Music Commons^™

Vol. 6 No. 1 (1982): Pacific Studies Front Matter, The Jonathan Nāpela Center For Hawaiian And Pacific Islands Studies

Pacific Studies

Pacific Studies is published two times a year by The Jonathan Nāpela Center for Hawaiian and Pacific Studies, Brigham Young University Hawai‘i #1979, 55–220 Kulanui Street, Lāʻie, Hawai‘i 96762, but responsibility for opinions expressed in the articles rests with the authors alone. Subscription rate is US$40.00 yearly, payable to The Jonathan Nāpela Center for Hawaiian and Pacific Studies. The Jonathan Nāpela Center for Hawaiian and Pacific Studies (formerly The Pacific Institute) is an organization funded by Brigham Young University Hawai‘i. The Center assists the University in meeting its cultural and educational goals by undertaking a program of teaching, research, and …

Vol. 6 No. 1 (1982): Pacific Studies Full Issue, The Jonathan Nāpela Center For Hawaiian And Pacific Islands Studies

Pacific Studies

Pacific Studies is published two times a year by The Jonathan Nāpela Center for Hawaiian and Pacific Studies, Brigham Young University Hawai‘i #1979, 55–220 Kulanui Street, Lāʻie, Hawai‘i 96762, but responsibility for opinions expressed in the articles rests with the authors alone. Subscription rate is US$40.00 yearly, payable to The Jonathan Nāpela Center for Hawaiian and Pacific Studies. The Jonathan Nāpela Center for Hawaiian and Pacific Studies (formerly The Pacific Institute) is an organization funded by Brigham Young University Hawai‘i. The Center assists the University in meeting its cultural and educational goals by undertaking a program of teaching, research, and …

Books Received And Book Notices, The Jonathan Nāpela Center For Hawaiian And Pacific Islands Studies

Pacific Studies

Book Listing for the Vol 6, No 1 Fall Edition of the Pacific Studies Journal

Books Received And Book Notices, The Jonathan Nāpela Center For Hawaiian And Pacific Islands Studies

Pacific Studies

Book Listing for the Vol 5, No 1 Fall Edition of the Pacific Studies Journal

Vol. 5 No. 2 (1982): Pacific Studies Front Matter, The Jonathan Nāpela Center For Hawaiian And Pacific Islands Studies

Pacific Studies

Pacific Studies is published two times a year by The Jonathan Nāpela Center for Hawaiian and Pacific Studies, Brigham Young University Hawai‘i #1979, 55–220 Kulanui Street, Lāʻie, Hawai‘i 96762, but responsibility for opinions expressed in the articles rests with the authors alone. Subscription rate is US$40.00 yearly, payable to The Jonathan Nāpela Center for Hawaiian and Pacific Studies. The Jonathan Nāpela Center for Hawaiian and Pacific Studies (formerly The Pacific Institute) is an organization funded by Brigham Young University Hawai‘i. The Center assists the University in meeting its cultural and educational goals by undertaking a program of teaching, research, and …

Vol. 5 No. 2 (1982): Pacific Studies Full Issue, The Jonathan Nāpela Center For Hawaiian And Pacific Islands Studies

Pacific Studies

Pacific Studies is published two times a year by The Jonathan Nāpela Center for Hawaiian and Pacific Studies, Brigham Young University Hawai‘i #1979, 55–220 Kulanui Street, Lāʻie, Hawai‘i 96762, but responsibility for opinions expressed in the articles rests with the authors alone. Subscription rate is US$40.00 yearly, payable to The Jonathan Nāpela Center for Hawaiian and Pacific Studies. The Jonathan Nāpela Center for Hawaiian and Pacific Studies (formerly The Pacific Institute) is an organization funded by Brigham Young University Hawai‘i. The Center assists the University in meeting its cultural and educational goals by undertaking a program of teaching, research, and …

Saka, Fane Telena, Unknown Sikaiana

Sikaiana Traditional Songs

These are two saka, songs composed for a secret lover (hina) in traditional Sikaiana society. I know that one was collected from Fane Telena, the other I found in my notes.

Tani Various, Sikaiana People

Sikaiana Traditional Songs

These are transcriptions of several tani or funeral dirges. Tani are composed after a person dies. I do not have a record of who gave me the transcriptions, most likely John Kilatu and/or Reuben Tenai. I do not have recordings for these songs.

Fiddle Songs And Banjo Songs: A Description Index, Gilbert Wayne Howard

Masters Theses & Specialist Projects

English-language texts associated with fiddle and banjo in the southern United States are described and then indexed for comparative reference. The fiddle songs are typically humorous, very brief, highly variable and disunified. The same is true of many banjo songs associated with the banjo. Ballads in the fiddle and the banjo repertory are not indexed if previously catalogued by Child or Laws.

Fiddle and banjo songs are defined as texts associated with fiddle or banjo playing, either through instrumental accompaniment or because informants mentally associate them with the fiddle or banjo. Various ways of performing the songs are enumerated, with …

Puina Songs, Joseph Tealo, Fane Telano

Sikaiana Traditional Songs

The Puina were times when men and women divided into separate groups to secretly compose songs that are critical of the opposite sex. These are song transcriptions given to me by Joseph Tealo and Fane Telena, both are noted composers. They were composed for the 1981 puina.

Mako Hatu Composed Songs, Reuben Tenai, John Kilatu Dr

Sikaiana Traditional Songs

Two traditional composed songs (mako hatu) that I found in my notes, most likely from John Kilatu and/or Reuben Tenai.

Home, Loved Ones & Heaven: Folk Expressin In The Songs Of Katherine O'Neill Peters Sturgill, George Reynolds

Masters Theses & Specialist Projects

Formation, expression, and function of world view were examined in the life and compositions of folk musician, Katherine O'Neill Peters Sturgill. It was seen that the institutions of home, loved ones, and heaven were dominant themes in the formation of her world view. When twenty-two of Kate's gospel and sentimental song compositions were examined for thematic content, they were found to reflect the predominant formative influences in Kate's life. An interpretive model was developed showing home, loved ones, and heaven to be unified themes in a concept of sacred order--a concept which stood to oppose and defend against the banal …

The Lark On The Strand: A Study Of A Traditional Irish Flute Player And His Music, Lori Jane Kaplan

Masters Theses & Specialist Projects

This thesis provides an in-depth study of a traditional Irish flute player, Jack Coen. Jack, raised in the village of Woodford in County Galway, immigrated to America in 1949 at the age of twenty-four. With his large repertoire of Irish traditional dance tunes, Jack has played music at parties, dances, with the New York Ceilidhe Band, and at festivals such as the 1976 Festival of American Folklife in Washington, D.C. Jack teaches the flute and the tin whistle and is recognized both as a teacher and as a player.

By examining Jack Coen’s music we learn about the style, technique, …

Ua77/1 Western Alumnus, Vol. 49, No. 6, Wku Alumni Association

WKU Administration Documents

Alumni magazine published by WKU. This issue has the following articles:

• Dero Downing Steps Down
• Douglas, Michele. Top Banana – Gary Riggs
• Egan, Sherry. WKU State Climatic Center
• Gibson, Debbie. I Kind of Believe It’s a Gift – Burt Feintuch, Folk Music
• New on the Gridiron
• Adams, Bob. Digital Voltmeter – Engineering Technology
• Schock, Jack. The Projectile Point – Archaeology
• Armstrong, Bryan. Confessions of a Journalism Intern
• Highland, Jim. Terry Climer
• Beauchamp, Donnie. Commonplace Things – Photography
• Miller, Richard. The Exceptional Student – Psychology, Biology
• Harry Snyder Speaks at Commencement
• Douglas, Michele. Students Take Advantage of Study Trips Abroad
• Western …

They Like To Sing The Old Songs: The A.L. Phipps Family & Its Music, David Taylor

Masters Theses & Specialist Projects

An ethnographic study of the musical traditions of the A. L. Phipps Family, of Barbourville, Kentucky, reveals various social forces which have affected the family's repertoire and performance career. A life history of the family, compiled from extensive fieldwork, is presented along with analyses of the Phippses' secular music, sacred songs, and their performance career. The family is clearly representative of the musical traditions of the upland South, drawing its music from sources common to most white Appalachian singers. A discography of the Phipps Family's recordings is included along with a selection of photographs highlighting their life and performance career.

If I'D Been Polish, I Guess I'D Be Playing Polkas: An Examination Of The Social Contexts Of Traditional Irish Music In Rochester, New York, George Stoner

Masters Theses & Specialist Projects

Anthropologists, folklorists and popular writers have, in general, neglected to describe. the social contexts in which traditional Irish music is played. Although the dance was probably the most important context for traditional Irish music in Rochester, as elsewhere in the United States and Ireland, interest among Irish-born Americans and Irish- Americans in traditional dancing has waned. At present, the most important social contexts for Irish music in Rochester are the session, the Feis, and various representational contexts. The session is by far the most important, and has developed as interest in the dance has declined. Unlike the dance, it is …

The Carter Family: Traditional Sources For Song, Margaret Bulger

Masters Theses & Specialist Projects

The recorded repertory of the original Carter Family was analyzed for traditional influences. Of the 119 songs examined, it was found that fifty-five, roughly one-fourth of their total repertory, have definite roots in one or more traditional sources. The Carters employed traditional texts within their repertory throughout their professional career. Three genres of song were analyzed: sentimental songs, religious songs, and ballads. Of these, sentimental songs was the largest category with 113 songs. These songs were found to be remarkably similar in thematic content and moral sensibilities to Victorian parlor songs (ca. 1860-1910). The religious songs were shown to be …

Ua35/11 Student Honors Research Bulletin, Vol. Ii, Wku Honors Program

WKU Administration Documents

Articles written by honors program students. They were originally research projects, class papers or essays written for academic credit, but in each case the student has done further work editing and improving his or her manuscript for this publication. The articles represent a broad range of interests and disciplines, and they indicate a healthy attempt on the part of at least some students to dig for deeper knowledge and understanding than is usually associated with undergraduate study.

• Greene, Bruce. The Traditional Fiddle Music of South-Central Kentucky
• Moody, Marlin. Some Effects of the Herbicide Glyphosate on Johnson Grass Rhizomes
• Jones, Larry. …

Herbert, Merry A. (Fa 1364), Manuscripts & Folklife Archives

Folklife Archives Finding Aids

Finding aid and full-text scan of paper (Click on “Additional Files” below) for Folklife Archives Project 1364. Student folk studies project titled “Kerry ‘Doc’ Stone: Indiana Singer of Folk, Country, and Gospel Songs” which includes survey sheets with the lyrics of songs sung by Stone. Many were recorded on the two accompanying reel-to-reel tapes. Sheets may include the title of the song, a brief description, origin, lyrics, and its variant number from the Frank C. Brown Collection of North Carolina Folklore.

Ua37/5/6 Coach E.A. Diddle Memorial Service, Western Kentucky University

Faculty/Staff Personal Papers

Brief memorial service held for Coach E.A. Diddle by the student body of Western Kentucky University. An unidentified man makes the introduction of Dero Downing who makes a few remarks and a Miss Martin who sings the national anthem.

Courtly Love Elements In The Child Ballads: A Study In Origins, Fannie Lewis

Masters Theses & Specialist Projects

The traditional ballad, the genre of the above poetry, has been a subject of much controversy and speculation, especially regarding its origin. The problem of origin is not likely to be solved unless much more evidence is found. Among the many theories are communal authorship, and individual poet; humble and oral origin, and sophisticated and literary origin. Studies of linguistics, of ballad refrain, and of carole continue the attempt to discover ballad genesis. However, a very different approach perhaps can be used to determine the origin of some ballads, particularly the romantic ballads; that approach is to use the courtly …

Ua37/38 Correspondence, John Vincent

Faculty/Staff Personal Papers

Correspondence from John Vincent to Alan Lomax regarding the Rosenwald Project, the collection of folk songs and shortages caused by World War II. Three letters from October 1942 through January 1943.

Nebraska Folklore: Pamphlet 3, Children's Singing Games, Federal Writers' Project

Digitized Books

These games are all suitable for children in the grades. Some of them are also played by high school pupils and adults. Many of them can be adapted for dances or drills. They are all traditional, coming; to us for the most part from England or by way of England. The many versions indicate the local adaptations made during their travels to us from the Eastern Seaboard States.

Stephen Collins Foster & His Folk-Songs, Mary Chisholm

Masters Theses & Specialist Projects

Every American knows some of Stephen Collins Foster's songs, but not everyone who sings My Old Kentucky Home and Old Folks at Home realizes that it was he who wrote those songs. Of the two hundred songs and compositions which Foster published, at least fifteen are constantly sung. Since these songs voice emotions which are fundamental to mankind, they have become more important than the composer himself. For this reason they may be called folk-songs, and because they voice so truly the spirit of America, America is proud to claim them as her own.

The title of this thesis, Stephen …

Ua37/23 Whas Broadcast No. 21, Whas, Western Kentucky University, Earl Moore

WKU Administration Documents

Script for weekly WKU broadcast on WHAS radio. This show included Earl Moore, Franz Strahm, Frances Richards, Paul Huddleston and June Purdom.

Ua37/23 Whas Broadcast No. 20, Whas, Western Kentucky University, Earl Moore

WKU Administration Documents

Script for weekly WKU broadcast on WHAS radio. This show included Earl Moore, Gordon Wilson and demonstrations of folk songs.

Russian Nuptials, Author Unknown

Broadside Ballads: England

No abstract provided.

The Mayor Of Stratford's Dream : An Avonsby Legend, Author Unknown

Broadside Ballads: England

History of the chain of the Mayor of Stratford-upon-Avon

Lines In Fond Remembrance Of Mrs. Dennison, Author Unknown

Broadside Ballads: England

Song concerning the death of members of the Dennison family who perished in a house fire, 26 August 1878, in Birmingham, UK

Terrible Disaster On The Thames, Author Unknown

Broadside Ballads: England

One of the most fearful Disasters that ever took place on the River Thames, occurred on Tuesday Evening about 8 o'clock, to the Princess Alice, returning from Gravesend with 700 passengers, 600 if whom have perished