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Articles 1231 - 1260 of 3293
Full-Text Articles in Music
Caledonian's Air-Ttbb | 10-96275, James Q. Mulholland
Caledonian's Air-Ttbb | 10-96275, James Q. Mulholland
Music Faculty Scores
Caledonian's Air, from "Three Scottish Songs"
Part Number: 10-96275
Price: $1.75
Voicing: TTBB
Lyrics By: Robert Burns
Arranged By: James Q. Mulholland (Traditional Scottish Folk Song)
Also Available:Loch Lomond; Wi' A Hundred Pipers
Dedicated lovingly to the memory of my dearest Yellow Rose, Glenda Casey
Self-Banished, The | 20-95950, Steven Rickards
Self-Banished, The | 20-95950, Steven Rickards
Music Faculty Scores
The Self-Banished
Part Number: 20-95950
Price: $1.85
Voicing: SA
Music By: John Blow (1649-1708)
Lyrics By: Edmund Waller (1606-1687)
Arranged By: Steven Rickards
with Soloist
Caldenoian's Air-Ssaa | 10-96200, James Q. Mulholland
Caldenoian's Air-Ssaa | 10-96200, James Q. Mulholland
Music Faculty Scores
Caledonian's Air, from "Three Scottish Songs"
Part Number: 10-96200
Price: $1.75
Voicing: SSAA
Lyrics By: Robert Burns
Arranged By: James Q. Mulholland (Traditional Scottish Folk Song)
Also Available:Loch Lomond; Wi' A Hundred Pipers
Dedicated lovingly to the memory of my dearest Yellow Rose, Glenda Casey
And Dreams Unknown | 10-96180, James Q. Mulholland
And Dreams Unknown | 10-96180, James Q. Mulholland
Music Faculty Scores
And Dreams Unknown for SATB Voices with Piano Accompaniment
Part Number: 10-96180
Price: $1.80
Voicing: SATB
Lyrics By: Thomas Hardy (1840-1928)
Arranged By: James Q. Mulholland
Commissioned by the 2010 Tennessee All State Choir James Q. Mulholland, conductor
America The Beautiful | 10-96220, James Q. Mulholland
America The Beautiful | 10-96220, James Q. Mulholland
Music Faculty Scores
America The Beautiful, for T.T.B.B. Voices with Piano (or Organ) Accompaniment and Optional Small Brass Ensemble or Full Concert Band.
Part Number: 10-96220
Price: $1.85
Voicing: TTBB
Arranged By: James Q. Mulholland
with Brass, Band, or Orchestra
Gloria | 20-95960, William Chin, Javier Mendoza, Henry Leck
Gloria | 20-95960, William Chin, Javier Mendoza, Henry Leck
Music Faculty Scores
GloriaFrom "Gloria in D"
Part Number: 20-95960
Price: $1.90
Voicing: SSAA
Music By: Antonio Vivaldi
Arranged By: William Chin & Javier Mendoza
Edited By: Henry Leck
Kyrie | 21-20113, Imant Raminsh
Kyrie | 21-20113, Imant Raminsh
Music Faculty Scores
KyrieFrom "Missa Brevis in C Minor"
Part Number: 21-20113
Price: $1.90
Voicing: SATB
Music By: Imant Raminsh
Three Fiddle Tunes | 20-95940, Robert I. Hugh, Henry Leck
Three Fiddle Tunes | 20-95940, Robert I. Hugh, Henry Leck
Music Faculty Scores
Three Fiddle TunesSail Away, Cripple Creek, Old Joe Clark
Part Number: 20-95940
Price: $1.95
Voicing: Three-Part Treble
Arranged By: Robert I. Hugh
Edited By: Henry Leck with Fiddle (Violin)
Featured at: 2013 Meredith College Reading Session 2013 Villanova University Summer Clinic
Correspondences And Complementarity In Visual Music, Bill Alves
Correspondences And Complementarity In Visual Music, Bill Alves
All HMC Faculty Publications and Research
Visual music is an art form that implies intermodal connections between the senses but which has historically often failed to identify aesthetically satisfying correspondences. Artistic success does not automatically emerge in one medium when its elemental characteristics are mapped to those of an existing work from another medium. I offer examples from my own abstract animations with music, which draw upon John Whitney's concept of complementarity, a more intuitive correspondence at a higher level of aesthetic qualities, that of stasis and dynamism or tension and resolution.
Caledonian's Air-Satb | 10-96255, James Q. Mulholland
Caledonian's Air-Satb | 10-96255, James Q. Mulholland
Music Faculty Scores
Caledonian's Air, from "Three Scottish Songs"
Part Number: 10-96255
Price: $1.75
Voicing: SATB
Lyrics By: Robert Burns
Arranged By: James Q. Mulholland (Traditional Scottish Folk Song)
Also Available:Loch Lomond; Wi' A Hundred Pipers
Dedicated lovingly to the memory of my dearest Yellow Rose, Glenda Casey
For Music | 10-96210, James Q. Mulholland
For Music | 10-96210, James Q. Mulholland
Music Faculty Scores
For Music, for SATB divisi Voices with Piano Accompaniment
Part Number: 10-96210
Price: $1.80
Voicing: SATB
Lyrics By: William Alexander Percy (1885-1942)
Music By: James Q. Mulholland
Commissioned by the Jackson Choral Society, Jackson, Mississippi in celebration of its 50th anniversary (2010). Dr. Nancy Osman Moore, Artistic Director
Little Red Bird On The Lonely Moor | 24-96500, Matt Smart
Little Red Bird On The Lonely Moor | 24-96500, Matt Smart
Music Faculty Scores
Little Red Bird on the Lonely Moor
Part Number: 24-96500
Price: $1.75
Voicing: SA
Lyrics By: Traditional Celtic Melody
Music By: Matt Smart
Keep Your Lamps Trimmed And Burnin'-Sab | 20-96435, Greg Gilpin
Keep Your Lamps Trimmed And Burnin'-Sab | 20-96435, Greg Gilpin
Music Faculty Scores
Keep Your Lamps Trimmed And Burnin'Traditional Spiritual
Part Number: 20-96435
Price: $1.90
Voicing: SAB
Arranged By: Greg Gilpin
Montana Cowgirl | 20-95970, Susan Brumfield
Montana Cowgirl | 20-95970, Susan Brumfield
Music Faculty Scores
Montana Cowgirl(Coyote Song)
Part Number: 20-95970
Price: $1.90
Voicing: SSA
Music By: Ray Park
Arranged By: Susan Brumfield
with Fiddle
Featured at: 2013 KyACDA Fall Convocation
Bye-Bye (Score), Gary Smart
Bye-Bye (Score), Gary Smart
Music Faculty Research and Scholarship
“Bye-bye” for mixed sextet of instruments was written specifically for the 2010 Finale Composers’ Competition. It was finished in August 2010. It is a kind of abstract toccata which relies on rhythmic gestures as a primary unifying device. “Bye-bye” is Ivesian in it’s overall American character and in it’s use of materials from diverse musical genres (vaudeville, ragtime, waltz, early jazz, swing, etc.).
Only five minutes in length, this piece is written to serve as a brilliant, eccentric showpiece encore. Fans of the “Great American songbook” will recognize this music to be a free fantasy on the old sing-a-long favorite …
An Interactive Music System Based On The Technology Of The Reactable, James Herrington
An Interactive Music System Based On The Technology Of The Reactable, James Herrington
Theses : Honours
The purpose of this dissertation is to investigate and document a research project undertaken in the designing, constructing and performing of an interactive music system. The project involved building a multi-user electro-acoustic music instrument with a tangible user interface, based on the technology of the reacTable. The main concept of the instrument was to integrate the ideas of 1) interpreting gestural movement into music, 2) multi-touch/multi-user technology, and 3) the exploration of timbre in computer music. The dissertation discusses the definition, basics and essentials of interactive music systems and examines the past history and key features of the three …
The Analysis Of Composition Techniques In Utp_: Synthetic Composition For Electroacoustic Ensembles, Kynan Tan
The Analysis Of Composition Techniques In Utp_: Synthetic Composition For Electroacoustic Ensembles, Kynan Tan
Theses : Honours
This thesis attempts to analyse and describe a number of spectrally oriented composition techniques for composing music for electroacoustic ensemble. These techniques aim to achieve a synthetic approach to combining electronic and acoustic sound sources in live performance. To achieve this, an in-depth analysis of utp_ (2008) by Alva Noto and Ryuichi Sakamoto in collaboration with Ensemble Modern is conducted. utp_ utilises a large acoustic ensemble, live electronic processing, prerecorded electronic sound and video projections in performance. The discussion also queries the possible problems of electroacoustic performance, and examines ways to resolve the most prevalent issues. This involves a discussion …
The Logic Of Objects, David B. Eichelberger
The Logic Of Objects, David B. Eichelberger
School of Art, Art History, and Design: Theses and Student Creative Work
The human mind assimilates information and experiences quickly and constantly, and is aided by mental systems that we rely on to function. We classify the input of our lives with extreme efficiency. Our notions about the things we encounter in the world are learned from past experiences, and these expectations help us file the data of our lives. My work is composed to create pause. I am interested in slowing down the processes of assimilation by manipulating our expectations, and extending events measured in microseconds into saturated and engaging experiences. Functional qualities, visual rhythms, and exaggerated proportions are some of …
A Performance Project With An Historical And Analytical Perspective On The Concerto For Alto Saxophone And Orchestra, Op. 31 By Peter Jona Korn, Brian Sanford Ransom
A Performance Project With An Historical And Analytical Perspective On The Concerto For Alto Saxophone And Orchestra, Op. 31 By Peter Jona Korn, Brian Sanford Ransom
Dissertations
Peter Jona Korn (1922-1998) is not a name immediately recognized in American music circles, yet during the 1940s and '50s he led a successful career as an American composer. His Saxophone Concerto - composed in 1956 for the virtuoso Sigurd Rascher, and revised by Korn in 1982 - is an important contribution to the saxophone repertoire.
Many composers, including Glazounov, Ibert, and Larsson, wrote concertos for Sigurd Rascher. These works, once considered highly virtuosic, are now studied and performed by college level saxophonists. The original version of Korn's Concerto, among the most technically demanding works, has remained in obscurity for …
Comparative Analysis Of Representative Marimba Works By Nebojsa Jo Van Zivkovic, Jefferson Lavelle Grant Iii
Comparative Analysis Of Representative Marimba Works By Nebojsa Jo Van Zivkovic, Jefferson Lavelle Grant Iii
Dissertations
Nebojsa Jovan Zivkovic has been an active performer and composer since the late 1970s. He is the closest modern percussionists have to the tradition of the virtuosocomposer from the Romantic period. He holds degrees in composition, music theory, and percussion performance. His music merits study based on the fact that he is an accomplished marimbist who composes at the instrument. This lends to his music a uniquely idiomatic quality. The two works presented in this treatise span almost twenty years of the composer's thirty-year career. The unifying element in both works is that they feature a marimba soloist as the …
William Kempster, Associate Professor Of Music (Cola) Travels To Czech Republic, William Kempster
William Kempster, Associate Professor Of Music (Cola) Travels To Czech Republic, William Kempster
Faculty Travel Reports
Along with Antonín Dvořák, Bohuslav Martinů is the most revered composer in his native land, now known as the Czech Republic. Little wonder, therefore, that a competition bearing the composer’s name draws the best choirs in the country, as well as from abroad, to the town of Pardubice for the International Bohuslav Martinů Festival and Choir Competition. This year (2009) in June, at the 6th such staging of the competition, choirs from Finland, Serbia, Hungary, the Netherlands, Slovakia, Israel, Estonia, Belgium, Slovenia and the USA joined with numerous Czech choirs not only to compete against each other, but also to …
A Woodland Symphony For Chamber Orchestra, Curtis Pennington
A Woodland Symphony For Chamber Orchestra, Curtis Pennington
All-Inclusive List of Electronic Theses and Dissertations
1bis thesis entitled A Woodland Symphony for Chamber Orchestra presents a symphonic work written in three movements scored for two flutes, two oboes, two clarinets in B-flat, two bassoons, two horns in F, two trumpets in B-flat, two trombones, harp, percussion {timpani, snare drum, bass drum, cymbals), eight first violins, six second violins, four violas, four cellos, and two double basses. It represents the culmination of the Master of Music degree in Composition. In addition to the score of the symphony, there is an analysis of some key components of the symphony's harmonic language. These are contrasted with the harmonic …
"Korean Psalm (Psalm 23)" For Tenor Voice And Piano, Dominic Dousa
"Korean Psalm (Psalm 23)" For Tenor Voice And Piano, Dominic Dousa
Selected Works Temporary Series
A performance of my original composition by Sang-In Han (tenor) and Dominic Dousa (piano). The work is a setting of selected verses of Psalm 23 in Korean. It was composed for Dr. Han's lecture recital of Korean Art Song.
"Departed Days" For Satb Choir And Piano, Dominic Dousa
"Departed Days" For Satb Choir And Piano, Dominic Dousa
Selected Works Temporary Series
A performance of my original composition by the UTEP University Chorale, conducted by William McMillan.
The Music Of Jerry Sieg: A Descriptive Catalogue Of His Piano Music And An Analysis Of The Five Miniatures For Piano, Nuria Mariela Royas
The Music Of Jerry Sieg: A Descriptive Catalogue Of His Piano Music And An Analysis Of The Five Miniatures For Piano, Nuria Mariela Royas
Dissertations
The purpose of this study is to present the solo piano music of the American composer Jerry Sieg, whose output includes works for orchestra, voice, opera, chorus, and numerous compositions for solo instruments.
It opens with the biography of the composer, including information concerning bis musical training, followed by a brief survey of his solo piano works. A discussion of his compositional style in his Five Miniatures for Piano, written in 1994 for the American pianist Marian Lee, is also included in this work. The analysis of the Five Miniatures for Piano in Chapter IV presents a detailed analysis of …
Leo Brouwer's Estudios Sencillos For Guitar: Afro-Cuban Elements And Pedagogical Devices, Carlos Isaac Castilla Penaranda
Leo Brouwer's Estudios Sencillos For Guitar: Afro-Cuban Elements And Pedagogical Devices, Carlos Isaac Castilla Penaranda
Dissertations
This document presents a detailed performance and pedagogical analysis of the Estudios Sencillos by the Cuban composer, Leo Brouwer. Such pertinent musical aspects as biographical data of the composer, Afro-Cuban traditions, Cuban composers, and philosophical and artistic trends that impacted Brouwer's aesthetic world are studied and discussed.
Virtually any of Brouwer's works can serve to convey this information, but it is particularly this group of pieces that better suits the study of Afro-Cuban elements within a pedagogical focus since no other of Brouwer's compositions is set with this particular target in mind: etudes for the development and/or implementation of a …
A Comparative Analysis Of Roman Palester's Concertino Pour Saxophone Alto Et Orchestre A Cordes, Brian Donald Kauth
A Comparative Analysis Of Roman Palester's Concertino Pour Saxophone Alto Et Orchestre A Cordes, Brian Donald Kauth
Dissertations
The music of Roman Palester (1907-1989) is little known outside his native Poland. Before World War II, he experienced a great deal of musical success, with many of his compositions being performed at prestigious music festivals throughout Europe. Palester completed his one solo work for the saxophone, the Concertino pour Saxophone Alto et Orchestre a Cordes, in 1938, but its scheduled premiere in 1939 never took place due to political tensions on the eve of World War II.
In 1978, Palester revised the work for saxophonist David Pituch, who premiered and recorded this version. A comparison of the original and …
An Examination Of Vocal Music By John Musto, Stephanie R. Thorpe
An Examination Of Vocal Music By John Musto, Stephanie R. Thorpe
UNLV Theses, Dissertations, Professional Papers, and Capstones
John Musto, a contemporary composer based in New York, is known for his vocal, piano, and orchestral compositions. Musto is an active performer, who accompanies his own compositions in performance and on recordings. Several festivals and foundations have commissioned his compositions, many of them vocal works.
This document will examine a song set, a solo song and two song cycles by John Musto, which represent the composer's developing vocal compositional style from beginning to present. Equally informed by classical and jazz techniques, his style is comprised of popular idioms, ambiguous key structures, irregular rhythms and meters, unpredictable intervallic movements, and …
2008-2009 New Music Festival, Joseph Turrin, Lisa Leonard
2008-2009 New Music Festival, Joseph Turrin, Lisa Leonard
New Music Festival
Third Annual New Music Festival
- Joseph Turrin, Composer-in-Residence
- Lisa Leonard, Director
Thursday, April 23, 2009 at 7:30 pm
- Opening Night Faculty Concert
- Venue: Amarnick-Goldstein Concert Hall
Friday, April 24, 2009 at 7:30 pm
- Forum (Panel: Kenneth Amis, Thomas McKinley, Joseph Turrin ; Mediator: Lisa Leonard)
- Venue: Amarnick-Goldstein Concert Hall
Sunday, April 26, 2009 at 4:00 pm
- Young Composers
- Venue: Amarnick-Goldstein Concert Hall
Monday, April 27, 2009 at 7:30 pm
- Joseph Turrin Spotlight
- Venue: Louis and Anne Green Center for the Expressive Arts
Commissioned Work
Joseph Turrin, the composer-in-residence, composed a musical work called, Chamber Symphony, for this festival. In …
Fifth Wheel For Jazz Band, Ian C. Boswell
Fifth Wheel For Jazz Band, Ian C. Boswell
Music Honors Projects
Fifth Wheel is a composition written for Macalester's jazz band that uses form and extended tonality to create an emotional narrative. It contains elements of both classical and jazz traditions: its form and unusual meter (5/4) from the former and improvisation and jazz harmony from the latter. Writing harmonies in an extended tonal language was of particular importance in this piece's creation.