Museum Studies Commons^™

Who You Gonna Call?: Creating A Call List For Your Facility's Disaster Plan, Nicole Elzenga, Adam Stephen Guy Smith

Library Services Publications

Preservation can involve responding to active and pressing matters. But not all buildings are lost to the bulldozer. Many are lost to natural and human disasters like storms and water. A Disaster Plan is a common document used by museums and history organizations. Learn how to develop a contact list for a Disaster Response Plan so you know whom to call when disaster strikes!

Creating A Textile Museum Exhibit: Conservation And Accessibility, Kelly M. Lorenz

Honors Theses

This twofold study engages a collection of early-to-mid-20th century Levantine textiles held by the Institute of Archaeology and Siegfried H. Horn Museum. The first part of the study involves identifying the risks of physical deterioration posed to the collection and then providing a proposal for the storage and display of these artifacts. Keeping the museum's means in mind, the storage plan emphasizes preventive conservation, focusing on minimizing risks wherever possible to keep damage from happening in the first place. The second part provides written interpretive material for the display that informs visitors of the textiles' geographic, physical, and cultural origins.

April 2018; Buffalo-Niagara Lgbtq History Project Minutes, Buffalo-Niagara Lgbtq History Project

Buffalo-Niagara LGBTQ History Project Minutes

The Buffalo-Niagara LGBTQ History Project is a collective network of peers documenting LGBTQ history in the Buffalo-Niagara Region. This page maintains archival copies of all meeting minutes and is a part of the Dr. Madeline Davis LGBTQ Archives of WNY, E. H. Butler Library, SUNY Buffalo State.

Not All Art Belongs In The Living Room: The Tale Of Robert Mapplethorpe, Shelby K. Miller

Student Scholar Showcase

Following the death of Robert Mapplethorpe in 1989, a group of scholars put together a retrospective exhibition of his life’s work with the help of a grant from the National Endowment for the Arts. The subject matter, namely those in Mapplethorpe’s X and Z portfolios that included male nudes and depictions of sadomasochism, caused major controversy across the country. The presentation will cover Helms Amendment of 1990 and the obscenity trial that took place in Cincinnati in 1990 with a specific focus on the lasting impacts that these events have had on the NEA and the art world.

Sitios De Memoria: Una Comparación Analítica Entre Los Espacios De Memoria Y Derechos Humanos En Buenos Aires Y En Santiago / Sites Of Memory: An Analytical Comparison Between Memory And Human Rights Spaces In Buenos Aires And Santiago, Henry Shuldiner

Independent Study Project (ISP) Collection

Los museos y monumentos conmemorativos son vehículos centrales a través de los cuales la sociedad puede conmemorar y compartir los hechos del pasado en la actualidad. Tienen la capacidad de contar la historia a través de objetos, medios, artefactos; objetos tangibles, no palabras solamente.

Ésta es una investigación comparativa en que parto observando los lugares de memoria en Santiago y Buenos Aires que rememoran a las víctimas de la dictadura en cada país. Me centraré en cómo funcionan los espacios de memoria para enseñar esta historia, la forma en lo que cada espacio conmemora a las víctimas y cómo estos …

Cherchant Toujours La Paix: Le Systeme Endogene De La Resolution Des Conflits À Batoufam, Becky Sigman

Independent Study Project (ISP) Collection

This dissertation will explore two subjects: an internship done with the chiefdom of Batoufam and a research project about the endogenous system of conflict resolution in Batoufam. The first part will illustrate the internship done at the museum of the chiefdom. Here will be described the institution, the work accomplished, and an analysis of the experience. In the second part will be asked the research question “what is the endogenous system of conflict resolution of Batoufam and how has it adapted in the context of the imposition of westernization?” After doing a literature review and explaining the methodology of the …

March 2018; Buffalo-Niagara Lgbtq History Project Minutes, Buffalo-Niagara Lgbtq History Project

Buffalo-Niagara LGBTQ History Project Minutes

The Buffalo-Niagara LGBTQ History Project is a collective network of peers documenting LGBTQ history in the Buffalo-Niagara Region. This page maintains archival copies of all meeting minutes and is a part of the Dr. Madeline Davis LGBTQ Archives of WNY, E. H. Butler Library, SUNY Buffalo State.

February 2018 (2); Buffalo-Niagara Lgbtq History Project Minutes, Buffalo-Niagara Lgbtq History Project

Buffalo-Niagara LGBTQ History Project Minutes

The Buffalo-Niagara LGBTQ History Project is a collective network of peers documenting LGBTQ history in the Buffalo-Niagara Region. This page maintains archival copies of all meeting minutes and is a part of the Dr. Madeline Davis LGBTQ Archives of WNY, E. H. Butler Library, SUNY Buffalo State.

A Cardiology Exhibit At A Science Museum, Viewed As Speech Acts In Sequence, David H. Lee

Publications and Research

An exhibit about cardiology at a science museum is an elaborate form of health communication, with messaging happening across text, pictures, models, and videos. This qualitative case study uses concepts of speech act sequencing and interpellation to explain a series of multimodal exhibits about cardiovascular health. Health exhibits are described as verbal and audiovisual arguments combining assertions of information; directives to change behavior, and designations of risk candidacy—or sequences of assertive, directive, and declarative speech acts. Visitors are targeted as heart disease candidates according to their risk factors, such as hypertension, overweight, and inactivity. Communication research focused on health exhibits …

February 2018; Buffalo-Niagara Lgbtq History Project Minutes, Buffalo-Niagara Lgbtq History Project

Buffalo-Niagara LGBTQ History Project Minutes

The Buffalo-Niagara LGBTQ History Project is a collective network of peers documenting LGBTQ history in the Buffalo-Niagara Region. This page maintains archival copies of all meeting minutes and is a part of the Dr. Madeline Davis LGBTQ Archives of WNY, E. H. Butler Library, SUNY Buffalo State.

Taking Cues From Online Learning Offline In The Visual Classroom, Kimberly Datchuk

Art History Pedagogy & Practice

Theories of online learning can inform how academic museums provide a student-centered approach to teaching. Technology has four main advantages for teaching in the museum: it is open-ended, self-paced, collaborative, and empowering. In order to activate the art works and encourage students to contribute their ideas, I have drawn on the best practices of online teaching tools when designing university class visits. The chance to discuss works among themselves enables students to make personal connections to the works and each other. The informal environment of the class visit helps to produce a student-led experience. Encouraging students to ask questions, following …

Morphological Variation In Three-Dimensional Printed Replicas, Robert Z. Selden Jr., Bernard Means, Edward G. Iglesias, Kreg Mosier

CRHR Research Reports

Employed primarily for outreach and education, the three-dimensional (3D) printer used in this analysis provides a means of producing tangible models of fragile and restricted-use specimens for students from a wide variety of disciplines, and is used here to produce prints associated with historic and prehistoric cultural objects. Recognizing that inconsistencies occur in 3D prints due to environmental variables, this exploratory effort was aimed at identifying the geometry that deviates most from the original scan data. A total of five replicas were printed then compared by calculating the gap distance between the nominal (original scan data) and measured data (scan …

A Preliminary Study Of Smithport Plain Bottle Morphology In The Southern Caddo Area, Robert Z. Selden Jr.

CRHR: Archaeology

This study expands upon a previous analysis of the Clarence H. Webb collection, which resulted in the identification of two discrete shapes used in the manufacture of the base and body of Smithport Plain bottles. The sample includes the Smithport Plain bottles from the Webb collection, and four new bottles: two previously repatriated specimens in the Pohler Collection, and two from the Mitchell site (41BW4) to test whether those specimens align morphologically with the Belcher Mound or Smithport Landing specimens. Results indicate significant allometry and a significant difference in Smithport Plain body and base shapes for bottles produced at the …

January 2018; Buffalo-Niagara Lgbtq History Project Minutes, Buffalo-Niagara Lgbtq History Project

Buffalo-Niagara LGBTQ History Project Minutes

The Buffalo-Niagara LGBTQ History Project is a collective network of peers documenting LGBTQ history in the Buffalo-Niagara Region. This page maintains archival copies of all meeting minutes and is a part of the Dr. Madeline Davis LGBTQ Archives of WNY, E. H. Butler Library, SUNY Buffalo State.

Looking Through The Trees: An Anthropologist, A Museum, And The Sasquatch, Carissa Kepner

Electronic Theses and Dissertations

The Sasquatch is incredibly popular in American society. This project explores the impact of the Sasquatch phenomenon on those that live in and visit Bailey, Colorado. It focuses on how the Sasquatch Outpost museum contributes to this impact, especially through outdoor activities, visiting the museum, visiting the Outpost general store, and the sharing of sighting stories. This work takes an in-depth look at the concept of the amateur museum, or micromuseum, and how it can contribute to the larger museum world, particularly through the ideas of Outsider Art and serious leisure. By evaluating the processes, exhibits, and procedures of the …

Ua1c6/8 Exhibit Photos, Wku Archives

WKU Archives Collection Inventories

Images of exhibits at Western Kentucky University.

The Future Of Textiles: Disruption And Collaboration, Susan Brown, Matilda Mcquaid, David Breslauer, Suzanne Lee, Anais Missakian, Abby-George Erikson, Salem Van Der Swaagh

Textile Society of America: Symposium Proceedings

The textile field, while not “local” in the geographic sense, is a community: a group of people with a shared language, history, and practices that date back thousands of years. As deeply-rooted as those materials and practices are, textiles is also an area that has historically experienced enormous disruptions due to changing technology and globalization. In the 21^st century, we are undergoing something like a second Industrial Revolution. Advances in digital and robotic technologies and shifting labor markets are driving a revolution in where and how things are made. Global climate change, lack of food security for much of …

Timberline Textiles: Creating A Sense Of Place, Annin Barrett

Textile Society of America: Symposium Proceedings

Timberline Village holds an iconic place in popular culture, serving as a symbol of Western U.S. mountain tradition. Stanley Kubrick’s The Shining was filmed there, dozens of ski-wear advertisements feature it as background, and it has even been used for an immersive horror game setting. During the early 20^th century, other great mountain lodges were built in the West, but what makes Timberline unique is its textiles. It receives almost two million visitors a year who come from around the world to admire this handcrafted building perched at 6000 fee elevation on Mt. Hood in Oregon. The Lodge was …

Wrapped In Wool: Coast Salish Wool Weaving, Vancouver’S Public Art, And Unceded Territory, Alison Ariss

Textile Society of America: Symposium Proceedings

Coast Salish blankets, lovingly woven with hand dyed, home spun, and commercially produced yarns, adorn the walls of an international airport, museum, universities, and national broadcasting studio, and a mixed-use development project in Vancouver. All of these publicly accessible sites are located in unceded Coast Salish territory, upon which this city exists. These weavings present a conundrum. Simultaneously viewed as public art and symbols of cultural revitalization, their recognition as fine art has been limited, as most discourse about Coast Salish blankets has occurred outside of the discipline of art history. How then, have these weavings found their way into …

Schoolgirl Embroideries: Integrating Indigenous Motifs, Materials, And Text, Lynne Anderson

Textile Society of America: Symposium Proceedings

Hand embroidery was an integral part of female education in Europe, America, and their colonized territories until the late 19^th century. All girls embroidered at least one sampler and many stitched more than one. Because needlework was part of the school’s curriculum; a sampler’s composition, technique, and text communicate a great deal about the teacher’s goals, as well as community and family expectations, including those of indigenous students. This presentation explores ways in which indigenous motifs, materials, and text were integrated into schoolgirl samplers and other girlhood embroideries, leaving visible evidence of cross-cultural accommodations. Motifs are recurring patterns or …

Eliza Calvert Hall, A Book Of Hand-Woven Coverlets, And Collecting Coverlet Patterns In Early Twentieth Century Appalachia, Philis Alvic

Textile Society of America: Symposium Proceedings

In her 1912 book, Eliza Calvert Hall describes looking out of her window and seeing coverlets thrown over tobacco wagons on way to market. She would run out and try to bargain with the owner for the coverlet. She collected coverlets, their design names, and their patterns. Since Hall supported herself with her writing, she counted on her coverlet book appealing to the wide audience of people interested in the Colonial Revival in home decoration. Although hall published the book, she was just the more visible of those interested in coverlets during the early twentieth century. Throughout Appalachia, there were …

Chilean Arpilleras: Writing A Visual Culture, R. Darden Bradshaw

Textile Society of America: Symposium Proceedings

This paper highlights a recent inquiry into the contemporary visual culture of the Chilean arpillera from a cross-global perspective. This art form derived from political, social, and economic conditions of the times yet contemporary manifestations do not address these origins. Arpilleras, historically created in the home and sewn by hand, are constructions in which bits of discarded cloth and burlap were used to compose pictorial narratives. The art form arose in Chile during a period of intense political oppression. This manifestation of women’s fiber art has and continues to serve as both seditious and reconstructive forms of visual culture. While …

The Embroidery Artisans Of The Kashmir Valley: Cultural Imports And Exports From Historical And Contemporary Perspectives., Deborah Emmett

Textile Society of America: Symposium Proceedings

On a visit to the Kashmir Valley in northern India during the winter months I was given a pheran to wear. This long woolen garment is the customary apparel worn by Kashmiri men and women in cold weather. While the men’s are plain, the women’s pherans are embroidered on the front and sleeves. The skills of those Kashmiri artisans who hand embroider clothing such as the pherans, shawls, and other textiles including rugs, curtains, and cushions are well recognized in India and beyond. Considering the Kashmir Valley’s geographic position surrounded by the Himalayan Mountains, I presumed that their embroidery crafts …

Fish In The Desert – North Africa’S Textile Tradition Between Indigenous Identity And Exogenous Shifts In Meaning, Silvia Dolz

Textile Society of America: Symposium Proceedings

Among the oldest handcraft products of North Africa are woven, knotted, and embroidered textiles (flat woven fabrics, knotted carpets, clothing) primarily made of wool and hair from sheep, goats, or camels. Those products have great importance, beyond their practical purpose, as a communicative and artistic medium. Changes and re-evaluations of the textile from a utilitarian object with potent pre-Islamic and Islamic symbolism towards a modern abstract art object reveal centuries of cultural transfer between the Middle East, North Africa, and Europe on the one hand, and between North and West Africa on the other. At the same time, this has …

Co-Creating Craft; Australian Designers Meet Artisans In India, Katherine Bissett-Johnson, David Moorhead

Textile Society of America: Symposium Proceedings

There is no word for design in India, creativity and making are intertwined. Craft and culture are inseparable, yet craft practice has become both a cultural and increasingly financial activity. The income from crafts in India is estimated to be only second to agriculture, yet many artisans still live in poverty. Precedents for designers working with artisans in India to develop products for both local and global markets have proven successful. Different types of co-creation (sometimes called co-design) activities have been documented between both local designers and local artisans, and, between foreign designers and local artisans. Although the outcomes of …

The Tent-Dweller: Visual Markers Of Migration In Art, Sara Clugage

Textile Society of America: Symposium Proceedings

The current migrant crisis has brought new complexity to an object that enables transition: the tent. Tents are structures most often meant to be temporary-they both practically enable journeys and visually signify the temporary. A language of migration, territory, and dislocation is mapped onto canvas, ropes, and poles. Migration depends on concepts of land rights, movement, and the finite duration of a journey. As Deleuze and Guattari set for in “A Thousand Plateaus,” migrants move from one place to another but are defined as belonging to those spaces. Nomads, on the one hand, do not have land distributed to them-they …

Balancing Local Tradition And Global Influences: Design And Business Education For Traditional Artisans In Kachchh, India, Ruth Clifford

Textile Society of America: Symposium Proceedings

In the craft-rich region of Kutch, western India, and the historical sari weaving town of Maheshwar, central India, two institutes are providing design and business education to traditional artisans. These are Somaiya Kala Vidya (SKV) and The Handloom School (THS); they form case studies for my PhD research. SKV encourages students to focus on their traditional designs believing them to be their unique selling point, but to innovate upon these traditions making them relevant to contemporary markets. Graduates face challenges of balancing the maintenance of the traditional aspects of their craft, their identity and integrity, with urban and global market …

Reawakening Chahta Nan Tvnna (Choctaw Textiles), Jennifer Byram

Textile Society of America: Symposium Proceedings

Choctaw people have crafted textiles from the land for thousands of years. Native to Mississippi and Alabama, U.S.A., the Choctaw Nation of Oklahoma resides today in the Southeastern part of the state and numbers over 200,000 citizens. This paper comes out of the tribe’s Historic Preservation department’s work in conjunction with community efforts to reawaken Chahta nan tvnna, Choctaw textiles. By piecing together disparate parts of the Choctaw textile narrative, the Choctaw community is creating new textile work that recalls the ancestors and brings the identity of Chahta nan tvnna to new generations of Choctaw artisans.

A Local Motif; Use Of Kōwhaiwhai Patterns In Printed Textiles, Jane Groufsky

Textile Society of America: Symposium Proceedings

This paper considers the role of patterns derived from kowhaiwhai in printed textiles, and how these have been used to project a national identity. Kowhaiwhai refers to the design traditionally used my Maori (the Indigenous people of New Zealand) on parts of meetings houses, canoe paddles, and other painted objects. Although kowhaiwhai art has developed to include figural representation, it is the curvilinear decoration based on the natural forms of koru (fern shoots), kape (crescent), and rauru (spiral) which has become a distinctly recognizable “New Zealand” pattern. Situated in the meeting house, kowhaiwhai designs have a style and meaning which …

A Virgin Martyr In Indigenous Garb? A Curious Case Of Andean Ancestry And Memorial Rites Recalled On A Christian Body, Gaby Greenlee

Textile Society of America: Symposium Proceedings

The notion of “social fabric” has deep resonance in the Andes, where woven textiles have long been entwined with gestures of political alliance, marriage, or rituals marking key transitions in the life cycle. Within the life cycle pre-Conquest, what is more, textiles were heavily implicated in that most poignant of transitions-from life to death. Yet in the Andes, death did not remove one from the life cycle. The deceased remained present and active participants in communal life, seen as potent advocates for the next generation, consulted as oracles, and regularly re-dressed in traditional woven textiles. After the Spanish-Catholic conquest, however, …