Music Commons^™

Program; 1950-03-26, The Royal Serenaders Male Chorus

Concert & Event Programs

No abstract provided.

Volume 68, Number 03 (March 1950), John Briggs

The Etude Magazine: 1883-1957

Richards Strauss . . . Conducting is a Difficult Business

Modern Piano Musical Metaphysics . . . Its Cause and Cure

How to Build a Voice Psychologists

Evaluate Music

So You Want to be a Piano Teacher

Structure of Music Clarence Dickinson—Pioneer of Church Music

Let's Simplify the Liebestraum Cadenzas Master Lesson on Brahms' Intermezzo in E-Flat Major, Op. 117,

No. 1 Musical Medicos

For TV Thrillers

Volume 68, Number 02 (February 1950), John Briggs

The Etude Magazine: 1883-1957

Oklahoma Wizard

What Chopin Really Thought of Liszt

Record Your Performances . . . On a High Note: The Secret of Free, Effortless Top Tones—A Studio Tested Formula

Opera Isn't Dead

Volume 68, Number 01 (January 1950), John Briggs

The Etude Magazine: 1883-1957

Social Implications of Piano Study: Leadership, Cooperation, Self-Confidence—These Benefits of Piano Training Make For a Well-Adjusted Personality

Ballet . . . A New Freedom

How to Choose a Violin

Don't Take Your Music Too Seriously (interview with Alec Templeton)

What is Your Vocal Problem?

Ninety We Lose: Children Aren't Little

Men and Women—Look at Piano Lessons from Their Point of View

Musician's Worst Enemy—The Common Cold

Voices Aren't Made . . . They Grow

What Music Teachers Forget to Teach

My First Big Opportunity (interview with Mario Lanza)

How to Play a Melody

Sherwood Music School Annual Catalog 1950-1951, Sherwood Music School

Academic Catalogs

The 1950-1951 Annual Academic Catalog for Sherwood Music School, featuring information about the School, its affiliated branches' purpose and locations, images of student and campus life, department descriptions, biographical information about and images of faculty, course and program descriptions, information about student services, and tuition information.

News-1950s-Pic, The Royal Serenaders Male Chorus

Newspapers

No abstract provided.

News-1950s-Pic&Names, The Royal Serenaders Male Chorus

Newspapers

No abstract provided.

9/9/1949 Letter From Armando Tosh, Armando Tosh

Correspondence 1938-1964

Handwritten letter from Armando Tosh to Charlotte Michaud, 9/9/1949. Letter includes lyrics to a song about Maine.

Study Of Performance Of County Scholarship Students At Indiana State Teachers College For The Ten Year Period Ending June 1949, James H. Watts

All-Inclusive List of Electronic Theses and Dissertations

No abstract provided.

54th Annual Commencement, Sherwood Music School

Commencement Programs

Program for the Sherwood Music School 54th Annual Commencement at Orchestra Hall (220 South Michigan Avenue) held on June 17, 1949.

An Analysis Of The Mathematical Vocabulary As Found In The Textbooks Of The Required Courses In General Education At Indiana State Teachers College, Lois Frances Bateman

All-Inclusive List of Electronic Theses and Dissertations

No abstract provided.

John Galsworthy's Theory Of The Novel, Mary Mcknight

All-Inclusive List of Electronic Theses and Dissertations

No abstract provided.

A Follow-Up Study Of The Business Education Graduates Of Wiley High School, Terre Haute, Indiana, 1935-1948, Norman L. Darrow

All-Inclusive List of Electronic Theses and Dissertations

No abstract provided.

Volume 67, Number 12 (December 1949), James Francis Cooke

The Etude Magazine: 1883-1957

When Christmas Comes (poem)

Handbells—Ancient Art Revived

Sing Ho for Christmas

I Learned To Sing By Accident (interview with Mario Lanza)

Swing Into Your Tone

Don’t Plan To Be a Conductor! (interview with Ernest Ansermet)

Why Do We Call Them Carols?: Songs of Christmas Link Today with the Ancient Past

It's the Same Old Claque: Then and Now—New York or Paris—

Relax and Improvise! (interview with Grace Castagnetta)

Concerning Spiccato, Sautille Arpeggios and Articifial Harmonics

Does Your Band Play in Tune?

What Is Your Vocal Problem?

Organ Practice and How To Get It

Master Lesson On the Sarabande and Bourrées …

Your Gretsch Guitar Guide, 1949, Gretsch Company

Gretsch Company Catalogs & Price Lists

This guide details how to care for your guitar and includes some annotations for its later reprinting.

Carlos Chávez: Exponent Of Nationalism, Katharine Ferris Nutt

History ETDs

The purpose of this thesis is to present an account of the endeavors of Carlos Chávez to reveal Mexican nationalism through music. The study begins with a brief survey of Mexico's history with emphasis upon the presence of caciquismo and caudillismo. Politically, Mexican nationalism is a blend of the dynastic nationalism of sixteenth century Spain and the popular nationalism of the late eighteenth century. Ethnologically, Mexican Nationalism includes elements of Spanish, Indian, and mestizo culture. During the century following Independence as well as during Spanish domination the art and music of both Indians and mestizos were thrust aside in favour …

Volume 66, Number 12 (December 1948), James Francis Cooke

The Etude Magazine: 1883-1957

Little Lights of Christmas (Poem)

Sibelius Today: A Flight to Helsingfors to Visit Finland's Master Including a Conference with the Composer of Finlandia

Musical Christmas of Yesteryear

Theodore Presser (1848-1925): Educator, Publisher, Philanthropist Centenary Biography, Part 6

Mania for Speed by Performers of Music

Christmas Music—A Universal Language

Test Your Teaching Methods

Great Russian Music of Yesterday (interview with Alexander Tcherepnine)

My First Day at the Conservatoire de Paris

Igor Stravinsky and the Greek Tragedy

Music Means Joy in Chinese: The Chinese Cultural Theater Group Affords an Opportunity for Americans to Learn of Cathay

Comeback—Words and Music

A Survey Of The Status Of The Male Physical Education Teachers In Indiana For The Year Of 1947-1948, Charles M. Berberich

All-Inclusive List of Electronic Theses and Dissertations

No abstract provided.

A Survey Of The Status Of The Male Physical Education Teachers In Indiana For The Year Of 1947-1948, Charles M. Berberich

All-Inclusive List of Electronic Theses and Dissertations

No abstract provided.

Program; 1948-06-20, The Royal Serenaders Male Chorus

Concert & Event Programs

No abstract provided.

53rd Annual Commencement, Sherwood Music School

Commencement Programs

Program for the Sherwood Music School 53rd Annual Commencement at Orchestra Hall (220 South Michigan Avenue) held on June 18, 1948.

The Voice Of The Phi Sigma -- 1948 --, Phi Sigma

The Voice of the Phi Sigma

This item is part of the Phi Sigma collection at the College Archives & Special Collections department of Columbia College Chicago. Contact [email protected] for more information and to view the collection.

Sherwood Music School Annual Catalog 1948-1950, Sherwood Music School

Academic Catalogs

The 1948-1950 Annual Academic Catalog for Sherwood Music School, featuring information about the School, its affiliated branches' purpose and locations, images of student and campus life, department descriptions, courses of study, course descriptions, student services, and biographical information about and images of faculty.

Les Petits Chanteurs De St. Pierre Photograph, Franco-American Collection

Franco-American Music Traditions Exhibit

c.1948-1949

The Pastime Snowshoe Club Drum And Bugle Corps Photograph, 1948-49, Franco-American Collection

Franco-American Music Traditions Exhibit

This parade for a snowshoe festival in Lewiston’s Kennedy Park, shows an ice palace in the background. Bert Dutil is in the front row playing the glockenspiel. Bert Dutil, his grandfather Louis Sr. (“Pitou”), father Armand, and uncles Raymond and Louis Jr. Were known as “The Snowshoe Family” for their involvement in the International Snowshoe Union. The three sons of Pitou formed a drum and bugle corps associated with the Pastime Social Club (Le passe Temps) in Lewiston. The Pastime Drum and Bugle Corp was the first to introduce the glockenspiel and color guard. Bert Dutil, who joined the snowshoe …

Volume 65, Number 12 (December 1947), James Francis Cooke

The Etude Magazine: 1883-1957

Christmas Down (Poem)

Silent Night, Holy Night!

America's Great Peace Hymn: The Story of America, the Beautiful and Its Composer, Samuel A. Ward

Amazing Subterranean Oratorio Performance: An Astonishing Account of a Notable Concert 750 Feet Underground in a Fabulous American Cavern Fairyland

Keep It Natural! (interview with Eileen Farrell)

Revival of the English Carol

What Gives a Violin Tone?

Joyous Mendelssohn (1809-1847): An Anniversary Sketch of the Brilliant Career of Felix Mendelssohn

Young People in Music (interview with Malcolm Sargent)

What the Singer Needs for a Career in Radio (interview with Jane Wilson)

A Study Of The Attitudes Of Boys In The Terre Haute High Schools Toward Their Physical Education Programs, Searle Truman Proffitt

All-Inclusive List of Electronic Theses and Dissertations

No abstract provided.

52nd Annual Commencement, Sherwood Music School

Commencement Programs

Program for the Sherwood Music School 52nd Annual Commencement at Orchestra Hall (220 South Michigan Avenue) held on June 20, 1947.

L'Orpheon Lewiston City Hall Photograph, 1947-1948, Franco-American Collection

Franco-American Music Traditions Exhibit

Alexis J. Cote is a celebrated music director who taught in the Lewiston school system for over 20 years and later as the director of the vocal music program in the Portland school system for over 15 years. He was the choral director and church organist at St. Louis Parish in New auburn and organist and choir director at the Catholic Cathedral of the Immaculate Conception in Portland. Since 1940, he has served a director of L’Orpheon. The group continues to perform programs in French, English, and Latin.

Row 1: Maurice Champoux, Conrad Doucette, Gilbert, (unidentified), Gerard Lajoie, Roland Mutty, …

The Technical Development Of The Oboe As Shown Through The Literature Of The Instrument From The Eighteenth Century To The Present, Janet A. Degroote

University of the Pacific Theses and Dissertations

In a brief survey of this history of the oboe, it is necessary to return to primitive instruments. It is impossible to give a definite date at which the oboe may have originated, but Schwartz, in this Story of Musical Instruments, accepts the periond of the Fourth Dynasty in Egypt, or about 3700 B.C., as the date of the oldest specimens of the early forms.¹ We also know of their existence in the Mesopotamian culture of 2800 B.C. A shrill, double-reed instructment with some finger-holes is known to have exited in Greece about 1500 B.C., when that civilization was …