Music Commons^™

Spirituality Countering Dehumanization: A Cypher On Asian American Hip Hop Flow, Brett J. Esaki

Journal of Hip Hop Studies

Flow—an artistic connection to the beat—is essential to the experience and cultural mix of Hip Hop. “Flow” is also a term from positive psychology that describes a special out-of-body state of consciousness, first articulated by Mihaly Csikszentmihalyi. When Hip Hop performers get into artistic flow, they sometimes become immersed in psychological flow, and this article examines the combination for Asian American Hip Hop. Based on my national survey of Asian Americans in Hip Hop, I argue that dual flow inspires spiritual transformation and mitigates the dehumanization of social marginalization. However, the combination of terms presents problematic possibilities, given that Hip …

A Critical Interpretive Synthesis Of Research Linking Hip Hop And Wellbeing In Schools, Alexander Crooke, Cristina Almeida, Rachael Comte

Journal of Hip Hop Studies

Hip Hop is recognized as an agent for youth development in both educational and well-being spaces, yet literature exploring the intersection of the two areas is comparatively underdeveloped. This article presents a critical interpretive synthesis of twenty-two articles investigating school-based well-being interventions which used Hip Hop. The critical stance taken aimed to identify or expose assumptions underpinning this area of scholarship and practice. Our analysis suggested several assumptions operate in this space, including the idea rap represents a default for Hip Hop culture, and the default beneficiaries of Hip Hop-informed interventions are students of color living in underprivileged, inner-city US …

Khruangbin On Tour, Meghan Eileen Connolly

Graphic Communication

My senior project, Khruangbin On Tour, creates the opportunity to ideate and promote Khruangbin’s, a three-person band, tour through branding and merchandise. The goal is to create visuals, such as a poster or t-shirt design, to complement their songs and the band as a whole through the use of color palettes, typography, objects and illustrations. The music’s feeling and aesthetic should be reflected in the visual aspects as it represents the artist overall and speaks to the audience.

V.1 Fall 2021, Center For Arts & Language, Students Of Risd, Risd Archives

All Student Newspapers

v.1 is a publishing platform for the ongoing work, ideas, discussions, debates, and aspirations of students at the Rhode Island School of Design. The Fall 2021 issue is formatted as a zine and contains notes from students displayed on their phones and otherwise, along with student creative writing.

Cota Collaborations: Towards Interdisciplinary Projects In The College Of The Arts, Sarah Joseph

Symposium of Student Scholars

The College of the Arts at KSU is comprised of four departments that offer unparalleled education, artistry, and production. However, they are often function separately from each other. This paper outlines a vision of future collaborations for the college, recommending possible projects to collectively strengthen each of the departments. My research was conducted in a Senior Seminar course, including interviews and survey work within the college. It also stems from my own cross-disciplinary experience as Theatre major and Music minor. Ultimately, the paper will argue that both smaller level (student-lead) and larger level (COTA-lead) are desired and would benefit students …

Full Bloom: Diegetic Ui For Musical Phrases In Virtual Reality, Peter Armstrong, Elliot Cole, Peter Ferry, Joe Geigel, Susan Lakin, Richard Swientonioski, Zachary Talis, Jennie Thomas

Frameless

We propose a novel system for communicating musical note pitch and sequence information to users within a virtual reality environment. Our approach utilizes ‘Blooms,’ objects that resemble flowers with various petal arrangements. These formations, when constructed in view of users, act as diegetic, user-parsable encodings of their inputs. Blooms exist within the virtual space as simulated physics objects that collectively serve the role of a user interface.

Full Issue

The Forum: Journal of History

No abstract provided.

Making Room: Addressing The Counter-Therapeutic Nature Of Psychiatric Hospitalization Through Containment- Based Group Expressive Therapy, Max Sandor Copans

Expressive Therapies Capstone Theses

The process of hospitalization and the environment of a typical psychiatric hospital is often counter-therapeutic. To challenge this problem, clinicians may introduce the concept of psychological containment. To elaborate, being hospitalized anywhere can be disorienting, frightening and even traumatic. This problem is only further exacerbated in psychiatric hospitals where patients may be disorganized, manic, or struggling with psychosis. Furthermore, psychological containment is essentially the ability for psychiatric patients to prevent their intense emotions from effecting others negatively, and to act with resiliency when other patients are unable to contain their own disruptive behaviors. This paper utilizes both an initial literature …

Studio Expressive Arts Therapy: Towards A Classroom Method That Incorporates Art And Music, Michael Greenberg

Expressive Therapies Capstone Theses

This thesis explored the ways in which expressive arts therapy (ExAT) could be incorporated into a small therapeutic high school’s visual arts program. Through the development and implementation of a method, intermodal exchange between visual art and music was integrated into both the school’s art program and its group counseling offerings. Informed by a literature review of studio art therapy (SAT) as related to ExAT, three different interventions were used to fit within the frameworks of the high school’s offerings. The first intervention focused on making music with a few students within art classes while the rest of the class …

Using Big Data To Facilitate A Lyrical Analysis Of Poetry And Rap, Remington Yve Giller

English Undergraduate Distinction Projects

Poetry and rap are dissected using text mining techniques in order to determine overall trends in the words used by both. With this data, the way in which ideas and concepts are expressed can be compared and contrasted as a way of showing the legitimacy of rap as a form of literary expression. Other topics within the paper are: a background of the history of rap and the digital humanities, and an example of a close reading featuring a medieval poem and a rap by Eminem. This demonstrates how even in a traditional way of handling texts, both poetry and …

Signal To Noise: Harmonic Temperaments And Patterns Of Interference, Dylan A. Marcheschi

Theses and Dissertations

An audio/visual exploration of historical tuning systems. Most contemporary Western audiences will seldom if ever encounter harmony outside of post-Renaissance tuning conventions. This presentation highlights some of those pre-orthodox harmonic relationships which existed throughout most of history. The corresponding paper documents correlates in recent advances of acoustic ecology.

The Glob, Spring 2021, Students Of Risd, Risd Archives

All Student Newspapers

The Glob was a one-off student newspaper created for the course Words, Images and Ideas, ILLUS 3412-01, taught by Ernest A. Bryant III. Students contributed 1-2 pages each of writing and images on topics such as COVID-19, fashion and style, risograph printing, and more.

Sound In Color, Amber Rhodes

Honors Scholars Collaborative Projects

“Sound in Color” is an interactive audio-visual experience designed to explore the relationship between sound, color, and emotions. Taking place on the Massey Concert Hall stage, the project is inspired by synesthesia and incorporates research on color psychology. Participants are invited to select an emotion and color. As the user hums into a microphone, they hear their emotions expressed through sound in their headphones and watch as the lights on stage respond to their vocal cues.

Incomplete Images, Or Where Does The Art Happen?, Rebecca Uliasz

Journal of Network Music and Arts

No abstract provided.

Sync Variations: For Sixteen Isolated Electric Violin Players And A Programmed Network System, Elad Shniderman

Journal of Network Music and Arts

Sync Variations is a collaboration between the composer and sound artist Elad Shniderman, the physicist Moti Fridman, and his colleagues Nir Davidson and Shir Shahal. An article on the scientific research aspect of this project was published in Nature Communications². This article focuses on the musical performance and score.

The project is the product of a unique interaction between musicians through a custom-programmed network system. This system simulates the network environment of the internet in many ways. However, the piece has not yet been performed over the internet, which naturally will be the next step in this project. …

On Composing 5,000 Miles, Joe Sferra

Journal of Network Music and Arts

This article is my account of composing my first piece for telematic performance, a quartet called 5,000 Miles. The piece was commissioned by the ACCAD Sonic Arts Ensemble, directed by Marc Ainger, Ann Stimson, and Federico Cámara Halac. I performed the piece with the ensemble on two performances in November 2020: a performance for the NowNetArts Conference, and a second performance titled “Into the Multiverse” for the Wexner Center for the Arts at Ohio State University. I outline how I approached writing a specifically telematic piece, then present an analysis.

Live Electronics, Audiovisual Compositions, And Telematic Performance: Collaborations During The Pandemic, Danilo Rossetti, Cássia Carrascoza Bomfim

Journal of Network Music and Arts

We present a report of the experience of our remote musical collaboration during the Covid-19 pandemic regarding live electronic, audiovisual compositions, and telematic performance in the context of the project Sound Notebooks. We discuss the problems found and the solutions adopted in the performances, as well as the hypotheses of musical research raised by the remote environment. We argue that the variety of expressive modes, sonic modalities, and video possibilities in the Sound Notebooks repertoire we presented contributes to the construction of an aesthetics for remote performance. We additionally address practical and conceptual questions involving the composition, performance, and technical …

Electo Electro 2020, An Interactive Voting Booth Installation, Mike Richison

Journal of Network Music and Arts

Electo Electro 2020 was a project that was created specifically for the 2020 presidential election cycle. This paper is a follow-up to an article published in 2019 for the Journal of Network Music and Arts, “Voting Booths and Interactive Art Installations: The Diebold AccuVote-TS in Context.” In that paper, I discussed the original concept and goals for the project, several examples of work from other artists, and an earlier project from 2016 that served as the impetus for Electo Electro. This paper will discuss the outcomes and iterations of the project, specifically how it was adapted to an online …

Editorial, Sarah Weaver

Journal of Network Music and Arts

No abstract provided.

Ua1c11/110 Frank Pittman Photo Collection, Wku Archives

WKU Archives Collection Inventories

Photographs of guitar building workshop.

Combat Music, Usability, And Presence In Video Games, Jedidah Wong

Honors Undergraduate Theses

The interactive nature of video games offers players unique playthroughs of the same game. Choices made during gameplay, despite going through the same narrative story, create a journey that differs from other players. Music can help support a player's connection to the game's characters and narrative while also providing information to the player to guide their decisions. Ludomusicological studies in the past have shown how music can support a game's narrative, while also serving to inform players of changes in game states. The usability function of music, while crucial in this overall sonic experience, is not the sole purpose that …

Counterpoint: Music And Art Education, Eileen Kosasih

MA Projects

Music education programming is generally not as accessible or available as museum education programming. General music illiteracy and the elitism of music education perpetuate a cycle of inaccessibility and lack of understanding of the value of music education. Meanwhile, the auditory art form is a fundamental component of culture, society, and history. Music’s language and history should be understood and appreciated widely. Art museum education programmers can work with music educators, music historians, and classical music programmers to incorporate music education into museum education programming. This project consists of three parts. The first section advocates the inclusion of music education …

Cvc's Plans For Spring 2021

St. Norbert Times

News

• CVC’s Plans for Spring 2021
• Coffee, Crafts and Conversation
• Managing Difficult Talks at Home

Opinion

• Is Good Enough Good?
• My Prediction for 2021

Features

• Circle K Club
• A Published Alum: Jasmine Babineaux

Entertainment

• Student Spotlight: Kodee Zarnkee
• Music Review: My Chemical Romance
• Higurashi When They Cry
• Coming Soon to Netflix
• Most Anticipated December Book Releases
• Junk Drawer: Most Looking Forward to Over Break

Sports

• Delayed: College Hockey
• The Olympics Are Still On
• Common Ice Skating Injuries
• Implications of College Sports Cancellations

Mental Health During Winter

St. Norbert Times

News

• Mental Health During Winter
• A Conversation with Heather Bruegl
• The Girl Child Art Foundation
• Maria Sherman Talks Feminism, Boy Bands

Opinion

• The Lasting Effects of the Trump Presidency
• Learning In School
• Being Thankful in 2020 is Possible
• Issue With Modern-Day Feminism

Features

• Knight Theatre Goes Virtual
• New Club: Green Knight Donations
• Tribute for Dr. Ray Zurawaski

Entertainment

• Student Spotlight
• Weekly Review of “The Bachelorette:” Episode 3
• Four of the Most Anticipated November Book Releases
• Weeb Corner: Jujutsu Kaisen
• Coming Soon to Netflix
• Junk Drawer: The Last Show We Binge-Watched

Sports

• College Football and COVID
• NFL Proposes New Affirmative Action …

Student Wins Valley Pitch Contest

St. Norbert Times

News

• Student Wins Valley Pitch Contest
• Our Fragile Democracy: A Conversation
• Music, Movements and Manhood
• Fr. Gregory Boyle Talks Love, Tenderness

Opinion

• The Road to Voting Rights For All
• When Does a Coach Cross the Line
• Why Are You Here?
• In-Person vs. Online College
• The Internal Struggle of Politics
• Top Mental Health Apps of 2020

Features

• SNC Goes Green with Eco Club
• A Fond Farewell to Hessica Horton

Entertainment

• Student Spotlight
• Book Review: “180 Seconds” by Jessica Park
• Three Music Artists For Late Fall and Early Winter
• Hypnosis Mic - Division Rap Battle - Rhyme Anime
• Weekly Review of “The …

Indeterminate Sample Sequencing In Virtual Reality, Chase Mitchusson

LSU Doctoral Dissertations

The VR Sequencer is a tool for composing and performing music which takes advantage of spatial configuration of 3-D objects to generate looping sequences. This project combines dice-rolling with omnidirectional playheads and variable terrain to make a sequencer with indeterminate features in Virtual Reality (VR). A comparison of mapping systems for music games and digital instruments demonstrates a middle ground for interactive music making which the VR Sequencer applies. An inspection of current VR works exhibits a disconnect be- tween VR gamers and experimental musicians. In an attempt to give the gaming community access to experimental music making, the VR …

Nalo Zidan Discusses Masculiminality

St. Norbert Times

News

• Nalo Zidan Discusses Masculiminality
• Reviewing the 2020 SGA Elections
• Safer at SNC: Student Perspective
• Spreading Anti-Racism Awareness
• Arno Michaelis: Embrace Diversity

Opinion

• Political Discourse
• The Switch in Conversation
• Digital Age Calls for New Course Offerings
• A Day Off

Features

• Zambia Project
• New Faculty at SNC: Toni Morgan
• Yoga on the Lawn with Lisa Burke

Entertainment

• Student Spotlight
• Book Review: “Under the Rainbow” by Celia Laskey
• Weeb Corner
• Top 3 Favorite “Peaky Blinders” Episodes
• Show Review: “Anne With An E”
• Coming Soon to Netflix
• Upcoming Events
• Junk Drawer: Favorite Children’s Book

Sports

• Packers Claw the Falcons
• Varsity Blues
• Greyhound Racing: …

Legacy Of Ruth Bader Ginsburg

St. Norbert Times

News

• Legacy of Ruth Bader Ginsburg
• Presidential Madness as Election Looms
• Lovelee Talks Art and Community
• Fall Sorority Recruitment
• CAUGHT: COVID Cash
• Beto O’Rourke Calls on Gen Z

Opinion

• Reality TV is the New Reality
• The Mystery of Multitasking
• Goodbye, RBG
• Impending Apocalypse and Puppeteering
• A Screaming Good Time in Wisconsin

Features

• Green Bay Farmers’ Market
• Kayaking on the Fox
• Career and Internship Fair Goes Virtual
• New Faculty: Elizabeth Danka (Biology)

Entertainment

• Student Spotlight
• Weeb Corner: What’s New in Anime?
• Review of “Avatar: The Last Airbender”
• Four of the Most Anticipated October Book Releases
• Junk Drawer: Favorite Fall Beverage

Sports …

The Modes Of Intervention In Alvin Lucier’S I Am Sitting In A Room, Daniel Fox

Dissertations, Theses, and Capstone Projects

Alvin Lucier’s I am sitting in a room (1969) is an icon of experimental music and sound art. The sizable literature addressing the aesthetic and philosophical implications of this piece rarely discusses the performance practice beyond what is indicated in the score itself. This is problematic for two reasons: 1) The meaning that is derived from the piece often hinges not just on what sounds are obtained, but on how they are obtained. 2) Over the past 50 years, changes in the performance practice have altered what constitutes the work: magnetic tape was used until 2000 when it was replaced …

Synchrony: Music Of Sarah Weaver And Collaborations (2006–2019), Sarah Weaver

Journal of Network Music and Arts

Synchrony is a prominent lens in works by composer Sarah Weaver and collaborations from the years 2006 to 2019 for solo, chamber, large ensemble, and network music pieces. “Synchrony,” defined as perceptual alignment of distributed time and space components, has a practical motivation for transcending both latency and technology mediation in the network music medium. Synchrony also functions as a deep realm of artistic expression for both network and localized music. This essay outlines the technological context of performances, artistic strategies for synchrony, examples from the pieces, and new directions for the work going forward.