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Full-Text Articles in Music

Spectacular Politics And Everyday Performance: Tracing Music From Ceauşescu’S Romania To Multicultural America, Benjamin Dumbauld Sep 2017

Spectacular Politics And Everyday Performance: Tracing Music From Ceauşescu’S Romania To Multicultural America, Benjamin Dumbauld

Dissertations, Theses, and Capstone Projects

Drawing from fieldwork conducted throughout the United States and Canada, this dissertation examines the continued performance of socialist-era music within the Romanian-American community. It addresses why a community largely made up of people who sought to leave the country during the authoritarian regime of Nicolae Ceauşescu continue to perform music tied to that period by tracing the historical performance and reception of multiple genres, ranging from traditional peasant music to folk rock. The dissertation begins by examining the nationalization of Romania’s music industry under the early socialist regime (1944-1965), and locates the difficulties Communist Party members confronted in delineating a …


Guide To The Sherwood Community Music School, College Archives & Special Collections Aug 2017

Guide To The Sherwood Community Music School, College Archives & Special Collections

Collection Guides / Finding Aids

This guide describes the organization and scope of the Sherwood Community Music School archival collection, housed within the College Archives & Special Collections at Columbia College Chicago. The Sherwood Music School opened in 1895 and has served as a degree-granting institution for musicians, a hub for the students of music distance education, and a community music school offering lessons and programs for musicians of all ages.


Guide To The William Russo Collection, College Archives & Special Collections Aug 2017

Guide To The William Russo Collection, College Archives & Special Collections

Collection Guides / Finding Aids

This guide describes the organization and scope of the William Russo archival collection, housed within the College Archives & Special Collections at Columbia College Chicago. William "Bill" Russo (1928-2003) was a composer, conductor, musician, teacher, and author; he was also the founder of the Chicago Jazz Ensemble at Columbia College Chicago, the founder and Director of Chicago Free Theater, and the director of High School Jazz Festival.


Inculturation Of Liturgical Music In The Roman Catholic Church Of Igbo Land: A Compositional Study, Benedict Nwabugwu Agbo Jul 2017

Inculturation Of Liturgical Music In The Roman Catholic Church Of Igbo Land: A Compositional Study, Benedict Nwabugwu Agbo

Journal of Global Catholicism

A study of inculturation, composition and music among Catholics in Igboland, Nigeria. The article insects with contemporary discussions of inculturation/enculturation after Vatican II and the recommendation of St. John Paul II in his Ecclesia in Africa.


Music And Race In The American West, William Steven Schneider Jul 2017

Music And Race In The American West, William Steven Schneider

Dissertations and Theses

This thesis explores the complexities of race relations in the nineteenth century American West. The groups considered here are African Americans, Anglo Americans, Chinese, Mexican Americans, and Native Americans. In recent decades historians of the West have begun to tell the narratives of racial minorities. This study adopts the aims of these scholars through a new lens--music. Ultimately, this thesis argues that historians can use music, both individual songs and broader conceptions about music, to understand the complex and contradictory race relations of the nineteenth century west.

Proceeding thematically, the first chapter explores the ways Anglo Americans used music to …


Evolution Of The Cello In Music, Joshua Propst Jun 2017

Evolution Of The Cello In Music, Joshua Propst

Mahurin Honors College Capstone Experience/Thesis Projects

With this project, I have studied cello music written throughout many of the major musical eras in an attempt to discover the cello, specifically regarding playing style, technique, and tonal ability. The composers included in this project are Bach, Haydn, Dvořák, Pärt, and Amanti. Most of the major musical styles are represented, with a focus on baroque, classical, romantic, minimalism, and jazz. I performed this wide variety of pieces at my Senior Recital for the Western Kentucky University (WKU) Music Dept. The goal of the recital was to showcase the rich musical history of the cello and how cello composition …


Gustave Vogt's Musical Album Of Autographs: A Scholarly Edition, Kristin Leitterman Jun 2017

Gustave Vogt's Musical Album Of Autographs: A Scholarly Edition, Kristin Leitterman

Dissertations, Theses, and Capstone Projects

Gustave Vogt (1781–1870) was the most famous oboist in Europe during the mid-nineteenth century. Throughout his career he played with the best orchestras in Paris, toured Europe widely, and also taught the next generation of oboists at the Paris Conservatoire from 1802–1853. Although many of the details of his life have been lost to history, he did leave behind a record of the esteem in which he was held. This is preserved physically in the form of an album of short musical compositions honoring Vogt, collected between 1831 and 1859. The album has never been published, and is in the …


Reimagining The Collective: Black Popular Music And Recording Studio Innovation, 1970-1990, Will Fulton Jun 2017

Reimagining The Collective: Black Popular Music And Recording Studio Innovation, 1970-1990, Will Fulton

Dissertations, Theses, and Capstone Projects

This dissertation examines developments in the production practices of black popular music in the recording studio from 1970 to 1990. The year 1970 marked a transition in the recording practice of popular music that had a distinct impact on styles marketed as R&B, soul, and funk. Multitracking in the 1950s and 1960s had paved the way for a transformed production process, one initiated by Les Paul’s and Sidney Bechet’s overdubbing experiments in the 1940s. The collective sound of instrumentalists and vocalists heard on records no longer resulted from live-to-tape recordings of group performances, but was increasingly the product of constructed …


Eighteenth Century Women And The Business Of Making Glass Music, Kate M. Hepworth Jun 2017

Eighteenth Century Women And The Business Of Making Glass Music, Kate M. Hepworth

History

During the relatively short period from the mid-to-late eighteenth century when glass musical instruments were manufactured and gained popularity, several women made names for themselves in the realm of avant-garde musical performance. The lives of three female glass instrument players: Anne Ford, Marianne Davies, and Marianne Kirchgassner, show how these successful performer-entrepreneurs operated in an age of emerging feminine public identity. Their journeys reveal much about the gender dimensions of the age, the role of music in the modern era, the consumption of it, and their approach to business. The financial opportunities presented to women looking to challenge the limitations …


Program; 2017-05-28, The Royal Serenaders Male Chorus May 2017

Program; 2017-05-28, The Royal Serenaders Male Chorus

Concert & Event Programs

No abstract provided.


Carpenter, Howard R., 1919-2016 (Mss 613), Manuscripts & Folklife Archives May 2017

Carpenter, Howard R., 1919-2016 (Mss 613), Manuscripts & Folklife Archives

Manuscript Collection Finding Aids

Finding aid only for Manuscripts Collection 613. Manuscript orchestral music for several pieces composed by Howard R. Carpenter, a music professor at Western Kentucky University from 1953 to 1984.


Who Benefits From Blackness? The White Compulsion For Capital, Akira Milligan May 2017

Who Benefits From Blackness? The White Compulsion For Capital, Akira Milligan

Cultural Studies Capstone Papers

This project will examine the change in representations of blackness and black character in commercially successful hip hop music through music videos directed by Hype Williams from 1995 to 2005. This research will use a womanist approach to address the significant historical influence of storytelling in the black narrative and how the emerging concepts of hypermasculinity and the degradation of the black body have seemingly become the new normal. These concepts largely contribute to the negative stereotypical perceptions of black identity that keeps black bodies marginalized because there is little diversity in the public representations of blackness while there exists …


“Ain’T It A Pretty Night?”: An Analysis Of Carlisle Floyd’S Susannah As An Allegory For The Socio-Political Culture Of The United States In The 1950s, Melissa L. Allen May 2017

“Ain’T It A Pretty Night?”: An Analysis Of Carlisle Floyd’S Susannah As An Allegory For The Socio-Political Culture Of The United States In The 1950s, Melissa L. Allen

Senior Honors Projects, 2010-2019

This capstone thesis discusses the applicability of Carlisle Floyd’s 1955 opera, Susannah, as an allegory for the socio-political climate of the United States in the 1950s. In order to do so, a musical analysis of the opera’s score was then performed for its use of folk song conventions and verismo operatic conventions. The libretto was analyzed for the use of social conventions of Southern Appalachia. Characters actions and musical content were then judged on whether (1) their actions were in line with the social conventions of traditional Appalachian culture and (2) if their musical content used/reflected conventions of traditional Appalachian …


The Music And Politics Of Willy Chirino, Nancy N. Balcziunas May 2017

The Music And Politics Of Willy Chirino, Nancy N. Balcziunas

Honors College Theses

Cuban musician and singer Willy Chirino, the self-proclaimed inventor of the “Miami Sound,” was sent to the United States as a teenager in the 1960s under Operation Pedro Pan to escape the influence of Fidel Castro's communist regime. Throughout his career, he has used his music to spread a personal and political agenda; his rejection of communism and the Castro regime can be seen through his song lyrics, humanitarian efforts, and direct engagement in the world of politics.


Love Sick The Musical - A Reflection Of My Undergraduate Studies, William Kelly May 2017

Love Sick The Musical - A Reflection Of My Undergraduate Studies, William Kelly

Senior Theses

No abstract available


"An Alphabet Of Soldiers”: Jake Heggie’S Farewell, Auschwitz, Lori Jo Guy May 2017

"An Alphabet Of Soldiers”: Jake Heggie’S Farewell, Auschwitz, Lori Jo Guy

Dissertations

For the past 18 years, the non-profit organization Music Of Remembrance has worked to remember the Holocaust through concerts, education events, and by recording and commissioning new works. One such work, entitled Farewell, Auschwitz, premiered in May of 2013.

Farewell, Auschwitz is a unique composition for several reasons. One reason is that the poetry for the songs was adapted from lyrics written by Krystyna Żywulska, a Polish Jew, imprisoned at the Auschwitz-Birkenau concentration camp. In the camp, she began creating poetry and songs in reaction to the horror that surrounded her. Her poetry is a commentary on the daily …


Grand Solo Op.14 & Rondo Op2. N3: The Sonority Of The Classical Era, Hugo Maia Nogueira May 2017

Grand Solo Op.14 & Rondo Op2. N3: The Sonority Of The Classical Era, Hugo Maia Nogueira

UNLV Theses, Dissertations, Professional Papers, and Capstones

During the early nineteenth-century, the writing for classical-guitar elevated the instrument to

the solo concert stage. The appearance of the six-string guitar changed guitar writing.1 With this new

instrument, guitarists had an array of new possibilities to explore in terms of sound and technique.

Fernando Sor (1778-1839) and Dionisio Aguado (1784-1849) were the main artists promoting and

advocating the six-string guitar as a serious concert instrument in Spain.2

This document will focus on two guitar masterworks: Fernando Sor's Grand Solo Op.14 and

Dionisio Aguado's Rondo Op2. N3. It will explain why Grand Solo Op.14 and Rondo Op2. N3 can

synthesize …


Songs Of The Cajuns: A History And Analysis Of Joie De Vivre: Five Impressions Of Acadian-America, Wendy Kay Moss May 2017

Songs Of The Cajuns: A History And Analysis Of Joie De Vivre: Five Impressions Of Acadian-America, Wendy Kay Moss

UNLV Theses, Dissertations, Professional Papers, and Capstones

My exploration of Cajun song, from its origins as a French ballade into popular American song, will reveal the musical characteristics of Cajun music. My study’s purpose is to increase ones understanding of the history of Cajun song and its music, and then determine why it is missing from the canon of American song repertoire. My study will include an analysis, performance and recording of Cajun song settings composed and arranged by Arles Estes. My investigation will research five traditional Cajun songs as they pertain to Estes’ settings in order to broaden the roots of American song literature and enhance …


Experience And Enjoy Therapeutic West African Drumming, Danny S. Daniels Mar 2017

Experience And Enjoy Therapeutic West African Drumming, Danny S. Daniels

National Youth Advocacy & Resilience Conference

This presentation is designed to introduce the benefits of a therapeutic West African drumming program to educators and mental health professionals. Participants will engage in a basic drumming class where they will experience the academic and socio-emotional benefits of drumming while practicing an African rhythm. How to relate American School Counselor Association (ASCA) standards as well as Georgia Performance Standards (GPS) and Common Core Georgia Performance Standards (CCGPS) will be explained and demonstrated by the presentation facilitators.


Rs-Obit; 2017-03-01; Mathis, Roy (C), The Royal Serenaders Male Chorus Mar 2017

Rs-Obit; 2017-03-01; Mathis, Roy (C), The Royal Serenaders Male Chorus

Obituaries

No abstract provided.


Rs-Obit; 2017-03-01; Mathis, Roy (B), The Royal Serenaders Male Chorus Mar 2017

Rs-Obit; 2017-03-01; Mathis, Roy (B), The Royal Serenaders Male Chorus

Obituaries

No abstract provided.


Rs-Obit; 2017-03-01; Mathis; Roy (A), The Royal Serenaders Male Chorus Mar 2017

Rs-Obit; 2017-03-01; Mathis; Roy (A), The Royal Serenaders Male Chorus

Obituaries

No abstract provided.


Lane, Thomas Sylvester, 1858-1942 (Sc 3083), Manuscripts & Folklife Archives Jan 2017

Lane, Thomas Sylvester, 1858-1942 (Sc 3083), Manuscripts & Folklife Archives

Manuscript Collection Finding Aids

Finding Aid only for Manuscripts Small Collection 3083. Memo book containing information about singing schools[?] established in Edmonson and Warren counties in Kentucky. Includes a photograph of Thomas Sylvester Lane and his wife Ella Zade (Houchin) Lane.


Guest Editor's Introduction, Sherlynn Allen-Harris Jan 2017

Guest Editor's Introduction, Sherlynn Allen-Harris

The Journal of Traditions & Beliefs

No abstract provided.


Acknowledgments And Disclaimer, Regennia N. Williams Jan 2017

Acknowledgments And Disclaimer, Regennia N. Williams

The Journal of Traditions & Beliefs

No abstract provided.


2018 Call For Submissions, Regennia N. Williams Jan 2017

2018 Call For Submissions, Regennia N. Williams

The Journal of Traditions & Beliefs

No abstract provided.


"United We'll Win Our Stand": The Role Of Focalization In Representing Solidarity In The Anthems Of Three Holocaust Concentration Camps, Hillary Louise Herold Jan 2017

"United We'll Win Our Stand": The Role Of Focalization In Representing Solidarity In The Anthems Of Three Holocaust Concentration Camps, Hillary Louise Herold

Theses, Dissertations and Capstones

Concentration camps during the Holocaust were populated by various groups of people imprisoned for reasons that were not always associated with religious beliefs. This diversity led to a natural segregation among these groups of prisoners, dependent upon the prisoner’s nationality, the camp’s classification, and its date of establishment. Because of overwhelming feelings of isolation in the majority of the prisoners, it was common to turn to music and music making as means of creating solidarity between the prisoners for survival of their day-to-day experiences. Some works became popular to such an extent through their performances by both prisoners and SS …


Belsen Silence, Monica Gil Jan 2017

Belsen Silence, Monica Gil

Geifman Prize in Holocaust Studies

I often look to text for musical inspiration, and after searching through swaths of Holocaust poetry online, I discovered "Belsen Silence" by Iolo Lewis. Its message is less graphic than some of the other texts I found, but that in no way detracts from its power of emotion. It is about looking back, tending to old wounds that are no longer fresh but are still healing. The Holocaust may have happened over fifty years ago, but it is still relevant, even alarmingly so at times. Today's reflections on yesterday's shortcomings are arguably the only way we learn, and that is …


The "Noble Savage" In American Music And Literature, 1790-1855, Jacob Mathew Somers Jan 2017

The "Noble Savage" In American Music And Literature, 1790-1855, Jacob Mathew Somers

Theses, Dissertations and Capstones

In the aftermath of the War of 1812, America entered a period of unprecedented territorial expansion, economic growth, and political unity. During this time American intellectuals, writers, and musicians began to contemplate the possibility of a national high culture to match the country’s glorious social and political achievements. Newly founded periodicals urged American authors and artists to adopt national themes and materials to replace those imported from abroad, and for the first time Americans began producing their own literary, artistic, and musical works on a previously inconceivable scale. Though American writers and composers explored a wide range of “national themes,” …


Women's Hit Cheating Songs: Country Music And Feminist Change In American Society, 1962-2015, Madeline Rachel Morrow Jan 2017

Women's Hit Cheating Songs: Country Music And Feminist Change In American Society, 1962-2015, Madeline Rachel Morrow

Electronic Theses and Dissertations

This thesis examines songs about cheating performed by women in country music that appeared on year-end country songs charts in Billboard magazine from 1962 through 2015. The study of a total of fifty qualifying songs included a focus on their lyrical and musical content, the performers' personae and careers, and the way the particular outside factors of feminism and changing gender relations in American society may have influenced them. These songs do not show a purely linear progression of or emphasis on social change, in spite of country music's pride in conveying the truth about the lives of its songwriters, …