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Articles 1531 - 1560 of 1810
Full-Text Articles in Music
Coggan, Forrest Winston, 1926-2018 (Fa 1282), Manuscripts & Folklife Archives
Coggan, Forrest Winston, 1926-2018 (Fa 1282), Manuscripts & Folklife Archives
Folklife Archives Finding Aids
Finding aid only for Folklife Archives Project 1282. Correspondence between Forrest Coggan and Sarah Gertrude Knott as well as other board members, sponsors, teachers, and business partners who conducted work with the National Folk Festival Association. .
Yager, Liz (Fa 1276), Manuscripts & Folklife Archives
Yager, Liz (Fa 1276), Manuscripts & Folklife Archives
Folklife Archives Finding Aids
Finding aid only for Folklife Archives Project 1276. Student folk studies project [“Songs and Epitaphs,”] which includes survey sheets with with the lyrics of folk songs and epitaphs in Oldham County, Kentucky. Sheets may include brief description of the folk song, lyrics, epitaph, date collected, and informant’s name and age.
Music As A Cultural Gateway: A Short-Term Folk Music Program In Albania, Catherine Pierattini
Music As A Cultural Gateway: A Short-Term Folk Music Program In Albania, Catherine Pierattini
Capstone Collection
Folk songs have been described as a musical representation of a society’s entire culture. The field of ethnomusicology combines aspects of music and anthropology, and the study of folk music can give considerable insight into worldviews, histories, and traditions. Yet there are few study abroad program providers using this discipline as an approach to cultural analysis and exploration.
The proposed Middlebury Music Studies in Albania program would introduce diverse folk music traditions in three distinct cities, giving students the chance to learn the basics of the Albanian language, understand the historical, geographical, and social influences on the music in the …
La Preservación Y Evolución De La Música Tradicional Andina Y Una Modernización De La Identidad Indígena, Evan Tannenbaum
La Preservación Y Evolución De La Música Tradicional Andina Y Una Modernización De La Identidad Indígena, Evan Tannenbaum
Independent Study Project (ISP) Collection
La música es una componente clave de la cultura, y en los andes la música siempre ha constituido un gran identificador y definidor del espíritu indígena y autóctona. Pero la música no es estática: es un ser vivo que cambia en conjunto con la sociedad que se representa. Por lo tanto, por estudiar la música, podemos aprender sobre la cultura y como ha cambiado—como ha transformado, modernizando con una globalización de la identidad. Entonces, en esta investigación, exploro la música indígena en los andes, hablando con músicos y musicólogos, además de leyendo y estudiando sobre la música para aprender cómo …
"La Llorona": Evolución, Ideología Y Uso En El Mundo Hispano, Raquel Sáenz-Llano
"La Llorona": Evolución, Ideología Y Uso En El Mundo Hispano, Raquel Sáenz-Llano
LSU Master's Theses
This thesis studies the evolution, ideology and use of the myth of La Llorona through time in the Hispanic World. Considering this myth as one of the most known traditional narratives of the American continent, I begin by providing visual, ethnohistorical and ethnographical insights of weeping in Mesoamerica and South America and the specific mention of a weeping woman in some Spanish chronicles to say how western values were stablished in “the new continent” through this legend. I suggest that during the postcolonialism the legend did not tell anymore about a mother that cries and search a place for their …
Stewart, Karen (Fa 1273), Manuscripts & Folklife Archives
Stewart, Karen (Fa 1273), Manuscripts & Folklife Archives
Folklife Archives Finding Aids
Finding aid only for Folklife Archives Project 1273. Student paper titled “Negro Gospel Music at Barnes Chapel Methodist Church” in which Karen Stewart describes a singular all-day “singing” held at the church in Beaver Dam, Kentucky, in February 1971. Stewart offers a brief description of her fieldwork methods including research and recording and provides an abbreviated background on each of her musical informants. Stewart also recounts the songs that were sung and notes recurrent themes throughout the music. The paper also includes the words to each hymn, a black and white photograph of the performers, and two reel-to-reel audiotapes.
Shuffett, Carolyn (Fa 1271), Manuscripts & Folklife Archives
Shuffett, Carolyn (Fa 1271), Manuscripts & Folklife Archives
Folklife Archives Finding Aids
Finding aid only for Folklife Archives Project 1271. Student folk studies project titled “Green County Tales,” which includes titles of local folk legends and songs in Green County, Kentucky. Descriptions may include title of the legend or song, lyrics, informant’s name and address.
Welker, Susan (Fa 1264), Manuscripts & Folklife Archives
Welker, Susan (Fa 1264), Manuscripts & Folklife Archives
Folklife Archives Finding Aids
Finding aid only for Folklife Archives Project 1264. Student folk studies project titled “Research on the Hazel Daniel Collection of Folksongs,” which includes song titles of traditional folk ballads from the Hazel Daniel Folksong Collection. Descriptions may include title of the ballad, classification, alphabetical list, chronological list, and where published with page number.
2019 Iggad Conference Program, Charles Joyner Institute For Gullah And African Diaspora Studies
2019 Iggad Conference Program, Charles Joyner Institute For Gullah And African Diaspora Studies
IGGAD Conference Programs
Program of the 2019 IGGAD Conference: Tracing the African Diaspora: Places of Suffering, Resilience, and Reinvention.
Wilson, Debbe Jean (Fa 1263), Manuscripts & Folklife Archives
Wilson, Debbe Jean (Fa 1263), Manuscripts & Folklife Archives
Folklife Archives Finding Aids
Finding aid only for Folklife Archives Project 1263. Student folk studies project titled “Songs of Hazel Daniel,” which includes song titles of traditional folk ballads from the Hazel Daniel Folksong Collection. Descriptions may include title of the ballad, where published, ballad number, and page number. This is a continuation of the student project FA 1262 done by Peggy Louise Bradley.
Bradley, Peggy Louise (Fa 1262), Manuscripts & Folklife Archives
Bradley, Peggy Louise (Fa 1262), Manuscripts & Folklife Archives
Folklife Archives Finding Aids
Finding aid only for Folklife Archives Project 1262. Student folk studies project titled “Annotated Folksongs,” which includes song titles of traditional folk ballads from the Hazel Daniel Folksong Collection. Descriptions may include title of the ballad, where published, ballad number, and page number.
Thompson, Elois (Fa 1258), Manuscripts & Folklife Archives
Thompson, Elois (Fa 1258), Manuscripts & Folklife Archives
Folklife Archives Finding Aids
Finding aid and scan (Click on "Additional Files" below) for Folklife Archives Project 1258. Student paper titled “Uncle Henry and the Kentucky Mountaineers” in which Elois Thompson details the life and career of “farmer, soldier, boxer, dairy-farm employee, comedian, aircraft factory employee, and hillbilly musician” Henry Green Warren. Thompson describes Warren’s childhood in Green County, his beginnings as a host on a popular radio program, and his time as a musician in several country music bands. Collection contains a draft of the original paper with the editor’s notes and the final copy of Thompson’s paper.
Purcell, Janice (Fa 1261), Manuscripts & Folklife Archives
Purcell, Janice (Fa 1261), Manuscripts & Folklife Archives
Folklife Archives Finding Aids
Finding aid only for Folklife Archives Project 1261. Student folk studies project titled “Three Traditional Singers: Texts and Analysis,” which includes lyrics and descriptions of traditional folk ballads recorded in Green County, Kentucky and West Huntington, West Virginia. Descriptions may include name of the ballad, location learned, history, variants, traditional aspects, and informant’s name, age and location.
Distillation Of Sound: Dub In Jamaica And The Creation Of Culture, Eric J. Abbey
Distillation Of Sound: Dub In Jamaica And The Creation Of Culture, Eric J. Abbey
Wayne State University Dissertations
In the early 1970s, the culture of Jamaica shifted politically and culturally with the introduction of the mixing board in music. This writing centers on the ways in which technology created a culture of dub reggae that has gone on to affect the world. The major albums and engineers that influenced this change are the focus here. By doing so, we can view how large changes in technology affected the society of Jamaica and how this led to significant cultural development. With Raymond Williams’ definition of culture and Thomas Vendrys’ structure of Dub music, the culture is defined, furthered, and …
Gender, Politics, Market Segmentation, And Taste: Adult Contemporary Radio At The End Of The Twentieth Century, Saesha Senger
Gender, Politics, Market Segmentation, And Taste: Adult Contemporary Radio At The End Of The Twentieth Century, Saesha Senger
Theses and Dissertations--Music
This dissertation explores issues of gender politics, market segmentation, and taste through an examination of the contributions of several artists who have achieved Adult Contemporary (AC) chart success. The scope of the project is limited to a period when many artists who figured prominently in both the broader mainstream of American popular music and the more specific Adult Contemporary category were most commercially viable: from the mid-1980s through the 1990s. My contention is that, as gender politics and gendered social norms continued to change in the United States at this time, Adult Contemporary – the chart, the format, and the …
Volume 11, Jacob Carney, Ryan White, Joseph Hyman, Jenny Raven, Megan Garrett, Ibrahim Kante, Summer Meinhard, Lauren Johnson, William "Editha" Dean Howells, Laura Gottschalk, Christopher Siefke, Pink Powell, Natasha Woodmancy, Katharine Colley, Abbey Mays, Charlotte Potts
Volume 11, Jacob Carney, Ryan White, Joseph Hyman, Jenny Raven, Megan Garrett, Ibrahim Kante, Summer Meinhard, Lauren Johnson, William "Editha" Dean Howells, Laura Gottschalk, Christopher Siefke, Pink Powell, Natasha Woodmancy, Katharine Colley, Abbey Mays, Charlotte Potts
Incite: The Journal of Undergraduate Scholarship
Table of Contents:
Introduction, Dr. Roger A. Byrne, Dean
From the Editor, Dr. Larissa "Kat" Tracy
From the Designers, Rachel English, Rachel Hanson
Synthesis of 3,5-substituted Parabens and their Antimicrobial Properties, Jacob Coarney, Ryan White
Chernobyl: Putting "Perestroika" and "Glasnot" to the Test, Joseph Hyman
Art by Jenny Raven
Watering Down Accessibility: The Issue with Public Access to Alaska's Federal Waterways, Meagan Garrett
Why Has the Democratic Republic of the Congo outsourced its Responsibility to Educate its Citizens? Ibrahim Kante
Art by Summer Meinhard
A Computational Study of Single Molecule Diodes, Lauren Johnson
Satire of …
Bastin, Glen (Fa 1241), Manuscripts & Folklife Archives
Bastin, Glen (Fa 1241), Manuscripts & Folklife Archives
Folklife Archives Finding Aids
Finding aid only for Folklife Archives Project 1241. Collection of 38 cassette tapes featuring Glen Bastin's regional public affairs syndicated radio program, "Pondering Kentucky: The Magazine." A contents list was prepared and appears at the end of this finding aid.
Schulman, Steven A. (Fa 1227), Manuscripts & Folklife Archives
Schulman, Steven A. (Fa 1227), Manuscripts & Folklife Archives
Folklife Archives Finding Aids
Finding aid only for Folklife Archives Project 1227. Student paper titled “The Preacher’s Just Like a Grasshopper: A Study of a Kentucky Song Maker” in which Steven Schulman details the life of Howess Dewey Winfrey, a song-maker from Cumberland County. Schulman collected folk songs and performances from Winfrey over the course of two months. His fieldwork revealed that Winfrey was a creator of satirical tunes, which were influenced by his childhood, his experiences with the Church of the Nazarene, his time spent as a logger, his relationships with family and friends, politics, and land ownership. The paper includes excerpts from …
"Sounding The Nile" In Nubian Musical Expression, Regan L. Homeyer
"Sounding The Nile" In Nubian Musical Expression, Regan L. Homeyer
Shared Knowledge Conference
Nubians are indigenous peoples of the Nile River Valley whose ancient civilization parallels that of ancient Egypt. In 1964, 50,000 Egyptian Nubians were removed from their homeland along the Nile because of President Gamal Abdel Nasser’s initiative, the Aswan High Dam Project. With fertile lands and sacred temples doomed to inundation by the waters of what is now Lake Nassar, Nubians were resettled in government built villages that promised both preservation of culture and modern conveniences. What these riverine people received, in fact, were poorly constructed, unfinished dwellings located in the desert, more than five miles from the Nile. A …
Ohio River Survey (Fa 656), Manuscripts & Folklife Archives
Ohio River Survey (Fa 656), Manuscripts & Folklife Archives
Folklife Archives Finding Aids
Finding aid only for Folklife Archives Project 656. Kentucky Folklife Program project titled: “Ohio River Survey,” which includes interviews, tape logs, photographs and other documentation of folklife along the Ohio River in Illinois, Indiana and Kentucky. Interviews may include a description of belief, traditional occupation, practice, craft, or tool, informant’s name, age, birth date, and address.
Syriac Chant And The Limits Of Modality, Sarah Bakker Kellogg
Syriac Chant And The Limits Of Modality, Sarah Bakker Kellogg
Yale Journal of Music & Religion
A book review is presented for Sense and Sadness: Syriac Chant in Aleppo, by Tala Jarjour. Oxford: Oxford University Press, 2018. 250 pp. ISBN: 978-0-190-63525-1.
The Doyen Of Dixie: A Survey Of The Banjo Stylings Of Uncle Dave Macon, Corbin F. Hayslett
The Doyen Of Dixie: A Survey Of The Banjo Stylings Of Uncle Dave Macon, Corbin F. Hayslett
Electronic Theses and Dissertations
David Harrison Macon (1870-1952) is often memorialized for his showmanship rather than his banjo playing. To compartmentalize such a significant American musician yields a wide gap within scholarship about Macon, country music history and the banjo. Macon’s banjo playing, documented through over two-hundred and fifty recordings made between the 1920s and 1950s, represents an array of cultures, eras, ethnicities, and styles all preserved in the repertoire of one of the most prolific country musicians of the 20th century. This study reveals Macon’s playing by considering such factors as influences that preceded his professional tenure, identifying elements within his playing …
Jackson, Janice (Fa 1185), Manuscripts & Folklife Archives
Jackson, Janice (Fa 1185), Manuscripts & Folklife Archives
Folklife Archives Finding Aids
Finding aid only for Folklife Archives Project 1185. Student paper titled “Christmas Customs” in whichJanice Jackson details various holiday-related traditions. Jackson gathered information from an ethnically, racially, and religiously diverse group of informants including family, friends, and classmates. Some Hanukah traditions are included as well.
Narcocorridos: Music, Defiance, And Violence In Transnational Contexts, Nallely G Murguia
Narcocorridos: Music, Defiance, And Violence In Transnational Contexts, Nallely G Murguia
Capstone Projects and Master's Theses
This research aims to explain and understand the effects that the music genre known as narcocorrido has on society, politics, and culture in Mexico and the United States. It provides a background on the history of narcocorridos and how it came be known as a symptom of the ongoing violence in Mexico. The Movimiento Alterado is also explored in this research project, as a product of narcocorrido singers who came together to glorify violence. A global aspect plays a big role in researching this topic as globalization and transnationalism reveal the complexity of politics, economics, and culture and its effects …
Building Brand Kurdistan: Helly Luv, The Gender Of Nationhood, And The War On Terror, Nicholas S. Glastonbury
Building Brand Kurdistan: Helly Luv, The Gender Of Nationhood, And The War On Terror, Nicholas S. Glastonbury
Publications and Research
In the early 2000s, the Kurdistan Regional Government hired a US-based firm to begin a public relations campaign called “The Other Iraq.” Since that time, it has worked with a number of PR and lobbying firms to build a cultural, political, and financial apparatus that I refer to as Brand Kurdistan. This apparatus aims to prove to Western audiencesthat the Kurds are a liberal exception in an illiberal Middle East, and to build prospects of KRG’s eventual national independence. This article explores the connections between Brand Kurdistan and the gendering of Kurdish nationalism, focusing particularly on Kurdish pop diva Helly …
Lumumba’S Iconography As Interstice Between Art And History, Matthias De Groof
Lumumba’S Iconography As Interstice Between Art And History, Matthias De Groof
Artl@s Bulletin
How does Congolese art and artistic representations of Lumumba “mediate past, present and future”? How do they relate to historical narratives and to the dialogues within the Global South? This contribution proposes Lumumba’s iconography as a case in point of the interstice between art and history. It positions the image of Lumumba as mediating between past, present and future for both the Congo and the Global South more broadly.
Mediating Gospel Singing: Audiovisual Recording And The Transformation Of Voice Among The Christian Lisu In Post-2000 Nujiang, China, Ying Diao
Yale Journal of Music & Religion
The contemporary gospel singing of the Nujiang Lisu in China’s southwestern Yunnan province seems to have been predominated by new media technologies and recorded popular mutgguat ssat music. The prevalence of Christian audiovisual recordings reflects more than a shift in the materiality of Lisu religious practices. Moreover, it speaks to the transformative ways that the Christian Lisu have engaged with technologies for their gospel singing as a practice of religious mediation. New musical styles and expressive forms have been disseminated through recordings and further institutionalized in the worship service and other religious settings. Drawing on a material approach from the …
Paralinguistic Ramification Of Language Performance In Islamic Ritual, Michael Frishkopf
Paralinguistic Ramification Of Language Performance In Islamic Ritual, Michael Frishkopf
Yale Journal of Music & Religion
Across time and space, Islamic ritual practices maintain certain fixed features while adapting to local environments, thereby developing a branching or ramified structure—though political, economic, ideological, or technological factors may cause certain local forms to globalize as well. Such ramification offers a means of interpreting the past as well as a window into religious meaning and the ritual process itself. How does such adaptation take place, what drives it, what is its social-spiritual meaning and impact, what can such a ramified variety across history and place tell us, and where does the essence of such ritual lie? In this paper …
Law, Culture, And The City: Urban Legal Anthropology, The Counterhegemonic Use Of Hegemonic Legal Tools, And The Management Of Intangible Cultural Heritage Spaces Within Toronto's Municipal Legal Frameworks, Sara Gwendolyn Ross
PhD Dissertations
The deep process of revision needed in managing Toronto and Canadas urban intangible cultural heritage not only affects redevelopment decisions and cultural policies at the municipal level, and cultural heritage legislation and regulations at the provincial level, but it also calls for the need to address issues at the federal level, such as correctly acknowledging what terms like heritage value mean when drawn from international cultural heritage legislation and the currently unratified status of the UNESCO Convention on the Safeguarding of the Intangible Cultural Heritage within Canada. Through the application of urban legal anthropology, as well as through a lens …
Herndon, Bernice (Fa 1135), Manuscripts & Folklife Archives
Herndon, Bernice (Fa 1135), Manuscripts & Folklife Archives
Folklife Archives Finding Aids
Finding aid only for Folklife Archives Project 1135. Student paper titled “Negro Spirituals” in which Bernice Herndon gathers together 21 hymns sung by congregants at several African American Baptist churches located in Bowling Green. Herndon also collected spirituals from family, friends, and neighbors.