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Articles 1561 - 1590 of 1635
Full-Text Articles in Music
Contributors: Vol 14 No. 1, The Jonathan Nāpela Center For Hawaiian And Pacific Islands Studies
Contributors: Vol 14 No. 1, The Jonathan Nāpela Center For Hawaiian And Pacific Islands Studies
Pacific Studies
Contributors list of Vol. 14 (1990): Pacific Studies Full Issue 1
Books Received And Book Notices, The Jonathan Nāpela Center For Hawaiian And Pacific Islands Studies
Books Received And Book Notices, The Jonathan Nāpela Center For Hawaiian And Pacific Islands Studies
Pacific Studies
Book Listing for the Vol 14, No 1 Edition of the Pacific Studies Journal
Vol. 14 No. 1 (1990): Pacific Studies Front Matter, The Jonathan Nāpela Center For Hawaiian And Pacific Islands Studies
Vol. 14 No. 1 (1990): Pacific Studies Front Matter, The Jonathan Nāpela Center For Hawaiian And Pacific Islands Studies
Pacific Studies
Pacific Studies is published two times a year by The Jonathan Nāpela Center for Hawaiian and Pacific Studies, Brigham Young University Hawai‘i #1979, 55–220 Kulanui Street, Lāʻie, Hawai‘i 96762, but responsibility for opinions expressed in the articles rests with the authors alone. Subscription rate is US$40.00 yearly, payable to The Jonathan Nāpela Center for Hawaiian and Pacific Studies. The Jonathan Nāpela Center for Hawaiian and Pacific Studies (formerly The Pacific Institute) is an organization funded by Brigham Young University Hawai‘i. The Center assists the University in meeting its cultural and educational goals by undertaking a program of teaching, research, and …
Vol. 13 No. 3 (1990): Pacific Studies Full Issue, The Jonathan Nāpela Center For Hawaiian And Pacific Islands Studies
Vol. 13 No. 3 (1990): Pacific Studies Full Issue, The Jonathan Nāpela Center For Hawaiian And Pacific Islands Studies
Pacific Studies
Pacific Studies is published two times a year by The Jonathan Nāpela Center for Hawaiian and Pacific Studies, Brigham Young University Hawai‘i #1979, 55–220 Kulanui Street, Lāʻie, Hawai‘i 96762, but responsibility for opinions expressed in the articles rests with the authors alone. Subscription rate is US$40.00 yearly, payable to The Jonathan Nāpela Center for Hawaiian and Pacific Studies. The Jonathan Nāpela Center for Hawaiian and Pacific Studies (formerly The Pacific Institute) is an organization funded by Brigham Young University Hawai‘i. The Center assists the University in meeting its cultural and educational goals by undertaking a program of teaching, research, and …
Vol. 13 No. 3 (1990): Pacific Studies Front Matter, The Jonathan Nāpela Center For Hawaiian And Pacific Islands Studies
Vol. 13 No. 3 (1990): Pacific Studies Front Matter, The Jonathan Nāpela Center For Hawaiian And Pacific Islands Studies
Pacific Studies
Pacific Studies is published two times a year by The Jonathan Nāpela Center for Hawaiian and Pacific Studies, Brigham Young University Hawai‘i #1979, 55–220 Kulanui Street, Lāʻie, Hawai‘i 96762, but responsibility for opinions expressed in the articles rests with the authors alone. Subscription rate is US$40.00 yearly, payable to The Jonathan Nāpela Center for Hawaiian and Pacific Studies. The Jonathan Nāpela Center for Hawaiian and Pacific Studies (formerly The Pacific Institute) is an organization funded by Brigham Young University Hawai‘i. The Center assists the University in meeting its cultural and educational goals by undertaking a program of teaching, research, and …
Contributors: Vol 13 No. 3, The Jonathan Nāpela Center For Hawaiian And Pacific Islands Studies
Contributors: Vol 13 No. 3, The Jonathan Nāpela Center For Hawaiian And Pacific Islands Studies
Pacific Studies
Contributors list of Vol. 13 (1990): Pacific Studies Full Issue 3
Interview With Levy Ray Walker (Fa 63), Manuscripts & Folklife Archives
Interview With Levy Ray Walker (Fa 63), Manuscripts & Folklife Archives
Folklife Archives Oral Histories
Transcription of interview with Levy Ray Walker conducted by Linda Walker Cox on 3 March 1989. From folk studies student project documenting bluegrass, country, and gospel music played by Ray Walker.
Interview With John Buell Edmonds, B. 1945 (Fa 376), Manuscripts & Folklife Archives
Interview With John Buell Edmonds, B. 1945 (Fa 376), Manuscripts & Folklife Archives
Folklife Archives Oral Histories
Transcription of interview with John Buell Edmonds conducted by LuAnne Beth Cervelli on 18 September 1998. From folk studies student project concerning the experiences of Edmonds performing gospel music, his involvement in recording and promoting gospel groups, his relationship with the local choir, and the current state of gospel music.
Interview With Michael Patrick Carroll Regarding His Work As Owner Of Mr. C'S Coffee House In Bowling Green, Kentucky (Fa 295), Manuscripts & Folklife Archives
Interview With Michael Patrick Carroll Regarding His Work As Owner Of Mr. C'S Coffee House In Bowling Green, Kentucky (Fa 295), Manuscripts & Folklife Archives
Folklife Archives Oral Histories
Transcription of an interview with Michael Patrick Carroll conducted by Xiaoge Cai on 16 September 1988 for a folk studies class project titled "Mr. C.'s Coffee House as Clientele." Carroll discusses his work as the owner of a coffee house/bar called Mr. C's Coffee House in Bowling Green, Kentucky. He discusses his life and relevant problems with his work including dealing with minors and issues with radio broadcasting. This project was completed in fulfillment of the requirements for a folk studies class at Western Kentucky University.
Interview With Richard Rochester Bell, B. 1921 (Fa 373), Manuscripts & Folklife Archives
Interview With Richard Rochester Bell, B. 1921 (Fa 373), Manuscripts & Folklife Archives
Folklife Archives Oral Histories
Transcription of interview with Richard Rochester Bell conducted by Carol Alice (Wanich) Bell on 13 September 1988. From folk studies student project concerning his involvement with conducting traditional jazz festivals.
Interview With Zilpha Amanda Hume (Fa 39), Manuscripts & Folklife Archives
Interview With Zilpha Amanda Hume (Fa 39), Manuscripts & Folklife Archives
Folklife Archives Oral Histories
Transcription of interview with Zilpha Amanda Hume conducted by Teresa L. Hollingsworth on 17 November 1987. From folk studies student oral history project concerning experiences with trance channeling.
Vol. 9 No. 1 (1985): Pacific Studies Front Matter, The Jonathan Nāpela Center For Hawaiian And
Vol. 9 No. 1 (1985): Pacific Studies Front Matter, The Jonathan Nāpela Center For Hawaiian And
Pacific Studies
Pacific Studies is published two times a year by The Jonathan Nāpela Center for Hawaiian and Pacific Studies, Brigham Young University Hawai‘i #1979, 55–220 Kulanui Street, Lāʻie, Hawai‘i 96762, but responsibility for opinions expressed in the articles rests with the authors alone. Subscription rate is US$40.00 yearly, payable to The Jonathan Nāpela Center for Hawaiian and Pacific Studies. The Jonathan Nāpela Center for Hawaiian and Pacific Studies (formerly The Pacific Institute) is an organization funded by Brigham Young University Hawai‘i. The Center assists the University in meeting its cultural and educational goals by undertaking a program of teaching, research, and …
Vol. 9 No. 1 (1985): Pacific Studies Full Issue, The Jonathan Nāpela Center For Hawaiian And
Vol. 9 No. 1 (1985): Pacific Studies Full Issue, The Jonathan Nāpela Center For Hawaiian And
Pacific Studies
Pacific Studies is published two times a year by The Jonathan Nāpela Center for Hawaiian and Pacific Studies, Brigham Young University Hawai‘i #1979, 55–220 Kulanui Street, Lāʻie, Hawai‘i 96762, but responsibility for opinions expressed in the articles rests with the authors alone. Subscription rate is US$40.00 yearly, payable to The Jonathan Nāpela Center for Hawaiian and Pacific Studies. The Jonathan Nāpela Center for Hawaiian and Pacific Studies (formerly The Pacific Institute) is an organization funded by Brigham Young University Hawai‘i. The Center assists the University in meeting its cultural and educational goals by undertaking a program of teaching, research, and …
Interview With Odis Blanton (Fa 369), Manuscripts & Folklife Archives
Interview With Odis Blanton (Fa 369), Manuscripts & Folklife Archives
Folklife Archives Oral Histories
Transcription of interview with Odis Blanton conducted by Dennis Paul Angle on 7 December 1983. From folk studies student project concerning Blanton’s life as a country music musician in Warren County, Kentucky.
Arnold, Thomas Cleveland, Jr., B. 1957 (Fa 102), Manuscripts & Folklife Archives
Arnold, Thomas Cleveland, Jr., B. 1957 (Fa 102), Manuscripts & Folklife Archives
Folklife Archives Finding Aids
Finding aid and full-text scan of paper (Click on “Additional Files” below) for Folklife Archives Project 102. Project and paper entitled "Miss Mattie Makes Music." Paper and interviews, November 8 & 22, 1983, with black guitarists Mattie (Thomas) Crumbold Baldry, b.1895, of Adairville, Kentucky in Logan County. Includes information on her band, employment and family life.
Interview With Jeff And Gwen Mckinney (Fa 1), Manuscripts & Folklife Archives
Interview With Jeff And Gwen Mckinney (Fa 1), Manuscripts & Folklife Archives
Folklife Archives Oral Histories
Transcription of interview with Jeff and Gwen McKinney conducted by Donald Andre Beisswenger on 20 September 1983. From project titled “White Gospel Music in Logan County, Kentucky” which discusses white gospel music and singing schools in Logan County, Kentucky. The audio interviews are archived in the Sound Archives.
Interview With Jeff And Gwen Mckinney (Fa 1), Manuscripts & Folklife Archives
Interview With Jeff And Gwen Mckinney (Fa 1), Manuscripts & Folklife Archives
Folklife Archives Oral Histories
Transcription of interview with Jeff and Gwen McKinney conducted by Donald Andre Beisswenger on 14 September 1983. From project titled “White Gospel Music in Logan County,” which details the discussion of white gospel music and singing schools in Logan County, Kentucky. The audio interviews are archived in the Sound Archives.
Vol. 7 No. 1 (1983): Pacific Studies Front Matter, The Jonathan Nāpela Center For Hawaiian And Pacific Islands Studies
Vol. 7 No. 1 (1983): Pacific Studies Front Matter, The Jonathan Nāpela Center For Hawaiian And Pacific Islands Studies
Pacific Studies
Pacific Studies is published two times a year by The Jonathan Nāpela Center for Hawaiian and Pacific Studies, Brigham Young University Hawai‘i #1979, 55–220 Kulanui Street, Lāʻie, Hawai‘i 96762, but responsibility for opinions expressed in the articles rests with the authors alone. Subscription rate is US$40.00 yearly, payable to The Jonathan Nāpela Center for Hawaiian and Pacific Studies. The Jonathan Nāpela Center for Hawaiian and Pacific Studies (formerly The Pacific Institute) is an organization funded by Brigham Young University Hawai‘i. The Center assists the University in meeting its cultural and educational goals by undertaking a program of teaching, research, and …
Vol. 7 No. 1 (1983): Pacific Studies Full Issue, The Jonathan Nāpela Center For Hawaiian And Pacific Islands Studies
Vol. 7 No. 1 (1983): Pacific Studies Full Issue, The Jonathan Nāpela Center For Hawaiian And Pacific Islands Studies
Pacific Studies
Pacific Studies is published two times a year by The Jonathan Nāpela Center for Hawaiian and Pacific Studies, Brigham Young University Hawai‘i #1979, 55–220 Kulanui Street, Lāʻie, Hawai‘i 96762, but responsibility for opinions expressed in the articles rests with the authors alone. Subscription rate is US$40.00 yearly, payable to The Jonathan Nāpela Center for Hawaiian and Pacific Studies. The Jonathan Nāpela Center for Hawaiian and Pacific Studies (formerly The Pacific Institute) is an organization funded by Brigham Young University Hawai‘i. The Center assists the University in meeting its cultural and educational goals by undertaking a program of teaching, research, and …
Richard M. Moyle's Review Of Steven Feld's Sound And Sentiment: Birds, Weeping, Poetics, And Song In Kaluli Expression, Richard M. Moyle
Richard M. Moyle's Review Of Steven Feld's Sound And Sentiment: Birds, Weeping, Poetics, And Song In Kaluli Expression, Richard M. Moyle
Pacific Studies
No abstract provided.
Books Received And Book Notices, The Jonathan Nāpela Center For Hawaiian And Pacific Islands Studies
Books Received And Book Notices, The Jonathan Nāpela Center For Hawaiian And Pacific Islands Studies
Pacific Studies
Book Listing for the Vol 6, No 1 Fall Edition of the Pacific Studies Journal
Rose, Barry L. (Fa 199), Manuscripts & Folklife Archives
Rose, Barry L. (Fa 199), Manuscripts & Folklife Archives
Folklife Archives Finding Aids
Finding aid and full-text scan of paper (Click on “Additional Files” below) for Folklife Archives Project 199. Project includes a paper written by WKU Folk Studies student Rose, about Warren County, Kentucky musician Joe Marshall. Also includes a newspaper clipping and photos (5).
Fiddle Songs And Banjo Songs: A Description Index, Gilbert Wayne Howard
Fiddle Songs And Banjo Songs: A Description Index, Gilbert Wayne Howard
Masters Theses & Specialist Projects
English-language texts associated with fiddle and banjo in the southern United States are described and then indexed for comparative reference. The fiddle songs are typically humorous, very brief, highly variable and disunified. The same is true of many banjo songs associated with the banjo. Ballads in the fiddle and the banjo repertory are not indexed if previously catalogued by Child or Laws.
Fiddle and banjo songs are defined as texts associated with fiddle or banjo playing, either through instrumental accompaniment or because informants mentally associate them with the fiddle or banjo. Various ways of performing the songs are enumerated, with …
Home, Loved Ones & Heaven: Folk Expressin In The Songs Of Katherine O'Neill Peters Sturgill, George Reynolds
Home, Loved Ones & Heaven: Folk Expressin In The Songs Of Katherine O'Neill Peters Sturgill, George Reynolds
Masters Theses & Specialist Projects
Formation, expression, and function of world view were examined in the life and compositions of folk musician, Katherine O'Neill Peters Sturgill. It was seen that the institutions of home, loved ones, and heaven were dominant themes in the formation of her world view. When twenty-two of Kate's gospel and sentimental song compositions were examined for thematic content, they were found to reflect the predominant formative influences in Kate's life. An interpretive model was developed showing home, loved ones, and heaven to be unified themes in a concept of sacred order--a concept which stood to oppose and defend against the banal …
If I'D Been Polish, I Guess I'D Be Playing Polkas: An Examination Of The Social Contexts Of Traditional Irish Music In Rochester, New York, George Stoner
Masters Theses & Specialist Projects
Anthropologists, folklorists and popular writers have, in general, neglected to describe. the social contexts in which traditional Irish music is played. Although the dance was probably the most important context for traditional Irish music in Rochester, as elsewhere in the United States and Ireland, interest among Irish-born Americans and Irish- Americans in traditional dancing has waned. At present, the most important social contexts for Irish music in Rochester are the session, the Feis, and various representational contexts. The session is by far the most important, and has developed as interest in the dance has declined. Unlike the dance, it is …
The Carter Family: Traditional Sources For Song, Margaret Bulger
The Carter Family: Traditional Sources For Song, Margaret Bulger
Masters Theses & Specialist Projects
The recorded repertory of the original Carter Family was analyzed for traditional influences. Of the 119 songs examined, it was found that fifty-five, roughly one-fourth of their total repertory, have definite roots in one or more traditional sources. The Carters employed traditional texts within their repertory throughout their professional career. Three genres of song were analyzed: sentimental songs, religious songs, and ballads. Of these, sentimental songs was the largest category with 113 songs. These songs were found to be remarkably similar in thematic content and moral sensibilities to Victorian parlor songs (ca. 1860-1910). The religious songs were shown to be …
Ua35/11 Student Honors Research Bulletin, Vol. Ii, Wku Honors Program
Ua35/11 Student Honors Research Bulletin, Vol. Ii, Wku Honors Program
WKU Administration Documents
Articles written by honors program students. They were originally research projects, class papers or essays written for academic credit, but in each case the student has done further work editing and improving his or her manuscript for this publication. The articles represent a broad range of interests and disciplines, and they indicate a healthy attempt on the part of at least some students to dig for deeper knowledge and understanding than is usually associated with undergraduate study.
- Greene, Bruce. The Traditional Fiddle Music of South-Central Kentucky
- Moody, Marlin. Some Effects of the Herbicide Glyphosate on Johnson Grass Rhizomes
- Jones, Larry. …
Courtly Love Elements In The Child Ballads: A Study In Origins, Fannie Lewis
Courtly Love Elements In The Child Ballads: A Study In Origins, Fannie Lewis
Masters Theses & Specialist Projects
The traditional ballad, the genre of the above poetry, has been a subject of much controversy and speculation, especially regarding its origin. The problem of origin is not likely to be solved unless much more evidence is found. Among the many theories are communal authorship, and individual poet; humble and oral origin, and sophisticated and literary origin. Studies of linguistics, of ballad refrain, and of carole continue the attempt to discover ballad genesis. However, a very different approach perhaps can be used to determine the origin of some ballads, particularly the romantic ballads; that approach is to use the courtly …
Ua37/38 Correspondence, John Vincent
Ua37/38 Correspondence, John Vincent
Faculty/Staff Personal Papers
Correspondence from John Vincent to Alan Lomax regarding the Rosenwald Project, the collection of folk songs and shortages caused by World War II. Three letters from October 1942 through January 1943.
Nebraska Folklore: Pamphlet 3, Children's Singing Games, Federal Writers' Project
Nebraska Folklore: Pamphlet 3, Children's Singing Games, Federal Writers' Project
Digitized Books
These games are all suitable for children in the grades. Some of them are also played by high school pupils and adults. Many of them can be adapted for dances or drills. They are all traditional, coming; to us for the most part from England or by way of England. The many versions indicate the local adaptations made during their travels to us from the Eastern Seaboard States.