Museum Studies Commons^™

Signos Comunes En Los Textiles Andinos Y Los Mesoamericanos, Victòria Solanilla

PreColumbian Textile Conference VIII / Jornadas de Textiles PreColombinos VIII (2019)

Entre los recientes estudios sobre textiles Andinos, comienza a ser frecuente encontrar quienes se dedican a describir además de las técnicas, sus iconografías. Como eran sociedades ágrafas, nos hace pensar que con aquellas imágenes nos quisieron dejar su historia y pensamiento. En el caso de Mesoamérica, se podría decir lo mismo de las técnicas e imágenes, pero en este caso, las sociedades que los tejieron sí tenían manera de comunicarse a través de sus lenguajes escritos. No se han conservado tantos tejidos a causa del clima por las condiciones no favorables para la conservación de materiales orgánicos, pero tenemos muchos …

Transfer Of Vehicles Si Juki's Intellectual Property Rightsfrom Comics To Animation, Ehwan Kurniawan

International Review of Humanities Studies

Transfer of vehicles is removal and alteration. In a broader meaning, this term can even include the conversion of various types of science into works of art. Intellectual Property Rights are rights granted to the creators of Intellectual Property and include trademarks, copyrights, patents, industrial rights, and in some jurisdictional trade secrets. Art works including music and literature, as well as inventions, words, expressions, symbols, and designs can all be protected as intellectual property. Comics (noun) plural form, used with a single verb. Pictures and other symbols that are overlap (close together, next to each other) in sequentially thing, to …

A Highland Textile Tradition From The Far South Of Peru During The Period Of Inka Domination, Penelope Dransart

PreColumbian Textile Conference VIII / Jornadas de Textiles PreColombinos VIII (2019)

A group of garments and textile fragments is identified in this article as belonging to a particular textile tradition, with characteristics indicating an affiliation to communities in the highlands of the South-Central Andes. Different categories of gender-specific garments are presented. The characteristics include an all-camelid construction, warp-patterned stripes in blocks of alternating colours, the use of a discontinuous warp and transposed-warp weave. Pattern motifs include eight-pointed stars, double-headed serpents and figures based on rhombuses. Distinctive geometric designs are analysed, including ‘butterfly’ motifs and narrow stripes, consisting of paired light- and dark-coloured right-angled triangles joined to make stacks of larger isosceles …

My Family, Their History: Using Exploratory Inquiry & Pragmatic Methods To Learn History, Lowellen Sucgang

Capstone Projects and Master's Theses

History education is at a crossroads. The availability of information at our fingertips has the potential to change how the non-historian sees history and the other social sciences. This capstone researched ways the non-historian can utilize the changing face of history education by implementing the pragmatic methods of John Dewey’s education philosophy called instrumentalism. Principal issues discussed include the pros and cons of out-of-classroom history education, utilization of exploratory inquiry for research and the usefulness of primary sources for a historiography. To apply instrumentalism ideals and methods, I created a historiography about my ancestors and how their lives intertwined with …

Exhibiting Prejudice: How Twentieth-Century Museums Promoted The Eugenics Movement, Anna Wachtel

Museum Studies Theses

This research illustrates the impact museums have on social, political, and educational systems through the exploration of the eugenics movement in American museums. Museum professionals promoted racial hierarchies and eugenic ideologies at World’s Fairs through the exploitation of “exotic” peoples and contests designed to judge and categorize racial differences based on an individual’s physical and mental characteristics.

Following World’s Fairs, museums began displaying eugenic themed exhibits. Prominent museum professionals and government officials of the early twentieth century used their position of authority to promote the eugenics movement in National and regional American museums through educational exhibits using approachable science-based exhibit …

The Precolumbian Textiles In The Roemer- And Pelizaeus-Museum Hildesheim, Germany, Lena Bjerregaard

Zea E-Books Collection

Along the coast of Peru is one of the driest deserts in the world. Here, under the sand, the ancient Peruvians buried their dead wrapped in gorgeous textiles. As organic material keeps almost forever when stored without humidity, light and oxygen, many of the mummies excavated in the last hundred years are in excellent conditions. And so are the textiles wrapped around them. Their clear colors are still dazzling and the textile fibers in good condition. Textiles were highly valued objects in ancient Peru – used for expressing status and diverse messages in these non-literate but highly organized and very …

Lessons From Controversy: Interpreting The Sand Creek Massacre In Colorado, Katherine Rose Hoadley

Electronic Theses and Dissertations

This thesis is a case study of the 2012 History Colorado Center exhibit, Collision: The Sand Creek Massacre, 1860s – Today. Collision was an exhibit that attempted to showcase the history of the Sand Creek Massacre – an 1864 event where well over one hundred peaceful Cheyenne and Arapaho people were murdered by the 3rd Regiment of the Colorado Military District. Collision remained open for a little more than a year – this thesis interrogates the reasons behind its closure and its status as a controversial museum exhibit. The findings of this thesis show that a lack of collaboration …

Behind The Exhibit: Exploring The Processes Of Indigenous Rights Representation At The Canadian Museum For Human Rights, Madison Caroline Dillard

Electronic Theses and Dissertations

Focusing on the representation of Indigenous human rights at the Canadian Museum for Human Rights (CMHR) in Winnipeg, Manitoba, this study examines how museums can represent, educate, and advocate for Indigenous human rights. The study is based on ethnographic fieldwork carried out at the museum in July 2019 and the literature on anthropology and human rights, decolonizing museum practices, and museums as spaces for human rights dialogue. The study shows how museums can change their history of racist and inaccurate representation of Indigenous people. Through extensive and “deep collaboration” between Indigenous partners and museum staff, Indigenous culture, history, and rights …

Framing Representation: An Ethnographic Exploration Of Visual Sovereignty And Contemporary Native American Art, Laura A. Hughes

Electronic Theses and Dissertations

The nature of this research is to explore the idea of visual sovereignty within contemporary Native American art, and how this concept engages with practices of decolonization. Through conducting semi-structured interviews with five artists who selfidentify as Native American, I explore how the artists engage with this concept, what visual narratives their artwork presents, and how their works function as acts of decolonization. I connect their narratives to a broader conversation of critical museology and museum anthropology within museum spaces including how to reconsider the art/artifact divide, how to frame Indigenous arts reception through Indigenous aesthetics, and how their narratives …

Beyond Interventions: A Case Study Of The Denver Art Museum’S Native Arts Artist-In-Residency Program, Madison Sussmann

Electronic Theses and Dissertations

The Denver Art Museum’s Native Arts Artist-in-Residency Program is an inter-departmental project dedicated to the collaboration between the museum, artists, and visitors. The residency and the physical studio were established to formalize artist involvement in the museum. There is no written mission statement for the program, but visitor engagement is central to the organization of the program and experience of the artist. This thesis explores the question: What can the experiences of the artists and museum professionals involved in the Native Arts Artist-in-Residency program tell about the residency’s contribution to critical museology and decolonization? Through exploring the definitions of critical …

The Colonial Gaze In Aotearoa New Zealand: Origins, Residue, And Means For Mitigation, Juliet Levesque

History Honors Papers

No abstract provided.

Intertwining The Past And The Present Through Textiles, Experiences In The Communities, A Vision From Peru, Rommel Angeles Falcón

Textile Society of America: Symposium Proceedings

In recent years in Perú, a number of initiatives have been independently developed by collective groups, taking prehispanic textile heritage as a reference and beginning to replicate and teach ancient techniques. These initiatives were born from diverse interests, in many cases based on the experiences of weavers from the Andean highlands, textile traditions of the coast and a notable interest on the part of young people. Resist dye techniques, warp-faced weaving and tapestry have been most fully developed. This presentation reviews the principle initiatives developed in the Lima region, the ‘norte chico’ region and the far north coast.

The Reckoning That Seized Museums From The Aesthetic : How Novel Iterations Of Anti-Neutrality Activism Condemned Institutionalized White Supremacy While Misconstrued As Cancel Culture, Emily Griffin

MA Theses

Non-profit art museums are arbiters of cultural value and simultaneously supporters of artistic freedom. During 2020, a resurgence of the Black Lives Matter movement amplified anti- neutrality activist groups, demanding museums address the embedded violence within their institutional practices. While some physical protests occurred, due to the COVID-19 pandemic digital activism thrived through Instagram campaigns. A portion of research for thesis involved surveying over fifty Instagram accounts dedicated to hold the art world discourse in some regard. Additionally, this thesis’ methodology included remaining conversant on the activity regarding three museums: The San Francisco Museum of Modern Art, The Museum of …

Woven By The Grandmothers: The Development Of The National Museum Of The American Indian Throughout The 1990s, Lucy Winokur

Scripps Senior Theses

In 1994, the National Museum of the American Indian (NMAI) opened the George Gustav Heye Center in New York City, the first of what would be three campuses. Ten years later, in 2004, the NMAI opened its main campus in Washington, D.C., already having cemented their place as leaders in a movement to center indigenous voices within museums housing indigenous material culture. By examining the history of the NMAI from the first acquisition of George Gustav Heye to its earliest approaches to exhibition design and collections management policy in the 1990s, it is possible to track the development of the …

“Tell Me, Bambi Or Yogi Ever Hunt You Back?” The Windigo Myth: A Metaphor For Imperialism And Mental Illness, Christine Carlough

Senior Capstone Theses

The Canadian indigenous myth of the windigo, originating from Algonquian-speaking tribes of the subarctic Northeast like Ojibwe and Cree, is a manifestation for a multitude of fears. This myth originated hundreds of years ago in order to explain the horror and lack of understanding of a mental illness, which would later be known as Windigo Psychosis. Windigo Psychosis is a culture-bound syndrome for an insatiable desire to consume human flesh. A culture-bound syndrome is recognizable and unique only within a specific society or culture, so in other words, Windigo Psychosis is specific to this area in Canada due to a …

Ciencia De Las Mujeres: Experiencias En La Cadena Textil Desde Los Ayllus De Challapata, Denise Y. Arnold, Elvira Espejo

Textile Research Works

En el contexto de la crisis económica que atravesó Bolivia en los años ochenta, una comunidad de puna de pastores andinos, Livichuco, que forma parte integral del ayllu mayor de Qaqachaka, emprendió por iniciativa propia un proceso de mejoramiento de su producción textil, con un programa de rescate de los tintes naturales de la región. Con recursos mínimos, los comunarios compraron ollas y bateas metálicas, y comenzaron a preguntar a las personas mayores sobre sus conocimientos prácticos tradicionales en el ámbito de la tinción de textiles. Durante un período de diez años, y en coordinación con varias instituciones —incluida la …

Seventeenth-Century Spanish Colonial Identity In New Mexico: A Study Of Identity Practices Through Material Culture, Caroline Marie Gabe

Anthropology ETDs

This dissertation explores how seventeenth-century Spanish colonial households expressed their group identity at a regional level in New Mexico. Through the material remains of daily practice and repetitive actions, identity markers tied to adornment, technological traditions, and culinary practices are compared between 14 assemblages to test four identity models. Seventeenth-century colonists were eating a combination of Old World domesticates and wild game on colonoware and majolica serving vessels, cooking using Indigenous pottery, grinding with Puebloan style tools, and conducting household scale production and prospecting. While assemblages are consistent in basic composition, variations are present tied to socioeconomic status. This blending …

Complicating The Narrative: Using Jim's Story To Interpret Enslavement, Leasing, And Resistance At Duke Homestead, Jennifer Melton

Theses and Dissertations

In the antebellum South, an enslaved person was more likely to be leased out than to be sold during his or her lifetime. Despite its ubiquity, leasing of enslaved people is rarely interpreted at historic sites and is not widely understood by the general public. In this project, I examine leasing and resistance to slavery in North Carolina through the lens of Jim, an enslaved man leased by Washington Duke at the property that is now Duke Homestead State Historic Site. While Duke is famous in North Carolina as founder of the American Tobacco Company, he was a yeoman tobacco …

Dance Of Exile: The Sakharoffs’ Visual Performances In Montevideo (1935–1948), Pablo Munoz Ponzo

Dissertations, Theses, and Capstone Projects

This thesis explores the life-work chronology of the dancers and choreographers Clotilde von Derp (whose surname then was Sakharoff) and Alexander Sakharoff, who were exiled in Montevideo, Uruguay, and Buenos Aires, Argentina, between 1941 and 1948. During their stay in the Rio de la Plata region, the Sakharoffs stirred up the art scene by performing extremely detailed dances with great attention to costume design. This thesis begins with a review of the reception of the dancers’ performances by the artistic and cultural circles in Montevideo, arguing that the Sakharoffs’ “queer” trajectory resonated with the Uruguayan artistic community, influencing the creation …

Contemporary Muslim Fashions: De Young Museum, San Francisco, Ca, Carol Bier

Textile Research Works

Calico, chintz, damask, muslin, cashmere, seersucker, taffeta, shawl, caftan, and cummerbund-all English terms derived from Islamic textiles and dress-are the products of textile technologies that resulted from colonization and trade. Their cultural origins are long forgotten, shrouded in the fast-moving commercialized fashion industry and haute couture ofthe West that developed during the 20th century. The exhibition, Contemporary Muslim Fashions, is a game-changer.

The exhibition organizers, Jill D'Alessandro and laura Camerlengo, curators of costumes and textiles at the De Young Museum in San Francisco, worked with Reina Lewis in London as a curatorial consultant. Together, they drew upon the local advice …

Antiquities Theft: The Role Of The Museum In Modern Symbolic Violence, Meredith M. Amato

Student Publications

Humans have been collecting artifacts for centuries, whether it is for their aesthetic value or for the acquisition of knowledge. However, these artifacts have, in most cases, been taken without permission from the countries of origin. Today, museums are struggling with the issue of repatriation and many refuse to return their priceless possessions. Western museums and their supporters are arguing that repatriation will put the artifacts in danger and hurt the chances for humanity to learn from them. The arguments of these museums are an attempt of symbolic violence on non-Western nations, who are seen as unfit or unable to …

Year Of Cuba 2019-2020, Nashieli Marcano, Leslie Drost

Research Guides & Subject Bibliographies

No abstract provided.

Ciencia De Tejer En Los Andes: Estructuras Y Técnicas De Faz De Urdimbre, Denise Y. Arnold, Elvira Espejo

Textile Research Works

Las estructuras y técnicas de los textiles andinos, en las piezas arqueológicas y en las piezas tanto históricas como contemporáneas, se cuentan entre las más complejas del mundo. Si bien el tapiz o faz de trama quizá sea el más conocido de todos los tipos de tela de la región, es sin duda en las telas de faz de urdimbre donde estas estructuras y técnicas han alcanzado su máximo desarrollo, sobre todo en nuestros tiempos. Varios estudios anteriores han intentado describir las estructuras y técnicas de faz de urdimbre, fundamentalmente los libros clásicos Textiles of Anciente Peru and their Techniques, …

The Aleppo Minbar: Symmetry And Islamic Aesthetics, Carol Bier

Textile Research Works

The Aleppo minbar (pulpit for Friday sermons) is a monumental architectural sculpture commissioned in the middle of the 12th century in Aleppo, Syria, by Nur al-Din al-Zangi, who was ruling from Damascus. Envisioning the end of the Crusades, Nur al-Din sought to place the minbar in the Aqsa Mosque after Muslims reclaimed Jerusalem, where it was installed in 1187 by the Ayyubid ruler, Saladin. Richly ornamented with many geometric forms and designs, the wooden minbar expresses an algorithmic Islamic aesthetic based on symmetry, with patterns that imply an infinite expanse contained within borders. Manifesting an aesthetic that persisted for …

Sufism, Beauty, Love: Ecstasy And Rapture Of Islam In Asia. Study Guide, Carol Bier

Textile Research Works

Key Vocabulary: Concepts, Practices, Buildings, Masters/Leaders/Disciples

Major Sufi Figures

Suggested Readings

The Bioarchaeology Of The Tugalo Site (9st1): Diet, Disease, And Health Of The Past, Nompumelelo Beryl Hlophe

College of Graduate Studies: Theses & Dissertations

The Tugalo site is a prehistoric and early historic Native American site located in northeast Georgia along the upper Savannah River basin, near the junction of Toccoa Creek and the Tugalo River. According to archaeological materials analyzed from the site it was occupied from ca. A.D. 1100 to 1600 (Anderson et al. 1995). Although archaeological investigations of the site revealed basic characteristics of its chronology and architecture, very little analysis and reporting of the skeletal remains from Tugalo has been completed. By analyzing data collected by Williamson (1998) concerning the age and sex of the burials, the presence or absence …

La Cofradía De Artes Y Artesanos Hispánicos: 1978 To 1983 Redefining Tradition In The New Mexican Art Market, Ethel Mercedes Everett

Dissertations and Theses

La Cofradía de Artes y Artesanos Hispánicos: Redefining Tradition in the New Mexican Art Market. May 2019.

This master’s thesis explores the 1978 founding, existence, dissolve, and the legacy of the Santa Fe, New Mexican artist exhibition group, La Cofradía de Artes y Artesanos Hispánico (La Cofradía). La Cofradía was formed by six Santa Fe Hispano artists in reaction to creative limitations first imposed on Hispano artists in 1926, when the annual Spanish Market was formed. The Spanish Market was the sole arts sales venue available to Hispano artists in the exclusionary Santa Fe gallery and museum market. The Spanish …

Los Productos Textiles De Los Andes Sur-Centrales: Guía Ontológica Centrada En La Región Aymara-Hablante, Denise Y. Arnold

Textile Research Works

El presente libro ofrece una organización ontológica de los productos textiles andinos. A nivel mundial, los museólogos están dando cuenta de la utilidad de este recurso para estructurar sus colecciones de objetos y para vincularlas con datos de respaldo (registros, catálogos, dibujos, fotos, etc.). Una ontología es una especificación explícita de una conceptualización, que proporciona una estructura y los contenidos que codifican las reglas implícitas de una parte de la realidad, en este caso del dominio textil. Aquí presentamos una representación del conocimiento del dominio textil centrada en las ‘formas’ textiles, por decir los tipos de prendas (ahuayo, acso, unco, …

“After-Ozymandias”: The Colonization Of Symbols And The American Monument, H. R. Membreno-Canales

Theses and Dissertations

After-Ozymandias examines the visual rhetoric of American patriotism through its many symbols, including flags and monuments. My thesis project consists of photographs of empty plinths, objects, products and archival materials. Countless relics remain today memorializing leaders and empires that inevitably declined, from antiquity to modern times. Looking back at distant history feels like a luxury, though: the question for our time in America is whether we have the strength of mind as a society to scrutinize our history, warts and all.

Cherchant Toujours La Paix: Le Systeme Endogene De La Resolution Des Conflits À Batoufam, Becky Sigman

Independent Study Project (ISP) Collection

This dissertation will explore two subjects: an internship done with the chiefdom of Batoufam and a research project about the endogenous system of conflict resolution in Batoufam. The first part will illustrate the internship done at the museum of the chiefdom. Here will be described the institution, the work accomplished, and an analysis of the experience. In the second part will be asked the research question “what is the endogenous system of conflict resolution of Batoufam and how has it adapted in the context of the imposition of westernization?” After doing a literature review and explaining the methodology of the …