Music Commons^™

Slingerland Drums Tympani And Accessories, Catalog No. 555, Slingerland Drum Co.

Slingerland Drum Company

No abstract provided.

Methods In Environmental Studies, Erika Dunagan, Maya Mendoza, Posey Graber, Alex Cullins, Emma Mcginnis, Ally Nepomuceno, Isabella Buchan

Featured Student Work

This publication is a collection of undergraduate research conducted in the Methods in Environmental Studies course at the University of San Francisco in Fall 2024. The student-led projects explore the intersections of place, policy, ecology, and cultural identity through applied environmental research methodologies. Topics include a decolonial examination of the Forest Park Mound Group and Indigenous resilience in St. Louis; a comparative study of Navajo cosmology and ecological justice; a social and environmental impact assessment of Costa Rica’s National Decarbonization Plan; a psychogeographical analysis of Golden Gate Park and its impact on the psyche, emotions, behaviour, and health of urban …

The Grateful Dead: An Imperfect Symbol Of The Hippie Movement, Vanessa Sharfe

Masters Theses & Specialist Projects

The emergence of the band, the Grateful Dead, took San Francisco by storm in the 1960s as the hippie counterculture movement increased in popularity in the United States. The Grateful Dead’s career spanned thirty years from 1965 to the passing of their lead singer, Jerry Garcia in 1995. My work will focus on the political and social context of the 1960s and 1970s because the time period was shaped by major political issues and events that influenced the ideologies of the various protest movements such the Free Speech Movement, the Civil Rights Movement, and controversial topics such as the Hell’s …

How Schubert’S 9th Symphony (“The Great”) Serves As A Turning Point For The Orchestral Trombone, Tim Mccord

Bakerman Student Research Awards

No abstract provided.

U2: Lyrical Messages Beyond Sex, Drugs, And Rock And Roll In America During The 1980s, Kaleigh Kropidlowski

The Exposition

No abstract provided.

Outlaw Country Chronicles: Rebels, Roots, And Cultural Change, Ashleigh Diane Howell

Doctoral Dissertations and Projects

Music provides lyrics and symbols to express art within the society. The goal of this research project is to examine the outlaw movement in the country music genre to study the connection of the working-class American culture to the music. Additionally, the purpose of this project is to establish the strong relationship of folk genre and country music as an endeavor to provide authentic lyrics that reach into the past to reflect the experiences of the changes in the present. The outlaw movement in the country music genre provided a unique capture through the lyrics and reflection to the culture …

Singing Petrarch In The Cinquecento: Embodied Reading And The Italian Madrigal, Thomas A. Hedrick Iii

Dissertations, Theses, and Capstone Projects

This dissertation examines how composers of sixteenth-century Italian madrigals highlighted poetic line rhythm, repeated vowel sounds (or assonance), and word repetition in figures of speech—all elements of the verse that have been previously overlooked by scholars, who have traditionally focused on musical depictions of the text’s semantics. The analysis in chapters 2, 3, and 4 shows that composers used a consistent set of techniques from the madrigals of Arcadelt to those of Monteverdi, and musical examples draw from large collection of madrigals on Petrarch sonnets. The analytical methodology is built on the premise that Cinquecento encounters with poetry can be …

Come As You Are: The Rise And Fall Of The Grunge Movement And Its Implications On The Identity Of Seattle, Colin J. Wood

Montview Journal of Research & Scholarship

This paper evaluates the rise of the Grunge movement through Nirvana’s Nevermind album as a unique burst of culture through the city of Seattle. Culturally, in the late 20th century, Seattle found its identity in the area around it, though other American cities overshadowed its significance. Through music, figures such as Jack Endino and the iconic Kurt Cobain gave Seattle an unfathomable uplift within global culture. This paper argues that grunge culture emerged as a distinct facet of Seattleite identity, with elements like flannel clothing and thrifting playing pivotal roles in shaping the city's recognizable and esteemed cultural landscape. It …

Shake Ya Ass, But Watch Yourself: An Intersectional And Decolonial Approach To Exploring The Sexualization Of Female Recording Artists And The Empowerment Of Women In The United States, H.B. Rebeka

Dissertations

This dissertation, titled Shake Ya Ass, But Watch Yourself: An Intersectional and Decolonial Approach to Exploring the Sexualization of Female Recording Artists and the Empowerment of Women in the United States, critically examines the phenomenon of sexualization of women in the music industry and its impact on female empowerment. Through an intersectional and decolonial feminist lens, the study delves into the historical and socio-cultural contexts that shape the portrayal and perception of female recording artists in the United States.

The research traces the roots of feminism and the commodification of racial stereotypes through music, exploring how female empowerment has been …

The Migration Of South Asians From India To Guyana: The Journey, Struggles In A New Land, Reasons For Changes Over Time And Their Cultivation Of A New Culture., Cynthia C. Harry

Dissertations, Theses, and Capstone Projects

Indians from different regions of India arrived in Guyana through indentureship in 1838. They were under a five-year contract and had to work on the sugar plantations for the duration of their indentureship. While they tried to persist their Indian culture, assimilation in their new environments and interaction with people of different cultures, allowed them to develop a culture unique to Indo Guyanese heritage.

This thesis focuses on the history of Indian diaspora in Guyana. It evokes the struggles they faced on the ships, and during and after indentureship. It also touches on the political and racial issues they had …

It's Disco, Baby: Queer Possibilities And Conservative Outrage, Lottie Bromham

University Honors Theses

From 1974 to 1979, disco music was a cultural phenomenon, gracing radio airways and dance clubs across the United States. Just as disco music reached peak popularity, growing disapproval from rock fans and other Americans who saw the genre and scene as overly lavish, too effeminate, and too racially inclusive, forced disco out of American mainstream favor. This paper proposes a viewpoint that contextualizes disco culture as integral to the lives of queer people in New York City, analyzes the prejudices that accompanied the anti-disco movement, and situates the mainstream death of disco as an early cultural consequence of America's …

Generational Awareness Of Folk Figures In The American Midwest, Addison L. Jensen

Honors Thesis

The popular folklore of a region can clearly reflect how its citizens understand themselves and their nation. The goal of this study was to determine the number of individuals who can be considered “well-versed” in traditional folklore and to speculate on the possible reasons for the differences in recognition that arise. Five figures (Johnny Appleseed, John Henry, Paul Bunyan, Annie Oakley, and Rip Van Winkle) were selected to serve as a representative sample of folk characters that have been historically significant to the country. An online survey of 279 Midwesterners and interviews with various age groups in South Dakota, found …

Researching & Designing Marketing Materials For Rachel Messer & Connor Dale, Isabelle Bauer

Honors Projects

Isabelle Bauer’s Honors Project, “Researching and Designing Marketing Materials for Rachel Messer and Connor Dale” is split into two components. First, the research paper titled "The American West as a Cultural Phenomenon" explores the fascination with the American West and its integration into various aspects of American culture, particularly in music, film, and art. The essay discusses the historical significance of the West and its transformation into a cultural obsession. Focusing on the resurgence of Western aesthetics in modern country music, the project’s second component involves the creation of marketing materials for country artists Rachel Messer and Connor Dale.

The …

Book Review: Something In The Water: A History Of Music In Macon, Georgia, 1823-1980, Timothy Cole Hale

Georgia Library Quarterly

No abstract provided.

Bedeviled Beauty: My Journey Through White American Theater Institutions, J'Aila C. Price

LSU New Orleans Theses and Dissertations

Game console: Oculus Quest

World: American Theater Institutions

Player: Minority

Place: United States

Level: “Ain’t no way.”

This thesis explores the contrast between the Westernized philosophies ingrained in my education and my identity as a Black female artist. It sheds light on the difficulties of pursuing higher education in the arts and the gaps that arise from limited exposure to culturally diverse Black resources, revealing the systemic issues in Western performance education. The paper also discusses the insights gained from my journey as a Black female artist, focusing on my thesis performance of Blood at the Root, which is …

Sonic Salvation: A Neuroscientific Exploration Of Music's Role In Cultural Preservation In The Wake Of The Holocaust, Regan K. Recklaus

Geifman Prize in Holocaust Studies

As easy as it would be to begin this essay with a succinct “music is” statement (e.g. “music is life” or “music is power”), it would be akin to encapsulating the boundless expanse of the cosmos in a single photograph. It would fail to honor the immeasurable richness and complexity of the force which has transformed humanity from a group of disparate apes into a symphony of interconnected souls. For all of history, music has served as a means for humans to tap into and express the very things that make them human—their emotions, culture, and individual identities. Its profound …

Arnaud Préot: Teacher, Composer, And President, Melonee Gray

Spring Showcase for Research and Creative Inquiry

Arnaud Préot (1818-1873) was the 8th president of Longwood University. He served between the years 1863-1869 and ran the institution during the Civil War. A Frenchman, Préot immigrated to America at the age of 19. In America, he served as a professor of language and music, and eventually served as president at three female colleges. Additionally, he composed music, including several piano compositions and many vocal pieces. His works are reflective of both the classical period and the French style. In this essay, two of his piano compositions and one of his vocal pieces are analyzed and discussed. Préot's pieces …

El Nacimiento Del Rock En Español: ¿Cómo Fue Que Este Género De Música Latina Tuvo Éxito?, Alejandro V. Martinez

World Languages and Cultures

This paper titled El nacimiento del rock en español: ¿Cómo fue que este género de música latina tuvo éxito? will cover information regarding the Spanish rock movement. This essay compares what is written in this paper to that of prior scholars to show that although they do bring valid points, there is a lot more than many of us realize. There are various articles and reports written about the movement, but many do not explain the creation of the movement, let alone its survival in the music industry as a new genre that some had never heard of or had …

Distortion And Subversion: Punk Rock Music And The Protests For Free Public Transportation In Brazil [Book Review], Mariel Acosta

Publications and Research

Around the year 2003 some friends and I from “el way,” the self-referential youth slang the alternative music scene and subculture members used in the Dominican Republic, started attending meetings for the youth political group Juventud Rebelde at the borrowed backyard of the left-wing political party Fuerza de la Revolución. The yard had a gazebo-like structure with a cemented floor and a zinc roof under which foldable chairs were arranged in a circle. There we participated in multigenerational study groups to discuss radical communist and anarchist texts in relation to current political issues, we heard talks and report backs …

Sacred A Cappella Composition In France From Pius X To Vatican Ii, John Curtis Browning

CGU Theses & Dissertations

During the early to mid-twentieth century, some of France’s finest composers produced a body of choral music which, although somewhat smaller than that of other European nations, proves proportionately larger in specifically sacred and liturgical a cappella composition. (Liturgical music uses the texts of the Eucharist and Office [canonical hours] of the Roman Catholic Church; whereas “sacred” music broadly contains not only the liturgy, but paraliturgical texts from the Bible and religious poetry as well.)

Although this repertory is modest in volume—containing fewer than three dozen motets and masses—it proves comparatively high in quality and individuality within the total body …

Playing Changes: Music As Mediator Between Japanese And Black Americans, E Taylor Atkins

Faculty Books & Book Chapters

Since the mid-twentieth century, music has played a central role in encounters and interactions between the people of Japan and those of African descent. It proved far more effective for pro- moting interracial dialogue and understanding than efforts in the early 1900s to foster an alliance against white supremacy and imperialism. This essay unpacks the ways that encounters with Black music transformed Japanese musicking and generated knowledge and empathy for people of African descent among Japanese. Personal interactions between Black and Japanese musicians constituted a process of “grassroots globalization” that circumvented the dominance of American mass media in representing African …

Guide To The Irene Britton Smith Collection, Columbia College Chicago

CBMR Collection Guides / Finding Aids

Irene Britton Smith taught in the Chicago Public Schools and during summer vacations, studied music, earning a MM from DePaul University. The collection contain her compositions for orchestra, solo violin, and piano and choral works and spiritual arrangements as well as books and works by other composers.

Guide To The Godwin Sadoh Collection, Columbia College Chicago

CBMR Collection Guides / Finding Aids

Dr. Godwin Sadoh is a Nigerian composer, educator, church musician, organist, pianist, choral conductor, and ethnomusicologist. He holds music degrees from the Obafemi Awolowo University, Nigeria; the University of Pittsburgh; the University of Nebraska-Lincoln; and Louisiana State University, Baton Rouge, where he became the first African to receive a doctoral degree in organ performance from any institution in the world. The collection holds scores, publications, books, and recorded music

Guide To The Micah Salkind Collection, Columbia College Chicago

CBMR Collection Guides / Finding Aids

Dr. Micah Salkind is a DJ, sound designer, curator, and author of "Do You Remember House? Chicago’s Queer of Color Undergrounds" for which these oral history interviews were collected. There are 58 interviews available online with 61 people about “house music, the rhythmically focused electronic dance sound born in the post-industrial maroon spaces of Chicago's queer, black, and Latino social dancers.” The interviews are with DJs, musicians, club owners, and publishers and were completed over the course of two years, 2013-2014.

Guide To "The Music Of Black America" Radio Script Collection, Columbia College Chicago

CBMR Collection Guides / Finding Aids

The collection contains scripts from “The Music of Black America,” a radio show written and produced in Los Angeles in 1982, hosted by J.J. Johnson (a Los Angeles radio personality) and Grammy Award winning singer Lou Rawls. The program featured a mix of contemporary and historical music, along with interviews. The donor, Albert D. Cunningham, was the show’s principal writer and producer.

Ua94/6/18 Stephen Flora Student / Alumni Papers, Wku Archives

WKU Archives Collection Inventories

Records created by and about Stephen Flora during his years as a student at Western Kentucky University.

Guide To The William C. Banfield Collection, 1979-2010, Columbia College Chicago

CBMR Collection Guides / Finding Aids

William “Bill” Cedric Banfield is professor emeritus of the Africana Studies Division at the Berklee College of Music in Boston, Massachusetts. The collection contains his compositions, including songs and jazz works, and is strong in concert music. It also holds, correspondence, writings, and flyers and programs documenting his career.

Denny Design For The Gretsch Company, Zach S. Henderson Library Special Collections

Finding Aids

With original work spanning 1998–2024, this collection consists of materials created by graphic designer Don Denny for the Gretsch Company. The materials include digital project files, physical samples of digital products, photographs, and historic printed materials documenting the Gretsch Company’s history.

Dimitris Kafyris: The Legacy And Pedagogy Of A Trailblazing Greek Trumpeter, Stephen M. Wadsack

Theses and Dissertations--Music

Dimitris Kafyris (Δημήτρης Κάφυρης, 1932–2020) is regarded as one of the most talented trumpeters of the twentieth century, within his native homeland of Greece. From the early 1950s into the mid-1980s, Kafyris performed with the Athens State Orchestra (Greece’s premier orchestral ensemble), the Greek Radio Symphony, and the National Opera. During this period, Kafyris also maintained a teaching position at the Hellenikon Conservatory (Ελληνικόν Ωδείον) in Athens. Following what many would already consider to be a robust career, Kafyris returned home to the Greek island of Corfu, where he assumed the roles of Bandmaster and Director of the Corfu Philharmonic …

“Sounds Like” Redemption? On The Musicality Of Species And The Species Of Musicality, Tyler Yamin, Alice Rudge

Faculty Journal Articles

Popular and academic studies of music frequently claim that human musicality arose from the so-called ‘natural world’ of non-human species. And amid the anxieties produced by the Anthropocene, it is thought that the possibility of reconnecting with the natural world through a renewed appreciation of music’s links with nature may usher in a new era of posthuman environmental consciousness, offering repair and redemption. To critique these claims, we trace how notions of ‘musicality’ have been applied to or denied from non-human entities across diverse disciplines since the late nineteenth century. We conclude that such debates reinforce the separation that they …