Music Commons^™

Advertisements; 2016-06-05, The Royal Serenaders Male Chorus

Advertisements for Events

No abstract provided.

Program; 2016-06-05, The Royal Serenaders Male Chorus

Concert & Event Programs

No abstract provided.

Die Meistersinger, New York City, And The Metropolitan Opera: The Intersection Of Art And Politics During Two World Wars, Gwen L. D'Amico

Dissertations, Theses, and Capstone Projects

In 1945, after a five-year hiatus, the Metropolitan Opera returned Richard Wagner’s Die Meistersinger von Nürnberg to its stage. It had been the only one of Wagner’s operas that had been banned during World War II, ostensibly because of its German nationalism and association with the Third Reich. But was it the German nationalism or Wagner’s own anti-Semitism that caused the unease? What resounded with the audiences? World War II stands at an historic cross roads in the reception of Die Meistersinger in America. This is where the present day “problem” with this work begins. The Metropolitan Opera’s decision created …

Instruments Of War: A Canadian Musician In A Rhode Island Regiment, Ryan M. Nadeau

The Gettysburg Compiler: On the Front Lines of History

Canada! America’s hat! Our friendly little brother to the north. The home of hockey and Tim Horton’s and your home, too, when that other political party elects their crazy candidate. All jokes aside, the United States has long had a close relationship with our northern neighbor, and the Civil War proved no exception. An estimated 30,000 to 50,000 Canadians fought during the war, typically on the side of the Union due to their geographic proximity and cultural sympathies. Of that number, approximately 5,000 were killed. [excerpt]

2nd Place Contest Entry: From A Chat In The Parlor To Viral Music Videos: An Analysis Of Music As A Social Occasion, Emma F. Plotnik

Kevin and Tam Ross Undergraduate Research Prize

This is Emma Plotnik's submission for the 2016 Kevin and Tam Ross Undergraduate Research Prize, which won second place. She wrote about the impact of salons on the musical world in past centuries, and created a modern virtual salon of her own.

Emma is a senior at Chapman University, majoring in Music with a minor in Law, Justice, and Social Control. Her faculty mentor is Dr. Jessica Sternfeld.

The Life Of The Factory? Or The Life Of The Farm? That Is The Question., Adam C. Mcelwain, Bethany Lutwin

Migration in Global Context Symposium

Abstract: The focus of this lesson on Global Migration is the emotion behind young women’s decision to leave for the city and work in the factory, or stay in their hometown. Both have an opportunity cost for a life that may be better. The essential question is “Is it better to be a factory girl who has emigrated to the city or a country girl living and working on a farm?” Students will examine the motivation behind leaving the country for a factory job in the city or staying behind and working in a rural setting like a farm. They …

Appalink, Appalachian Studies Association

Appalink

Appalink is the bi-annual newsletter for the Appalachian Studies Association.

Ua68 Arts & Letters :The Magazine Of Potter College At Western Kentucky University, Larry Snyder, Jr. Dean, Kelly Scott, Managing Editor, Andrew Mcmichael, Editor, Assistant Dean

PCAL Publications

No abstract provided.

Friends Of Musselman Library Newsletter Spring 2016, Musselman Library

Friends of Musselman Library Newsletter

From the Dean (Robin Wagner)

Library Receives 9/11 Commission Papers (Fred Fielding '16)

Library News

Digital Scholarship Fellows

From Paupers to Presidents

Fair Use Week

Reading About Race

Student Workers Save the Day (Nadia Romero Nardelli '19)

Life in the Fishbowl (Brittany Barry '17)

In Memory of Douglas R. Price; Former Aide to Eisenhower

Special Purchases

From the Piano Bench (Jay P. Brown ’51, Doug Brouder ’83, Julie Caterson ’84 and Mr. & Mrs. Michael Fiery)

Research Reflections: The Spirit of Gettysburg (Timothy Sestrick)

Gift of Art

Old Gettysburg Back to Thee (Jenna Fleming '16, Avery Fox '16, Melanie Fernandes …

Playing Bebop: Culture And Bebop’S Reciprocal Influence, Audra M. Deboy

Student Publications

Following the sweet, pleasant Swing era style music of the 1930’s, Bebop emerged within the United States as an aggressive, percussive, musician-focused style in the 1940’s. However, Bebop’s creation was not spontaneous. Its composers, John Birks Gillespie, Charlie Parker, and Thelonious Monk, wrote for the sake of the music itself as a form of self-expression, not as entertainment for an audience. Bebop’s dissonant sound expressed political and cultural frustrations, stemming from World War II and similarly shown in the early Civil Rights Movement. I will argue that not only did Bebop develop out of such conflicts, but in a reciprocal …

Volume 08, Meghan Enzinna, Casey Dawn Gailey, Raven Collins, Chiara Enriquez, Amelia Mcconnell, Alexander Morton, Emma Beckett, Leah G. Parr, Briana Adhikusuma, Taylor Embrey, Rowan Davis, Danielle Sisson, Bianca Cherry, Melissa Cacho, Chloe Woodward, Catherine Rollins, Carson Reeher, Landon Cooper, Haley Vasquez, Marlisha Stewart, Eric Whitehead, Sabrina Walker, James Bates

Incite: The Journal of Undergraduate Scholarship

Introduction from Interim Dean Dr. Jennifer Apperson

Indigenous Peoples and the Modern Era by Meghan Enzinna

"Who Says": How Selena Gomez and the Scene Attempt to Subvert the Popular Standards of Beauty by Casey Dawn Gailey

Art by Raven Collins

Meltdown on Social Media: Amy's Baking Company Meets Kitchen Nightmares by Nathena Haddrill

Art by Chiara Enriquez

Design by Amelia Mcconnell

Worth More Than a Thousand Words: A Visual Rhetorical Discussion of Virtual Reality by Examining "Clouds Over Sidra" by Alexander Morton

Design by Emma Beckett

The Sonata: An Analysis of Piano Sonata No. 14 in C Minor, K. …

Risd Cabaret 1987-2000 Retrospective Program, Agnieszka Taborska, Bill Newkirk, Risd Archives

RISD Cabaret 1987-2000 Retrospective

No abstract provided.

Risd Cabaret 1987-2000 Retrospective Poster, Agnieszka Taborska, Bill Newkirk, Risd Archives

RISD Cabaret 1987-2000 Retrospective

No abstract provided.

Risd Cabaret 1987-2000 Retrospective Program, Agnieszka Taborska, Bill Newkirk, Risd Archives

RISD Cabaret 1987-2000 Retrospective

No abstract provided.

Risd Cabaret 1987-2000 Retrospective Poster, Agnieszka Taborska, Bill Newkirk, Risd Archives

RISD Cabaret 1987-2000 Retrospective

No abstract provided.

Whitefield's Music: Moorfields Tabernacle, The Divine Musical Miscellany (1754), And The Fashioning Of Early Evangelical Sacred Song, Stephen A. Marini

Yale Journal of Music & Religion

Evangelical hymnody was the most significant form of popular sacred song in eighteenth-century Anglo-America. John and Charles Wesley built their Methodist movement on it, but little is known about the music of their great collaborator and eventual rival, George Whitefield (1714-1770). The essential sources of Whitefield's music are the development of ritual song at his Moorfields Tabernacle in London, his Collection of Hymns for Social Worship (1753) prepared for that congregation, and a little-known tunebook called The Divine Musical Miscellany (1754) that contains the first and definitive repertory of music known to be sung at Moorfields. This essay recovers Whitefield's …

Ua94/6 Gemini 15 Memories, Karen Mahaffey

Student/Alumni Personal Papers

Answers given by Karen Mahaffey to WKU Gemini jazz bands questionnaire in spring of 2016. See Gemini Jazz Bands online exhibit for more information.

Ua94/6 Gemini 75 Memories, Jeff Jones

Student/Alumni Personal Papers

Jeff Jones' answers to WKU Gemini jazz bands questionnaire. See Gemini Jazz Bands online exhibit for more information.

Musical Athleticism: Victorian Brass Band Contests And The Shaping Of Working-Class Men, Denise Odello

Music Publications

This essay examines the implications behind the brass band movement in the nineteenth and early twentieth century in Britain. The activity was encouraged by middle-class entrepreneurs as a social improvement exercise for the working class. The music was meant to refine their taste and prevent them from engaging in less desirable recreational activities; at the same time the competitive aspect of performances was seen as the best possible means to motivate improvement in musicians. While the activity was intended to promote middle-class musical values, as competitive practices developed a distinct musical tradition with values that deviated from the middle-class tradition …

Ua94/6 Gemini 14 Memories, Nancy Cron

Student/Alumni Personal Papers

Answers given by Nancy (Hill) Cron to WKU Gemini jazz bands questionnaire in spring of 2016. See Gemini Jazz Bands online exhibit for more information.

Le Pianiste: Parisian Music Journalism And The Politics Of The Piano, 1833–35, Shaena B. Weitz

Dissertations, Theses, and Capstone Projects

This dissertation examines the French music journal entitled Le Pianiste, published in Paris from 1833 to 1835. Through an analysis of the journal’s contents, it reconsiders the nature of music journalism and musical life in Paris at the time it was in print, focusing in particular on canon formation and the power of the press. Le Pianiste’s remarkably detailed descriptions and analysis of the French music world challenge long-held perceptions of the era about taste and reception history, yet it remains an unstudied document. While past work on the music press has focused on criticism and reception, this …

Le Concert Et La Tournée. Perspectives Sur La Direction De Concerts Albert Gutmann, Laetitia Corbière

Artl@s Bulletin

In the nineteenth-century, transformations in the musical economy led to the development of international tours, and the appearance of the first managers for artists. By analyzing the business strategies of Albert Gutmann in Vienna, Munich and Paris, this paper will show that such impresarios, in order to move from their local institutions to the international arena, had to adapt to the tastes and habits of each audience. Professional middlemen had a decisive influence on these aesthetic choices and, in the context of European tours, they contributed to the reassertion and strengthening of national identities on the musical stage.

Hex Workers: African American Women, Hoodoo, And Power In The Nineteenth- And Early Twentieth-Century U.S., Ann Kordas

The Journal of Traditions & Beliefs

No abstract provided.

Eliciting Acts As Cultural Reflectors In Wole Soyinka's Childe Internationale, Moji A. Olateju

The Journal of Traditions & Beliefs

No abstract provided.

Rest, Sweet Nymphs: Pastoral Origins Of The English Madrigal, Danielle Van Oort

Theses, Dissertations and Capstones

This thesis is an interdisciplinary study of the impact pastoral themes in art, literature, and music had on the stylistic and thematic development of the late-Renaissance English madrigal (ca. 1590–1620), specifically works by Elizabethan composers. Madrigals were profoundly influenced by poetry and visual art as the basis for text and subject matter. Consequently, many English madrigals, both light and serious forms, cultivated Arcadian themes presented in Italian idyllic art and literature of the late-fifteenth and early-sixteenth centuries. Works discussed throughout each chapter include Jacopo Sannazaro’s poetic collection, Arcadia (ca. 1489), Edmund Spenser’s seasonal eclogues, The Shepheardes Calender (1579), Oliver Isaac’s …

Ua94/6 Gemini 15 Memories, Pam Thurman

Student/Alumni Personal Papers

Pam (Livingston) Thurman's answers to WKU Gemini jazz band questionnaire. See Gemini Jazz Bands online exhibit for more information.

Ua94/6 Gemini 14 Memories, Nancy Pollard

Student/Alumni Personal Papers

Nancy (Baker) Pollard's answers to WKU Gemini jazz bands questionnaire. See Gemini Jazz Bands online exhibit for more information.

Ua94/6 Gemini 14 Memories, Karen Matchus

Student/Alumni Personal Papers

Karen (Warren) Matchus' answers to WKU Gemini jazz band questionnaire. See Gemini Jazz Bands online exhibit for more information.

Ua94/6 Gemini 15 Memories, Merry Herbert

Student/Alumni Personal Papers

Merry Herbert's answers to WKU Gemini jazz band questionnaire. See Gemini Jazz Bands online exhibit for more information.

The Living Dead: Anthropological Interpretation Of Rites Of Passage In Umuahia And Emure Ekiti, Oladosu O. Adebolu

The Journal of Traditions & Beliefs

No abstract provided.