Music Commons^™

Una Interpretacion Del Ritmo Poetico En Mester De Lejania De Pedro Lastra, Marianella P. Machado

Languages, Cultures, and Humanities Faculty and Staff Research

En Metrica Espanola, Tomas Narro Tomas dice ques "el espanol ha enriquecido las experiencias de su versificacion mediante el cultivo del ritmo". Tal afirmacion pone un enfasis supremo sobre el ritmo como conductor principal en la creacion de un poema.

Loch Lomond - Ttbb | 10-96280, James Q. Mulholland

Music Faculty Scores

Loch Lomond, From "Three Scottish Songs"

Part Number:
10-96280

Price:
$1.80

Voicing:
TTBB

Music By:
James Q. Mulholland

Also Available:
Caledonian's Air; Wi' A Hundred Pipers

Message, The | 10-96290, James Q. Mulholland

Music Faculty Scores

The Message, for SSA Voices with Piano Accompaniment

Part Number:
10-96290

Price:
$1.80

Voicing:
SSA

Lyrics By:
Christopher Pearse Cranch (1813-1892)

Music By:
James Q. Mulholland

Commissioned by the Harry C. amd Jean I. Snyder Family Trust
for the 10th Anniversary of the Milwaukee Choral Artists,
Dr. Sharon A. Hansen, conductor

Take, O Take Those Lips Away | 15-96190, Benjamin Martinson

Music Faculty Scores

Take, O Take Those Lips Away

Part Number:
15-96190

Price:
$1.75

Voicing:
SATB

Lyrics By:
William Shakespeare

Music By:
Benjamin Martinson

Amid The Splendors Of The Sun | 20-95990, Nick Page

Music Faculty Scores

Amid The Splendors Of The Sun

Part Number:
20-95990

Price:
$1.95

Voicing:
SSAA

Lyrics By:
William Blake

Music By:
Nick Page

Arrow And The Song, The | 20-96000, Robert I. Hugh

Music Faculty Scores

The Arrow and the Song

Part Number:
20-96000

Price:
$1.85

Voicing:
SSA

Lyrics By:
Henry Wadsworth Longfellow

Music By:
Robert I Hugh

Magnificat | 20-96020, Henry Leck

Music Faculty Scores

Magnificat
From "Magnificat in D" (BWV 243)

Part Number:
20-96020

Price:
$1.90

Voicing:
SSATB

Music By:
J.S. Bach

Arranged By:
Henry Leck

Vus Vet Zayn | 21-20110, Stephen Hatfield

Music Faculty Scores

Vus Vet Zayn
Yiddish Song

Part Number:
21-20110

Price:
$1.90

Voicing:
SATB

Arranged By:
Stephen Hatfield a cappella (opt. Klezmer Band)

Who Has Heard The Music? | 20-96010, Julie I. Myers

Music Faculty Scores

Who Has Heard The Music?

Part Number:
20-96010

Price:
$1.90

Voicing:
Two-Part

Music By:
Julie I. Myers with Clarinet

Happiness: Three Voice Duets For Soprano And Mezzo-Soprano And Piano, Emmanuel M. Dubois

Emmanuel Dubois Compositions

Op. 30 : 1 score (v + 33 pages ) ; includes table of contents and poem.

Composed for "Happiness" a poem by Henry David Thoreau and a collage of verses by John Warner Barber, William Ellery Channing and John Donne as quoted by Thoreau in Walden.

Movements:

1. Happiness
2. To Sweeten Our Lips
3. Come Ye Who Love

Biologie Littorale Des Mers Temperées, Bruno Ruviaro

Music

A title contributes strongly to the détournement of a work, but a reaction of the work on the title is inevitable. Thus one can make an extended usage of specific titles borrowed from scientific publications or military ones; and even from many phrases found in illustrated books for children. The French word détournement means deflection, diversion, rerouting, distortion, misuse, misappropriation, hijacking, or otherwise turning something aside from its normal course or purpose. This piece, as well as this paragraph, can be reproduced, imitated, or partially quoted, without the slightest indication of origin.

Três Fontes, Bruno Ruviaro

Music

What do you get when you mix saxophone fragments of Webern, Debussy, and Pousseur in one same algorithmic cauldron, in a bucolic park in Turin, Italy? This piece provides one possible answer to that question. “Três Fontes,” in Portuguese, can be translated as “Three Sources,” but also “Three Fountains.” You are free to use, study, remix, and share this piece.

Endurance, Jeremiah Bush

Mahurin Honors College Capstone Experience/Thesis Projects

This thesis, a musical composition of my own making, is about the ending of a relationship. The written component describes both the pragmatic nature of the piece as well as the theoretical analysis of the musical score and CD components. The music was written to convey feelings of anger, sadness, and relief that one can feel during and after a break up. The end of the piece deals with reconciliation between the two people.

Ua37/4 Faculty Personal Papers Franz Strahm, Wku Archives

WKU Archives Collection Inventories

Records created by and about Joseph Strahm during his tenure as music professor at Western Kentucky University from 1910 to 1941. The collection includes biographical information and tributes, and Professor Strahm’s composition. The series is arranged in three sections, personal papers, sheet music and compositions and scores.

(Waterfall), Scott Schumann

Compositions

No abstract provided.

With Eyes Closed, Queenie Li

Compositions

No abstract provided.

The Composing Of "Musick" In The English Language: The Development Of The English Cantata, 1700-1750, Jennifer Cable

Music Faculty Publications

The cantata as cultivated by Alessandro Scarlatti and his contemporaries Alessandro Stradella and Giovanni Bononcini was the model for the early development of the English cantata, "which remained a solo vocal genre in England throughout the eighteenth century, namely 1710-1800. By focusing on specific musical elements, such as cantata format (recitative-aria-recitative-aria or aria-recitative-aria), song forms, motivic use, textual content, instrumental requirements and performance venues, the evolution of the English cantata can be observed during the first half of the eighteenth century, developing from a simple imitation of the Italian form to a genre in its own right.¹

New Indeterminate Music: The Influence Of The Cagean Trajectory In The Importance Of Being Earmarked, Brett Philip Murray

Theses : Honours

This paper explores the influence of John Cage (1912-1992) on contemporary experimental music focusing on the indeterminate work The Importance of Being Earmarked (2008). Firstly through an investigation of selected works from Cage (written between the 1930s- 1960's) and the concepts that form a Cagean trajectory, and secondly by showing how a contemporary composer has adopted this trajectory in the composition of a new work that combines sound-installation, theatre, and Max/MSP programming.

Alabama Summer: Suite For Orchestra With Structural And Harmonic Analysis, David Frank Mckee

University of Kentucky Doctoral Dissertations

An original composition in three movements for large orchestra. Following the score is a detailed analysis of the work, consisting of an introduction, three sections of analysis devoted to each of the three movements of the composition, and a short conclusion summarizing the analysis.

Dialogue As Performance. Performance As Dialogue, Laura Lynn

Antioch University Dissertations & Theses

This dissertation is an arts-based qualitative study in Leadership and Change that describes the qualities of dialogue revealed through the felt experience of Native and non-Native American music composers engaged in a dialogue through music composition. The fifteen co-collaborators who participated in the study range in age from three-years-old to elders. The study is theoretically embedded within Performance Studies, Dr. Carolyn Kenny’s music therapy model Field of Play, and aesthetic philosophy. Methodologically, this work is expressed through performance ethnography and autoethnography and privileges textual and non-textual modes of account including photographs, video excerpts, poetry, and music manuscript. The text is …

"Christmas Morning" For Orchestra, Dominic Dousa

Selected Works Temporary Series

A performance of my original composition by the El Paso Symphony Youth Orchestras, conducted by Benjamin Loeb. Piece was commission as part of activities as EPSYOs Composer-in-Residence.

Hays, William Shakespeare, 1837-1907 (Mss 28), Manuscripts & Folklife Archives

Manuscript Collection Finding Aids

Finding aid for Manuscripts Collection 28. Correspondence, poems, lyrics for songs, newspaper marine columns, and royalty and copyright contracts related to William Shakespeare Hays, a poet, composer, and newspaper columnist of Louisville, Kentucky. Many clippings of a biographical nature and of his works. Attached (Click on "Additional Files" below) is full text scan of a diary kept by Hayes from 1864 to 1865 and titled "My Leisure Moments to Belle McCullough." This diary is found in Box 3, Folder 4 of the collection.

'I. Wind' And 'Ii. Breeze' From "Airstreams" For Alto Saxophone And Vibraphone, Dominic Dousa

Selected Works Temporary Series

A performance of my original composition by the Don Wilkinson (alto saxophone) and Larry White (vibraphone).

Solo Composition Recital (October 11, 2007), Dominic Dousa

Selected Works Temporary Series

Faculty Compositon Recital, presented by Melissa Colgin-Abeln (flute, UTEP), John Siqueiros (flute, UTEP), Don Wilkinson (alto and soprano saxophones, UTEP), Larry White (vibraphone, UTEP), UTEP students, and musicians from the El Paso community. Performances of the following original compositions: "Suite for Flute and Guitar" "Pastorale" for flute choir "Outdoors Music" for string quartet "Airstreams" for alto saxophone and vibraphone "Quintet for SATB Saxophone Quartet and Piano"

"Songs Of Sea And Life" For Tenor/Baritone Voice And Piano (Grand Forks, Nd), Dominic Dousa

Selected Works Temporary Series

A performance of my original composition by Robert Jones, baritone, and Andrew Froelich, piano on a Faculty Recital at North Dakota State University featuring vocal music of living American composers.

Recital, Utep Faculty Recital Series (October 5, 2007), Dominic Dousa

Selected Works Temporary Series

A faculty recital presentation by Stephanie Schweigart (violin and viola) and Dominic Dousa (piano).

"Mountain Song" For Viola And Piano, Dominic Dousa

Selected Works Temporary Series

A performance of my original composition by Stephanie Schweigart (viola) and Dominic Dousa (piano).

Recital, Texas Tech University Faculty Recital Series, Dominic Dousa

Selected Works Temporary Series

A faculty/guest artist recital presentation by Renee Skerik (viola, Texas Tech University) and Dominic Dousa (UTEP, guest artist - piano/composer).

"Evening Piece And Summer Dance" And "The Winds Of A Summer Night" For Viola And Piano (Lubbock, Tx), Dominic Dousa

Selected Works Temporary Series

A performance of my original composition by Renee Skerik (viola) and Dominic Dousa (piano), at a Faculty/Guest Artist Recital at Texas Tech University.

"Pastorale" For Flute Choir (Original Composition), Dominic Dousa

Selected Works Temporary Series

A performance of my original composition by the UTEP Flautistas directed by Melissa Colgin-Abeln on an afternoon festival concert. (Concert program on p. 93 of pdf file)