Museum Studies Commons^™

Gunther Gerzso: A Mexican Master, Carlos A. Colón

Art Inquiries

No abstract provided.

The Plains Indians: Artists Of Earth And Sky, Mary D. Edwards

Art Inquiries

No abstract provided.

Art Inquiries, Xvii:1, Full Issue

Art Inquiries

No abstract provided.

Back Matter

Art Inquiries

No abstract provided.

The Urbanism Of Frank Lloyd Wright, Michael Lewis

Art Inquiries

Book review of The Urbanism of Frank Lloyd Wright, by Neil Levine.

Picture Titles: How And Why Western Paintings Acquired Their Names, Colleen Truax Yarger

Art Inquiries

Book review of Picture Titles: How and Why Western Paintings Acquired Their Names, by Ruth Bernard Yeazell.

The Last Laugh: Selections From Michael Aurbach’S Secrecy Series, Dorothy Joiner

Art Inquiries

No abstract provided.

Mass Effect: Art And The Internet In The Twenty-First Century, Elizabeth Sutton

Art Inquiries

Book review of Mass Effect: Art and the Internet in the Twenty-First Century, edited by Lauren Cornell and Ed Halter.

David Maisel/Black Maps: American Landscape And The Apocalyptic Sublime, Kelly Wacker

Art Inquiries

No abstract provided.

Drawing In Silver And Gold: Leonardo To Jasper Johns, Sophia Quach Mccabe

Art Inquiries

No abstract provided.

Interview With Duane Paxson, Dorothy Joiner

Art Inquiries

No abstract provided.

Antithetical Commentaries On X, Y And The Disruption Of Being, Eva Rocha

Theses and Dissertations

Through discursive essays and poetic narrative, Antithetical Commentaries on X, Y and the Disruption of Being explores the tenuous relationship between modes of measurement and the struggle for human relevance in the post-contemporary digital age. In the introductory essay, “Not the Feather, but the Bird”, I give an overview of the inherent problems of object-oriented ontology, and how it relates to aesthetics and social issues of our times. In the Developmental Overview, I detail how I developed my installation approach and techniques, particularly with regard to the three-way dynamic of the artist:work:viewer relationship and how it can encourage …

National Institutions Of Visual Culture, Niamh Ann Kelly

Books/Book Chapters

No abstract provided.

A Fragmented Treasure On Display: The Turfan Textile Collection And The Humboldt Forum, Mariachiara Gasparini

Textile Society of America: Symposium Proceedings

In the summer 2012, thanks to the Department of Central Asian Art of the museum and the International Dunhuang Project (IDP) at the British Library in London, UK, the so-called Turfan textile collection--gathered during the last century Prussian Turfan Royal Expeditions in the Tarim Basin--held in the Museum of Asian Art in Berlin, Germany, was finally microscopically analyzed and digitized. Except for a couple of pieces taken into account in previous studies as examples of comparison, the collection as a whole (ca. 350 pieces) has not enjoyed particular attention from scholars in the fields of Chinese or Central Asian art …

Museum Representation : Ethnostatic Representations Of Culture, Brynna Elizabeth Tussey

Legacy Theses & Dissertations (2009 - 2024)

Museums act as knowledge production centers for cultural objects. The knowledge produced and distributed frequently portrays the Other as being immobilized in ethnostatic history. Models and modes of representation serve to reinforce these perceptions, rather than aid in the development of new forms of knowledge production. Through the discussion of these models, my research presents new theoretical perspectives for the agencies within the museum, and proposes possible new models for displaying objects from other cultures and the dialogues around said objects.

Transformational Effects Of Museum Exhibits Upon Their Patrons: The National Underground Railroad Freedom Center, Cassandra Caruso-Woolard

All-Inclusive List of Electronic Theses and Dissertations

No abstract provided.

Classic French Modern, Robert Jensen

Art and Visual Studies Presentations

This conference paper presented at Art Without History symposium sponsored by the Oskar Reinhart Collection, September 2012, explores the development of modern house museums devoted to collections of 'classic French modern,' works primarily by the Post-Impressionist artists Cézanne, Gauguin, Toulouse-Lautrec, Seurat, and van Gogh. These museums largely reflect the collecting activities of an international group of collectors that includes the Clark brothers, Duncan Phillips, Chester Dale, and Albert Barnes among the Americans, Samuel Courtauld in Britain, and the Swiss collectors Emil Bührle and Oscar Reinhart. The collections offer an alternative view of Post-Impressionism, one leading not toward the 20th-century avant-gardes, …

The Museum Of Modern Art's "What Is Modern?" Series, 1938-1969, Jennifer Tobias

Dissertations, Theses, and Capstone Projects

Between 1938 and 1969, the Museum of Modern Art (MoMA) poses the question of What Is Modern? (WIM) in a series of books, traveling exhibitions, and a symposium. This dissertation argues for the WIM project as a sustained if minimally effective effort to influence popular American perceptions of modern art, architecture, and design, at the same time embodying tensions inherent to the museum and its notions of that modernism.

MoMA is an unquestionable influence on modern art history. WIM is a significant component of this influence, yet scholarship on the series is minimal. Hiding in plain sight, the series offers …

Comunication With Islamic Material Culture: A Case Study Of The Room 34 In The British Museum, Mohamad Meqdad

Faculty & Staff Publications

Communication inside the museum comprises three active agents: curator, visitor, and material culture. The process of making meaning results from the interaction between these agents. Each one of them is independent and measuring the success of any exhibit depends on the degree of their engagement. Therefore, three meanings come up here, an organisational meaning, an interactional meaning, and a representational meaning. Each one of these meanings is tied to one agent, the organisational with the physicality of the exhibition, the interactional with the visitors, and the representational with the curators. The result of this triangular interaction is the communication or …

Politique Culturelle : Tradition, Modernité Et Arts Contemporains Au Sénégal, 1960-2000, Kinsey Katchka

Présence Francophone: Revue internationale de langue et de littérature

This essay approaches contemporary arts in Senegal and their exhibition from the perspective of cultural policy. This is an especially salient approach in Senegal, where policy has played a significant role in exhibition and creative practice since the colonial period. This history is conventionally examined through a distinctly nationalist framework that reveals the government’s clear distinction between "tradition" and "modernity". State exhibition practice and rhetoric have reinforced this dichotomy, serving to position the Senegalese state as purveyor, definer, and arbiter of cultural heritage. However, diverse creative expressions throughout the capital city of Dakar call into question nationalist rhetoric’s rigid distinction …

Biennale Et Effervescence Artistique Au Sénégal : Conjonctions Et Passerelles, Hélène Tissières

Présence Francophone: Revue internationale de langue et de littérature

The Dakar Biennial, Dak’Art, plays a key role and is the only event of this kind on the african continent. Held in a country where there is an abundant artistic production, it prolongs Senghor’s objectives (underlining the importance of the collective, intertwining art forms, investing mystical positions). Made of an “In” and “Off”, its structure dismantles divisions between popular/theoretical, accessible/obscure, autodidact/trained and promotes a dialog between people and approaches. Many Senegalese artists proceed in a similar fashion, assembling concepts (orality, signs, cultural references, categories), drawing from the world at large. Inscribing memory, they invite us to interrogate our future beyond …

Nineveh Sails For The New World: Assyria Envisioned By Nineteenth-Century America, Steven W. Holloway

Libraries

No abstract provided.

A Question Of Heritage, S Swaminathan

IIMB Management Review

No abstract provided.

Review Of Treasures Of Castilla Y León: A Cultural Season In New York, Antoni Pizà

Publications and Research

Spanish religious art tends to be theatrical in nature. During the Middle Ages and the Renaissance, for example, the original setting of sculpted figures invariably emulated a stage in order to create a dramatic environment in which light, smells, and sounds were controlled for effect. Just consider the religious sculptures frequently paraded in processions or the statuary placed in chapels and niche-like recesses. Or think also of the dramatic paintings that functioned almost as backdrops for what amounted to the "staging" of the Catholic liturgy. Medium and message, thus, went hand in hand, a dependence that was made even stronger …

Review Of 1900: Art At The Crossroads, Antoni Pizà

Publications and Research

There is probably little doubt that the fissure between "high" and "low" culture is more conspicuous nowadays than it ever was. Clement Greenberg, that dashing arbiter of contemporary art, had already sensed it in 1939 when he wrote the seminal essay quoted above, as Adorno also perceived it decades before him. Their foreboding premonitions, however, could not hinder the relentless success of popular culture and the retreat of so-called high art into the safe harbors of the university campus, the museum, and the private sphere.

Colby College Sesquicentennial Project: Art In Maine; Or, Colony, Province And State - The Role Of Maine In American Art, Colby College

Archives of Maine Art

A statement of purpose.

The State of Maine offers the locale for a penetrating study of the visual arts as they relate to a people and a geographical setting. This study can reach fruition in three distinct but related ways: as an exhibition of the works of art themselves; in the establishment of a permanent repository for photographs, factual data and source material; and as a book combining good reproductions and an authoritative text. Each of these will be discussed separately later in this report.

As a region, Maine is perhaps uniquely qualified to reveal the scope of American art …

Report Of Department Of Archeology, Nebraska State Historical Society, For 1903 And 1904, Elmer Ellsworth Blackman, Jade Robison

Nebraska State Historical Society: Transactions and Reports

In this document, E. E. Blackman, the State Archeologist, reports to the Nebraska State Historical Society regarding recently completed work in the field of archeology. Blackman first reports on his 1903 archeological explorations and lecture presentations. Fieldwork emphasized an investigation of flint quarries and geological formations across the central and eastern parts of the state of Nebraska. In the same year, Blackman set out on an expedition along the Blue River, with the hopes of gathering additional relics from previously excavated sites as well as from those yet to be investigated. Of primary importance was artifact collection and interpretation. Although …