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Articles 961 - 990 of 1751

Full-Text Articles in Music

Date Unknown (Early 1980s), 90.9 Wmpg Fm Jan 1980

Date Unknown (Early 1980s), 90.9 Wmpg Fm

WMPG Program Guides

Trifold, light grey. Undated

Program Director Notes menion a recent move to "new studios".


The Lark On The Strand: A Study Of A Traditional Irish Flute Player And His Music, Lori Jane Kaplan May 1979

The Lark On The Strand: A Study Of A Traditional Irish Flute Player And His Music, Lori Jane Kaplan

Masters Theses & Specialist Projects

This thesis provides an in-depth study of a traditional Irish flute player, Jack Coen. Jack, raised in the village of Woodford in County Galway, immigrated to America in 1949 at the age of twenty-four. With his large repertoire of Irish traditional dance tunes, Jack has played music at parties, dances, with the New York Ceilidhe Band, and at festivals such as the 1976 Festival of American Folklife in Washington, D.C. Jack teaches the flute and the tin whistle and is recognized both as a teacher and as a player.

By examining Jack Coen’s music we learn about the style, technique, …


The Relationship Between Prosodic And Musical Rhythms In Urdu Ghazal-Singing, Peter L. Manuel Jan 1979

The Relationship Between Prosodic And Musical Rhythms In Urdu Ghazal-Singing, Peter L. Manuel

Publications and Research

A study of how prosodic meter in Urdu ghazal is treated in light-classical singing


Ua77/1 Western Alumnus, Vol. 49, No. 6, Wku Alumni Association Oct 1978

Ua77/1 Western Alumnus, Vol. 49, No. 6, Wku Alumni Association

WKU Administration Documents

Alumni magazine published by WKU. This issue has the following articles:

  • Dero Downing Steps Down
  • Douglas, Michele. Top Banana – Gary Riggs
  • Egan, Sherry. WKU State Climatic Center
  • Gibson, Debbie. I Kind of Believe It’s a Gift – Burt Feintuch, Folk Music
  • New on the Gridiron
  • Adams, Bob. Digital Voltmeter – Engineering Technology
  • Schock, Jack. The Projectile Point – Archaeology
  • Armstrong, Bryan. Confessions of a Journalism Intern
  • Highland, Jim. Terry Climer
  • Beauchamp, Donnie. Commonplace Things – Photography
  • Miller, Richard. The Exceptional Student – Psychology, Biology
  • Harry Snyder Speaks at Commencement
  • Douglas, Michele. Students Take Advantage of Study Trips Abroad
  • Western …


A Climate For Intervention: Wilhelm Weiprecht And An Historical Study Of The Invention Of The Moritz Chromatic F Bass Tuba (1835), Charles Robert Turner Jul 1978

A Climate For Intervention: Wilhelm Weiprecht And An Historical Study Of The Invention Of The Moritz Chromatic F Bass Tuba (1835), Charles Robert Turner

Morehead State Theses and Dissertations

A thesis submitted to the Department of Music at Morehead State University in partial fulfillment of the requirements for the degree of Master of Music by Charles Robert Turner on July 24, 1978.


If I'D Been Polish, I Guess I'D Be Playing Polkas: An Examination Of The Social Contexts Of Traditional Irish Music In Rochester, New York, George Stoner May 1976

If I'D Been Polish, I Guess I'D Be Playing Polkas: An Examination Of The Social Contexts Of Traditional Irish Music In Rochester, New York, George Stoner

Masters Theses & Specialist Projects

Anthropologists, folklorists and popular writers have, in general, neglected to describe. the social contexts in which traditional Irish music is played. Although the dance was probably the most important context for traditional Irish music in Rochester, as elsewhere in the United States and Ireland, interest among Irish-born Americans and Irish- Americans in traditional dancing has waned. At present, the most important social contexts for Irish music in Rochester are the session, the Feis, and various representational contexts. The session is by far the most important, and has developed as interest in the dance has declined. Unlike the dance, it is …


The Carter Family: Traditional Sources For Song, Margaret Bulger Jan 1976

The Carter Family: Traditional Sources For Song, Margaret Bulger

Masters Theses & Specialist Projects

The recorded repertory of the original Carter Family was analyzed for traditional influences. Of the 119 songs examined, it was found that fifty-five, roughly one-fourth of their total repertory, have definite roots in one or more traditional sources. The Carters employed traditional texts within their repertory throughout their professional career. Three genres of song were analyzed: sentimental songs, religious songs, and ballads. Of these, sentimental songs was the largest category with 113 songs. These songs were found to be remarkably similar in thematic content and moral sensibilities to Victorian parlor songs (ca. 1860-1910). The religious songs were shown to be …


Night Without Moon: Aspects Of The Rebetika, A. A. Fatouros Jan 1976

Night Without Moon: Aspects Of The Rebetika, A. A. Fatouros

Articles by Maurer Faculty

No abstract provided.


A Selective Study Of Negro Worksongs In The United States, Margaret E. Hilton Jan 1976

A Selective Study Of Negro Worksongs In The United States, Margaret E. Hilton

Masters Theses

No abstract provided.


Tejano Music As An Expression Of Cultural Nationalism, Jose R. Reyna Jan 1975

Tejano Music As An Expression Of Cultural Nationalism, Jose R. Reyna

NACCS Annual Conference Proceedings

No abstract provided.


The Southern Appalachian Dulcimer, Stewart S. Nutter Dec 1973

The Southern Appalachian Dulcimer, Stewart S. Nutter

Graduate Student Research Papers

The Appalachian Plucked Dulcimer is an instrument neglected by musicologists for several reasons: (1) its history has been clouded in time due to the lack of written information concerning it, and (2) the plucked dulcimer is often confused with that of the hammered dulcimer, one of the early ancestors of the piano. Very little information is available concerning its history, construction and playing techniques.


Growth And Development Of Music Printing By Germans In Rome And Venice Before 1501, Bonita E. Blakefield May 1970

Growth And Development Of Music Printing By Germans In Rome And Venice Before 1501, Bonita E. Blakefield

Morehead State Theses and Dissertations

A thesis presented to the faculty of the Department of Music at Morehead State University in partial fulfillment of the requirements for the Degree of Master of Music by Bonita E. Blakefield on May 25, 1970.


Tones And Intervals Of Hindu Classical Music, Donald A. Lentz Jan 1961

Tones And Intervals Of Hindu Classical Music, Donald A. Lentz

University Studies (University of Nebraska) (1888–1984)

ART IS ALL ENDURING and limitless, and defies positive, unvariable classification. No attempt is being made in this book to compare artistic, subjective or emotional factors. Only the objective elements, techniques and procedures of music that are tangible and definite are being compared and classified. Western music, having reached a plateau under the present harmonic system, is projecting into new channels for textural inspiration. Composers have exploited the present system, using existing intervals in every conceivable manner under existing tonal and atonal theories. Devices such as smaller intervals (example: tempered quarter tones), electronic combinations, aleatonic principles, etc. are being dealt …


Volume 75, Number 05 (May-June 1957), Guy Mccoy May 1957

Volume 75, Number 05 (May-June 1957), Guy Mccoy

The Etude Magazine: 1883-1957

Josef Hofmann, 1876-1957

Igor Stravinsky, Approaching his 75th Birthday, is Truly a Colossus of Modern Music

Music in the High School Gym

Good Vocal Habits (interview with Renata Tebaldi)

What Power Professional Criticism

Thalberg's Erard: A Discovery

An Intriguing Account of the Various Operational Details Requiring Careful Attention . . . Behind the Opera Curtain

Books on American Music: A Selected Bibliography

Music in the Schools

Choral Potential From the Baroque Era

Music to Link Mankind: The Story of the Formation of an Important Body Having to Do with International Relations


Volume 75, Number 04 (April 1957), Guy Mccoy Apr 1957

Volume 75, Number 04 (April 1957), Guy Mccoy

The Etude Magazine: 1883-1957

Folk Music and Art Music

Playing with Orchestra (interview with Alec Templeton)

Community Solves its Music Crisis: The Inspiring Story of The Bronx Symphony

Orchestra Genius Lies in the Individual

Miniature Opera from Salzburg

Kostelanetz on Conducting, Conductors and Batons

Drama in Song: A Discussion of the Importance of Clear Enunciation on the Part of Singers

A Glimpse of the Inner Workings of One of the Largest Summer Music Camps is Gained from These Day to Day Entries . . . From the Music Camp Office

Henry Cowell—Musician and Citizen, Part 3

Richard Rodgers on Current Trends in Popular Music


Volume 75, Number 03 (March 1957), Guy Mccoy Mar 1957

Volume 75, Number 03 (March 1957), Guy Mccoy

The Etude Magazine: 1883-1957

Hail and Farewell to The Grand Old Man of Music Confusion

Confounded: An Objective Explanation of Some Frequently Perplexing Musical Terms

Singing Must be Natural (interview with Victoria de los Angeles)

Music's Part in Social Integration

Mariachis of Mexico

Henry Cowell—Musician and Citizen, Part 2

Music in the Schools High School Symphony Orchestra . . . How It Is Made

New Studio


Volume 75, Number 02 (February 1957), Guy Mccoy Feb 1957

Volume 75, Number 02 (February 1957), Guy Mccoy

The Etude Magazine: 1883-1957

International Aspect of Folk Music

Candlelight Concerts in Colonial Williamsburg

Don't Shy Away From Adult Beginners

Singing on Television (interview with Lois Hunt) Impressions of Musical Education in the United States

Henry Cowell—Musician and Citizen Shape Notes, New England Music and White Spirituals, Part 2

We Can Co-operate

Staccatos for the Sightless New Vistas in Music Programming for Radio


Volume 75, Number 01 (January 1957), Guy Mccoy Jan 1957

Volume 75, Number 01 (January 1957), Guy Mccoy

The Etude Magazine: 1883-1957

Philadelphia's Academy of Music . . . One Hundredth Anniversary

Story of Roy Harris—American Composers, Part 2

Some Impressions of Music Education in Japan

Louis Moreau Gottschalk—First American Concert-Pianist

Shape Notes, New England Music and White Spirituals

Approach to Chopin's Etudes (interview with Ruth Slenczynska)

Music in the Schools

Madrigal Group is Fun Composer, Conductor, Comedian . . . That's Jackie Gleason

American School Music: An Assessment


Volume 74, Number 10 (December 1956), Guy Mccoy Dec 1956

Volume 74, Number 10 (December 1956), Guy Mccoy

The Etude Magazine: 1883-1957

Obituary - Guy Maier (1890-1956)

Béla Bartók and Hungarian Folk Music

Story of Roy Harris—American Composer

Cradle of Music: A Brief Visit to One of the Most Interesting of Old-World Music Publishing Houses

Some Basic Issues in Music Education

Operas of Hugo Weisgall


Volume 74, Number 09 (November 1956), Guy Mccoy Nov 1956

Volume 74, Number 09 (November 1956), Guy Mccoy

The Etude Magazine: 1883-1957

Carl Orff's Musical Theatre

World Ballad of Bady Doe

Responsibility of Music Education to Music—A Reply

Opera for all America: Chandler Cowles, General Manager of NBC Opera Company, Outlines His Ideas Concerning the Project


Volume 74, Number 08 (October 1956), Guy Mccoy Oct 1956

Volume 74, Number 08 (October 1956), Guy Mccoy

The Etude Magazine: 1883-1957

Folk Music in Civilization

In Memorium - Mrs. Eduard MacDowell (1857-1956)

Wallingford Riegger—Composer and Pedagog

Loring Club

Bach of High Fidelity (interview with Robert D. Darrell)

Glenn Gould, A Début and a Personality


Volume 74, Number 07 (September 1956), Guy Mccoy Sep 1956

Volume 74, Number 07 (September 1956), Guy Mccoy

The Etude Magazine: 1883-1957

Music in Focus

Responsibility of Music Education to Music

Music in the American Wilderness

Picture Painted in Sound: Alden B. Dow Creates a New Art Visualizing Music

Pianist's Page

Waltz and Brahms' Opus 39


Volume 74, Number 06 (July-August 1956), Guy Mccoy Jul 1956

Volume 74, Number 06 (July-August 1956), Guy Mccoy

The Etude Magazine: 1883-1957

Music in Focus

Daylight and Darkness: Robert Schumann and the Years after Leipzig

Lieder Singer (interview with Irmgard Seefried)

Charles E. Ives, Part Two

Robert Schumann: Across the Years


Volume 74, Number 05 (May-June 1956), Guy Mccoy May 1956

Volume 74, Number 05 (May-June 1956), Guy Mccoy

The Etude Magazine: 1883-1957

Charles E. Ives . . . A Composer With Something to Say

Music, Music Everywhere: A Resume of the Most Important Festivals that Take Place this Summer in European Music Learning to Learn Bach (interview with Rosalyn Tureck)

Diction in Singing, Part 2


Volume 74, Number 04 (April 1956), Guy Mccoy Apr 1956

Volume 74, Number 04 (April 1956), Guy Mccoy

The Etude Magazine: 1883-1957

Fiftieth Anniversary of the Music Educators National Conference

In Memorium: Edwin Franko Goldman (1878-1956)

Personal Memories of Cortot as Artist and Teacher

Diction in Singing

National Interscholastic Music Activities Commission

MTNA in Action Music in Focus National Federation of Music Clubs . . . America's Most Far-Flung Musical Organization

Phi Mu Alpha (Professional Music Fraternity) . . . What it is and What it Does

National Association of Teachers of Singing

Story of Sigma Alpha Iota

Stepping Stones to West Point (interview with John A. Davis, Jr.)


Volume 74, Number 03 (March 1956), Guy Mccoy Mar 1956

Volume 74, Number 03 (March 1956), Guy Mccoy

The Etude Magazine: 1883-1957

They Make Music Wherever They Go

Southpaw Solo Flight

Preparing a Career in Opera (interview with Joseph Rosenstock)

Porgy and Bess in Moscow

Boys Like to Sing!

Through Their Music They Build Democracy


Volume 74, Number 02 (February 1956), Guy Mccoy Feb 1956

Volume 74, Number 02 (February 1956), Guy Mccoy

The Etude Magazine: 1883-1957

Inside the Paris Opéra

Music in Focus

Georges Enesco, As I Knew Him

People's Music School in Sweden

Timeless Turntable: A Most Interesting Review of the Development in the Recording Field Since the Coming of the LP Era


Volume 74, Number 01 (January 1956), Guy Mccoy Jan 1956

Volume 74, Number 01 (January 1956), Guy Mccoy

The Etude Magazine: 1883-1957

What Was Mozart's Playing Like?

Creative Contrast in Mozart Mozart Bicentennial: A Partial Listing of Programs Honoring This Event For the Coming Year

Caring for the Voice (interview with Cesare Siepi)

Tape Recorder in the Music Room: Suggestions for the Use of Recording Equipment in the Educational Field

In the Steps of Mozart: A Brief Look at the Master's Life and Times as They Affected His Creative Output

Bartók, the Teacher—As I Knew Him


Volume 73, Number 12 (December 1955), Guy Mccoy Dec 1955

Volume 73, Number 12 (December 1955), Guy Mccoy

The Etude Magazine: 1883-1957

I Heard the Bells

Christmas Concerts at Grand Central

It Shouldn't be a Battle (interview with Otto Harbach)

Soviet Russia's Top Pianist Makes Sensational Début in America

To Cosima—With Love

Great Church Rebuilds Its Organ

Orchestra in the Daily Life of Your School

Music Postage Bill Passes Senate


Volume 73, Number 11 (November 1955), Guy Mccoy Nov 1955

Volume 73, Number 11 (November 1955), Guy Mccoy

The Etude Magazine: 1883-1957

Vienna State Opera Re-opens

More Than Teaching (interview with Lotte Lehmann)

Musical Tour Through Europe Boris Goldovsky's New

Deal in Opera Trends in Piano Playing (interview with Benno Moiseiwitsch)