Music Commons^™

Listening To Early Modern Catholicism: Perspectives From Musicology, Aaron James

Yale Journal of Music & Religion

A book review is presented for Daniele V. Filippi and Michael Noone, eds. Listening to Early Modern Catholicism: Perspectives from Musicology (Leiden: Brill, 2017).

The Function Of Hymns In The Liturgical Life Of Malcolm Quin's Positivist Church, 1878–1905, Paul Watt

Yale Journal of Music & Religion

The publication of Auguste Comte’s positive philosophy in the 1830s and 1840s took the world by storm and has come to be regarded as one of the principal turning points in nineteenth-century intellectual culture. A particularly large number of disciples and imitators of Comte’s philosophy sprang up all over Europe, especially in the United Kingdom. They established churches and networks in Comte’s memory and wrote tracts, pamphlets and books on history, philosophy, aesthetics, literature, theology and the bourgeoning field of sociology based on Comte’s works. One such disciple was the musician Malcolm Quin. A singer, organist and hymn-writer, Quin was …

Singing As English Protestants: The Whole Booke Of Psalmes’ Theology Of Music, Samantha Arten

Yale Journal of Music & Religion

The Whole Booke of Psalmes, first published in 1562, became the most visible symbol of English Protestant music-making through its immense popularity and its perceived Protestant authority and monarchical authorization, and the psalter was directly responsible for the formation of the Church of England’s musical culture. Through close reading of the hymnal’s words about music—the versified texts of the psalms themselves, particularly the paraphrases of those psalms that speak directly about music, singing, worship, and instruments, and also other material including the versified hymns and prefatory matter—I argue that the WBP promoted a particular theology of music in Reformation …

World Premiere Performance Of Quintet No.2 By N. Roth, Dermot Dunne

Concert Programmes

Nick Roth's second quintet was commissioned by the Sligo International Chamber Music Festival to be premiered by Dermot Dunne, accordion and the Vogler string quartet. The work draws on many aspects of the muezzin call to prayer in the Islamic faith including the various different modes (or maqaams) used in the call to prayer throughout the day. The work is a synthesis of the ISlamic call to prayer with contemporary composition techniques

A Case Study Of The Culturally Diverse Worship At The Florida Hospital Seventh-Day Adventist Church, Richard Edwin Hickam

Doctoral Dissertations and Projects

The Florida Hospital Seventh-day Adventist Church (FHC) is a multicultural, multigenerational church in Orlando, FL. This case study will examine the history of the worshiping community with particular attention to the change in the culture of the worship services enacted in 2014 and its ongoing impact. The church moved from a traditional and a contemporary service to two identical culturally conscious worship services. This format is unusual in the Seventh-day Adventist (SDA) denomination. Seventh-day Adventism was named in a Pew study as the most diverse religion in the United States, but that does not mean its people are racially worshiping …

The Impact Of Lyric Choices On Spiritual Edification, Hanna Jane Byrd

Doctoral Dissertations and Projects

Modern Christian worship music has gained influence within the evangelical community. The words of these songs, sung corporately, have the potential to influence the spiritual lives of church congregants, making it important for worship leaders and songwriters to identify the most beneficial lyrics. Despite numerous opinions about theological and personally relevant lyrics, little research has been conducted on the spiritual effects of lyric content within the lives of Christian believers. Diminutive scholarly inquiry has been limited to historical, theological or qualitative methodologies. Utilizing the Positive and Negative Affect Schedule (PANAS) and the Spiritual Transcendence Index (STI), this quantitative quasi-experimental study …

Worship Pastor's Need For Pastoral Leadership Development, Jerry Leonard Newman

Doctoral Dissertations and Projects

Pastoral leadership development must occur beyond the musical development that is gained through practice and musical education. The premise of this study considers the developmental needs of those in church leadership. Music ministers may be equipped for musical aspects of leadership. However, failure in obtaining knowledge, understanding, and enacting of the pastoral leadership elements required to fulfill the role of a music pastor may not have been developed. It can be argued that a change in role from ‘music minister’ to ‘a pastor who happens to lead worship' should occur. While little research can be found confronting the need for …

The Physio-Emotional Effects Of Audio In The Global Christian Church, Evelyn Hanks

Senior Honors Theses

Audio, specifically as researched by the film industry specialists, has physical and emotional effects on those exposed to it. These effects follow from manipulation of sound’s characteristics in specific and measurable ways. The responsibility of the Christian is to share the gospel with others and support the kingdom of God with his or her skills. In light of these truths, Christian audio specialists should have a thorough knowledge of the physio-emotional effects of audio. Further, they should not shy away from applying strategies from secular audio research to benefit local churches across the globe.

A Study Of Music: Music Psychology, Music Therapy, And Worship Music, Jessica Whittemore

Senior Honors Theses

There are three specific fields related to music: the psychology of Music and how it affects human brain and functions, the methodology of Music Therapy and how it affects individuals undergoing treatment, and the psychological effects of Worship Music and how it can be used in music therapy. Music therapy is a growing field in which the therapeutic outcomes greatly benefit the patients. The overall purpose is to create a greater understanding of music and music therapy in order to a provide a system for introducing group worship services into music therapy to ultimately bring spiritual healing to individuals.

Worship Ministry Leadership: Principles For Age-Related Transition And Succession, John Rollin Mohler

Doctoral Dissertations and Projects

The tenure of a long-serving worship pastor is affected by many variables, but few are as impactful, challenging, yet unexamined, as the pastor’s age. In this historical research study, the researcher assesses the best strategies of professional development necessary for aging worship pastors as they transition for lasting relevance and honorable succession. This study focused on the necessities of cultural engagement and people development as a means to maintain, among other things, platform credibility and leadership reproduction. Historic rationale and precedent was established through the examination of principles of age-related recalibration, transition, and succession from the researcher’s own experience, as …

Join The Band: Benefits Of Engaging Intergenerational Volunteers In The Local Church Worship Ministry, Jamie R. Coates

Doctoral Dissertations and Projects

Throughout the Bible and much of church history, intergenerational ministry was the common practice. However, in recent decades many local evangelical churches have abandoned the practice of intergenerational ministry and have instead embraced age-segregated ministry models. Reflecting this shift, age-segregated worship ministries within the local evangelical church have become the norm. This qualitative study examined biblical examples and teachings regarding worship and ministry and examined worship and ministry practices from throughout church history. Analysis of the research findings addressed the characteristics of an effective intergenerational worship ministry. Although facilitating an intergenerational worship ministry is a complicated endeavor, this study revealed …

Incorporating A Pedagogy Of Worship In The Community Group Ministry Of Grace Bible Church, Jeremy G. Sauskojus

Doctoral Dissertations and Projects

Many local church fellowships have embraced small groups (life groups, community groups) as a means of connecting people with one another from within the larger church body. These small groups are a means of building community. Furthermore, many churches testify to the importance of pursuing worship as much more than music in the corporate worship gathering that takes place once a week. However, very little has been done to connect these two components together in the small group ministry environment. As will be presented, people have written concerning each one of these important elements of church body life. Yet, connecting …

An Exploration Of Musical Influences Throughout Worship: Enhancing Worship Experiences Via Hymns Encompassing Spiritual Gifts, Nina Marie Tedeschi

Doctoral Dissertations and Projects

One of the most important aspects of the role of worship leader, is that of choosing relevant worship materials. The use of hymns has enhanced worship for ages. The trends of the current age have precipitated a concern and need for conscientious selection of music, along with appropriate application of the singing of hymns, psalms, and spiritual songs. A major consideration in worship planning is to utilize music which reaches all generations. The impetus of this study is primarily based upon biblical, historical, theological, philosophical, methodological, and observational practice of worship. The research focuses upon the importance of planning and …

Andraé Edward Crouch's Musical And Theological Pursuits: An Analysis Of Three Pieces From The Just Andraé Album, Stephen Michael Newby

Seattle Pacific Seminary Theses

Each generation of musical artists challenges its audience according to the needs and the tenor of the times. Composer and musical prodigy Andraé Edward Crouch is known as the father of Modern/Contemporary African American Gospel music. Crouch infused traditional gospel, black hymnody, elements of art song, concert music, jazz and R & B forms into his canon. This thesis explores Crouch’s work through the intersection of ideas on theology, imagination, race, poverty systems, liberty and social justice, as well as his convictions for reaching “the lost”, and challenging the church to evolve spiritually towards a greater advancement of God’s Kingdom. …

Fan The Flames: Encouraging Local Expressions Of Christian Worship In A La Paz Church Community, Stephanie Cook

Masters Theses

When the members of a church in La Paz participated in a songwriting and arranging workshop, along with corresponding research into perspectives on local music used in worship, the results were mixed. An analysis of the songs used in the church’s worship shows a predominance of imported, predominantly Western or Western-styled songs. Similarly, observations of worship events in the church do not incorporate any local rhythms or instruments, even though there are musicians in the church who are skilled in Bolivian styles of music. While there is an interest by musicians and leadership in the church for locally written worship …

The Ancient-Future Of Worship Education: The Evangelical-Sacramental Movement's Effect On Modern Worship Education, Jordan Miles Covarelli

Masters Theses

This thesis looks at developments in evangelical/Pentecostal contemporary Christian worship music (CWM) in response to its theological critiques and analyzes the effects they are having on what training worship leaders will need. CWM has grown into a global phenomenon that largely either disregards or is ignorant of its theological critics. The rapid rate of churches adopting CWM practices in their services has led to numerous universities creating post-secondary degrees in Worship Leadership focused specifically on modern expressions of worship. This thesis uses a convergent parallel mixed methods research model to analyze how worship practices are changing in key evangelical-turned-sacramental churches …

The Role Of Music In Worship Among Deaf Culture Christianity, Mallory Ruth Dunn

Masters Theses

Throughout the Word of God, we are called to worship our Creator through music. "Shout for joy to the Lord, all the earth, burst into jubilant song with music; make music to the Lord with the harp and the sound of singing, with trumpets and the blast of the ram's horn--shout for joy before the Lord, the King" (Psalm 98: 4-6 [NIV]). It has been said that music is a universal language: but all cultures use it differently and therefore it is not a universal language but a universal phenomenon. What about the individual who cannot hear the music or …

Austin Taylor Papers, 1916, Austin Taylor

Center for Restoration Studies Archives, Manuscripts and Personal Papers Finding Aids

No abstract provided.

Syriac Chant And The Limits Of Modality, Sarah Bakker Kellogg

Yale Journal of Music & Religion

A book review is presented for Sense and Sadness: Syriac Chant in Aleppo, by Tala Jarjour. Oxford: Oxford University Press, 2018. 250 pp. ISBN: 978-0-190-63525-1.

James Macmillan's Mass Of Blessed John Henry Newman And The Culture Of Liturgical Music-Making In The Scottish Catholic Church, Michael Ferguson

Yale Journal of Music & Religion

James MacMillan composed his Mass of Blessed John Henry Newman as a congregational setting for the visit of Pope Benedict XVI to the United Kingdom in 2010. The work was heralded as the first setting of the new English Missal translation, and MacMillan expressed hope that it would make a longer-term contribution to music-making in the Roman Catholic Anglosphere. However, in Scotland at least, Mass of Blessed John Henry Newman has not made a widespread impact. The purpose of this article is to understand why MacMillan was unable to add his setting to the body of congregational music in Scotland. …

Sounding The Congregational Voice, Marissa Glynias Moore

Yale Journal of Music & Religion

Congregational singing is a participatory vocal practice undertaken by Christians across a wide range of denominations, yet the specific qualities and active capacities of the congregational voice have yet to be investigated. Drawing on recent musicological and philosophical perspectives on voice, I theorize the congregational voice as an active practice, illuminating its abilities to do something in worship through sound.

Taking Brian Kane’s model of the voice as a circulation of content (logos), sound (echos), and source (topos), I explore how these categories are redefined through an active-based theorization of congregational singing. I argue that …

Moving From Performance To Missional Worship: Five Biblical Principles And Practices To Infuse Discipleship Into Worship, Ossie Xzabia Mckinney

Doctoral Dissertations and Projects

In striving for authentic worship, many worship leaders focus on the sound of the choir and the individual’s relationship with God without considering discipleship. God’s first directive to humanity in Gen. 1:28 supplied God’s instruction for authentic worship, which emphasized discipleship and not music. Training choir members to worship without including discipleship results in the shaping of performers rather than worshipers. Worship must reflect the Trinity and not the skills and ability of the worshiper. When worshipers show God's love through discipleship, they reveal the Godhead. To shape singers holistically, worship leaders must teach their choir members to disciple. This …

Worship Music As Spiritual Identity: An Examination Of Music In The Liturgy Among Black And White Adventists In The United States From 1840 To 1944, David A. Williams

Dissertations

The Topic

This study examined Black and White Seventh-day Adventist music in the liturgy in the United States from 1840 to 1944. Little scholarly attention has been given to the development of Adventist liturgical practice, the function of music in the liturgy, and the effect of music upon the spiritual identity. This study utilized liturgical history, ritual studies, musicology, and liturgical theology to derive and compare the spiritual identity fostered through music in the liturgy by these ethnic groups. This study considered both the shared and distinct spiritual identities of Black and White Adventists, as cultivated by the music in …

Inculturation Of Liturgical Music In The Roman Catholic Church Of Igbo Land: A Compositional Study, Benedict Nwabugwu Agbo

Journal of Global Catholicism

A study of inculturation, composition and music among Catholics in Igboland, Nigeria. The article insects with contemporary discussions of inculturation/enculturation after Vatican II and the recommendation of St. John Paul II in his Ecclesia in Africa.

Gospel With A Groove:
A Historical Perspective On The Marketing Strategies Of Contemporary Christian Music In Relation To Its Evangelistic Purpose With Recommendations For Future Outreach, Autumn E. Gillen

Selected Honors Theses

Contemporary Christian Music (CCM) is an effective tool for the evangelism of Christianity. With its origins dating back to the late 1960s, CCM resembles musical styles of popular-secular culture while retaining fundamental Christian values in lyrical content. This historical perspective of CCM marketing strategies, CCM music television, CCM and secular music, arts worlds within CCM, and the science of storytelling in CCM aims to provide readers with the context and understanding of the significant role that CCM plays in modern-day evangelism. This thesis will present CCM as an integrational religious style of music, meaning that it targets both Christian and …

Psalms, Hymns, Or Spiritual Songs?: A Millennial’S Journey With The Worship Wars, Courtney E. Fritz

Selected Honors Theses

Since the 1980’s, the rise of popular and rock n’ roll music has had a significant impact on the music in Protestant churches. The emergence of the Contemporary Christian Music (CCM) industry, fueled by the popularity of these types of music, changed how many churches use music in their gatherings. The widespread use of popular music in the church (often causing hymnals to be discarded) caused a major rift among congregations, a term coined the “worship wars.” This argument is still being fought today. This paper is designed to give an overview of other times in history when the church …

Liturgical Singing In The Lutheran Mass In Early Modern Sweden And Its Implications For Clerical Ritual Performance And Lay Literacy, Mattias O. Lundberg

Yale Journal of Music & Religion

This article postulates and analyses three distinct modes of performativity in Early Modern ecclesiastical music in Sweden, each linked to a specific repertoire of melodies, and each de facto (and sometimes also de jure) monopolized by the Church of Sweden. It is proposed that recognition and analysis of these three modes may provide further understanding of the interaction between singing, reading and speaking during the period under discussion. This sheds new light on what has in literacy research been termed “religious reading”, giving rise in some instances to a corresponding type of “religious singing” in a narrower sense: one …

Glimpses Into The Music And Worship Life Of A Victorian Colonial Cathedral: The Anglican Cathedral Of St Michael And St George In 1900 (Grahamstown, South Africa), Andrew-John Bethke

Yale Journal of Music & Religion

This article documents one year (1900) in the musical life of a colonial Anglican cathedral in Grahamstown (Cape Colony, South Africa), during the British colonial period. The source material for the music-lists is drawn mainly from the Saturday editions of two local newspapers: Grocott’s Penny Mail and the Grahamstown Journal. The author analyses the musical trends of the cathedral by exploring the content of the cathedral’s musical repertoire and relating it to the choir’s size and competency; commenting on the preference for certain composers and what this might imply about local musical taste; examining the precentor’s hymn choices and …

The Rogationtide Processions Of Wilton Abbey, Alison N. Altstatt

Yale Journal of Music & Religion

The Benedictine convent of Wilton Abbey was among the wealthiest women’s religious communities in medieval England and home to an elite school for noble women. Until recently, a late thirteenth-century manuscript processional from Wilton was known only from a hand copy made circa 1860 at the Abbey of St. Pierre de Solesmes. The original manuscript was presumed lost. The recent identification of thirty-seven leaves of the original manuscript processional offers primary sources for the study of Wilton’s liturgy, and offers a means by which to assess the reliability of the nineteenth-century copy. The purpose of this study is to reconstruct …

Musical Contextualization In The Local Church: A Pragmatic Exploration Concerning The Philosophy And Methodology Of Assimilating Sacred Music Into The Worship Vocabulary Of A Congregation, Kaleb Gooden

Senior Honors Theses

God’s mandate for all worship pastors is that they minister to their local body of believers in an effective way. This directive necessitates the use of scripturally and culturally appropriate music that clearly communicates the Gospel to the church congregation. This creative thesis further investigates musical contextualization in the local church.

Five philosophical pillars represent the most basic structure on which the entire process of local church contextualization stands. The minister must be rooted in scripture, led by the Spirit, present-minded, future-driven, and committed to service. After evaluating these philosophical concepts, this thesis will then explore the methodological contextualization process …