Museum Studies Commons^™

Let's Keep In Touch : Conversations About Access And Tactility., Whitney E. B. Mashburn

Electronic Theses and Dissertations

Let’s Keep in Touch: Conversations about Tactility, a project collaboratively organized by social practice artist Carmen Papalia and curator Whitney Mashburn, presents conversations between Papalia and artists selected by Mashburn, in regard to tactile access of the chosen artists’ works. The project aims to challenge visual biases in museum engagement, through dialogue with living artists.

Carmen Papalia takes social practice in a new direction as he applies it to the topic of accessibility. Using the tool of conversation, he creates strategic infrastructural activism and prompts exploration of non-visual perception.

In this thesis, Papalia’s work will be examined and discussed …

Northwest Coast Native American Art: The Relationship Between Museums, Native Americans And Artists, Karrie E. Myers

Museum Studies Theses

Museums today have many responsibilities, including protecting and understanding objects in their care. Many also have relationships with groups of people whose items or artworks are housed within their institutions. This paper explores the relationship between museums and Northwest Coast Native Americans and their artists. Participating museums include those in and out of the Northwest Coast region, such as the Museum of Anthropology at the University of British Columbia, the Burke Museum, the Royal British Columbia Museum, the American Museum of Natural History and the Smithsonian Museum. Museum professionals who conducted research for some of these museums included Franz Boas, …

Reflection & Technology In Theory & Practice: Teen Engagement In Art Museums, Chelsea E. Kelly

Occasional Paper Series

This case study shows how the Milwaukee Art Museum’s after-school teen program fosters student engagement through a hybrid practice grounded in constructivist pedagogy. This article presents the museum’s Satellite High School Program in theory and in practice, including its evaluation methods and its impact on students and the museum. In the spirit of the program itself, which celebrates student voices, participants’ own videos, quotes, and experiences will frame my reflections from an educator’s point of view.

Past Disquiet: From Research To Exhibition, Kristine Khouri, Rasha Salti

Artl@s Bulletin

An exhibition of an exceptional scale and scope took place in Beirut in the middle of the civil war and today, its archival and documentary traces have been almost entirely lost. The International Art Exhibition for Palestine opened in the Spring of 1978, comprising some 200 works donated by artists hailing from nearly 30 countries, to be a seed collection for a museum in exile. This is a transcript of a presentation of the transformation of research into an exhibition format and a virtual walkthrough of the show Past Disquiet: Narratives and Ghosts from the International Art Exhibition for Palestine, …

Leading The Future Of Museum Education [Denver Convening Report], Brian Hogarth

All Faculty and Staff Papers and Presentations

In late-May, 2015, over one hundred museum education directors and program managers, along with several higher education faculty and consultants, met at the History Colorado Center in Denver to discuss the challenges and opportunities facing the profession. This report provides the highlights from the talks and discussions that took place, some of the principle findings from written activities and evaluations, as well as insights from follow-up meetings that took place in December 2015 in New York and Denver and in May 2016 at the American Alliance of Museums Conference in Washington DC. Also included is a list of resources related …

A Fish Out Of (Open) Water: A Close Textual­-Intertextual Analysis Of The Monterey Bay Aquarium, Danielle Berton

Communication Studies

No abstract provided.

The One Exhibition The Roots Of The Lgbt Equality Movement One Magazine & The First Gay Supreme Court Case In U.S. History 1943-1958, Joshua R. Edmundson

Electronic Theses, Projects, and Dissertations

The ONE Exhibition explores an era in American history marked by intense government sponsored anti-gay persecution and the genesis of the LGBT equality movement. The study begins during World War II, continues through the McCarthy era and the founding of the nation’s first gay magazine, and ends in 1958 with the first gay Supreme Court case in U.S. history.

Central to the story is ONE The Homosexual Magazine, and its founders, as they embarked on a quest for LGBT equality by establishing the first ongoing nationwide forum for gay people in the U.S., and challenged the government’s right to engage …

Curating Adjacent Shores: A Contemporary Art Exhibition At Usf's Thacher Gallery, Nell C. Herbert

Master's Projects and Capstones

This capstone is a project management plan for the curation of a real-world contemporary art exhibition at the University of San Francisco’s Mary and Carter Thacher Gallery. Adjacent Shores: Hughen Starkweather was on view from March 7 through April 24 of 2016, and featured an eighteenth century Japanese map and the work of the collaborative team of San Francisco based artists Amanda Hughen and Jennifer Starkweather. The exhibition was part of a larger program of events that occurred concurrently on the USF campus and at the Asian Art Museum, all centered on the theme of cartography. During and immediately following …

Teening The Museum : An Adaptable Teen Program For Art And History Museums, Julia Doak Fields

Graduate Student Independent Studies

The teen program delineated in this document was inspired by artist Fred Wilson's exhibit at the Maryland Historical Society. This program is designed to be used by art or history museums with object collections, with a static group of teenagers. It also includes information about why and how to execute this program, plus some specific lesson plans as well as reading materials and suggestions for evaluation.

Special Collections Roadshow — Episode Ten: Union Uniform, Meg A. Sutter, Megan E. Mcnish

The Gettysburg Compiler: On the Front Lines of History

Special Collections Roadshow was created by the Civil War Institute at Gettysburg College in the Spring of 2014. It normally showcases various artifacts from Special Collections at Gettysburg College. For our tenth episode, we went on the road to the Gettysburg National Military Park. Thank you so much to the park staff, specifically Andrew Newman for letting us film an episode on an enlisted man’s uniform in their facility! [excerpt]

Special Collections Roadshow – Episode 9: Medical Kit, Meg A. Sutter, Megan E. Mcnish

The Gettysburg Compiler: On the Front Lines of History

For our ninth episode we welcome our guest Dr. Ian Isherwood ’00 to talk about a Civil War medical kit and how to do research relating to Civil War medicine, as seen in the PBS series, Mercy Street. [excerpt]

Special Collections Roadshow — Episode Eight: Emory Upton’S Tactical Blocks, Meg A. Sutter, Megan E. Mcnish

The Gettysburg Compiler: On the Front Lines of History

Special Collections Roadshow was created by the Civil War Institute at Gettysburg College in the Spring of 2014. Although the series usually showcases various artifacts from Special Collections at Gettysburg College, for our eighth episode we went on the road to the US Army Heritage and Education Center in Carlisle, PA.

Special Collections Roadshow — Episode Seven: Housewife, Meg A. Sutter, Megan E. Mcnish

The Gettysburg Compiler: On the Front Lines of History

Special Collections Roadshow was created by the Civil War Institute at Gettysburg College in the Spring of 2014. It showcases various artifacts from Special Collections at Gettysburg College. The seventh episode features Megan McNish ’16 comparing the housewife from Lewis Tway’s collection to another housewife we just received from Rev. Theodore Schlach’s new collection in Special Collections.

3d Scan Data For Caddo Ceramic Vessels From The George C. Davis Site (41ce19), Robert Z. Selden Jr.

CRHR: Archaeology

On June 8, 2015, the intact and reconstructed vessels from the George C. Davis site (41CE19) were scanned (3D) in advance of an analysis of 3D geometric morphometrics. These data were collected using a Creaform GoSCAN50 running VXElements via the scanner direct control function in Geomagic Design X. All data associated with this project are available in Zenodo under a Creative Commons Attribution license, where they can be downloaded for use in additional projects. These data have the capacity to augment numerous research designs in the digital humanities and ceramic studies, as well as a wide range of comparative research …

Review Of Designing Identity: The Power Of Textiles In Late Antiquity. Edited By Thelma K. Thomas, Carol Bier

Textile Research Works

Designing Identity: The Power of Textiles in Late Antiquity. Edited by Thelma K. Thomas, with contributions by Jennifer L. Ball, Edward Bleiberg, Kathrin Colburn, Helen C. Evans, Christine Kondoleon, Brandie Ratliff, Thelma K. Thomas, Elizabeth D. Williams. Princeton and Oxford: Princeton University Press and Institute for the Study of the Ancient World at New York University, 2016. 152 p. ISBN: 978-0691169422

This beautifully illustrated book, edited by textile historian Thelma K. Thomas, Associate Professor at NYU’s Institute of Fine Arts, advances scholarship on textiles of Late Antiquity with interpretive essays by curators, conservators, and historians. As a scholarly contribution offering …

Reconstructing Meucci’S Legacy: A Museum-School Internship Collaboration, Nicholas Macula

Graduate Student Independent Studies

Excellence & Equity calls for partnerships between museums and schools that will better utilize the strengths of both institutions to encourage learning and fulfill the social calling of museums (American Association of Museums [AAM], 1992). Meanwhile educators are called to meet 21st century learners head-on using “constructivist, project enhanced, collaborative, and authentic curricula” (King, 1998, p.1). With these principles in mind, the museum-school partnership becomes a viable remedy to meeting this social obligation of museums while affording schools opportunities to better engage new learners. Through the lens of a particular growing museum-school partnership between the Garibaldi-Meucci Museum and Staten Island …

Indigenous Curation At The Denver Museum Of Nature And Science, Julia Marie Strunk

Electronic Theses and Dissertations

This thesis explores the questions of how and why indigenous curation is incorporated into collections care and management for American Indian sacred, ceremonial, and religious items at the Denver Museum of Nature and Science (DMNS) through the examination of staff discourse. This thesis also discusses the importance of incorporating non-Western ontologies and epistemologies into classically Western science and natural history museums, and how this helps reconcile differing collections care and management practices. Through the presentation and examination of data and literature, I argue that it is important to include indigenous curation in museums because it aids in cultural revitalization and …

Interpreting The Intangible: Challenges To The Display Of Dance Objects In Museums, Kathryn Louise Brundige Grossman

Electronic Theses and Dissertations

This thesis analyzes Indigenous and non-Western dance objects in museums, examining the role of theory from material culture studies, critical museology and museum education on approaches to their interpretation and display. To explore this topic, I conducted a comparative analysis of Indigenous and non-Western dance object displays at four museums - Denver Art Museum, Denver Museum of Nature and Science, the Thomas Gilcrease Institute of American History and Art in Tulsa, Oklahoma and the Sam Noble Museum of Natural History in Norman, Oklahoma - investigating the use of Native voice, reflexive analysis and multisensory elements in the exhibits' organization, narrative …

Museums, Disasters, And Resilience: The Presbytère's Living With Hurricanes—Katrina And Beyond Exhibit, Molly Hagan

Electronic Theses and Dissertations

This research project focuses on the entanglement of cultural heritage, museums, disasters, and resilience. Using The Presbytère museum's exhibit, Living with Hurricanes: Katrina and Beyond as a case study, I critically examined who is represented in the exhibit and how, what roles museum professionals and New Orleans community members held in the exhibit construction, and visitors' insight on the exhibit content. I argue that the promotion of New Orleans' culture and recovery post-Katrina throughout the exhibit has promoted the overall image of New Orleans and her residents as resilient. Framed by a variety of academic fields, this research contributes to …

Relics Of Battle: War, Memory, And New Museum Theory In Military Museums, Megan Mccoy

Electronic Theses and Dissertations

The anthropology of museums, or museum ethnography, is a useful tool for critically analyzing the representational strategies of museums and their collections. This thesis focuses on the anthropological discussion of military museums and analysis of the material culture of conflict, and specifically on military museums in the United States and in Europe. Using a comparative approach, I look at how "new museology" and "new museum theory" is or is not being implanted in respective military history museum exhibitions, and discuss how personal and collective memory play a role in the construction of the military museum. I also consider how visiting, …

Author Guidelines: Biennial Symposium 2016 Proceedings

Textile Society of America: Symposium Proceedings

Instructions for submission to the biennial symposium proceedings

Lasting Impressions: Indian Block-Prints And Global Trade, Eiluned Edwards

Textile Society of America: Symposium Proceedings

"Above the proficiency in making cotton textiles, India’s crowning textile accomplishment was the patterning of this cloth with brilliant fast dyes."

Textiles are among India’s most successful exports and the enduring popularity of block printed cloth has sustained a centuries-old craft that survives and even thrives in the digital age. Block prints have been integral to the dress codes of the subcontinent as well as serving domestic and ritual functions. (figs. 1-2) They were also embedded in the material culture of diverse nations through centuries of international trade. So what has enabled their longevity and global reach? This paper explores …

Exploring Color Interactions Illuminated In Goldwork Embroidery, Katherine Diuguid

Textile Society of America: Symposium Proceedings

Unexpected things happen when you mix colored threads with metal threads in embroidery--the metals cast their reflections onto the threads, changing the perception of the colors to the viewer. The expectation is for the metal to reflect the light. The excitement lies in the unpredictable nature of how the reflections affect the perception of the surrounding colors and how these perceived colors change as the metals age. Color theory principles are seen in their extremes when mixed with the metal threads. The natural reaction when approaching gold is to assume it is a yellow, making purple its complement according to …

Sacred Currency: The Value Of Textile In Colonial Andean Painting, Gaby Greenlee

Textile Society of America: Symposium Proceedings

In this 18th century colonial Andean image painted in the former Inka capital of Cuzco, Peru, a wreath of flowers encircles a small female figure sitting upon a richly textured seat (Figure 1). She wears clothing that connotes distinction; her features and gestures are as delicate as her garments yet her eyes are fixed and discerning. Our eyes are drawn to her eyes. What does she see? What is her role? We also turn these questions on ourselves: what do we know about this figure that gives the painting meaning? We tend to interpret the work through her identity.

However, …

On Textile Fragments Found At Karadong, A 3rd To Early 4th Century Oasis In The Taklamakan Desert (Xinjiang, China), Sophie Desrosiers, Corinne Debaine-Francfort

Textile Society of America: Symposium Proceedings

In 1993 and 1994, the Sino-French archeological mission in Xinjiang led by Abdurassul Idriss and Corinne Debaine-Francfort,1 excavated the site at Karadong in the heart of the Takalamakan desert, on a former delta of the Keriya River, whose headwaters are in the Kunlun Mountains at the Tibetan border, and which vanishes in the desert sands. At one time, it continued north all the way to the Tarim River, thus forming a communication link with the Kucha region. Older deltas visible on satellite images have been explored and two related archeological sites have been consecutively excavated to the northwest of Karadong: …

Mexican Ikat And Transatlantic Trade, Alejandro B. De Avila

Textile Society of America: Symposium Proceedings

The earliest text known so far in the Americas was engraved on a potsherd found in Chiapa de Corzo in southern Mexico that has been dated to around 300 years before our era. The script appears to represent a language in the Mixe-Zoquean family (which developed historically along the Isthmus of Tehuantepec), and it has been proposed that the inscription on the clay reads as follows: “The pleated cloth got dyed. The thing that is made of pleated cloth has been cut.”1 If this interpretation holds true, the text must refer to a textile that was patterned by means of …

America’S Indigo Obsession: From Colonial Plantations To Contemporary Diy Ethos, Sonja Dahl

Textile Society of America: Symposium Proceedings

This research project is, as the title implies, quite broad. It has grown from stories shared generously with me by many of indigo’s proponents today, as well as the stories compiled in the historical and ethnographic research of scholars such as Andrea Feeser1 and Jenny Balfour Paul.2 This paper was originally written for oration, and what I offer here is a transcript of this talk as performed at the Textile Society of America’s 2016 symposium, Land, Labor and the Port in Savannah, GA, October 2016. It is an open reflection on some of the stories and broader themes I’ve encountered …

New Tools In The Box: Traditional Methods, Contemporary Materials And New Techniques On The Atlantic Coast A Round Table Discussion, Memory Holloway, Laurie Carlson Steger

Textile Society of America: Symposium Proceedings

Recently, the Wall Street Journal reported on the new interest in fiber arts, with the claim that this interest has seen a revival in the hands of contemporary artists exploring bold new forms. “The emergence of fiber art,” states Glenn Adamson, director of New York’s Museum of Art and Design, “is not just the reappraisal of an historic textile movement, rather a much more broad-based interest.”1 The fiber artists on this roundtable addressed two topics related to this broad-based interest, one on formal experimentation, the other on their geographic placement as artists on the Atlantic coast, particularly in and around …

Field To Bag, Bag To Field: Feedbag Production And Distribution In Rural America, Heather R. Buechler

Textile Society of America: Symposium Proceedings

sack- noun a large bag made of a strong material such as burlap, thick paper, or plastic, used for storing and carrying goods.[English Oxford Living Dictionaries.com,]

A popular object among collectors of agricultural ephemera, the printed agricultural sack—both textile and paper—used for the distribution of agricultural goods, is an object with a rich history. Previous research published on these ephemeral objects has typically examined their use and reuse in American households as clothing, quilts, and other domestic goods, or their significance in the World War I Belgian War Relief under the Herbert Hoover administration. This paper poses approaches to the …

Bombay To Bauhaus: Design Influences In Churchill Weavers Textiles From 1922-1949, Sarah Stopenhagen Broomfield

Textile Society of America: Symposium Proceedings

Churchill Weavers, a nationally known handweaving center founded in 1922 in the Cumberland foothills in Berea, Kentucky, created a marketing niche by promoting the Modernist look in its textile products. Modernist textiles focused on woven structure, texture, yarn and fabric properties as the major design elements. Bauhaus artists codified and disseminated a theory of modern textiles as Europe rebuilt in the interwar period, while in America Modernist textiles were commodified as a marketing trend in early 20th century consumerism. Eleanor Churchill, co-owner and the company’s first designer was influenced by textile designs from India, from Modernist textiles, and from Swedish …