic Conference Conducted through the Co-Operation of a Group of the Foremost Pianists of the Day in the Interests of Etude Readers
Practical Repertoire
Small Children and Big Words
Year in the Fundamentals of Musical Composition
What Are You Getting Out of Your Music Lessons?
Your Pupil's First Year in Scale Work
Little Discoverers
Proper Understanding of the Style of Several Master Composers …
Volume 37, Number 02 (February 1919), James Francis Cooke
Volume 37, Number 02 (February 1919), James Francis Cooke
The Etude Magazine: 1883-1957
Are You Loyal to Your Art?
How to Play Two Notes Against Three and Other Unusual Rhythmic Combinations
What Helped Me Most in My Career
How to Correct Common Rhythmic Blunders
Weak Spot in Piano Teaching
String Wind Instrument
Technical Roads to Piano Success
Pieces that Advertise the Teacher
He Didn't Have to Learn
Secrets of Success of Great Musicians
Touch in Piano Playing
Leo Ornstein, Composer and Pianist
Overtures, Past and Present
When and How to Begin the Study of Bach
Bach for Beginners
Neglected Bass Note
Telling the Pupil How to Practice
Has the Art of the Piano …
Volume 37, Number 01 (January 1919), James Francis Cooke
Volume 37, Number 01 (January 1919), James Francis Cooke
The Etude Magazine: 1883-1957
Imitation in Teaching Music
Scales Two Octaves Apart
What Kind of Accompanist Are You?
Learning How to Compose
Two Pianos vs. One
Don't Discourage Your Pupils
Look Out for the Second Finger
America's Greatest Musical Opportunity
Put Sixty Minutes Into Your Hour
Has the Art of the Piano Reached Its Zenith or Is it Capable of Further Development? A Historic Conference Conducted through the Co-Operation of a Group of the Foremost Pianists of the Day in the Interests of Etude Readers
Eye Strain and Mind-Wandering
Broken Chords Disguised by Changing Notes
What Octave Studies Should Follow Those of Czerny?
Are …
Volume 36, Number 11 (November 1918), James Francis Cooke
Volume 36, Number 11 (November 1918), James Francis Cooke
The Etude Magazine: 1883-1957
Programs of Works by Women Composers from Contemporary American Publishers
Famous Musical Women of the Past
From the Bottom Up
What the Life of an Artist Means
Musical Celebrities Sell Liberty Bonds (picture)
To the Girl Who Wants to Compose
Music as a Vocation for Women
Mother's Part in the Child's Musical Training
Two Types of Violin Playing
List of Well-Known Women Composers
Story of America's Largest Musical Organization: The National Federation of Musical Clubs
Small Hands and Their Extraordinary Possibilities
Technic of Study
Volume 36, Number 10 (October 1918), James Francis Cooke
Volume 36, Number 10 (October 1918), James Francis Cooke
The Etude Magazine: 1883-1957
Spain the Eldorado of Music
Thomas à Becket
Beethoven and Hero Worship
Music Interest of the American Man of To-Morrow
Help in Interpretation
How Can I Make My Practice More Intelligent?
Musical Thermometer
Imperial Opera
Rhythmless Pupils
Stems, Tails and Hooks: A Lesson in Exact Notation
Cultivating a Perfect Staccato Touch
Value of Visiting Lessons
High Lights in the Life of Grieg: Interesting Phases in the Career of the Great Norwegian Master
Thumb and Its Agility
Accompanied Trill
How to Read at Sight and Memorize at the Same Time
Finishing Steps
Second Nature in Music
Interesting Suggestion for Advanced Pupils …
Volume 36, Number 09 (September 1918), James Francis Cooke
Volume 36, Number 09 (September 1918), James Francis Cooke
The Etude Magazine: 1883-1957
Music in Industry
Music, Just for the Fun of It
Musical Contagion
Greatest Musical Asset
Development of Rhythmic Sense in the Music Student
Circumstance and the Artist
Keyboard Maxims of Master Pianists of Today and Yesterday
Why and How to Read at Sight
Two Lessons a Week Versus One
When the Professor Got Back from His Vacation
Thoroughness in Little Things
Some Practical Psychology for Piano Teachers
Scale Honor Roll
Is the Sonata Form Exhausted?
Ties and No Ties
Pupils Whose Parents are Interested
Knack in Securing Agility and Velocity
Don't Neglect the Short Piece
Music's Debt to Gifted Amateurs …
Volume 36, Number 08 (August 1918), James Francis Cooke
Volume 36, Number 08 (August 1918), James Francis Cooke
The Etude Magazine: 1883-1957
Possibilities of Negro Music
Definite Progress
How Beethoven Worked
Gounod's Romantic Philanthropy
Reflection of Neatness
Sense Touch
What Gives Brilliancy to Pianoforte Playing?
Is Standardization in Piano Technic Really Worth While?
How Much Value Do You Receive From Your Practicing?
Music Teacher Worth While
Are We Cutting Off Our Musical Noses?
What Shall We Do with German Music?
Riches No Enemy Can Take Away
Music Rally in Philadelphia
Democracy of Ludwig Van Beethoven: The Debt of All Musicians to the First Great Master to Uphold the Dignity of His Profession in the Presence of Arrogance of the Aristocracy
How to …
Volume 36, Number 07 (July 1918), James Francis Cooke
Volume 36, Number 07 (July 1918), James Francis Cooke
The Etude Magazine: 1883-1957
When Composers Compose
Where Not to Use the Pedal
Spirit of the Masters—Preparation for the Study of Chopin, Debussy and Modern Composers
How to Get Your Music Published
Let's Have More Charity in Criticism
Important Uses for Music
Mistakes Cannot Be Corrected in Public
Foundation Steps in Practicing Scales
What Eurythmics Means
Vacation Rest for Music Teachers
Fighting to Get a Start
Choice of Material for Developing Interpretation: An Article of Particular Summer Self-Study Value to Teachers and Advanced Students
Learning How to Teach the Pianoforte
Why Do They Do It?
Etude Master Study Page: Composers of Music of Wide …
Volume 36, Number 06 (June 1918), James Francis Cooke
Volume 36, Number 06 (June 1918), James Francis Cooke
The Etude Magazine: 1883-1957
Spirit of the Masters: Preparing for the Study of Schumann and Liszt
Absolute Time: A Study of the Heart Beat in Relation to Rhythm
How Fast and How Slow
Make Your Summer Count
Art of Simplifying
How to Become a Good Teacher
Why Bach?
Coining New Words
Let's Have More Music Than Ever: The United States Government Recognizes a Great Need
Music as a War Need
Toy Drum and a Tin Whistle
Music in Wartime
Ragging Good Music
That Weak Measure
Etude Master Study Page: A Group of Russian Composers
Artistic and Educational Importance of the Polyphonic Music of Bach …
Volume 36, Number 05 (May 1918), James Francis Cooke
Volume 36, Number 05 (May 1918), James Francis Cooke
The Etude Magazine: 1883-1957
Benjamin Franklin's Musical Side
Letter from General Hugh L. Scott
Slavery to the Keyboard
Piano's Future Assured
Practice the Bass
Music Now More Than Ever: Eminent Men and Women in Many Walks of Life Earnestly Urge Music as a Present National Need
Interesting Way to Teach Phrasing
Music Teachers' Desk
Love Letter from Mozart to his Wife
Get in Touch with the Other Professions
Personality and Interpretation
César Franck After Twenty-five Years
Haydn's Souvenirs of London
High Wrist and Low Wrist
Spirit of the Masters: Preparing for the Study of Beethoven, Brahms and Mendelssohn
Home Without Music
Find Joy in …
Volume 36, Number 04 (April 1918), James Francis Cooke
Volume 36, Number 04 (April 1918), James Francis Cooke
The Etude Magazine: 1883-1957
Their Ancestry
How Long is the Life of a Piano?
Price of Success
How to Locate the Keys by Touch
Spirit of the Masters: Preparing for the Study of Bach, Haydn and Mozart
Time and Rhythm
Fun in Music
Are You Musically Educated?
Questionnaire for the Average Music Teacher of the Average Child
All About Accent
Different Types of Song Accompaniment
Emotional Effect Through Rhythm and Phrasing
Open Door to Opera
Value of Finger Staccato
Musicians Short Folk
Why Some Music Lessons are Dull
What to Do When You Cannot Secure A Good Teacher: Self Help Hints for Active Music …
Volume 36, Number 03 (March 1918), James Francis Cooke
Volume 36, Number 03 (March 1918), James Francis Cooke
The Etude Magazine: 1883-1957
Use and Abuse of Five Finger Exercise
Tact in Teaching Technic
Counting Aloud
Let Your Ears Save Your Eyes
Public Performance of Etude Music
Are You Getting into a Rut: An Important Symposium
How Do Composers Compose?
Centenary of the Great Educational Classic for the Piano
How to Use the Etude's Educational Supplement
Bach in Burlesque
Little Lights and Shadows of Music Teaching
Music, the Painter of Pictures in Moods: A Highly Entertaining and Instructive Discussion of the Subject
Rare Effect in Advanced Pianoforte Playing
Scale Study Without Monotony
Some Interesting Things About the Gavotte
Fighting Musical Obstacles in the …
Volume 36, Number 02 (February 1918), James Francis Cooke
Volume 36, Number 02 (February 1918), James Francis Cooke
The Etude Magazine: 1883-1957
Have You a Self Starter?
Rates of Tempo in the Past and Present
Can Ugly Music be Beautiful?
Get Rid of Fear
Two-Fold Vitality of Anglo-Saxon Music
Developing the Tactile Sense
Success with the Adult Beginner at the Piano
Do Not Attempt the Impossible
Hands, Hands, Hands: Some Interesting Facts for Teachers and Pupils About the Pianist's Tools
Accent Scales Right
Making Pupils Musicians
What Should a Teacher Know?
Irregular Groups that Baffle Pianists: How to Play Combined Accents, Times and Rhythms in Pianoforte Composition
Case of Richard Wagner vs. Democracy: Should the Operas of Richard Wagner be Debarred in …
Volume 36, Number 01 (January 1918), James Francis Cooke
Volume 36, Number 01 (January 1918), James Francis Cooke
The Etude Magazine: 1883-1957
American Folk Music: A Negligible Quantity
Beethoven's Advice to a Piano Teacher
New Year Advice from Famous Pianists: Study Epigrams of the Foremost Present Day Virtuosos Selected for this Issue
Too Much Preparation
Well Tempered
Every Teacher's New Year Resolution
Work Out Your Own Salvation
Legato Playing with Pedal and Without
Case Against Don’ts
Beauties in the Music of the American Indian (interview with Thurlow Lieurance)
Little Thinking Machines
Where the Left Hand Ends and the Right Hand Begins
What is Elasticity in Piano Playing?
Greatest Shortcomings of the Average Student
Is Slow Practice Overdone?
Helpful Routine in Sight Reading …
Volume 35, Number 11 (November 1917), James Francis Cooke
Volume 35, Number 11 (November 1917), James Francis Cooke
The Etude Magazine: 1883-1957
Cure for Musical Pessimism
Simplifying Counting
Why Not Encourage Everyone to Play?
Nervousness in Public Performance and How to Overcome It
Practical Thoughts on Modern Pianoforte Study
Two Ways of Using the Metronome
Some Foundation Principles of Piano Technic, Which May Be Applied to Any Method
Economy of Time at Lessons
Keeping the Brain Strong and Fit
How to Judge a New Piece
High Lights from a Musical Convention: Extracts from Important Addresses Made at the Last Convention of the Music Teachers' National Association
How to Keep Your Piano in Playable Condition
Some Essential Points in Beautiful Playing and How …