Music Commons^™

Resistance, Race, And Myth: A Critical Survey Of American Popular Music Culture In The 20th Century, Scott Haden Church

Dialogue: The Interdisciplinary Journal of Popular Culture and Pedagogy

The topic of popular music in the United States has garnered much analysis from scholars, particularly how popular music has created or reflected American myths, collective memory, and racial politics. This essay is a review of select research on the interface between 20th century American popular music, culture, and power. The essay reveals that pop music scholarship is rooted in paradox. Hence, it focuses on three chiastic or antithetical themes permeating scholarship on the topic: Popular music as either cultural hegemony or resistance to that cultural hegemony; Popular music as fundamental to the American myth, or the American myth as …

“Every Time I Write A Rhyme / These People Think It’S A Crime”: Persona Problems In Catullus And Eminem, Jesse Weiner

Dialogue: The Interdisciplinary Journal of Popular Culture and Pedagogy

This essay interprets Eminem’s song, “Criminal” (2000, The Marshall Mathers LP, Track 18), as a Catullan project in establishing distance between the poet and poetic persona, accomplished through Catullan invective. Drawing upon pedagogical experience, I argue that Catullus (a Roman poet of the 1st Century BCE) and Eminem use analogous rhetorical tactics and structures to challenge accusations (real or imagined) of poor character stemming from their poetry. Catullus and Eminem vociferously articulate a separation of art from artist, using common transgressive poetics. Each poet disavows his own self-constructed stance of authenticity with similar threats of violence and postures of …

Constraining The (Im)Possible: Improvisation And Violence In Rafi Zabor’S The Bear Comes Home, Hannah Ianniello

Dialogue: The Interdisciplinary Journal of Popular Culture and Pedagogy

This paper will explore the role of jazz improvisation in the characterization of the protagonist in Rafi Zabor’s 1998 jazz novel, The Bear Comes Home. I suggest that Zabor represents the process of improvisation to not only enhance the enigma of The Bear’s ability as a jazz musician, but also to enhance his capacity towards violence.

Through the exploration of the actual process of improvisation in the research of Paul Berliner, Ingrid Monson and Alyn Shipton, Improvisation in a real jazz context is collaborative and exploratory. However, Zabor, like many other authors (such as Michael Ondaatje, James Baldwin and …

A Framework For Using Popular Music Videos To Teach Media Literacy, Jordan M. Mcclain

Dialogue: The Interdisciplinary Journal of Popular Culture and Pedagogy

This article discusses the use of popular music videos as a tool for teaching media literacy. First, the article addresses the importance of music videos as popular culture, what other music video research has examined, and what features make music videos a good fit for in-class work investigating media and popular culture. Then the article details a single-class activity for introducing and teaching media literacy through the use of music videos. To achieve this objective, the article also proposes a set of original music video-specific discussion questions. Finally, a particular music video is considered to illustrate possible results of this …

Lady Gaga Meets Ritzer: Using Music To Teach Sociological Theory, Kenneth Culton, José A. Muñoz

Dialogue: The Interdisciplinary Journal of Popular Culture and Pedagogy

This paper presents methods for instructors to deal with student anxiety over theory courses. The method is an interactive class exercise that provides instructors with direction as to using popular music. The paper accomplishes this through the use of several cases for including music in order to spark discussion and suggestions for helping students to interpret the theory presented. Additionally, suggestions for incorporating writing assignments with the exercise are provided here. A table linking music to a theorist is also provided.

Music Review: “Indy Classical Innovation: Ymusic” At Usc’S Southern Exposure New Music Series, March 21, 2014, Peter B. Kay

Dialogue: The Interdisciplinary Journal of Popular Culture and Pedagogy

Review of “Indy Classical Innovation: yMusic” at the University of South Carolina’s Southern Exposure New Music Series, March 21, 2014.

An Exploration Into The Social And Emotional Effects Of K-12 Music Education, Jerrod T. Perry

Doctoral Dissertations and Projects

In music education, a student must learn to read music notation, develop eye-hand-mind coordination, develop keen listening skills, develop team skills for playing in an ensemble, and develop the discipline to practice. Several research findings show that musical training is a powerful intervention that could help students emotionally and intellectually mature. This research aims to connect the current research on music education with the lack of exploration and knowledge to find the correlation between music and students’ academic success. The methodology used for this study will be a quantitative historical study format directed to discover research-backed evidence based on this …

Dyslexia And Sight-Reading: Perceptions Of Upper Woodwind Instrumental Students With Dyslexia And Their Approach To Sight-Reading Study, Kristen S. Spiridon

Doctoral Dissertations and Projects

This qualitative hermeneutic phenomenological research study examines the sight-reading abilities and perceptions of eight to ten high school, dyslexic, upper woodwind students from locations in the United States. The study involves students sight-reading an etude that participants had not seen previously. Though studies featuring note reading and dyslexic students are well documented, the literature has not fully addressed this phenomenon among high-school-aged students and upper woodwind students, who regularly encounter the most technically challenging rhythmic figures. The study includes eight to ten dyslexic upper woodwind high school students sightreading the etude and observing their execution. Each student completed a survey …

Modern Band Music Teachers' Adoption Of A Community Music Ethos In Online Teaching During The Covid-19 Pandemic, Bryan Powell, Gareth Dylan Smith, Warren Gramm, David Knapp

Visions of Research in Music Education

At intersections of popular music education, music technology, and community music practices, music teachers in the United States adapted to teaching and learning during the COVID-19 pandemic, specifically from March 2020 to March 2021. The purpose of this research was to better understand the perspectives of modern band teachers regarding the opportunities and challenges of teaching music during the pandemic. The researchers interviewed four teachers who taught modern band (popular music) in public schools in geographically and demographically distinct parts of the US and found that each educator adopted a community music ethos in the online environment. An analysis of …

Diversifying Community Connections, Courtney Belt

Research and Reflection on Learning and Teaching in Higher Education

The focus of this reflective commentary is building authentic relationships with a wider variety of community partners toward greater collective impact and equity in community experiential learning. During my time as Clinical Coordinator in the University of Dayton undergraduate music therapy program, we have added 11 new practicum placement sites with one additional starting Spring 2024. The addition of several of these sites stemmed from music therapy faculty discussions about the desire to serve a greater diversity of clientele in our music therapy practicum courses and expand learning opportunities for music therapy students. In this paper, I describe our decision …

Female Representation In Jazz, Melonee Gray

Fall Showcase for Research and Creative Inquiry

Louis Armstrong, Charlie Parker, Thelonius Monk, Dizzy Gillespie, the list of jazz greats goes on and on. These are the people who developed the culture, style, and rules of jazz we know and love today. The question lingers, where are the women? In most other genres, styles, and even in pop culture, most people can list one or two women who had an impact on the development. However, in jazz, there are seemingly no women who made a lasting impact on the genre. Women were incredibly prevalent in the development of jazz, but they are not remembered by history. Although …

V.1 Fall 2024, Center For Arts & Language, Students Of Risd, Risd Archives

All Student Newspapers

v.1 is a publishing platform for the ongoing work, ideas, discussions, debates, and aspirations of students at the Rhode Island School of Design. The Fall 2024 issue contains articles on RISD Alumni Graciela Batista's Commencement speech on friendship and community, Britain's Royal Festival Hall, birds crashing into glass buildings, an Ojibwe student's reflecting on his native identity, RISD student interviews, an abandoned Bed Bath and Beyond store, Ai Weiwei's Kui Hua Zi, life in Banaras, a student's Yankee Swap experience, the 2024 RISD Grad Show, and indentations, along with student creative writing and a feature on images students saw out …

Rhythms: Music At The University Of Northern Iowa, V43, Fall 2024, University Of Northern Iowa. School Of Music.

Rhythms: Music at the University of Northern Iowa

Contents:

From the Director --- 3
Amplify: Engagement --- 7
Guest Artists --- 10
Opera Notes --- 11
Jazz Notes --- 12
Community Outreach --- 14
Scholarship Benefit Concert --- 16
Student Awards and Honors --- 18
Student Spotlight --- 20
Faculty Spotlight --- 21
Faculty News and Activities --- 22
New Faculty and Retirements --- 24
Emeritus Faculty News --- 28
Alumni News and Updates --- 29
Recent Graduates: Plans and Honors --- 32
Alumni Spotlight --- 33
Spotlight Series 2024-2535 --- 35
Opportunities to Give --- 36
Snapshots --- 39

Arranging And Communication Techniques For The Studio Music Producer: A Curriculum, Elizabeth A. Rajcok

Masters Theses

College music students who desire to pursue careers in the commercial music industry would benefit from learning all aspects of music production, including the techniques of rhythm section instruments and the intricacies of various genres. However, courses that provide students with hands-on training in communicating and arranging within a recording studio are lacking in residential collegiate contemporary and commercial music degrees. Students lacking in multi- instrument knowledge and immersion in contemporary genres may find their insufficiency is an impediment when functioning in their desired profession as a music producer post-college. The curriculum project detailed in this study is designed to …

Self-Regulated Learning Perceptions Of Music Education Students, Edmund Strominger

Music ETDs

I explored the self-regulated learning (SRL) perceptions and beliefs of pre-service music teachers in the United States. Through a quantitative survey, I investigated participants' SRL skills, their beliefs about students' SRL, and how these factors varied across gender, year in program, and primary area.

Pre-service music teachers possess high levels of SRL, particularly in motivation. However, their beliefs about SRL varied, with some believing it is crucial for student achievement while others downplayed its importance. Gender differences were observed, with female participants reporting lower learning dependency. Year in program and primary area had limited impact on SRL skills and beliefs. …

Kajian Konseptual Silabel Ritme Gandang Minangkabau, Aryuda Fakhleri Fallen, Yudi Sukmayadi, Tati Narawati

Paradigma: Jurnal Kajian Budaya

This article tryes to initiate the concept of Minangkabau rhythm syllables, which is a method in music learning related to audiation in rhythm learning, the urgency in this study explores the basic elements of the audiation system that can be applied to music learning related to rhythm syllables based on local approaches, taking into account previous concepts that have been popular in recent schools. In West Sumatra, the concepts of syllable rhythm such as Zoltan Kodaly, Kannokol, American Style Syllables, and Edwin Gordon are not so popular, but environments such as schools and art studios have their own ways of …

An Online Beginner Piano Course: A Fully Asynchronous And Online Curriculum For Beginner Piano Instruction, Jonathan David Holowaty

Masters Theses

The purpose of this applied curriculum is to provide piano instruction through an online and asynchronous method. Online and asynchronous methods of learning have been increasing in higher education and, especially during the COVID-19 pandemic, have been used in the primary and secondary levels. This trend shows no signs of stopping. Much research has been done in online methods of learning in higher education; however, not nearly as much has been done with lower age groups. More research and experimentation is needed in the application of these methods at the primary and secondary levels. Considering this, the course conceived of …

Teaching Aural Skills In Undergraduate Music Using World Music Concepts: A Narrative Inquiry, Eugene Seow

Doctoral Dissertations and Projects

This project recognizes the potential of pedagogical innovation through world music concepts, particularly in applying world music education techniques to acquiring undergraduate aural skills. The study examines concepts from African drumming, Indian tala, Arabic maqam, and Japanese gagaku, briefly inquiring into the psychology and theory behind these world musics, and determines how best to transfer the concepts to an undergraduate aural skill teaching curriculum alongside its core concepts rooted in the Western classical idiom. Thus, teachers can augment aural skills education at the collegiate level with cross-cultural perspectives and integrative techniques. This qualitative narrative inquiry research recognizes the imbalance in …

Keeping The Beat: A Comprehensive Analysis Of Retention Strategies And Their Impact On Historically Black Colleges And University Band Student And Alumni Success, Melton Randolph Harvey Ii

Doctoral Dissertations and Projects

Music programs at Historically Black Colleges and Universities have a rich cultural legacy, but there is still little understanding of how these programs impact students in particular ways. HBCUs provide Black individuals a chance to achieve equality, gain respect as a collective in the United States, and secure employment in professional fields. The purpose of this study aims to explore the factors concerning retention that contribute to participation in Historically Black Colleges and University band participation and analyze the effectiveness of its current retention initiatives.

the main research tool created to investigate the dynamics of recruitment and retention in HBCU …

Community Partnerships For Music Education In Rural Eastern New Mexico And West Texas, Joseph Manuel Flores

Doctoral Dissertations and Projects

Despite the availability of music education courses in rural America’s secondary school setting, the quality and quantity of music education offerings may be in a state of decline due to student retention, lack of collaborations between extra/co-curricular activities and their instructors, scheduling conflicts, or lack of community involvement. Music education opportunities allow students to engage in art forms that further life-long learning and music advocacy. This study will investigate the perspective of music educators in rural Eastern New Mexico and West Texas as they continue to create high-quality music-band programs. The qualitative phenomenological research study highlights perspectives of rural American …

The Effects Of Social Media Presence On Historically Black College And University (Hbcu) College Student Band Selection, Kuronde Washington

Doctoral Dissertations and Projects

This research reveals the effects of social media presence on Historically Black College and University (HBCU) college student band selection. This quantitative correlational research study investigates the impact of social media presence and engagement on how HBCU band students select the college band they wish to attend. Variables in the digital space are the students’ influence of choice and social media. The researcher surveyed 75 HBCU band students from various athletic conferences to determine what social media content factors influence how college and university band students perceive and rank band programs. Participants were selected based on active college or university …

Incorporating Aaron Copland's Philosophy Of Inclusion In Midwest Rural Band Programs: A Qualitative Study Of Attracting And Retaining Students Of Low Socioeconomic Status, Jonathan, S. Laflamme

Doctoral Dissertations and Projects

The field of music education has established the value of instrumental band music instruction as congruent with students’ intellectual, kinesthetic, psychological, and academic success. However, one should scrutinize the validity of the above data, as it addresses issues concerning access to instrumental music education that persist within underserved populations, particularly those characterized by low socioeconomic status (SES) in rural Midwest America. Researchers have synthesized very little data specifically to address the needs of Midwest rural schools and underserved student populations. This qualitative study explores the effects of applying Aaron Copland’s philosophy of inclusion, specifically regarding students of low SES, in …

Creating Thinking Classrooms In Music Education: Teacher And Student Perspectives Of Twenty-First-Century Instruction, Dave Mcgarry

Doctoral Dissertations and Projects

Despite changes to provincial documents in British Columbia, many music educators still rely on traditional teaching methods. This convergent mixed methods case study aimed to understand student and teacher perspectives on twenty-first-century instruction in the music classroom, providing insights to enhance and enrich experiences in musical learning. Data were collected from thirty-one students in a singular grade nine to twelve instrumental band class through interviews, lesson journals, direct observations, surveys, student artifacts, field notes, and pre-and post-test measures. The study analyzed students' musical self-confidence inventories and examined the effects of a twenty-first-century student-centered curriculum over six weeks. This curriculum emphasized …

Hip Hop Performing Arts Charter Schools: The Future Of Arts Education In Predominantly Non-White, Low Income, Underserved Rural Areas Of Louisiana, Anthony P. Shelton

Doctoral Dissertations and Projects

Some still view arts education as a non-essential extracurricular activity despite its benefits. Even though the Every Student Succeeds Act acknowledges arts education is a healthy and well-rounded subject, local, district, and state administrators still control budget allocation and cuts, which generally affect arts education. There has also been a decline or lack of interest in traditional learning methods in the arts and core subjects. Alternative student learning forms have shown benefits in suburban, urban, and inner-city schools. Still, there is little information about these methods in predominantly non-white rural schools. Research using qualitative methods examines the potential effectiveness of …

The Role Of Pre-Collegiate Mentorship Programs In Orchestra Teacher Recruitment In South Carolina, Tamar Ben-Pazi

Doctoral Dissertations and Projects

The looming crisis of teacher shortages has garnered attention from music education stakeholders worldwide. The search for causation and resolution of this critical issue has inspired innovative approaches to hiring, training, and the support of professional educators. While mentoring has been lauded by education experts as an essential component of educator career fulfillment, and mentorship programs designed for novice teachers have been recognized within the profession's ranks as effective tools in this pursuit, there has been little research evaluating the impact of mentorship programs designed to identify and recruit pre-collegiate future educators. This study aims to advance the cause for …

The Qualitative Ethnographic Research Of The Relationship Related To Parental Involvement, Community Support, And School Administrative Substructure Amid To Inner-City Title-I High School Band Programs In Memphis, Tennessee, Thomas Akil Perry

Doctoral Dissertations and Projects

This qualitative ethnographic research investigated the fundamental unsubstantiated relationship related to parental involvement, community support, and school administrative substructure amid two inner-city Title-I high school band programs. This qualitative research embraced an ethnographic process managed by anthropology and sociology approached framework geared to study cultural responses over some time based on similar analytical cultural statistics. This study depicts the socioeconomic domain of a high school band community, highlighting key factors that add to the success and decline of the inner-city and Title-I high school band programs. It was conducted within Memphis, TN, within the North Memphis region, outlining the Raleigh, …

The Relationship Between Overtime And Burnout Among Alabama Secondary Music Ensemble Directors, Ashley Deleen Gresko

Doctoral Dissertations and Projects

Although there is an existing body of literature discussing stress and burnout among music educators, there has yet to be a significant study regarding the relationship between working hours and the burnout of secondary music ensemble directors. This study covers the perspectives of secondary school instrumental and choral music ensemble directors in Alabama. This quantitative research study identifies influences of overtime that require additional exploration regarding the burnout of Alabama secondary school music ensemble directors. This study surveyed secondary music ensemble directors in Alabama to illustrate the correlation between overtime and burnout. This study is vital to music ensemble directors …

Leavers And Movers: Turnover Of Music Teachers In Nebraska, Christian G. Schuerman

Glenn Korff School of Music: Dissertations, Theses, Student Creative Work, and Performances

The purpose of this study was to determine if the rates of music teachers leaving the teaching profession and changing schools were significantly different than those of teachers of other content areas in the state of Nebraska. This study used data from the previous nine years of the Nebraska Department of Education’s Education Directory in order to find results for the entire population. Results indicated that music teachers leave the profession at similar rates as teachers of other content areas, but move schools at significantly higher rates.

Advisor: Robert H. Woody

Expanding "Standards" Through Embracing Diversity: The Clarinet Quintets Of Samuel Coleridge-Taylor, Joyce Solomon Moorman, And James Lee Iii, Lauren Miller

Dissertations

Diversity in music education has been a long-standing discussion amongst educators. This document advocates for the recognition and acceptance of the intrinsic and extrinsic values of diverse peoples and their musical contributions while creating tolerance and respect. The focus lies with three composers, two African American and one African English, in service of promoting inclusion for composers of minority groups within the clarinet repertoire.

The goal is to expand standard clarinet repertoire, with “standard” defined as compositions considered important in building a well-rounded clarinetist in America, to include works such as Samuel Coleridge-Taylor’s Quintet for Clarinet and Strings in F-sharp …

Hymns Of Babel: A Song Cycle Fmus Composition Project, Reed Spencer, Steven Day

Lux et Fides: A Journal for Undergraduate Christian Scholars

Hymns of Babel Research Brief

Over the course of the eight-week faculty mentorship undergraduate scholarship period, Dr. Reed Spencer and senior Steven Day composed a twelve-song cycle on the theme of Generation Z’s interaction with social media. This piece sought to articulate the thoughts, emotions, responses, and impulses that accompany the virtual world. Many of the songs explored where we find God in our social media age, as well as how we create gods, try to act as a god, and pretend there is no God. The collaborative process began by creating a rough lyrical structure and purpose, followed by …