Museum Studies Commons^™

Double-Edged Experiences And Their Impact On The Twenty-First-Century Audience: The Ever-Evolving Museum, Ana Sanz Menchero

MA Theses

The twenty-first-century museum is an ever-changing art institution adapting itself to engage a broader audience. The democratization of the museum becomes the priority to make art accessible to everyone. In the quest to find the perfect strategy, museums commit themselves to a constant transformation that seeks to create a unique “business model.” Along this process, institutions provide two-folded experiences to the public; first, the exhibition of art as a spectacular experience, and second, the staging of the museum as an entertaining entity. Today, museum attendance is not necessarily related to the quality of the show anymore. Welcome to the era …

Private Art Museum Backed By Hong Kong Invetment - Wan Fung Art Musem As An Example, Yiye Chen

MA Theses

The rapid development of private art museums in the world can be regarded as the epitome of global economic development. The Chinese government has given unprecedented support to the development of culture and art. As the world's second largest economy, China's middle class has been increasing year by year. The hot art market has attracted European and American auction giants, and famous galleries have entered the Chinese market. Since the birth of the first private art museum in China at the end of the 20th century, Chinese scholars have been constantly exploring the direction of development. From copying the European …

Ua51/1/1 University Libraries Dean Committees, Wku Archives

WKU Archives Collection Inventories

Unprocessed Dean of Libraries committee files. Includes meeting minutes for Council of Library Department Heads, Virtual Committee, and the Library Website Committee.

Ua1c2/47 Kentucky Building Photos, Wku Archives

WKU Archives Collection Inventories

Images of Kentucky Building.

Ua1c2/61 Pioneer Log Cabin Photos, Wku Archives

WKU Archives Collection Inventories

Images of the Pioneer Log Cabin.

Back Matter

Art Inquiries

No abstract provided.

The Aleppo Minbar: Symmetry And Islamic Aesthetics, Carol Bier

Textile Research Works

The Aleppo minbar (pulpit for Friday sermons) is a monumental architectural sculpture commissioned in the middle of the 12th century in Aleppo, Syria, by Nur al-Din al-Zangi, who was ruling from Damascus. Envisioning the end of the Crusades, Nur al-Din sought to place the minbar in the Aqsa Mosque after Muslims reclaimed Jerusalem, where it was installed in 1187 by the Ayyubid ruler, Saladin. Richly ornamented with many geometric forms and designs, the wooden minbar expresses an algorithmic Islamic aesthetic based on symmetry, with patterns that imply an infinite expanse contained within borders. Manifesting an aesthetic that persisted for …

Sufism, Beauty, Love: Ecstasy And Rapture Of Islam In Asia. Study Guide, Carol Bier

Textile Research Works

Key Vocabulary: Concepts, Practices, Buildings, Masters/Leaders/Disciples

Major Sufi Figures

Suggested Readings

Proceedings Of The 2019 Undergraduate Research Conference, Ryan C. Winters, Courtney A. Suire, Dillard University, Grambling State University, Louisiana State University, Loyola University New Orleans, Mcneese State University, Nicholls State University, Northwestern State University Of Louisiana, Southeastern Louisiana University, Southern University And A&M College, University Of Louisiana At Lafayette

Advance: Student Research Experience

Proceedings of the 2019 Undergraduate Research Conference, University of Louisiana at Lafayette, November 22-23, 2019

Mimbres Painted Pottery: Art, Artifact, Or Ancestor? Conversations Concerning Repatriation, Treatment, And Considerations For Contested Collections In Museums, Rachel Vang

All Graduate Theses, Dissertations, and Other Capstone Projects

This research explores current perspectives on the placement and treatment of Native American funerary materials in museum collections, as well as how museum professionals navigate the associated legal, ethical, and cultural considerations of these collections. Of primary concern for the present study is the Mimbres painted pottery vessels from the American Southwest and their associated burial context. Data were generated through semi-structured interviews with various professionals working within and with museums that either have Mimbres collections or those that have relevant experience with Native American materials in museum collections. Patterns of meaning within discussions concerning Mimbres pottery were captured and …

La Cofradía De Artes Y Artesanos Hispánicos: 1978 To 1983 Redefining Tradition In The New Mexican Art Market, Ethel Mercedes Everett

Dissertations and Theses

La Cofradía de Artes y Artesanos Hispánicos: Redefining Tradition in the New Mexican Art Market. May 2019.

This master’s thesis explores the 1978 founding, existence, dissolve, and the legacy of the Santa Fe, New Mexican artist exhibition group, La Cofradía de Artes y Artesanos Hispánico (La Cofradía). La Cofradía was formed by six Santa Fe Hispano artists in reaction to creative limitations first imposed on Hispano artists in 1926, when the annual Spanish Market was formed. The Spanish Market was the sole arts sales venue available to Hispano artists in the exclusionary Santa Fe gallery and museum market. The Spanish …

Children During The American Steamboat Era - A Museum Exhibit, Emily Ruoff

All Graduate Theses, Dissertations, and Other Capstone Projects

“Children During the American Steamboat Era” is a portion of the submitted Alternative Paper Plan (A.P.P.) in partial fulfillment Emily Ruoff’s Master of Science in Applied Anthropology at Minnesota State University, Mankato in Mankato, MN in 2019. Discussions in this paper include a summary of the new exhibit, “Children During the Steamboat Era” at the Arabia Steamboat Museum (Kansas City, MO) and the reasons as to why this topic was chosen as the theme for this display. Goals and reasons for topic choice are: to create a sense of connectivity and inclusion for the thousands of children that visit the …

The Bullet In The Brick: The Materiality Of Conflict In Museum Objects, Siobhan Doyle

Articles

Tangible traces of conflict in visual artefacts can take viewers uncomfortably close to the realities of war—violence, destruction and fatalities. This article questions the evidential force of objects associated with conflict and their eventual display in exhibitions. Through a study of the display of a brick in which is embedded a bullet that is said to have passed through the body of Francis Sheehy Skeffington when he was executed by firing squad during the Easter Rising in Dublin in 1916, this article explores the historical configuration of the brick and analyses its public display in the National Museum of Ireland …

The Settlement In The Salt Meadow: Housing In Steinway Village, 1873–1890, Anne Vuagniaux

Art Inquiries

No abstract provided.

David Wojnarowicz: History Keeps Me Awake At Night, Mysoon Rizk

Art Inquiries

No abstract provided.

How Art Works: A Psychological Exploration, Julia A. Sienkewicz

Art Inquiries

Book review of How Art Works: A Psychological Exploration, by Ellen Winner.

Where You Come From Is Gone: Reinhabiting The Ruins Of The Native South, Catherine Wilkins

Art Inquiries

No abstract provided.

Berthe Morisot: Woman Impressionist, Kathryn Mcfadden

Art Inquiries

No abstract provided.

The Bioarchaeology Of The Tugalo Site (9st1): Diet, Disease, And Health Of The Past, Nompumelelo Beryl Hlophe

College of Graduate Studies: Theses & Dissertations

The Tugalo site is a prehistoric and early historic Native American site located in northeast Georgia along the upper Savannah River basin, near the junction of Toccoa Creek and the Tugalo River. According to archaeological materials analyzed from the site it was occupied from ca. A.D. 1100 to 1600 (Anderson et al. 1995). Although archaeological investigations of the site revealed basic characteristics of its chronology and architecture, very little analysis and reporting of the skeletal remains from Tugalo has been completed. By analyzing data collected by Williamson (1998) concerning the age and sex of the burials, the presence or absence …

Whose Community Museum Is It? Collaboration Strategies And Identity Affirmation In The Amache Museum, Ting-Chun (Regina) Huang

Electronic Theses and Dissertations

The Amache Museum is a preservation project that has multiple communities involved in preserving Amache history. It represents Japanese American as well as American history and is owned and maintained by the Amache Preservation Society (APS), which is comprised of local Granada High School students. By approaching the Amache Museum as a community museum and noticing its distinct collaborative strategy, this thesis investigates the community collaborations and the identity affirmations within the museum, and addresses the question of whose community museum the Amache Museum represents. My research explores the overlapping conceptual models of the Amache Museum: community museum and ecomuseum, …

Museum Websites And Restitution: Rediscovering Holocaust-Era Objects In The Digital Age, Gabriella Bloom

MA Theses

Under the Third Reich, Europe experienced one of the most far-reaching examples of plunder of cultural property in modern history. While the Allies succeeded in returning many objects and artworks towards the end of the war and initially following it, many objects remained missing and hidden. The late 1990s led to a resurgence of interest in Holocaust-Era looting, resulting in a rise of cases and litigation over previously plundered objects. As many looted artworks materialized in United States museums, museums began further researching their collections’ provenance and inputting this information online. Today, most major museums have a section of their …

New Mexico Composers Archive, Unm Digital Initiatives & Scholarly Communication

Love in the Archives 2019

Merging the digital with the physical, the New Mexico Composers' Archive (MSS 904 BC) was featured on screen and in print during Love in the Archives. Begun in 1973 by then-Dean of Libraries Dr. John Harvey, the collection has been partially digitized. Exhibit-goers were able to interact with the digital and physical objects and draw their own conclusions about the pros and cons of each format. A few pieces were newly digitized for the exhibit and they are included here.

Curated by Amy Winter, Program Specialist, Digital Initiatives and Scholarly Communication

Going (Neo-) Dutch: Establishing Marguerite Gérard’S Artistic Agency, Amanda Strasik

Art Inquiries

No abstract provided.

In Memoriam

Art Inquiries

In Memoriam: Charles (Randy) Mack, long-time SECAC member and past president of the organization, died in Columbia, SC on October 31, 2018. He was 78. Here, four SECAC members offer memories of Randy, to whom this issue of Art Inquiries is fondly dedicated.

Art Inquiries, Xvii:4, Full Issue

Art Inquiries

No abstract provided.

Second Sight: Women Artists Of The South, Melissa Yes

Art Inquiries

No abstract provided.

Delacroix, Joyce Carol Polistena

Art Inquiries

No abstract provided.

Action Forms: Retrospective: Exhibition Of Ilija Šoškić, Rachel Klipa

Art Inquiries

No abstract provided.

The Noisemakers: Estridentismo, Vanguardism, And Social Action In Postrevolutionary Mexico, Andrea Lepage

Art Inquiries

Book review of The Noisemakers: Estridentismo, Vanguardism, and Social Action in Postrevolutionary Mexico, by Lynda Klich.

Leonardo: Discoveries From Verrocchio’S Studio, Lindsay Alberts

Art Inquiries

No abstract provided.