Music Commons^™

Im Vorubergehn, Lena Stein-Schneider

Musical Performances

This work is part of the Sophie Digital Library, an open-access, full-text-searchable source of literature written by German-speaking women from medieval times through the early 20th century. The collection covers a broad spectrum of genres and is designed to showcase literary works that have been neglected for too long. These works are made available both in facsimiles of their original format, wherever possible, as well as in a PDF transcription that promotes ease of reading and is amenable to keyword searching.

Volume 25, Number 12 (December 1907), Winton J. Baltzell

The Etude Magazine: 1883-1957

Some of the World's Greatest Women Pianists: Short, Interesting Biographies and Appreciations of Great Performers from Clara Schumann to the Present Day

Evil of Too Difficult Music

Mozart's Christmas

Tact and Success

Discouraged?

Musical Americanisms

Christmas Greetings from Well-Known Musicians

Don't Get Discouraged

Progress—Past and Present

Our Repertoire Class

Reflections by the Way, Part 1

Disgrace to Music: A Protest Against the Practice of Subsidizing Pianists Employed by Some Piano Firms

Fraud Publishers Again

Modesty of Brahms

Important Events in Musical History

Scale Playing

Practical Hints for the Busy Teacher

Making a Piece Interesting

Necessity of Sympathy in Teaching Children …

Volume 25, Number 11 (November 1907), Winton J. Baltzell

The Etude Magazine: 1883-1957

Education of the Masters

Making the Lesson Hour More Profitable

Bach's Sons

Liszt as a Composer and as an Artist

Letter from a Teacher in New Zealand

How to Select a Piano

Teaching New Materials

Famous Italian Pupil of Franz Liszt

Advice to Young Teachers

Some Trials and Experiences of a German Teacher

Volume 25, Number 10 (October 1907), Winton J. Baltzell

The Etude Magazine: 1883-1957

Edvard Grieg

Eulogy Upon Grieg

Grieg's Twelve Most Popular Piano Pieces

Story of the Gavotte

Joseph Joachim: A Tribute to the Great Teacher, Artist, Man, Who Stood at the Educational Head of Musical Life in Berlin for a Half Century—His Remarkable Violin School and His Influence Upon His Pupils and Friends

Should Recital Music be Memorized?

Sevcik and Joachim

How Rubinstein Played the Piano

Edvard Grieg

Volume 25, Number 09 (September 1907), Winton J. Baltzell

The Etude Magazine: 1883-1957

Business Man and Good Music

Technical Exercises, Etudes and Pieces: How to Use Them

Palestrina

Fallacy of Music Study Abroad

Practice that Develops Technic

Practical Hints by Bülow

To Teachers Who Do Not Play

Volume 25, Number 08 (August 1907), Winton J. Baltzell

The Etude Magazine: 1883-1957

Business Side of Making an Artist

To Protect Sheet Music

Study of Mozart's Sonata in F Major

Musical Education of the Blind

Henry Parker

How I Teach the Piano

Nicolas Rimsky-Korsakoff

Development of the Pianoforte

Enthusiasm in Teaching

High School Music Courses and College Requirements

Hans Sachs

Géza Horváth

Volume 25, Number 07 (July 1907), Winton J. Baltzell

The Etude Magazine: 1883-1957

From Schumann's Workshop

How to Read Music

Beethoven's Fondness for Out-of-Door Life

Hint for the Sight Reader

Success and Failure in Music: A Symposium

Anton Rubinstein in His Classes

Grading Music for Teaching Purposes

Young Pupil and Elementary Musical Theory

Teaching Material for Children

Beethoven's Personal Appearance

Notes on the Study of Scales

Arthur Foote

Environment a Factor in Teaching

World's Greatest Pianists

Emotional Appeal in Instrumental Music

Paderewski's Minuet in G

Study of Program Music

Volume 25, Number 06 (June 1907), Winton J. Baltzell

The Etude Magazine: 1883-1957

Johannes Brahms: The Classical Spirit in Music

Some Sayings of Brahms

Estimate of Brahms' Work

Brahms as a Practical Joker

How Liszt Taught

Chorus in the Small Town, with Some Side-Lights on Its Influence on American Music

Edvard Grieg: The Scandinavian Spirit in Music

Jacques the Dreamer: The Story of a Musician, with a Moral in It

Charles Camille Saint-Saëns: A Representative of French Music

Story of the Minuet

History Questions for Music Students

Importance of Finger Training

Cornelius Gurlitt

Monument to Stephen Heller

Volume 25, Number 05 (May 1907), Winton J. Baltzell

The Etude Magazine: 1883-1957

Musician's Holiday in Central Europe: Summer Music in Germany

Liszt's Love for the Piano

TTo the Graduates in Music: A Baccalaureate

Scales and Scale Playing: Their Place in Modern Piano Playing (Prize Essay)

Minnesinger

Education of the Masters

Conservatory Musical Society—What it Can Do for Members

Suggestion to Stimulate American Composition

Teaching Pieces by Godard

Some Leipzig Teachers of Fifty Years Ago

Volume 25, Number 04 (April 1907), Winton J. Baltzell

The Etude Magazine: 1883-1957

Maiden's Wish (Chopin Story)

Weber a Dramatic Composer

Control of Nervousness in the Musician

Making a Community Musical

Some Considerations on Foreign Study

Some Modern Technical Delusions and a Suggested Remedy

Dangers of Thoughtless Automatic Practice

Aim and Scope of Music for the Left Hand Alone

Shakespeare and Music: Some Interesting Quotations

Are the Keys with Flats in the Signatures Easier to Play than the Keys with Sharps? Why? (Symposium)

Beethoven's Love for Nature

Secret of Rosenthal's Technic

Artist's Revenge (A Story of Liszt and Chopin)

Anton Rubinstein in His Class Room

Keep the Eyes on the Music

Fraud Music …

Volume 25, Number 03 (March 1907), Winton J. Baltzell

The Etude Magazine: 1883-1957

Easter at St. Peter's, Rome

Notes for the History Teacher

Pioneers in Music

Keyboard and the Hand

Incident of Schumann's Last Days

Hints for the Duet-Player

Rhythm and Meter in Music

Nature's Symphony: An Incident of Beethoven's Youth

Songs without Words

Sigismond Thalberg

Volume 25, Number 02 (February 1907), Winton J. Baltzell

The Etude Magazine: 1883-1957

Chopin as I Knew Him

Lesson on a Phase of Technic: The Thumb and Second Finger

Repertory and How to Acquire It

Reminiscences of Schubert

Life of the Virtuoso

Few Thoughts Concerning the Musical Ear

Anton Rubinstein in His Classes

18th Century Tribute to Bach

Plan for the Teacher Who Wishes to Give Her Pupils Both Private and Class Lessons

French View of the American Musical Future

Evolution of a Country Church Choir

Some Common Errors of Piano Pupils: How to Correct Them

Volume 25, Number 01 (January 1907), Winton J. Baltzell

The Etude Magazine: 1883-1957

Lessons From Haydn's Life

Some Appreciations of Haydn

Joseph Haydn: A Man and Artist: As He Lived

Haydn's Contribution to Instrumental Music

Study of Haydn's Pianoforte Compositions

Joseph Haydn and His Work

Haydn, the Child, Youth and Man

Musician's Masquerade: A Story of Haydn's Youth

Mystery of Early Engilsh Music

Lesson Book: Harmony, Rosenbecker Adolph

Siegel-Myers Correspondence School of Music

A Music Lesson Book for the correspondence courses offered through the Siegel-Myers Correspondence School of Music.
Lessons and Examinations: Harmony, number 26 through 50

My Heart Is Thine ('O Sole Mio), Frank Sheridan, G. Capurro, E. Di Capua, The John Franklin Music Co

Popular Sheet Music of the 1900s-Archive

Front cover: A picture of two females on a balcony and a man down below sitting on a bench playing a guitar.

First line of song: The day is dying and the west winds sighing

Includes sheet music samples from the songs "Be My Love Be My Own", and "The Froggies Lullaby"

English Lyric by Frank Sheridan

Italian lyric by G. Capurro

Music By E. di Capua composer of "Be My Love, Be My Own" (Marie, Mari)

As sung in W.M.A Brady's Production of Philip H. Artholomae's comedy "Over Night"

Neapolitan serenade

1 score, (6.), 33x26 cm

Published by The …

From The Prince Of Pilsen (The Message Of The Violet), Frank Pixley, Gustav Luders, M. Witmark & Sons

Popular Sheet Music of the 1900s-Archive

Front cover: A bunch of purple flower in the middle.

First line of the song: The rose's lips are warm and red and burning with desire,

First line of chorus: I bring a breath of springtime from woodlands where I grew.

D, A to E

F, C, to G

Andantino

Moderato

pp

Includes sheet music samples from the songs "Carissima", "Star of my Life", and My Dear.

Lyric by Frank Pixley

Music by Gustav Luders

1 score, (8p.), 33x26 cm

Published by M. Witmark & Sons, New York

My Heart Is With The Dear Old Folks At Home, Rene Bronner, H. W. Petrie, H. W. Petrie Music Co.

Popular Sheet Music of the 1900s-Archive

Front cover: A picture of a gated home surrounded by a field and trees. There is a picture of a man in the left corner with the words "Yours Truly, H. W. Petrie"

First line of song: In a city far away, where a jostling crowd held sway

First line of chorus: Once again I long to be where my mothers' face I see

Moderato

Includes sheet music sample from the song "Dixie Darlings"

Words by Rene Bronner

Music by H.W. Petrie composer of "I Don't Want to Play in Your Yard", "Asleep in the Deep","I Remember", "The Song the …

The Birth Of Morn (Dawn), Paul Laurence Dunbar, Franco Leoni, Chappell & Co

Popular Sheet Music of the 1900s-Archive

Front cover: no cover art

First line of chorus: Dawn. Dawn.

Includes sheet music samples from the songs "Roses of Picardy","If Winter Comes" and "The World Is Waiting For The Sunrise"

Andante

Words by Paul Laurence Dunbar

Music by Franco Leoni

New Edition

Sung by Miss Maggie Teyte

No. 2 in F

1 score, (6p.), 30x23 cm

Published by Chappell & Co, New York

Tipperary, Leo Curley, James M. Fulton, J. Fred Helf, Helf & Hager Co.

Popular Sheet Music of the 1900s-Archive

Front cover: A picture of a woman's profile in a circular frame with swirls and flowers around it. Also a small circular picture at the bottom left corner of a young man with the words Alridgaway

First line of song: I'm in love with a slip of a tip typical Tipperary miss

First line of chorus: Faith its me that's nearly crazy, from me

Includes sheet music samples from the song "I Don't Want The Morning To Come"

Marcia

Words and Music by Leo Curley, James M. Fulton & J. Fred Helf.

Irish love song

Irish March Song

1 score, …

My Dear, Dave Reed Jr., Ernest R. Ball, M. Witmark & Sons

Popular Sheet Music of the 1900s-Archive

Front cover: No Cover Design

First line of song: All the world is bright and fair, skies are wondrous clear,

Andante

Andante with expression

Words by Dave Reed Jr.

Music by Ernest R. Ball

To Miss Eleanore Kent

Played in F

1 score, (8p.), 33x25 cm

Published by M. Witmark & Sons, New York

Volume 24, Number 12 (December 1906), Winton J. Baltzell

The Etude Magazine: 1883-1957

Glimpse at the Christmas of Some Noted European Churches

Practical Listening to Music

Folk Music as Related to Art Music

American Folk Songs

Songs of Christmas

Music and Other Arts

Suggestions for Playing Some Pianoforte Works of Schumann

Story of a Song

Volume 24, Number 11 (November 1906), Winton J. Baltzell

The Etude Magazine: 1883-1957

Richard Strauss: A Short Story of the Composer Whom James Huneker Calls An Anarch in Art

Hungarian Music and the Gipsies

Education of the Masters

Music and Mental Science

Babylonian Origin of Music as an Art and Science

Touch in Pianoforte Playing

Musical Education: What It Means

What is Good Taste in Music?

Volume 24, Number 10 (October 1906), Winton J. Baltzell

The Etude Magazine: 1883-1957

Making of a Russian Pianist (interview with Josef Lhévinne)

Qualities that Deterine Musical Worth

Two Remarkable Modern Compositions

Music Among the Hindoos

Study of Piano Technic from Bach to Clementi, Field and Cramer

Study of Piano Technic from Beethoven to Rubinstein

Thoughts on Modern Piano Technic

Manuel Garcia: His Life and Works

Interpretation of Bach's Works

Hindoo Air in the Sunday-School

Place of the Talking Machine in Music Teaching

Place of Mechanical Instruments in Musical Culture

Menace of Mechanical Music to a True Art

Volume 24, Number 09 (September 1906), Winton J. Baltzell

The Etude Magazine: 1883-1957

Study of Sir Edward Elgar

First Steps in Teaching Technic

Festival in the Small Town: Its Value and How to Run One

Some Principles of Leschetizky's Teaching

Mozart as a Teacher, Player and Piano Composer

Interpretation of Bach's Works

Teaching Scales

Those Fits of Discouragement

Types of Concertgoers

Rubinstein on the Concert Platform

Volume 24, Number 08 (August 1906), Winton J. Baltzell

The Etude Magazine: 1883-1957

Exercises for the Sight Reading Class

Reminiscences of Celebrated Singers (interview with Giovanni Sbriglia)

Significance of Bach to Modern Music

Public Taste in Music as Shown by Summer Orchestra Programs

Teaching of the Minor Scales

Bach Awakening

Aphorisms from the Manuscript of the Late C.H. Richter

Story of Johann and Joseph Strauss

Pupils' Rhythmical Problems

Volume 24, Number 07 (July 1906), Winton J. Baltzell

The Etude Magazine: 1883-1957

Edouard Risler and His Playing of Beethoven's Sonatas

Suggestions for Chord Playing

Soirée at Richard Wagner's

What Does the Layman Hear in Music?

Making of an Artist: The View of Alfred Reisenauer

How an Opera Was Written

Schumann's Fantasy Pieces, Op. 12

Suggestions for Sight Reading Practice

Plea for Broad-Mindedness

Value of Imagination

Modern Virtuoso

Selection of Teaching Music

Volume 24, Number 06 (June 1906), Winton J. Baltzell

The Etude Magazine: 1883-1957

Making of an Artist: The Views of Alfred Reisenauer

Louis Köhler

Köhler's Technical Scheme

What is American Music?

Gluck and Lavater: How the Great Physiognomist Predicted the Composer's Career

Qualities of the Pianistic Hand

Notes on Rubinstein's Teaching

Handling of Piano Technic for Very Young Children

Study Value of the Pedal

Isadora Duncan and Her School for Classic Dancing

Studies in Prejudice: A Phase of Modern Art

Care to Practice, Then Careful Practice

Volume 24, Number 05 (May 1906), Winton J. Baltzell

The Etude Magazine: 1883-1957

Chorus Conducting and Music Festival Organization: Talks with Mr. Emil Mollenhauer and Mr. George W. Stewart

Who Shall Select the Pupils' Music

Monument to Stephen Heller

Self-Control

Sigismond Stojowski and His Views on Piano Study

Evolution of the Leschetizky Method

Some of the Elements of a Good Teacher

Program Novelties for Music Clubs

More Extensive Pianoforte Repertoire

Necessity of Theoretical and Historical Study to the Pianist

Reading at Sight: Some Practical Suggestions

How Improvements in the Piano Affected Composition

How the Great Musicians Practice

Mozart's Manner of Composing

Volume 24, Number 04 (April 1906), Winton J. Baltzell

The Etude Magazine: 1883-1957

Musical Life in New Orleans

How Tchaikovsky Composed

Experiences of a Music Student in Germany in 1905

Cultivate the Taste

Helps for Young Teachers

Position of the Hand in Piano Playing

Do We Play Enough for Our Pupils!

Small Conservatory

Tact in Teaching

Method of Gaining Speed in Playing

Piano and Its Influence on the Growth of Music

Do Musical Prodigies Last?

Music in Mexico

Volume 24, Number 03 (March 1906), Winton J. Baltzell

The Etude Magazine: 1883-1957

Making a Modern Conservatory of Music: What an Endowment is Doing for the Institute of Musical Art, New York City

Polyphonic Music as Related to Modern Art and Education in Music

John Knowles Paine: The First of the Great American Composers

Medieval Musical Entertainment

Pianoforte Four-Hand Compositions

Secret of Successful Work

Some Mistakes in Teaching

How to Prepare and Conduct Class Meetings

Abt Vogler

Poems a Musician Should Know, with Suggestions for Their Study