Open Access. Powered by Scholars. Published by Universities.®
- Institution
-
- Gardner-Webb University (883)
- Butler University (524)
- University of Texas at Arlington (227)
- City University of New York (CUNY) (104)
- Columbia College Chicago (95)
-
- Western Michigan University (90)
- University of Texas at El Paso (63)
- University of Nebraska - Lincoln (59)
- Louisiana State University (56)
- Stephen F. Austin State University (48)
- Illinois Wesleyan University (47)
- University of Kentucky (45)
- Southern Methodist University (42)
- The University of Southern Mississippi (41)
- Edith Cowan University (40)
- Belmont University (39)
- Central Washington University (32)
- Western Kentucky University (31)
- University of Louisville (28)
- Santa Clara University (27)
- University of Denver (27)
- University of Tennessee, Knoxville (26)
- Marshall University (25)
- Technological University Dublin (25)
- Lincoln Memorial University (24)
- Liberty University (23)
- James Madison University (21)
- Lynn University (20)
- University of Arkansas, Fayetteville (20)
- SAE Institute Australasia (19)
- Keyword
-
- Choir (519)
- Chorus (503)
- Choral music (501)
- Music (389)
- Colla voce (291)
-
- Sheet music (232)
- Musical composition (228)
- Composition (219)
- Vocal arrangements (206)
- Henry Leck Choral Series (199)
- Colla Voce (195)
- Piano (191)
- James mulholland choral series (167)
- Henry leck choral series (96)
- Christmas issue (72)
- Voice (66)
- Methods (Music) (64)
- Children's choir (63)
- Music composition (61)
- Piano music (52)
- Beethoven (51)
- Satb (49)
- Orchestra (48)
- Jazz (44)
- Scores (42)
- Chopin (40)
- Notated music (40)
- Performance (40)
- Liszt (38)
- Opera (38)
- Publication Year
- Publication
-
- The Etude Magazine: 1883-1957 (880)
- Music Faculty Scores (496)
- Popular Sheet Music of the 1900s-Archive (225)
- Electronic Theses and Dissertations (74)
- Masters Theses (68)
-
- Selected Works Temporary Series (62)
- Theses and Dissertations--Music (44)
- LSU Doctoral Dissertations (43)
- Dissertations, Theses, and Capstone Projects (42)
- Emmanuel Dubois Compositions (41)
- Theses and Dissertations (41)
- Glenn Korff School of Music: Dissertations, Theses, Student Creative Work, and Performances (39)
- Compositions (37)
- Dissertations (37)
- Piano Courses (32)
- Violin Courses (32)
- Music (31)
- Bridwell Library Research (29)
- All Master's Theses (28)
- Publications and Research (28)
- Composition/Recording Projects (27)
- Graduate Thesis Collection (27)
- ALLM: Civil War Sheet Music Collection (24)
- Theses : Honours (21)
- New Music Festival (20)
- Journal of the Association for Technology in Music Instruction (19)
- Senior Honors Theses (18)
- Capstone Projects and Master's Theses (16)
- Graduate Theses, Dissertations, and Problem Reports (ETD) (16)
- Graduate Theses and Dissertations (15)
- Publication Type
- File Type
Articles 571 - 600 of 3293
Full-Text Articles in Music
Lulling Waters: A Poetry Reading For Real-Time Music Generation Through Emotion Mapping, Ashley Muniz, Toshihisa Tsuruoka
Lulling Waters: A Poetry Reading For Real-Time Music Generation Through Emotion Mapping, Ashley Muniz, Toshihisa Tsuruoka
Electronic Literature Organization Conference 2020
Through a poetic narrative, “Lulling Waters” tells the story of a whale overcoming the loss of his mother, who passed away from ingesting plastic, as he attempts to escape from the polluted oceanic world. The live performance of this poem utilizes a software system called Soundwriter, which was developed with the goal of enriching the oral storytelling experience through music. This video demonstrates how Soundwriter’s real-time hybrid system was able to analyze “Lulling Waters” through its lexical and auditory features. Emotionally salient words were given ratings based on arousal, valence, and dominance while the emotionally charged prosodic features of the …
Productive Misreading In Intermedia Art: Four Approaches By A Musician, Jeff Morris, Elisabeth Blair
Productive Misreading In Intermedia Art: Four Approaches By A Musician, Jeff Morris, Elisabeth Blair
Electronic Literature Organization Conference 2020
This discussion examines the evolution and lessons of four artistic performance works that engage with text and imagery with the mindset of a composer, rather than as an author or visual artist. The works involve computer music, improvisation, video art, generative art techniques, and challenging aesthetics. An analytical discussion reveals that different forms and mechanisms of reading are manifest in the artworks, and reflections upon these elucidate the intermedial nature of reading and the productive, expressive potential of interfering with these processes.
Analysis Of The Preludium Of The Rosary Sonata No. 1 In D Minor For Violin And Basso Continuo The Annunciation By H. I. F. Von Biber: An Angelic Dialogue, Frangel Lopez Cesena
Analysis Of The Preludium Of The Rosary Sonata No. 1 In D Minor For Violin And Basso Continuo The Annunciation By H. I. F. Von Biber: An Angelic Dialogue, Frangel Lopez Cesena
Music Research and Composition Works
When I was preparing my final undergraduate recital at the Escuela Superior de Música del Instituto Nacional de Bellas Artes in la Ciudad de México I was asked to add a baroque piece to my repertoire. My violin teacher, Maestro Cuauhtémoc Rivera Guzmán suggested that I look at the work of a unique Bohemian- Austrian composer, Biber. I started my research and found the Rosary Sonatas. They captured my attention not because of their rare tuning, beautiful copper engravings of the original, and unique copy of the manuscript, but for their representational clarity, something I noticed and experienced upon first …
Prescribed Freedom, Proscribed Freedom: Compositional And Improvisational Balances In Jazz, Andrew W. Saliba
Prescribed Freedom, Proscribed Freedom: Compositional And Improvisational Balances In Jazz, Andrew W. Saliba
Masters Theses
Jazz is a recent and flexible art form, rooted in the twin musical strains of occidental canon and folkloric African-American music. From its genesis, jazz musicians have had the difficult task of reconciling these seemingly opposite musical parents while simultaneously building a new musical canon that respects and upholds its past, even as it celebrates new individual voices. Like any multifaceted challenge this balancing of elements has not always gone smoothly, and attempts to codify the delineation and categorization of jazz remain controversial even now. There is additional challenge in defining the nature of “free” improvised music. While free music …
Regina Caeli, Anthony Elia
Regina Caeli, Anthony Elia
Bridwell Library Research
Regina Caeli is one choral piece of the planned 12-part "Marian Cycle" based on some twelve Latin (and other) texts about the Virgin Mary. The Stabat Mater was completed in 2013 and published at Columbia University Academic Commons. The planned works include the following, but may have others added later: 1) Stabat Mater, 2) Ave Regina Caelorum, 3) Alma Redemptoris Mater, 4) Ave Maris Stella, 5) Angelus, 6) Flos Carmeli, 7) Ave Maria, 8) Magnificat, 9) Memorare, 10) Regina Caeli/Coeli, 11) Salve Regina, 12) Sub Tuum Praesidum.
Nossa Senhora De Fátima, Anthony Elia
Nossa Senhora De Fátima, Anthony Elia
Bridwell Library Research
Nossa Senhora de Fátima is one choral piece of the planned 12-part "Marian Cycle" based on some twelve Latin (and other) texts about the Virgin Mary. The work is written for three voices--reflecting the children who witnessed the Fatima vision in Portugal. Likewise, the language of the text is in Portuguese, rather than Latin. The planned works include the following, but may have others added later--such as the present work: 1) Stabat Mater, 2) Ave Regina Caelorum, 3) Alma Redemptoris Mater, 4) Ave Maris Stella, 5) Angelus, 6) Flos Carmeli, 7) Ave Maria, 8) Magnificat, 9) Memorare, 10) Regina Caeli/Coeli, …
Ave, Regina Caelorum, Anthony Elia
Ave, Regina Caelorum, Anthony Elia
Bridwell Library Research
Ave, Regina Caelorum is one choral piece of the planned 12-part "Marian Cycle" based on some twelve Latin (and other) texts about the Virgin Mary. The composer began the piece "Ave, Regina Caelorum" in 2013 but only finished it in 2020. The Stabat Mater was completed in 2013 and published at Columbia University Academic Commons. The planned works include the following, but may have others added later: 1) Stabat Mater, 2) Ave Regina Caelorum, 3) Alma Redemptoris Mater, 4) Ave Maris Stella, 5) Angelus, 6) Flos Carmeli, 7) Ave Maria, 8) Magnificat, 9) Memorare, 10) Regina Caeli/Coeli, 11) Salve Regina, …
The Seven Valleys For Orchestra And A Study Of Music Composition Pedagogy, Niloufar Iravani
The Seven Valleys For Orchestra And A Study Of Music Composition Pedagogy, Niloufar Iravani
LSU Doctoral Dissertations
This dissertation consists of two parts. The first part consists of an original orchestral work, The Seven Valleys, featuring seven movements, each of which presents various musical elements. The piece is a symphonic poem inspired by a chapter with the same name in the celebrated masterpiece of Persian literature, The Conference of the Birds, by the 12th-century poet Farid ud-Din Attar. The second part presents a study of music composition pedagogy, investigating past and present pedagogical practices in music composition. Chapter 3 provides a conceptual and historical examination of music composition pedagogy. Chapter 4 surveys the …
Analyzing Perceptions Of Music From A Songwriting Perspective, Jackson Stephen Reynosa
Analyzing Perceptions Of Music From A Songwriting Perspective, Jackson Stephen Reynosa
Communication Studies
This study seeks to understand listeners’ perceptions of music from a generational and songwriting approach. A total of 123 participants aged 18 and older took part in an open-ended survey design that measured their subjective music preferences. Four different sections tested participants’ music taste, music tied to generations, an original song made by the researcher, and songwriting in a holistic sense. It was found that participants exercised individualism and authenticity in their responses throughout. By using the Uses and Gratifications Theory, it is explainable that people listened and sought out music for their own unique reasons. By applying Mood Management …
Encounters: System For Creative Improvisation, Drake R. Andersen
Encounters: System For Creative Improvisation, Drake R. Andersen
Dissertations, Theses, and Capstone Projects
Encounters is an indeterminate musical composition or, more precisely, a flexible system for creative improvisation. Performers improvise and interact with one another through four possible games whose instructions are laid out in the performance materials. This version of Encounters includes parts for flute, clarinet in B-flat, violin, viola, cello, double bass, percussion and piano, reflecting the performing forces of the premiere. However, the instrumentation is open, and any of the parts can be adapted to other instruments contingent upon the range and transposition of the particular instrument. The duration is indeterminate.
The Scream Of Nature, Noah Wood
The Scream Of Nature, Noah Wood
Theses and Dissertations
The Scream of Nature is a musical composition by American composer Noah Wood (b. August 28,1997) for Pierrot ensemble consisting of: Flute, Violin, Clarinet, Cello and Piano. The composition was written in the span of approximately 5 months with preliminary sketches beginning in December of 2019. It's final details were completed on May 6, 2020.
This composition seeks to dissolve metric hierarchy prescribed by time signatures to help the performers find an intuitive pulse within the musical content on a case-by-case basis. Free time (ad lib.) sections are implemented as well, fully up to the performers interpretation as reaction to …
A Cajun Tale, Daniel D. Schultz
A Cajun Tale, Daniel D. Schultz
LSU New Orleans Theses and Dissertations
Not required for Music Composition
“A Lot Of Stories In My Mind”: Perspectives Of Children And Elders Living With Dementia On Intergenerational Collaboration In A Participatory Music Project, Cameron Dusman
Masters Theses, 2020-current
Trends of music engagement include a shift towards presentational music culture, as well as inequitable access to participatory music-making for some populations. Meanwhile, trends of societal engagement include ageism and age-segregation. Especially for people living with dementia, stigma often prevents equitable access to creative participatory arts. This convergent, mixed-methods case study design explored participation in an intergenerational, participatory creative arts project. Participants included children from an elementary school and senior adults with dementia in a memory care neighborhood. The purpose was to explore the meaning of participation and interaction in the project from participants’ perspectives. Participants collaborated in eight sessions …
Air, The Contents, Ian C. Mcnally
Air, The Contents, Ian C. Mcnally
Theses and Dissertations
Air, The Contents is an encapsulation of the environments of four different places in New York State. It is written for Pierrot Ensemble with a run time of around 8 minutes.
Nausea, Jacob Dickerson
Nausea, Jacob Dickerson
Music Theses and Dissertations
The popular novel Nausea, by Jean-Paul Sartre, tells the story of a fictional adventurer, Antoine Roquentin, and his struggle to understand the surrounding world. This novel illustrates the basics of Sartre’s existentialism. Sartre introduced the concept of “bad faith,” by which he meant the delusion that things in our lives must always be as they are. “Bad faith” and freedom are the core of Sartre’s message. Sartre shares the deep irony that we are “condemned to freedom” and implores us to understand responsibility in a more meaningful way. His philosophy forces us to own up to what we have …
Creativity And The Evolution Of Musical Ideas: Putting The Creative Principles Of Austin Kleon To Work, Dustin Schulze
Creativity And The Evolution Of Musical Ideas: Putting The Creative Principles Of Austin Kleon To Work, Dustin Schulze
Electronic Theses and Dissertations
All composers internalize the musical ideas of other composers and infuse them into their own original work. But the fear of being labeled “derivative” causes most composers to shy away from talking about these influences openly and directly. In Austin Kleon’s book, Steal Like an Artist, he faces the issues of influence and imitation in a deliberately self-aware fashion. The principal objective of this thesis will be to internalize the musical ideas of other composers and infuse them into an original musical work of my own, entitled Kyros. By articulating the exact way in which I am using the work …
Folk Music Of Atlantis: An Exploration Of Water As A Sound Source In Music, Lucy Jackson
Folk Music Of Atlantis: An Exploration Of Water As A Sound Source In Music, Lucy Jackson
Electronic Theses and Dissertations
Folk Music of Atlantis is a programmatic composition for water instruments and orchestra depicting the mythical city of Atlantis. I have researched water’s musical properties: its pitch bending, its ability to create sound through motion, and its percussive effects on various materials. Drawing upon my research, I have invented a collection of water-based instruments that take advantage of these properties. Folk Music of Atlantis demonstrates their potential, combining them with both the traditional orchestra and the innovations in water music of past composers.
The written portion of the thesis includes a historical overview of water as a musical sound source, …
The Making Of When We Say Goodnight, Andrew Newman
The Making Of When We Say Goodnight, Andrew Newman
Honors Theses
The following thesis documents the writing and recording of When We Say Goodnight, an album by Lo Noom. The author discusses the various influences that led to the development of the album’s concept. The album is meant to explore the feelings the author associates with summer nights in Mississippi. He attempts to create a world in which the songs and feelings live. He discusses the album’s song development and various recording processes. As he brings the album to completion, a struggle emerges between the author’s desire to please his audience and his desire to create for his own personal enjoyment. …
A Survey Of Modern Companion Pieces Outlining Specific Compositional Similarities Between Ralph Vaughan Williams' Dona Nobis Pacem And Mack Wilberg's Requiem Aeternam And Let Peace Then Still The Strife, Joel Dunlap
Dissertations
Companion compositions can best be described as musical works composed to specifically coordinate in conjunction with a preexisting musical work. For the sole purpose and intention of complementing or coalescing with another work, the two companion compositions could share similar subject matter, choral/vocal or orchestral themes, and motifs, length, text treatment, context. Evidence in this survey will expound upon various examples of companion compositions from prominent modern-day composers.
The primary objective of this research is to study specific compositional characteristics, correlations, and relationships between Mack Wilberg’s two original compositions – Requiem aeternam and Let peace then still the strife with …
Negative Harmony: The Shadow Of Harmonic Polarity On Contemporary Composition Techniques, Debora Haller
Negative Harmony: The Shadow Of Harmonic Polarity On Contemporary Composition Techniques, Debora Haller
Composition/Recording Projects
If we are to blame any composer for the puzzling question ‘What is Negative Harmony?’ that caused a worldwide itch on the creative minds of many young composers in this century, it would be Jacob Collier, who introduced the world with prodigious, colorful harmonies upon releasing his first album “In My Room” in 2016. Provided with brief answers during interviews with June Lee that explained the concept of tones and chords being mirrored on an axis center in the opposite direction, the surface of Negative Harmony was exposed but led to even more confusion. Prompted by even more questions, the …
A Violist In Nashville: The Viola’S Role In The Nashville Recording Industry, Patrick Monnius
A Violist In Nashville: The Viola’S Role In The Nashville Recording Industry, Patrick Monnius
Composition/Recording Projects
The viola, the violins larger and often overlooked sibling, is not the instrument people would typically think of when they think of Nashville. That honor would most likely go to either the fiddle or acoustic guitar. But present day Nashville is home to much more than the Country music that originally gave the city its' famous moniker Music City. The recording scene now encompasses almost every genre of popular music imaginable as well as a large amount of video game, television, and movie recording. Through this project, I attempted to explore the multitude of ways in which viola can be …
In Time Gone By: Song Cycle For Baritone And Six Players, Bryan Grosbach
In Time Gone By: Song Cycle For Baritone And Six Players, Bryan Grosbach
Glenn Korff School of Music: Dissertations, Theses, Student Creative Work, and Performances
In Time Gone By is a song cycle for Baritone vocalist and Pierrot Ensemble + percussion that explores the value of life being a byproduct of its finitude. Only during the most vulnerable and difficult events of that life can self-realization occur. These topics are wrapped into a “love-story” narrative crafted from select poems from Chamber Music by James Joyce and select quotes from the prose Devotions Upon Emergent Occasions by John Donne. Using intervallic focus as a tool for development, the piece transitions from sparse quintal harmony to lush tertian harmony as a musical metaphor for the self-realization of …
Music And Infrasound In Horror Movies - How They Can Be Used To Enhance Horror Films, Isabella Sills
Music And Infrasound In Horror Movies - How They Can Be Used To Enhance Horror Films, Isabella Sills
Student Scholar Symposium Abstracts and Posters
The purpose of this project is to research and investigate the effect music and sound effects have on horror films, specifically, the natural phenomena known as infrasound will be explored in depth. Just outside our range of hearing at 20 Hz, infrasound may not be audible, but can still cause physical reactions such as anxiety, uneasiness, and extreme sorrow (Morrow, 2017). I am looking to create a horror comic in the form of a video that heavily relies on musical cues and the incorporation of infrasound to build up parts of the story told in the form of a comic. …
The Third Truth, John Paul Chapman
The Third Truth, John Paul Chapman
Graduate Theses/Dissertations
This composition, scored for a full symphonic orchestra, is based on the theory of truth discussed by Bertrand Russell. Objective truth, he states, must satisfy three criteria. The first element of truth is to acknowledge that it has an opposite. The second element of truth is a property of belief, statement, and perception. The third requisite is to acknowledge that truth consists in coherence. The introduction to this composition invokes the confluence of the three elements by utilizing discordant harmonies. In the next two movements, a theme is developed for each element. The First Truth, representing conflict, possesses a dark …
Rope: An Original Piece For String Orchestra Played Concurrently With Alfred Hitchcock's Film, Douglas William-Solomon Espie
Rope: An Original Piece For String Orchestra Played Concurrently With Alfred Hitchcock's Film, Douglas William-Solomon Espie
Electronic Theses and Dissertations
This thesis presents an original piece of music designed to be performed concurrently with Alfred Hitchcock’s Rope (1948). The film provides a canvas upon which a musically dominant multimedia experience is built. An accompanying analysis explains the variety of compositional techniques used, explaining their significance and how each deviates from a traditional film score. The objective of this work is to challenge the existing relationship between music and film, and add to the growing body of repertoire of live works featuring synchronized video, modeling example methods of live multimedia performance. In this exploration, the goal was not to be anti-cinematic, …
Medusa For Three Sopranos And Chamber Orchestra., Joshua Baerwald
Medusa For Three Sopranos And Chamber Orchestra., Joshua Baerwald
Electronic Theses and Dissertations
Many people know the story of Medusa as she relates to Hercules' adventures. Most think of her as the monster who turns anyone who looks into her eyes into stone. Few people know, however, why Medusa was that way. One of the first written versions of Medusa's story comes from Ovid's Metamorphoses, written in 8 AD. Ovid says that Medusa's beauty invited jealous aspirations from many suitors. One of those suitors was Poseidon, God of the Sea. As was often the case in Greek myth, Poseidon did whatever it would take to have Medusa, and raped her in Athena's Temple. …
Murder Music: Horror Film Soundtracks Throughout History, Vincent G. Aragon
Murder Music: Horror Film Soundtracks Throughout History, Vincent G. Aragon
Capstone Projects and Master's Theses
Horror films often rely heavily on their music to create a tense and frightening experience for their audience, and it is the composer's job to write a score that satisfies that requirement. Throughout film history, the methods composers utilize to achieve that goal differ across time due to various factors including available technology, allotted budget, and the norms and expectations of films at the time. This capstone paper explores the different approaches composers employed in writing horror soundtracks from the early 20th century to the modern-day, noting any significant shifts and common themes found in the music of popular horror …
Our Perception Of Scary Sounds: A Comparison Of Films And Popular Music, David Puhl
Our Perception Of Scary Sounds: A Comparison Of Films And Popular Music, David Puhl
Capstone Projects and Master's Theses
My Capstone Research Paper will be an analysis on the usage of “scary” sounds performed in popular music as well as a comparison to the practice of using similar sounds in film, making a note of any similarities or differences (ex. audience perception, use of visuals). I will also touch on the integration of scary sound effects alongside music scoring for film, specifically in the Horror and Suspense genres. With popular music being my primary focus, I want to elaborate on the cognitive psychology of audiences (in film and music) and their reactions to "scary" or "horrific" sounds to better …
Memory Management For Game Audio Development, Rahmin Tehrani
Memory Management For Game Audio Development, Rahmin Tehrani
Capstone Projects and Master's Theses
Research in managing memory for video game audio development. Interactive music and audio implementation are explored with a strong focus on how to manage data while developing game sound. Some concepts that are important include the multi-use of one sound, file conversion, and randomization in music and audio using technology. Additionally, audio middleware such as Wwise is referenced and strongly used to showcase the previously described concepts. The end of this research project explores the future in video game audio with information relative to the next generation of consoles, video game streaming, physical memory limitations and expansions, and the future …
Trippy Sounds: Recording Studio Effects Of Psychedelic Rock, 1960s And Present, Theo Farnum
Trippy Sounds: Recording Studio Effects Of Psychedelic Rock, 1960s And Present, Theo Farnum
Capstone Projects and Master's Theses
The psychedelic rock movement of the 1960s dominated popular music and culture of the decade. The movement was heavily shaped by the consumption of LSD, a mind-altering hallucinogenic drug. Songwriting and lyrics often reflected the drug and the states of mind that it induced, and unique cutting-edge production techniques were used to imitate the effects of LSD use. Artists such as The Beatles used new effects, such as phasing, artificial double tracking, tape loops, and reverse recording.
In the 21st century, music has again been described as psychedelic rock, though the music under that term is much more diverse. Bands …