Music Commons^™

The Traditional Wolof Voice: Lessons From A Griot In Pout, Senegal, Lucy French

Independent Study Project (ISP) Collection

This alternative project comprised of a three-week long, intensive study of traditional Wolof singing. I took twenty hours of voice lessons from a griot teacher in Pout, Senegal, with the intention of acquiring a rich knowledge of Wolof vocal music and the skills to perform for an audience. My Wolof teacher, Nar Diop, taught me seven songs by ear throughout our six classes together. In addition to perfecting, memorizing, and preparing for a final performance piece, I translated the lyrics of each song into English and French in order to analyze their content and investigate their origins and significance to …

Volume 02, Joseph A. Mann, Kathryn J. Greenly, Scott E. Jenkins, Andrew E. Puckette, Daniel M. Honey, Jeffery P. Ravenhorst, Jamie Elizabeth Mesrobian, Thomas Scott, Jay Crowell, Sarah Spangenberg, Amy S. Eason, Kenny Wolfe, Liz Hale, Rachel Bouchard, Will Semonco, Carley York, Ryan Higgenbothom, Adrienne Heinbaugh, Melissa Dorton, Madeline Hunter, June Ashmore, Clark Barkley, Jay Haley

Incite: The Journal of Undergraduate Scholarship

Introduction from Dean Dr. Charles Ross

Mike's Nite: New Jazz for an Old Instrument by Joseph A. Mann

Investigation of the use of Cucumis Sativus for Remediation Of Chromium from Contaminated Environmental Matrices: An Interdisciplinary Instrumental Analysis Project by Kathryn J. Greenly, Scott E. Jenkins, and Andrew E. Puckette

Development of GC-MS and Chemometric Methods for the Analysis of Accelerants in Arson Cases by Scott Jenkins

Building and Measuring Scalable Computing Systems by Daniel M. Honey and Jeffery P. Ravenhorst

Nomini Hall: A Case Study in the Use of Archival Resources as Guides for Excavation at An Archaeological Site by …

L’Identité Dans La Musique Occitane : La Conservation De L’Art Pour Exprimer La Culture = Identity In Occitan Music : Expressions Of Culture Through The Preservation Of Art, Christina Lambert

Independent Study Project (ISP) Collection

This project focused on how identity is expressed and preserved through Occitan music, and what exactly that identity means to whom that identity belongs. The researcher studied and listened to many different bands and artists, all of who had unique styles and sounds. While conducting research on the history of Occitania and of its music, the researcher interviewed several musicians and others who worked with the Occitan culture. These interviews and research led to a greater understanding of Occitania, and of the people who are fighting to keep it alive. By attending traditional dances, concerts, and book readings, the researcher …

Carver, Noble, 1896-1978 (Fa 372), Manuscripts & Folklife Archives

Folklife Archives Finding Aids

Finding aid only for Folklife Archives project 372. Copies of two personal songbooks belonging to country musician Noble "Uncle Bozo" Carver of Barren County, Kentucky. They possibly date from the early 1930s.

Angle, Dennis Paul (Fa 369), Manuscripts & Folklife Archives

Folklife Archives Finding Aids

Finding aid and full-text scan of paper (Click on “Additional Files” below) for Folklife Archives Project 369. Paper: "Odis Blanton: The Story of a Country Musician" written by Angle for a Western Kentucky University folk studies class.

Percy Grainger And Ralph Vaughan Williams: A Comparative Study Of English Folk-Song Settings For Wind Band, Shawna Meggan Holtz

Open Access Theses & Dissertations

This thesis provides a comparison and study of English folk music collected by composers Percy Grainger and Ralph Vaughan Williams in the early twentieth century. Individuals who played a key role in beginning the folk music collecting movement are discussed, as well as the Folk Song Society's position in regulating and organizing folk-song collecting. A brief biography on Grainger is provided, along with his methods of collecting and setting folk-songs, and his ideas and processes on "free music." Chapters on Ralph Vaughan Williams follow, exploring his folk-song collecting and settings for the church. Grainger and Vaughan Williams' most well-known band …

Medley, Joy (Fa 339), Manuscripts & Folklife Archives

Folklife Archives Finding Aids

Finding aid and full-text scan of paper (Click on “Additional Files” below) for Folklife Archives Project 339. Paper: "The Power of the Press: Elements of Folklore Surrounding 'The Death of Floyd Collins'," written by Medley for a Western Kentucky University folk studies class.

Potter, Phyllis M. (Fa 326), Manuscripts & Folklife Archives

Folklife Archives Finding Aids

Finding aid and full-text scan of paper (Click on “Additional Files” below) for Folklife Archives Project 326. Paper: "Psalm-singing in 17th Century New England" written by Potter for a Western Kentucky University folk studies class.

Sturgeon, Laurie (Fa 324), Manuscripts & Folklife Archives

Folklife Archives Finding Aids

Finding aid and full-text scan of paper (Click on “Additional Files” below) for Folklife Archives Project 324. Paper: "Goebel Twyman: The Fiddle Player and His Continuing Music" written by Sturgeon for a Western Kentucky University folk studies class.

Traditions In Transition: A Musical Perspective In A Changing, Developing Samoa, Colin Kiley

Independent Study Project (ISP) Collection

This paper was compiled during November 2008. It was a research project that sought out the perspectives of various diverse musicians in Samoa at that time. These musicians included music school instructors, Peace Corps volunteers, Samoan orchestra composers and conductors, traditional Samoan composers, traveled Samoan musicians as well as contemporary Samoan artists. The paper examines how the purposes of music in Samoan society have shifted, altered or changed from traditional times to current-day Samoa in the face of development, a growing economy and increased contact with outside influences. Although the music of Samoa, its purposes, values, uses and aesthetics have …

Peterson, Denise K. (Fa 277), Manuscripts & Folklife Archives

Folklife Archives Finding Aids

Finding aid and full-text scan of paper (Click on “Additional Files” below) for Folklife Archives Project 277. Paper: "Bob and Marty York" written by Denise K. Peterson for a Western Kentucky University folk studies class.

Cooper, Laura (Fa 314), Manuscripts & Folklife Archives

Folklife Archives Finding Aids

Finding aid and full-text scan of paper (Click on “Additional Files” below) for Folklife Archives Project 314. Paper: "Cowboys and Songs" written by Laura Cooper for a Western Kentucky University folk studies class.

Epley, Ronnie Keith (Fa 275), Manuscripts & Folklife Archives

Folklife Archives Finding Aids

Finding aid and full-text scan of paper (Click on “Additional Files” below) for Folklife Archives Project 275. Paper: "Folk Musician Project" written by Ronnie Keith Epley for a Western Kentucky University folk studies class.

Angle, Dennis Paul (Fa 265), Manuscripts & Folklife Archives

Folklife Archives Finding Aids

Finding aid only for Folklife Archives Project 265. Paper: "American Folk Music" written by Dennis Paul Angle for a Western Kentucky University folk studies class.

On Est Ensemble: A Participatory Study Of The Jembe Tradition As Preserved By The Griots Of West Africa, Joel Rowe

Independent Study Project (ISP) Collection

In this study, I examine how a culture’s values are reflected in a specific pedagogical process through participant observation; in essence, I endeavor to examine first-hand the anthropology of pedagogy. The jembe, in truth, is comparable to a window into both the teaching model of a Senegalese master drummer and the cultural values reflected in his pedagogical method. In learning to play the parts of seven jembe rhythms with fluidity and recording their cultural significances, I discover the elements of criticism and sacrifice deeply inlaid in the tradition of this instrument. Relative to the communal setting of the griot family …

Volume 01, Jessica Fields, Stephanie Neeley, Derek W. Hambright, Mary E. Lehman, Andrew R. Grzankowski, Zachary Johnson, Boone M. Prentice, Ashley M. Swandby, Victoria Morgan, Katie Williamson, Kristine G. Bender, Katelyn N. Romaine, D. Nicole Swann, Jessica Fox, Mike Mcateer, Alex Grabiec, Laura Nodtvedt, Nick Costa, Rachel Wolfe, Zack Dalton

Incite: The Journal of Undergraduate Scholarship

Introduction from Dean Dr. Charles Ross

Three Decades of Digging: Undergraduate Archeology at Longwood by Jessica Fields and Stephanie Neeley

Interactions of Allelopathy and Heat Stress in Plants by Derek W. Hambright and Mary E. Lehman

Inertial Electrostatic Confinement D-D Fusion Device: Construction and Simulation by Andrew R. Grzankowski

Shackled Nim by Zachary Johnson

Development of GC-MS and Chemometric Methods for the Analysis of Accelerants in Arson Cases by Boone M. Prentice

A Comparison of Image Analysis Methods in cDNA Microarrays by Ashley M. Swandby

Perceived Sexual Activity of Short and Long-Term Relationships by Victoria Morgan and Katie Williamson

Elderly …

Dialogue As Performance. Performance As Dialogue, Laura Lynn

Antioch University Dissertations & Theses

This dissertation is an arts-based qualitative study in Leadership and Change that describes the qualities of dialogue revealed through the felt experience of Native and non-Native American music composers engaged in a dialogue through music composition. The fifteen co-collaborators who participated in the study range in age from three-years-old to elders. The study is theoretically embedded within Performance Studies, Dr. Carolyn Kenny’s music therapy model Field of Play, and aesthetic philosophy. Methodologically, this work is expressed through performance ethnography and autoethnography and privileges textual and non-textual modes of account including photographs, video excerpts, poetry, and music manuscript. The text is …

Kaya Hip-Hop In Coastal Kenya: The Urban Poetry Of Ukoo Flani, Divinity Lashelle Barkley

Independent Study Project (ISP) Collection

In the global world of the 21st Century, music is one of the few things that has the ability to cross physical as well as cultural borders, which is why my Independent Study Project (ISP) focuses on the role of hip-hop music in the youth culture in Kenya’s largest coastal city, Mombasa. Throughout history, music has proven its artistic power; inspiring people to resist oppression, challenge inequality, and even claim salvation.

This enduring characteristic of music is central to my ISP which explores the emergence of hip-hop in Kenya as well as the evolution of Ukoo Flani, one of the …

A Place In The World: Mh2o’S Construction Of A Peripheral Identity, Ryan Schutt

Independent Study Project (ISP) Collection

Hip Hop and, more specifically, Rap music, has been a culture rooted in the notion of the social periphery, the section of society excluded from mainstream, capitalist, bourgeois society. It has historically been a way for this voiceless, disenfranchised, and alienated population to criticize, question, and protest its societal position. The Movimento do Hip-Hop Organizado uses this medium as a way of politicizing and mobilizing the excluded members of Brazilian society. Using Hip-Hop, the organization constructs a socially informed, politically aware, and critically conscious community that is united through their common identification with Hip-Hop culture and MH2O. The case is …

On Rememberance Of Things Past: Woodstock And The Counterculture, Mark Y. Herring

Dacus Library Faculty Publications

The natural disposition of mankind is to want Utopia. In literature from the very beginning, from our most primitive to our most sophisticated verses, from the pens of atheists to acolytes, the human spirit has always scratched out, searched, even longed, for Utopias. When Utopias can somehow be linked to a political entity, the subsequent delirium from would-be followers numbers millions.

Chamberlain, William W. (Sc 1492), Manuscripts & Folklife Archives

Manuscript Collection Finding Aids

Finding aid only for Manuscripts Small Collection 1492. "Folk Music in the Kentucky Barrens," a thesis (268 p.) prepared by Chamberlain at Stanford University in Palo Alto, California. Discusses folk music traditions and ballads common to south central Kentucky.

Roma In Vojvodina: Expressions Of Cultural Identity Through Performance, Jane Kaufman

Independent Study Project (ISP) Collection

This paper begins to cover some of the ways Roma cultural identity is expressed through performance in Vojvodina. The way Roma music and dance is seen in Vojvodina is highly influenced by the “circus” image and very little scholarly writing on Roma folklore exists to challenge this image. Roma musicians in rap/hip-hop groups incorporate elements of Roma traditional music and Roma language into rap/hip-hop to confront this stereotype and in performance these influences can interact, challenging stereotypes and revealing current values and traditions.

Ua1b2/1/1 Wku: A Century Of Spirit, Western Kentucky University

WKU Administration Documents

Musical cd-rom created for WKU centennial celebration.

Making The Scene: An Investigation Of The Rock And Roll Scenes Of Nashville, Tennessee, And Athens, Georgia, Kevin Jones Murphy

Masters Theses & Specialist Projects

Making the Scene: An Investigation of the Rock and Roll Scenes of Nashville, Tennessee, and Athens, Georgia, takes a look at the ways in which both the identities of a music scene and the individuals taking part in that scene are created and maintained. Issues of identity are addressed by examining the roles performed by various members of the scene (musicians, soundmen, club owners, etc . . .), by focusing on the influence of landscape, and looking at the ways a scene’s members identify with the cultural region that surrounds their particular scene (in this case both scenes are located …

Tabuhan Dalam Ensembel Muzik Membranofon Melayu Kelantan Dan Campa, Mohd Yuszaidy Mohd Yusoff

Student Works (2000-2009)

This thesis discusses the percussion instruments of the Malay communities of Kelantan and the Chams, which is based on patterns of rhythm. This thesis concentrates on analyzing the comparative patterns of rhythm. Two headed drums are referred to for a comparison of patterns of rhythm. The two headed drums in Cham communities are called ginang. These comparative studies will examine the cultural ties between the two communities namely the Malay of Kelantan and the Chams. The relationship between musical instruments and spirits is also explored in this thesis. For both communities, musical instruments and spirits are closely related. Percussion instruments …

Interview With J. C. Hubbard (Fa 200), Manuscripts & Folklife Archives

Folklife Archives Oral Histories

Transcription of interview with J. C. Hubbard conducted by Amber F. Ridington on 18 November 2001. From folk studies student project concerning the operations of the Quonset, 1946-1959, a recreational center in Bowling Green, Kentucky.

Interview With David Dye (Fa 200), Manuscripts & Folklife Archives

Folklife Archives Oral Histories

Transcription of interview with David Dye conducted by Amber F. Ridington on 31 October 2001. From folk studies student project concerning the operations of the Quonset, 1946-1959, a recreational center in Bowling Green, Kentucky.

Interview With Doral Glen Conner, 1930-2020 (Fa 200), Manuscripts & Folklife Archives

Folklife Archives Oral Histories

Transcription of interview with Glen Conner conducted by Amber F. Ridington on 23 October 2001. From folk studies student project concerning the operations of the Quonset, 1946-1959, a recreational center in Bowling Green, Kentucky.

Interview With Mary Ann Fisher, 1923-2004 (Fa 200), Manuscripts & Folklife Archives

Folklife Archives Oral Histories

Transcription of interview with Mary Ann Fisher conducted by Amber F. Ridington on 6 October 2001. From folk studies student project concerning the operations of the Quonset, 1946-1959, a recreational center in Bowling Green, Kentucky.

Interview With Joseph Abraham Marshall 1924-2010, John Buell Edmonds B. 1945, Robert W. Phillips 1927-2005, And Bob Green (Fa 200), Manuscripts & Folklife Archives

Folklife Archives Oral Histories

Transcription of interview with Joseph Abraham "Joe" Marshall, John Buell Edmonds, Robert Phillips and Bob Green conducted by Amber F. Ridington on 28 September 2001. From folk studies student project concerning the operations of the Quonset, 1946-1959, a recreational center in Bowling Green, Kentucky.