Music Commons^™

Never Give A Sword To A Man Who Can't Dance, Colin Slade

Masters Theses

War dances have long been a powerful means of preparing warriors for combat or the intimidation of an enemy, but they are also used in the ceremonial supplication of deity or celebration of victory. They are a fundamental artifact of many cultures throughout the world. Nevertheless, the United States of America boasts the most powerful military in history, yet it lacks a war dance. This is valid until one accepts a simple truth; military drill is a dance. However, Americans would object to such a proposition even though they have adopted and adapted military drill as their own, describe it …

Program; 2013-12-08, The Royal Serenaders Male Chorus

Concert & Event Programs

No abstract provided.

Haile, Hascal B., 1907?-1986 (Sc 1275), Manuscripts & Folklife Archives

Manuscript Collection Finding Aids

Finding aid only for Manuscripts Small Collection 1275. Incoming business letters and checks, visitor’s log and address book, and photos of furniture and guitar made by Hascal Haile, Tompkinsville, Kentucky. Haile made guitars for several well-known country music artists.

To Lift The Leaden-Eyed: Ernest Boyer’S Career In Higher Education, Drew Moser

All-Inclusive List of Electronic Theses and Dissertations

No abstract provided.

Bowling Green Music Club - Bowling Green, Kentucky (Mss 457), Manuscripts & Folklife Archives

Manuscript Collection Finding Aids

Finding aid only for Manuscripts Collection 457. Minutes, governing documents, yearbooks, programs for public concerts, membership information, various reports, and news clippings for the Woman’s Music Club, the Bowling Green Music Club and the Bowling Green Junior Music Club.

Bowling Green, Kentucky Musical Fund Society (Mss 460), Manuscripts & Folklife Archives

Manuscript Collection Finding Aids

Finding aid only for Manuscripts Collection 460. Minutes, financial records, governing documents and miscellaneous items of the Bowling Green Musical Fund Society, which was established in 1872 for “the cultivation of music and the social enjoyment of its members.”

Gordon, Griffith Lewis - Collector (Sc 2786), Manuscripts & Folklife Archives

Manuscript Collection Finding Aids

Finding aid only for Manuscripts Small Collection 2786. Examples of musical scores executed by students in a class titled "A Short Course in Vocal Harmony" held at Western Kentucky University and led by Professor Griffith Lewis Gordon. Critical remarks by Mr. Gordon accompany each student's work.

Program; 2013-11-03, The Royal Serenaders Male Chorus

Concert & Event Programs

No abstract provided.

Ua68/1/3 Arts & Letters, Vol. 4, No. 2, Wku Potter College Of Arts & Letters

WKU Administration Documents

Magazine created by WKU Potter College of Arts & Letters regarding faculty and student research, events and programs.

Harmon, Arlis Odell, 1905-1992 (Mss 153), Manuscripts & Folklife Archives

Manuscript Collection Finding Aids

Finding aid only for Manuscripts Collection 153. Poems, 1934-1991, obituaries, 1964-1990, written by Arlis Odell Harmon, a gospel song writer and enthusiast, of Allen County, Kentucky. Includes correspondence about gospel music, genealogical data, photos, etc.

Composing The Party Line: Music And Politics In Early Cold War Poland And East Germany, David G. Tompkins

Purdue University Press Books

This book examines the exercise of power in the Stalinist music world as well as the ways in which composers and ordinary people responded to it. It presents a comparative inquiry into the relationship between music and politics in the German Democratic Republic and Poland from the aftermath of World War II through Stalin’s death in 1953, concluding with the slow process of de-Stalinization in the mid- to late-1950s. The author explores how the Communist parties in both countries expressed their attitudes to music of all kinds, and how composers, performers, and audiences cooperated with, resisted, and negotiated these suggestions …

Jackson, Sheila Lavern (Harris), B. 1955 - Relating To (Sc 1110), Manuscripts & Folklife Archives

Manuscript Collection Finding Aids

Finding aid only for Manuscripts Small Collection 1110. Materials generated by and for the Sheila Harris Fund, to benefit Harris, a native of Franklin, Simpson County, Kentucky. A Western Kentucky University graduate and aspiring opera singer, she had benefactors who made it possible for her to graduate from the Curtis Institute of Music in 1982. Includes programs of some of her recitals and a photograph.

Rave Reviews The History Of Akron's Tuesday Musical, Thomas Bacher, Cynthia Harrison, Sharon Cebula

University of Akron Press Publications

The Tuesday Musical Club was founded in 1887 by thirteen young Akron women who had an overwhelming desire to share their love of music. With further support of Gertrude Penfield Seiberling, the wife of industrialist Frank Seiberling, the organization grew like many other musical organizations across the country. Unlike similar clubs, the Akron-based entity continued to expand and is one of a very few that have survived. Among the artists who have appeared as a part of the rich history of Akron's Tuesday Musical Organization are Vladimir Horowitz, Artur Rubinstein, Yehudi Menuhin, Yascha Heifetz, Glenn Gould, Van Cliburn, Isaac Stern, …

Morality, The Sacred And God In Ghanaian Hip- Hop, Harry N. K. Odamtten

History

The adoption of Hip-Hop by the world’s youth is a turning point in the history of youth culture in particular and global public culture in general. The embracing of Hip-Hop in the West African country of Ghana is exemplary of this worldwide transformation. The indigenous Ghanaian version of Hip-Hop is Hip-Life. This Ghanaian musical genre is a combination of Hip-Hop and High-Life. High-Life is also a Ghanaian genre with West African and Afro- Diaspora roots. It emerged in Ghana as part of the anti-colonial struggle in West Africa, and has spawned of many varieties until the emergence of Hip- Life. …

Haile, Hascal B., 1906-1986 (Sc 1098), Manuscripts & Folklife Archives

Manuscript Collection Finding Aids

Finding aid and scans (Click on "Additional Files" below) for Manuscripts Small Collection 1098. Four labels used for guitars made and sold by Hascal B. Haile in his shop in Tompkinsville (Monroe County), Kentucky. One label is inscribed to noted guitarist Chet Atkins; the others have not been used. Includes one of Haile’s business cards and a 1998 newspaper article.

U.S. Jazz In The 1950s, Amanda Canales

Theses and Dissertations - UTB/UTPA

I have examined jazz music in the United States during the 1950s and argue that its popularity in various demographics illustrates that despite social and racial tensions jazz unified them. By explaining this we learn that Jazz’s popularity with different groups reflects not only jazz’s ever present flexibility but how societal values and issues are shown respectively. A brief background of the U.S during the 1950s, three key definitions for the nonconformist, conformist and purist as well as a brief history of jazz during the 1950s can be found in the introduction. Chapter II through IV deals with the specific …

The Self-Fashioning Of A Consummate Musical Orator, Alexis A. Vanzalen

Lawrence University Honors Projects

In 1697 the organist and composer Dieterich Buxtehude (1637-1707) was deemed “world famous” by a guidebook to the German city in which he lived, Lübeck. Such public acclaim for a musician was unusual in this society where musicians were generally looked down upon and stereotyped as dishonorable and picaresque outsiders. In this context, Buxtehude’s situation begs the question, how did he come to have such an esteemed reputation?

As I will argue, Buxtehude actively fashioned his reputation as an adept member of his capitalistic society, a useful civil servant, and an accomplished and complete musician, throughout his life. In large …

"Listen To The Wild Discord": Jazz In The Chicago Defender And The Louisiana Weekly, 1925-1929, Sarah A. Waits

LSU New Orleans Theses and Dissertations

This essay will use the views of two African American newspaper columnists, E. Belfield Spriggins of the Louisiana Weekly and Dave Peyton of the Chicago Defender, to argue that though New Orleans and Chicago both occupied a primary place in the history of jazz, in many ways jazz was initially met with ambivalence and suspicion. The struggle between the desire to highlight black achievement in music and the effort to adhere to tenets of middle class respectability play out in their columns. Despite historiographical writings to the contrary, these issues of the influence of jazz music on society were …

Kentucky Federation Of Music Clubs (Mss 461), Manuscripts & Folklife Archives

Manuscript Collection Finding Aids

Finding aid only for Manuscripts Collection 461. Constitution and by-laws, programs from annual conventions, news clippings, and a “traveling” scrapbook from 1946-1947 that documents activities of the Federation’s affiliate clubs.

Mary Reed Cooke Music Club - Smiths Grove, Kentucky (Sc 2712), Manuscripts & Folklife Archives

Manuscript Collection Finding Aids

Finding aid only for Manuscripts Small Collection 2712. Yearbooks, programs and news clippings related to the activities of the Mary Reed Cooke Music Club of Smiths Grove, Kentucky.

The Effect Of Laser Therapy On Baseball Pitchers, Connor Barnes

All-Inclusive List of Electronic Theses and Dissertations

No abstract provided.

The Effects Of Totalitarian Regimes And The Individual On Russian And Soviet Music, Tyler Christian Mills

Renée Crown University Honors Thesis Projects - All

This paper addresses the development of Russian and Soviet music from the 1860’s through Stalin’s terror in the late 1930’s. It focuses on the constraints placed on the composers by the totalitarian regime and how these individual composers were able to not only survive, but leave a greater impact on the development and style of music than the state that was constraining them. The paper focuses on how individual composers were able to use their innovation and talent to create unique material that captivated audiences both at home and abroad.

The Harmonic Implications Of The Non-Harmonic Tones In The Four-Part Chorales Of Johann Sebastian Bach, Timothy Willingham

Doctoral Dissertations and Projects

This study sought to identify the harmonic implications of the non-harmonic tones in the four-part chorales of Johann Sebastian Bach and to identify if the implications were modern, extended harmonies. The study examined if non-harmonic tones implied traditional or extended harmonies more often, which non-harmonic tones more frequently implied extended harmonies, and which chords typically preceded implied extended harmonies. The study was a corpus analysis of the four-part chorales. The data collected was organized in and analyzed with frequency charts and a chi-square goodness of fit test and chi-square tests of independence from the chordal analysis conducted by the researcher. …

Knox County, Kentucky - Motels (Sc 1012), Manuscripts & Folklife Archives

Manuscript Collection Finding Aids

Finding aid and full-text scan (Click on "Additional Files" below) for Manuscripts Small Collection 1012. Letter, 1948, written by Maurice G. Howard, Corbin, Kentucky, to George Gosieki, Racine, Wisconsin, concerning Virgil Whyte’s “All Girl Band” staying at Howard’s motel while performing in the region. Also photocopy of recognition certificate, 1995, pertaining to the support Whyte’s band gave to World War II’s 50th anniversary remembrance program.

Kachin Sound Instruments Within The Context Of The Kachin Baptist Convention Of Northern Burma: History, Classification, And Uses, Walter Brath

Masters Theses

This organology identifies and describes the Kachin's sound instruments, classifies them according to the Hornbostel-Sachs' system, and considers evidence of an indigenous classification scheme. Very little research exists to date on the music of the Kachin peoples of Northern Burma. This paper cites the only known indigenous organology and is the first English language study to extrapolate evidence into an emergent classification system. This qualitative study is based on ethnographic interviews, the minimal literature available on the topic, and participant observation drawn from fieldwork conducted in the Kachin State of Northern Burma (modern day Myanmar) during the months of May …

Volume 05, Ian Karamarkovich, Jessica Cox, Kyle Fowlkes, Allison Pawlowski, Kaitlin Major, Carrie Dunham, Kelsey Scheitlin, Kathryn Grayson, Ashley Johnson, Jennifer Nehrt, Kelsey Stolzenbach, Kristin Mcquarrie, Sara Nelson, Melisa Michelle, Jessica Sudlow, Perry Bason, Danielle Dmuchawski, Mariah Asbell, Matthew Sakach, Timothy Smith Jr., Annaliese Troxell, T. Dane Summerell, Sarah Ganrude, Malina Rutherford, Hannah Hopper, John Berry Jr., James Early, Colleen Festa, Chelsea D. Taylor, Michelle Maddox, Kaitlyn Smith, Sarah Schu, Cabell Edmunds, Katherine Grayson, Kayla Tornai

Incite: The Journal of Undergraduate Scholarship

Introduction from Dean Dr. Charles Ross

The Tallis House as an Extension of Emily Tallis in McEwan's Atonement by Ian Karamarkovich

Graphic Design by Jessica Cox

Graphic Design by Kyle Fowlkes

Graphic Design by Allison Pawlowski

Incorporating Original Research in The Classroom: A Case Study Analyzing the Influence of the Chesapeake Bay on Local Temperatures by Kaitlin Major, Carrie Dunham and Dr. Kelsey Scheitlin

Graphic Design by Kathryn Grayson

Graphic Design by Ashley Johnson

Facing the Music: Environmental Impact Assessment of Building A Concert Hall on North Campus by Jennifer Nehrt, Kelsey Stolzenbach And Dr. Kelsey Scheitlin

Art by Kristin …

Rosenbaum, Michael Owen, B. 1972 (Sc 853), Manuscripts & Folklife Archives

Manuscript Collection Finding Aids

Finding aid only for Manuscripts Small Collection 853. Narrative essay written by Michael Owen Rosenbaum, based on his father Mark Rosenbaum’s account of attendance at the Woodstock Festival in Bethel, New York, 16 August 1969, written for a Western Kentucky University United States history class, November 1990.

The Blessed Circle And Tales Of Woe, Susan Pickett

AWE (A Woman’s Experience)

A history of woman composers: The comprehensive history of music, revered as “The Grout,” fails to mention woman composers. Since 3000 B.C., over 6000 woman have composed alongside male colleagues; their work is largely neglected. There is a black hole of female composers. Despite praise and celebration during their lifetime, these women and their works are sucked out of history as though they never existed. Due to frantic and purposeful efforts, great composers like Marion Bauer, Carla Schumann, Elfrida Andrée, and Lousie Farrenc are receiving a second look at their works. There is a desperate rush to archive, gather, and …

America's Music: A Film History Of Our Popular Music From Blues To Bluegrass To Broadway, Booth Library

America's Music: Exhibit Booklet

Exhibit Dates

This exhibit was displayed at Booth Library January 11 - April 6, 2013

About the Exhibit

America’s Music: A Film History of Our Popular Music from

Blues to Bluegrass to Broadway brought together scholars, musicians, students and community members to gain new perspectives on American music, culture and history. The program featured screenings of documentary films on six uniquely American genres: blues and gospel, Broadway, jazz, bluegrass and country, rock ‘n’ roll, and mambo and hip hop. Scholars will gave presentations to contextualize the films and led discussions following the screenings.

Additionally, the programs included performances, panel discussions, …

Book Review: "Staging The French Revolution: Cultural Politics And The Paris Opera, 1789-1794", Wayne C. Wentzel

Scholarship and Professional Work – Arts

Dr. Wayne Wentzel's review of Mark Darlow, Staging the French Revolution: Cultural Politics and the Paris Opéra, 1789-1794. Oxford and New York: Oxford University Press, 2012. xi + 421 pp. Tables, illustrations, graphs, musical examples, bibliography and index. $ 65.00 (hb). ISBN 978-0-19-977372-5.